Illustrators Rural landscape
Emilia Appelgren was a Finnish artist, one of the first female landscape painters of 19th century Finland.
Emilia Appelgren was also a good copyist and illustrator. After the establishment of the Finnish Society of Artists in 1846, she studied at art schools at home and abroad.
Gottfried Albert Maria Bachem was a German painter and illustrator of the Düsseldorf School. Bachem, who belonged to the Malkasten artists' association from 1921 to 1932, painted portraits, genre scenes and landscapes, and he also illustrated children's books. From 1900 he took part in numerous art exhibitions, including in Berlin.
Richard Corbould was an English artist. He was a painter, in oil and watercolour, of portraits, landscape, and occasionally history; of porcelain, and miniatures on ivory, and enamels; and was furthermore an important illustrator of books renowned for his Napoleonic sketches of Ships, and a follower of the old masters. From 1777 to 1811 he was a constant contributor to the Royal Academy.
Gabriele Daube is a German artist known for her cityscapes and still lifes.
Gabriele Daube's works are often characterized by bold colors and expressive brushwork. She drew inspiration from the natural world, including city and seascapes.
In addition to painting, Daube also worked as a graphic artist and illustrator.
Edmond De Schampheleer was a Belgian landscape painter and engraver. After completing his studies with Eugène-François de Block in Antwerp, he set himself up as a landscape painter; taking a realistic approach, derived from Théodore Fourmois and the French artists of the Barbizon School. He also combined plein aire techniques with large-scale painting in his studio. His style increasingly came to resemble that of the 17th century Dutch artists.
Jakob Fürchtegott Dielmann was a German illustrator, genre and landscape painter. He focused on genre art, but also painted plein air style at the Mittelrhein, the Main and throughout Hesse. In 1841, Gerhardt von Reutern invited him to visit the Artists' Colony in Willingshausen, where he created scenes of village life. The following year, he opened a studio at the Städelschule and took further lessons with Anton Burger. In the early 1860s, he and Burger moved to Kronberg, where they founded their own artists' colony. In addition to painting, he often worked as an illustrator.
André Albert Marie Dunoyer de Segonzac was a French painter, graphic artist and illustrator known for his contribution to the Post-Impressionist and Fauvist movements.
Dunoyer de Segonzac's style was defined by his bold use of colour, his expressive brushwork, and his desire to capture the essence of the subject. In his work, he explored a variety of subjects, including landscapes, still lifes and scenes of everyday life. His paintings often displayed a sense of vitality and energy, with vibrant hues and dynamic compositions. The master often used intense hues to evoke an emotional response. His palette was characterised by a bold and expressive use of colour, giving his works a sense of vibrancy and dynamism.
Jean Frélaut was a French painter, engraver, and illustrator who studied at the École des beaux-arts de Paris and learned printmaking from Marcel Beltrand and Donald Shaw Mac Laughlan. He participated in the group of independent printmakers founded by Jean Émile Laboureur and Raoul Dufy and was appointed curator of the museum in Vannes in 1937. Frélaut's work is characterized by his love for nature and his ancestral territory in Morbihan, which is reflected in his engravings and drawings.
Harold Brocklebank Herbert was an early 20th century Australian painter and printmaker, an illustrator and cartoonist. A traditionalist, as an art teacher he promoted representational painting, and as a critic was an influential detractor of modernism. He was the first war artist to be appointed for Australia in the Second World War, serving for 6 months with the Australian Infantry Forces in Egypt in 1941 and in the Middle East in 1942. Herbert continued the Australian impressionist style and exercised particular skill with watercolour washes and his etchings, lithographs and cartoons are in an economical, sketchy style.
Hermann Karl Hesse was a German-Swiss poet, novelist, and painter, known for delving into themes of authenticity, self-knowledge, and spirituality. Born in Calw, Germany, Hesse's exploration of the individual's quest for truth won him the Nobel Prize for Literature in 1946. His storytelling weaves a rich tapestry of philosophical thought, evident in masterpieces like "Steppenwolf" and "Siddhartha," which resonate deeply with the human experience.
Renowned for his lyrical prose and profound insights into the human spirit, Hesse's works are a cornerstone of 20th-century literature. They challenge readers to seek beyond the confines of society and find a deeper sense of self. His narrative style combines simplicity with a deep philosophical undercurrent, inviting reflection and introspection.
Collectors and connoisseurs of literature hold Hesse's works in high esteem, not just for their literary merit but also for their cultural significance. For those interested in the evolution of literary thought and the pivotal role of introspective narratives, Hesse’s works are invaluable. Delve into his writings to discover the essence of early 20th-century philosophical literature and consider adding them to your collection for both their historic and artistic value.
Søren Hjorth Nielsen was a Danish painter and illustrator. He is remembered for his paintings of the allotments and outskirts of Copenhagen and later for his landscapes of the Bramsnæs Vig area in northwestern Zealand. He was a professor of painting at the Royal Danish Academy of Fine Arts from 1957 to 1971.
His painting was essentially realistic, sometimes bordering on the grotesque. For a time he also worked as a portrait painter. His favourite subjects included the allotments and harbour districts of Copenhagen. His landscapes included summer scenes at Vester Åby on Funen and around Bramsnæs Vig on the west coast of Zealand; the houses and vegetation in the bottom half of the paintings contrasted with the stillness of the low-set horizon. In his later years, he painted a number of summer and winter scenes from his house at Tempelhuse to the south-east of Holbæk.
His work developed from Expressionism in his early years to participation in the renewal of Danish landscape painting. He was also active in etchings and woodcuts covering studies of models at the Academy, sketches during his travels or landscape depictions. He was also a keen draftsman, often producing crayon drawings as a basis for his oils.
Ernst Huber, an Austrian painter, was a significant figure in Austrian Classical Modernism. Born in Vienna in 1895, Huber initially trained as a typesetter and lithographer, but he was predominantly self-taught as a painter. His artistic journey began with his first exhibition success in 1919, which caught the attention of the notable Viennese architect Josef Hoffmann. Huber's membership in the Zinkenbacher Malerkolonie, alongside fellow artists like Ferdinand Kitt and Franz Zülow, was a highlight of his career.
Huber's art predominantly features landscapes, with his early works showcasing regions such as Lower Austria, Upper Austria, and the Salzkammergut. His travels in the 1920s expanded his repertoire, influencing his paintings significantly. Huber was adept in various mediums, including oils, watercolors, reverse glass, and tile paintings, as well as book illustrations. His talent was recognized with several awards, including the Austrian State Award and the Honour Prize of Vienna.
One of his notable works, "The Bridge," created in 1919 using brush and black ink, ink wash, and watercolor with black chalk, is part of the collection at The Metropolitan Museum of Art. This piece reflects his unique style and contribution to the art world. Huber passed away in 1960 in Vienna, but his legacy continues, with his works featured in numerous museums and galleries.
Ernst Huber's works are sought after by collectors, auctioneers, and art experts. If you are interested in staying updated about sales and auction events related to Ernst Huber's works, I invite you to sign up for our updates. This subscription will keep you informed about new product sales and auction events specifically related to Ernst Huber's art.
Auguste-Xavier Leprince was a French painter, lithographer, draughtsman and illustrator.
Leprince displayed his talent and pictorial genius in a variety of genres and techniques during his short but vivid life. He painted portraits and landscapes, scenes of rural and urban life, and illustrated books. Leprince's art left a deep trace in the painting of the early 19th century.
Curt Liebich was a German painter, graphic artist and sculptor.
After initial training in Dresden, Liebich moved to the Academic High School of Fine Arts in Berlin. He then studied at the Grand Ducal-Saxon Art School in Weimar and in 1896 he settled in Gutach. His painting was mainly concerned with rural and village life. As an illustrator, he designed vignettes and covers for books and magazines as well as advertising graphics.
In 1923, Liebich was awarded the title of honorary citizen of Gutach. In 2005, the Hasemann-Liebich Art Museum opened in Gutach with works by the two Black Forest artists.
Heinrich Eduard Linde-Walther was a German painter and illustrator. He studied painting at the Academy of Fine Arts in Munich with Gabriel von Hackl and Paul Hoecker. Also at the Académie Julian in Paris. Member of the Berlin Secession since 1902.
Heinrich Eduard Linde-Walter was mainly known for landscapes and still lifes, but also did numerous children's portraits and illustrations for children's stories. Most of his works were commissioned by individual clients and remain in private ownership.
Amédée Ernest Lynen, who often signed his works Am. Lynen, was a Belgian painter, illustrator and writer. In 1880, he was one of the founders of the artistic group L'Essor after it had separated from the academy, and he co-founded its successor Pour l'Art in 1892. In 1895, he founded the "Compagnie du Diable-au-corps", an artistic association which organised evenings with theatre and poetry, and which existed at least until 1899. It also published a satirical newspaper, Le Diable au Corps. In 1903, two works on paper were bought by the Royal Museums of Fine Arts of Belgium. In 1930, a retrospective of his works was organised by the Cercle Artistique et Littéraire in the Vauxhall, Brussels.
Anton Marussig was an outstanding Austrian artist whose versatile oeuvre spanned the fields of landscape painting, portraiture, figurative and genre painting as well as illustration.
The son of a magistrate, Anton Marussig became a recognised student at the Landscape Drawing Academy in Graz under the tutelage of the renowned Hermann von Königsbrunn. He later continued his education in Munich at the Academy of Fine Arts, where he was taught by outstanding artists such as Gabriel von Hackl, Wilhelm von Lindenschmit and Alexander von Liezen-Mayer.
Marussig received numerous awards and recognitions for his artistic work. His remarkable teaching career began in 1907, when he taught at both the Technical College and the Provincial Art School in Graz. In addition to his teaching activities, Marussig was also active as an industrial painter and received the highest award, the Golden State Medal, in 1912.
In 1913 he became a member of the Austrian Artists' Association. During the First World War, Anton Marussig also contributed to the documentation of this turbulent time as a war painter.
Charles Stephen Meachem is a British landscape painter, poster designer, illustrator and teacher. He studied at the Birmingham School of Art. Samples of his work are in the collections of Graysfield Art Centre and Tunbridge Wells Museum and Art Gallery.
Louis-Gabriel Moreau was a French graphic artist and landscape painter.
He is frequently identified as "Moreau the elder" ("Moreau l’Aîné") in order to avoid confusion with his precocious younger brother, the artist Jean-Michel Moreau (1741–1814) who is sometimes identified as "Moreau the younger" ("Moreau le Jeune").
Hermann Naumann, a distinguished German artist, has made significant contributions to the fields of painting, graphics, illustration, and sculpture. Starting his artistic journey with a stonemasonry apprenticeship, Hermann Naumann later honed his skills in sculpture under the guidance of Burkhart Ebe and Herbert Volwahsen at the HBK Dresden. Over time, he expanded his artistic repertoire to include painting and graphic arts, embracing techniques like lithography, etching, and punch cutting.
Hermann Naumann's works are celebrated for their depth and versatility, reflecting his mastery over various mediums. Notably, his illustrations for literary works, such as Heinrich Böll's "Erzählungen" and Franz Kafka's "Betrachtung," showcase his exceptional ability to complement and elevate textual narratives through visual art. His public sculptures, like the relief in Dresden and the "Fahnenschwinger" in Riesa, further attest to his prowess in creating engaging and meaningful art.
For art collectors and enthusiasts, Hermann Naumann's oeuvre offers a rich tapestry of visual narratives, each piece echoing the artist's profound engagement with his subjects and mediums. Those interested in exploring Hermann Naumann's artistic journey and his contributions to German art and culture are encouraged to stay updated on exhibitions, sales, and auctions featuring his work.
Dale William Nichols was an American landscape painter whose work included illustrations, paintings, lithographs, and woodcarvings. His favorite subject is rural landscapes, often snow-covered. Nichols' paintings are represented in many public and private collections across the country, including the Art Institute of Chicago. His most famous oil painting, End of the Hunt, hangs in the Metropolitan Museum of Art.
Alfred William Parsons was a British artist, illustrator and renowned garden designer, a Fellow of the Royal Academy.
He studied at the Kensington School of Art and was a keen gardener thanks to his gardener father. Parsons' favorite subject matter in his paintings is flowering gardens, paths between flowerbeds, and coastal riverscapes. His detailed botanical illustrations led to an acquaintance with William Robinson, one of the great gardeners of his day. He commissioned Parsons to create illustrations for The Wild Garden, and then received his first garden commission from architect Philip Webb. Parsons created several more simple but stunning gardens that harmonized new and traditional elements.
After traveling to Japan, Parsons published his impressions of the country under the title Notes in Japan (1896), and he painted 132 watercolors depicting roses for Ellen Willmott's book Rod Rosa.
Ingwer Paulsen was a German graphic artist and painter.
Ingwer Paulsen was primarily an etcher. His subjects were the landscape and architecture of the west coast of Schleswig-Holstein and all the countries he visited on his study trips.
After the end of the First World War, he temporarily aspired to the totality of all means of expression, from graphic art, painting and sculpture. In addition to sculptures, he created designs for large colour murals. In 1925 he illustrated the book Einsame Ufer. Hallignovellen by Elfriede Rotermund. From the mid-twenties he increasingly devoted himself to painting and experimented with Impressionist and Expressionist styles. His thematic approach to Nazi ideology remained without significant resonance.
Edmond Marie Petitjean was a French painter. He was known for his seascapes and rural landscapes.
Petitjean's paintings are characterized by bright, vibrant colours and free strokes that convey a sense of movement and atmosphere.
Petitjean's work was exhibited widely during his lifetime, including at the Salon des Artistes Indépendants and the Salon d'Autumn in Paris. Like many artists of the period, he also created illustrations and caricatures for periodicals. He was the recipient of numerous awards and prizes for his work.
Helen Beatrix Potter was an English writer, illustrator, natural scientist, and conservationist. She is best known for her children's books featuring animals, such as The Tale of Peter Rabbit, which was her first published work in 1902. Her books, including 23 Tales, have sold more than 250 million copies. Potter was also a pioneer of merchandising — in 1903, Peter Rabbit was the first fictional character to be made into a patented stuffed toy, making him the oldest licensed character.
Harold Septimus Power, usually known as H. Septimus Power or H. S. Power, was a New Zealand-born Australian artist, who was an official war artist for Australia in World War I. He exhibited in 1899 with the Melbourne Art Club and soon after moved to Adelaide where he worked as an illustrator and political cartoonist. In 1904, he was commissioned by the trustees of the Art Gallery of South Australia to paint an animal scene. He was a member of the Royal Institute of Oil Painters and the Society of Animal Painters. He also exhibited at the Royal Academy of Arts. After war broke out in the summer of 1914, the Australian government appointed official war artists to depict the activities of the Australian Imperial Force in the European theater of war. Power was appointed in 1917 and was attached to the 1st Division, A.I.F. from September to December of that year and then again in August the following year. Official War Artist during the First World War and was renowned for his depiction of animals, in particular horses, on the field of battle.
Victor Noble Rainbird was a British painter, stained glass artist and illustrator.
Victor Noble Rainbird studied at King's College, Newcastle-upon-Tyne, where he distinguished himself and won several prizes. His paintings were included in a government exhibition which travelled to Australia, New Zealand and Canada.
Reinberd's work often depicts views and the waterfront and sea around North Shields and other Tyne harbours. He made several trips to France, Belgium and the Netherlands, and the bulk of his work focuses on his travel experiences. Rarer subjects include stained glass windows, portraits and still lifes (flowers).
Otto Reiniger was a German artist. He was a painter and illustrator who is best known for his landscape paintings, which often depicted the natural beauty of the German countryside.
Reiniger studied art in Stuttgart, Munich, and Paris. He was heavily influenced by the Impressionist movement and often used vibrant colors and loose brushstrokes in his paintings. He exhibited his work at several exhibitions throughout Germany, including the Munich Secession in 1893 and the Great Berlin Art Exhibition in 1898.
Reiniger's paintings were highly regarded for their vivid depictions of nature and their ability to capture the essence of the German landscape. He was particularly drawn to the forests and mountains of southern Germany, and many of his paintings feature these natural landscapes.
Despite his relatively short career, Reiniger's work had a significant impact on the German art world. Today, his paintings are highly sought after by collectors and can be found in several museums and private collections around the world.
Charles Rochussen was a 19th-century painter from the Netherlands, who was also known as an illustrator and printmaker. While still a child, Charles showed a talent for drawing; between 1831 and 1834 he produced watercolor studies of birds. In 1837 he enrolled at the academy in The Hague, where he was taught by Wijnand Nuijen andAnthonie Waldorp. During his Hague period, which lasted until 1843 (or, according to some sources, 1846), he painted landscapes and beach and village views. Then he started painting looser, more along the lines of the upcoming Impressionism movement.
Willem Roelofs was a Dutch painter, water-colourist, etcher, lithographer and draughtsman. Roelofs was one of the forerunners of the Dutch Revival art, after the Romantic Classicism of the beginning of the 19th century, which led to the formation of The Hague school. His landscapes, especially the early ones with their dominating cloudy skies, demure bodies of water and populated with cattle, are typical for the School of Barbizon.
Paul Emil Rumpf was a German painter and illustrator. Emil Rumpf was the son of the Frankfurt painter Philipp Rumpf. After the first artistic lessons from his father, Rumpf went to the Düsseldorf Art Academy. He later moved to the Karlsruhe Art Academy. In the summer of 1888 he became a private student of Caspar Ritter at the Städel Institute. Since Rumpf's parents had settled in Kronberg im Taunus in 1875, Rumpf had - apart from a few trips - centered his life there. After becoming acquainted with some of his fellow painters, Rumpf soon joined the Kronberg painters' colony.
Paul Sandby was a British watercolorist, draughtsman and printmaker, and a founder member of the Royal Academy.
Sandby first worked as a draughtsman and cartographer before painting his first paintings, watercolors of bridges, fortifications and Scottish landscapes, as well as views of Windsor. These works eventually made him a sought-after artist. Sandby also painted many caricatures and skillfully documented eighteenth-century British social life.
In 1768, Sandby, his brother Thomas Sandby and 27 other artists became founding members of the Royal Academy in London. He is now considered one of the founders of English watercolor.
Caspar Johann Nepomuk Scheuren is a German painter and illustrator.
After receiving an elementary art education from his painter father Egidius Scheuren, he studied landscape painting at the Düsseldorf Academy of Art, where he later became a professor.
Caspar Scheuren gradually developed an allegorical style of landscape painting, including motifs from stories and legends of the Rhine. He produced more than 300 oil paintings, 600 watercolors and 400 engravings.
Paul Alfred Schroeter or Schröter was a German painter and etcher. He became a member of the Munich Secession and participated in their first exhibition of 1894. From 1898 to 1901, he lived in Hamburg where he became a co-founder of the Hamburgischer Künstlerklub. Many of his works are in private collections. Most of the others were destroyed during World War II.
Eric Sloane (born Everard Jean Hinrichs) was an American landscape painter, illustrator, and author.
Sloane was an accomplished artist who painted in a traditional, realistic style. He was particularly known for his depictions of the American landscape, often featuring rural scenes and historical structures such as barns and covered bridges. In addition to his painting, Sloane was also a prolific illustrator, working on books, magazines, and advertising campaigns.
Sloane was also a respected author, writing books on topics such as American history, weather lore, and traditional building techniques. He was a proponent of preserving traditional crafts and building methods and wrote extensively on the subject.
Today, Sloane's work can be found in the collections of museums such as the Smithsonian American Art Museum in Washington, D.C., and the New Britain Museum of American Art in Connecticut. His legacy continues to be celebrated by those who appreciate his contributions to American art and culture.
Ralph Idris Steadman is a British illustrator best known for his collaboration and friendship with the American writer Hunter S. Thompson. Steadman is renowned for his political and social caricatures, cartoons and picture books. As well as writing and illustrating his own books and Thompson's, Steadman has worked with writers including Ted Hughes, Adrian Mitchell and Brian Patten, and also illustrated editions of Alice in Wonderland, Treasure Island, Animal Farm, the English translation of Flann O'Brien's Gaelic-language classic The Poor Mouth, and most recently, Fahrenheit 451. Steadman has drawn album covers for numerous music artists, including the Who, Exodus, Frank Zappa and Ambrosia, and the lead banner for the gonzo journalism website GonzoToday.com.
