Artists Lithuania


Mark Matveyevich Antokolsky (Russian: Марк Матве́евич Антоко́льский) was a 19th century Russian sculptor and writer. He is known as a representative of the realistic style and as the first sculptor of Jewish origin to gain international fame.
Mark Antokolsky devoted most of his career to the depiction in marble, plaster and bronze of the real characters of Russian history and achieved wide recognition already at a young age. His works were highly appreciated not only in Russia but also abroad and the artist was elected a member of many European academies of arts.
Mark Antokolsky was also a very successful writer. He often wrote publicistic articles on the development of the visual arts, and shortly before his death he published a novel describing real-life events in the life of the Jews in the Russian Empire.
Although from the early 1870s Mark Antokolsky spent most of his time living in France, he never lost touch with Russia - he constantly carried out orders for the royal family and the Russian Academy of Arts, wrote articles for Russian magazines, and regularly held solo exhibitions of his works in St. Petersburg.




Jonas Čeponis was a Lithuanian painter and representative of the Fauvism movement.
Čeponis graduated from the Lithuanian Art Institute and the Vilnius Institute of Engineering Construction, and was a professor at the Lithuanian Art Institute. Influenced by Fauvism, the artist mainly painted expressive landscapes of Lithuanian villages and Vilnius. His paintings are characterized by decorative, contrasting color combinations. Čeponis also painted portraits, still lifes, figurative compositions and nudes.


Adomas Galdikas was a Lithuanian painter, graphic artist, theatre artist and stage designer.
Adomas Galdikas painted landscapes, still lifes, portraits, abstract compositions. Author of prints, illustrated books. He created scenery for seventeen productions of the Kaunas State Theatre; among the most significant theatre works, apart from Kreve's Sharunas, is the opera Gražina by Jurgis Karnavičius (1933).




Tadeusz Groeski (Russian: Фаддей Антонович Горецкий) was a mid-nineteenth-century Russian and Polish artist. He is known as a painter and teacher.
Tadeusz Groeski created a number of historical and genre paintings, as well as portraits of Russian intellectuals, soldiers, Polish church figures, family members and friends. He also made skilful copies of paintings by famous Italian and Spanish masters. His artistic legacy also includes drawings-illustrations for classics of Polish literature.


Kęstutis Grigaliūnas - Lithuanian graphic artist, art teacher. 1988-1989 created linen carvings, wood carvings, screen prints, etchings, illustrated books. Since 1990 one of the first Lithuanian graphic designers to use the color screen printing technique. Made a cut out of cardboard and plywood. It is characterized by a pronounced graphic beginning - lines, signs, ornaments, figurative and abstract motifs are used. Since 1998 creates more complex plastic graphic works and cut-outs, they feature postmodernism features, pop art, Fluxus elements, decorative, eclectic images. A playful mood, irony, and various intellectual references to the images of Lithuania and other cultures and civilizations prevail.


Martinas Jankus is a Lithuanian landscape painter, member of the Lithuanian Union of Artists.
He began exhibiting in 1991 and since then has held 16 solo exhibitions. Jankus paints abstract, emotional landscapes, where the main thing is not the peculiarities of relief, but the skill to capture the unique color relationships depending on the seasons.


Isaac Ilyich Levitan (Russian: Исаак Ильич Левитан) was a distinguished Russian artist, celebrated for his profound contributions to the world of landscape painting. Born in 1860, Levitan's work is emblematic of the Russian landscape genre, capturing the emotive and atmospheric essence of the country's natural scenery. His artistry is not merely a depiction of the physical landscape but an exploration of the human emotion intertwined with the natural world, making his work resonate deeply with art collectors and experts alike.
Levitan's ability to infuse his landscapes with mood and emotion set him apart from his contemporaries. His paintings such as "The Vladimirka Road," "Above Eternal Peace," and "Golden Autumn" are lauded for their technical brilliance and emotive power. These works are showcased in prestigious museums, including the Tretyakov Gallery in Moscow, highlighting his importance in Russian culture and art history. Levitan's mastery in capturing the subtle transitions of light and his delicate portrayal of the seasons convey a profound sense of place and time, offering viewers a transcendent experience.
As an artist, Levitan's influence extends beyond his canvases, contributing significantly to the development of Russian landscape painting. His work embodies a unique blend of realism and impressionism, reflecting a deep connection to the Russian countryside. For collectors and experts in art and antiques, Levitan's paintings represent not only aesthetic beauty but also a rich cultural heritage. His legacy continues to inspire and captivate audiences, underscoring his status as a pivotal figure in the art world.
For those passionate about the intricacies of culture, art, and the storied canvas of history, Isaac Ilyich Levitan's oeuvre offers an unparalleled exploration of the Russian soul through landscape. We invite collectors and art enthusiasts to sign up for updates on new product sales and auction events related to Levitan's work. This subscription is your gateway to owning a piece of Russian artistic heritage, where the beauty of Levitan's landscapes can become a cherished part of your collection.


Jacques Lipchitz was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson.


Vasily Vasilyevich Mate (Russian: Василий Васильевич Матэ), birth name Wilhelm Johann Mathé, was a prominent Russian artist and engraver, made a significant mark in the art world during the late 19th century. Unlike many of his contemporaries who focused on poetry and painting, Vasily Mate specialized in the art of engraving, establishing himself as one of Russia's leading engravers.
Vasily Mate honed his skills at the Imperial Academy of Arts, where he later became a full member. His expertise in engraving set him apart in an era where Russian art was predominantly influenced by poetry and painting. Mate's collaboration with eminent Russian painters allowed him to produce engravings that captured the essence of their paintings, thereby playing a crucial role in popularizing Russian art.
Vasily Mate's engravings encompassed a range of subjects, including portraits of notable figures like Alexander Pushkin and Nikolai Gogol. His ability to intricately transcribe these subjects onto metal plates garnered admiration and respect, securing his legacy in the annals of Russian art history.
For art collectors and enthusiasts, Vasily Mate's works offer a glimpse into the rich cultural heritage of Russia. His engravings are not just artistic creations but historical artifacts that provide insight into the artistic endeavors of the late 19th century.
If you are keen on exploring more about Vasily Vasilyevich Mate and staying updated on sales and auction events related to his works, we invite you to sign up for our updates. This subscription will serve as your gateway to the fascinating world of Vasily Mate's engravings, ensuring you don't miss out on any opportunity to own a piece of Russian art history.


Józef Oleszkiewicz, a Polish-Lithuanian painter, was renowned for his contributions across Belarusian and Russian art scenes. Born in the late 18th century, Oleszkiewicz was celebrated for his masterful portraits and historical scenes, which were imbued with a distinctive blend of cultural influences that reflected his diverse heritage.
Oleszkiewicz's work is characterized by its meticulous detail and vibrant color palette, which set him apart from his contemporaries. His ability to capture the emotional depth and personality of his subjects made his portraits particularly revered. Among his notable works is the portrait of Adam Mickiewicz, a legendary figure in Polish literature, which is housed in the National Museum in Warsaw.
His career spanned various regions, leaving a significant mark on the art communities in Belarus and Russia as well. His influence is evident in the way he seamlessly integrated the artistic traditions of these cultures, making his works highly valuable not only for their aesthetic appeal but also for their cultural significance.
For collectors and experts in art and antiques, the work of Józef Oleszkiewicz offers a unique glimpse into the historical and cultural tapestry of Eastern Europe. His paintings are not just artistic expressions but are also historical documents that provide insight into the era's societal values and aesthetics.
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Edward Pawłowicz was a Polish-Lithuanian-Belarusian artist of the second half of the nineteenth and early twentieth centuries. He is known as a painter and graphic artist, public figure, memoirist and educator.
As an artist, Edward Pawłowicz painted portraits and landscapes in a style that critics define as transitional from classicism to romanticism. He also wrote several books of memoirs.


Aloys-Gustav Rockstuhl (Russian: Алоизий Петрович Рокштуль) was a mid-nineteenth-century Russian artist of Baltic-German origin. He is known as a hereditary miniaturist painter, portrait painter, draftsman, and lithographer.
Aloys-Gustav Rockstuhl had the title of court painter. Almost all of his work consisted of creating miniatures for the Imperial couple - Russian and foreign. The artist painted many portraits of Russian emperors and members of the imperial family.


Ignotas Mauricijus Ščedrauskas (Russian: Игнатий Степанович Щедровский) was a mid-nineteenth-century Russian artist of Polish-Lithuanian origin. He is known as a painter, draughtsman, and lithographer.
Ignotas Ščedrauskas is considered an outstanding genre painter of the natural school, close to the Venetsianov school. He worked mainly in lithography and also painted genre pictures from the life of Russian people, mainly craftsmen. In his works of this genre the artist sought to reliably convey scenes of urban life and social characteristics of urban types. The master also created landscapes, mostly of the Vilna region of Lithuania.


Benjamin Shahn, also known as Ben (Ben / Benjamin Shahn) — Lithuanian-born American artist and photographer. He combined a decorative style of imagery with poignant social themes in his works and is considered one of the most prominent critical artists in the United States. His photographs made him famous as a chronicler of life in New York's working-class and black Southern American communities, as well as the slums of big cities. Many of his street photographs were later used in his paintings and wall panels. He also used newspaper photographs in his work.
Shan's work can be found in many US museums, including the Wichita Museum of Art.


Wincenty Sleńdziński (Russian: Викентий Александрович Слендзинский) was a Polish-Lithuanian and Russian painter of the second half of the 19th and early 20th centuries. He is known as a painter and pianist.
Wincenty Sleńdzinski created portraits, landscapes and genre paintings. A special place in his work was occupied by the religious genre, the artist painted churches in Moscow and Lithuania.


Sofija Veiveryte (Russian: София Мотиевна Вейверите) was a Lithuanian and Soviet artist of the second half of the twentieth and early twenty-first centuries. She is known as a painter, graphic artist, master of frescoes, and teacher.
Sofija Veiveryte created works characterized by monumentality, expressiveness, ability to work with tones and halftones. Her portraits show the influence of the old Renaissance and Baroque masters. Her works are kept in various museums, including the Tretyakov Gallery, the Pushkin Museum of Fine Arts, the Sofia National Gallery (Bulgaria) and the Lithuanian Museum of Theater, Music and Cinema, as well as in private collections.


William Zorach, born Zorach Gorfinkel, was a Jewish American sculptor, painter, printmaker, and educator.
Zorach's family emigrated from Lithuania to the United States when he was four years old. He trained as a lithographer and studied painting at the Cleveland Institute of Art and in Paris, where he painted in bright colors in the manner of Henri Matisse and other artists of the Fauvism movement. Returning to the United States in 1912, Zorach became one of the first to introduce European modernist movements to the country. And later began to work extensively with sculpture.
William Zorach was a pioneer in the art of direct carving and is unique in that he often used very hard, colored and patterned stones like granite boulders he found while walking. Zorach's mature works are characterized by monumental forms and skillful use of the natural color, veining and texture of stone and wood. He often left traces of the sculptor's tools to enrich the surface.
Zorach was one of the best known and most respected sculptors of his generation. He was elected a member of the American Academy of Arts and Letters and taught at the Art Students League of New York.