Mannerism Venetian school
Jacopo Bassano or Jacopo da Ponte was an Italian painter of the Venetian school. He painted biblical scenes and portraits in the late Renaissance and Mannerist style, with a slight touch of Baroque. Bassano was quite realistic in his depictions of everyday objects, animals, homes and landscapes.
Domenico Passignano, born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-Maniera (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century.
Jacopo Bassano, known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Trained in the workshop of his father, Francesco the Elder, and studying under Bonifazio Veronese in Venice, he painted mostly religious paintings including landscape and genre scenes. He often treated biblical themes in the manner of rural genre scenes, portraying people who look like local peasants and depicting animals with real interest. Bassano's pictures were very popular in Venice because of their depiction of animals and nocturnal scenes. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter.
Odoardo Fialetti was an Italian painter and printmaker who began his training during the late Renaissance, and showed distinct mannerist sensibilities in his mid-career, adopting a much looser and more dynamic style in his later life.
Born in Bologna, he initially apprenticed with Giovanni Battista Cremonini, and after traveling to Rome, he moved to Venice to work in the elderly Tintoretto's studio.
From 1604 to 1612, he is listed as member of the Venetian Fraglia dei Pittori. In Venice, he painted a St Agnes for the church of San Nicolò da Tolentino and scenes from the Life of St Dominic for the sacristy of the Santi Giovanni e Paolo.
Altobello Melone was an Italian painter of the late Renaissance.
He worked all his life in his hometown of Cremona, where he completed his most important commission, a cycle of frescoes for the city's cathedral. In addition to religious compositions, Melone painted portraits and genre scenes. The artist's style is characterized by eclecticism, from Lombard and Mannerist. His portraits are emotionally intense and the moods of the people depicted are easy to read, whether melancholy or anger.
Antonio Negretti was a 16th-century Italian painter, also known as Antonio Palma.
Antonio Negretti was the father of the Venetian painter and printmaker Jacopo Palma the Younger.
Negretti produced paintings of historical and religious content.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Rejecting Mannerism in the 1580s, he embraced a reformist naturalism.[6] He varied the ingeniously synthesised amalgam according to subject matter and patrons' own eclectic and conservative tastes, with "virtuoso skill and a facile intelligence". Palma il Giovane went on to organize his own, large studio which he used to produce a repetitive series of religious and allegorical pictures that can be found throughout the territory of the Venetian Republic.
Giovanni Girolamo Savoldo was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives".
About 40 paintings by Savoldo are known in all, six of them portraits; only a handful of drawings by him are known. He was highly regarded in his own lifetime; several repetitions of works were commissioned from him, and copies of his work made by others. He slipped from general awareness, however, and many of his works were assigned to more famous artists, especially Giorgione, by the art trade. Awareness of his oeuvre revived in the 19th century, though the dating of many paintings remains controversial among specialists.
Jacopo Robusti Tintoretto was an Italian painter, a significant figure in the Venetian school, and one of the most notable artists of the late Renaissance. Born in Venice in 1518, Tintoretto was known for his rapid painting technique and bold brushwork, which both fascinated and sparked debate among his contemporaries. His early aspirations were evident when he was briefly apprenticed to Titian, a relationship that ended abruptly due to a clash of personalities or Titian's possible jealousy of Tintoretto's talent. Despite this setback, Tintoretto's self-driven studies, particularly his admiration for Michelangelo's drawing and Titian's coloring, shaped his artistic development.
Tintoretto's body of work is distinguished by its dramatic gestures and muscular figures, set in dynamic compositions with a masterful use of perspective and lighting, hallmarks of the Mannerist style. His paintings are celebrated for their emotional intensity and theatricality, elements that prefigured the Baroque movement. Among his numerous contributions to art and culture, Tintoretto's work in the Scuola Grande di San Rocco in Venice stands out, showcasing his skill in creating narrative and spiritual depth across a vast series of canvases dedicated to biblical stories and the life of Christ.
Significant works by Tintoretto include "The Last Supper" at San Giorgio Maggiore, which exemplifies his innovative approach to this traditional religious subject, and "The Miracle of the Slave," demonstrating his ability to convey divine intervention with dynamic realism. His legacy extends beyond his death in 1594, with his influence resonating in the works of later artists and contributing to the development of Baroque art.
Tintoretto's dedication to his craft and his unique approach to painting made him a pivotal figure in the transition from the Renaissance to the Baroque period. His works are housed in prestigious museums and galleries worldwide, continuing to inspire and captivate audiences with their intensity and beauty.
For collectors and experts in art and antiques, Tintoretto's oeuvre represents not only a high point of Venetian painting but also a bridge between eras in art history. His innovative techniques and expressive style offer rich insights into the evolving aesthetics of his time.
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Alessandro Varotari, commonly known as Il Padovanino, was an influential Italian painter from the late-Mannerist and early-Baroque Venetian school. Born in Padua in 1588, Varotari's artistic journey was deeply influenced by his father, Dario Varotari the Elder, a local painter and architect. His works exhibit a profound influence of Titian, reflecting a faithful adherence to the style and spirit of the Renaissance master throughout his career.
Padovanino's move to Venice in 1614 marked a significant phase in his career, where his narrative ability and sensuality in painting were highly regarded. Notable for his talents as a copyist, Padovanino also earned recognition for his original works, which are characterized by their narrative depth and expressive sensuality. His pupils included renowned artists like Pietro Liberi and Giulio Carpioni, highlighting his role as a mentor in the Venetian art scene.
His paintings, such as "The Incredulity of St. Thomas" and "Virgin and Child," demonstrate his meticulous approach to composition and detail, making significant contributions to the art world that lasted well into the seventeenth century. Varotari's works can be found in various prestigious collections, including the Gallerie dell'Accademia in Venice and the Brera Gallery in Milan, underscoring his lasting legacy in the realm of Italian art.
For art collectors and enthusiasts seeking to delve deeper into the world of Italian Mannerist and Baroque painting, Alessandro Varotari's oeuvre offers a fascinating exploration of narrative, technique, and stylistic evolution. His commitment to capturing the essence of his subjects, coupled with his ability to blend tradition with innovation, ensures his place among the notable figures in art history.
For art collectors and experts interested in Alessandro Varotari's works, this is your opportunity to deepen your appreciation and understanding of his art. By signing up for updates, you'll receive exclusive information about new sales, auctions, and exhibitions related to Varotari's masterpieces. Don't miss the chance to enhance your collection with the works of this distinguished Italian painter. Sign up now and stay informed about the latest opportunities to acquire pieces of Varotari's legacy.
Paolo Veronese, born Paolo Caliari, was a distinguished painter of the 16th-century Venetian school. Renowned for his vibrant use of color and majestic compositions, Veronese's artworks often depicted allegorical, biblical, or historical subjects set within grandiose settings of Renaissance architecture. His mastery in color and illusionary compositions that expand beyond the canvas' confines made him a pivotal figure in the Venetian Renaissance.
His early years were marked by an apprenticeship with Antonio Badile, leading to a significant influence from Mannerist artists and a development of his unique style, characterized by radiant palettes and elegant figures. Paolo Veronese's works, including major altarpieces and large-scale feast scenes, were celebrated for their elaborate detail and classical harmony, reflecting influences from artists like Titian, Raphael, and Parmigianino.
One of Paolo Veronese's specialties was grand scenes of feasts, such as "The Wedding at Cana" and "The Feast in the House of Levi," which showcased his ability to blend narrative with ornate details, often sparking controversy and admiration alike. His significant contributions to the art world, from the full-scale decoration of the Venetian church of S. Sebastiano to the splendid ceiling and wall paintings for the library of S. Marco, left an indelible mark on the Renaissance art scene.
For collectors and experts in art and antiques, Paolo Veronese's works represent a blend of classical beauty, innovative use of color, and narrative depth, making his paintings a significant focus for art historical study and appreciation.
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