Minimalism — Auction price
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Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism," and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
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Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism," and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Adolph Dietrich Friedrich Reinhardt was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists (AAA) and part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism. He was also a member of The Club, the meeting place for the New York School abstract expressionist artists during the 1940s and 1950s. He wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting. Most famous for his "black" or "ultimate" paintings, he claimed to be painting the "last paintings" that anyone can paint. He believed in a philosophy of art he called Art-as-Art and used his writing and satirical cartoons to advocate for abstract art and against what he described as "the disreputable practices of artists-as-artists".
John Dwyer McLaughlin was an American artist. He was a prominent figure in the development of minimalism and hard-edge painting in the United States.
McLaughlin initially studied philosophy and art history at Harvard University, and later studied painting in Europe. In the 1930s, he became interested in Japanese art and philosophy, and began to develop a style of painting that was influenced by Zen Buddhism and the aesthetics of Japanese calligraphy.
McLaughlin's work is characterized by its simplicity and abstraction, and he often used large blocks of color and geometric shapes in his compositions. His work was seen as a reaction against the emotional and expressionistic tendencies of abstract expressionism, and he was a leading figure in the development of minimalism and hard-edge painting in the 1950s and 1960s.
McLaughlin's work has been exhibited in museums and galleries around the world, and he is widely considered one of the most important American painters of the 20th century. His influence can be seen in the work of a number of younger artists working in the fields of minimalism and abstract art.
John Dwyer McLaughlin was an American artist. He was a prominent figure in the development of minimalism and hard-edge painting in the United States.
McLaughlin initially studied philosophy and art history at Harvard University, and later studied painting in Europe. In the 1930s, he became interested in Japanese art and philosophy, and began to develop a style of painting that was influenced by Zen Buddhism and the aesthetics of Japanese calligraphy.
McLaughlin's work is characterized by its simplicity and abstraction, and he often used large blocks of color and geometric shapes in his compositions. His work was seen as a reaction against the emotional and expressionistic tendencies of abstract expressionism, and he was a leading figure in the development of minimalism and hard-edge painting in the 1950s and 1960s.
McLaughlin's work has been exhibited in museums and galleries around the world, and he is widely considered one of the most important American painters of the 20th century. His influence can be seen in the work of a number of younger artists working in the fields of minimalism and abstract art.
John Dwyer McLaughlin was an American artist. He was a prominent figure in the development of minimalism and hard-edge painting in the United States.
McLaughlin initially studied philosophy and art history at Harvard University, and later studied painting in Europe. In the 1930s, he became interested in Japanese art and philosophy, and began to develop a style of painting that was influenced by Zen Buddhism and the aesthetics of Japanese calligraphy.
McLaughlin's work is characterized by its simplicity and abstraction, and he often used large blocks of color and geometric shapes in his compositions. His work was seen as a reaction against the emotional and expressionistic tendencies of abstract expressionism, and he was a leading figure in the development of minimalism and hard-edge painting in the 1950s and 1960s.
McLaughlin's work has been exhibited in museums and galleries around the world, and he is widely considered one of the most important American painters of the 20th century. His influence can be seen in the work of a number of younger artists working in the fields of minimalism and abstract art.
Brice Marden was an American painter. He is known for his minimalist, abstract paintings that often feature simple geometric shapes and a limited color palette.
Marden studied at the Boston University School of Fine Arts and the Yale University School of Art and Architecture. In the 1960s, he moved to New York City and became associated with the Minimalist movement, which emphasized the use of simple forms and materials.
Marden's early works were monochromatic, featuring one color per canvas. Later in his career, he began to incorporate more colors and gestural brushstrokes into his paintings, while still maintaining a sense of simplicity and restraint.
Marden has received numerous awards and honors throughout his career, including the National Medal of Arts in 2011. His works are held in collections around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Georges Pompidou in Paris.
Brice Marden was an American painter. He is known for his minimalist, abstract paintings that often feature simple geometric shapes and a limited color palette.
Marden studied at the Boston University School of Fine Arts and the Yale University School of Art and Architecture. In the 1960s, he moved to New York City and became associated with the Minimalist movement, which emphasized the use of simple forms and materials.
Marden's early works were monochromatic, featuring one color per canvas. Later in his career, he began to incorporate more colors and gestural brushstrokes into his paintings, while still maintaining a sense of simplicity and restraint.
Marden has received numerous awards and honors throughout his career, including the National Medal of Arts in 2011. His works are held in collections around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Georges Pompidou in Paris.
Dan Flavin was an American minimalist artist known for his use of fluorescent light as a medium. Flavin's work explored the aesthetic possibilities of industrial materials and the interaction between light, space, and color.
Flavin studied art at Columbia University. He began creating his iconic light installations in the 1960s, using commercial fluorescent tubes of various sizes and colors to create complex arrangements of light and shadow.
Many of Flavin's works were site-specific, designed to respond to the architecture and spatial dynamics of the exhibition space. Some of his most famous installations include "Monument for V. Tatlin" (1969), a tribute to the Russian Constructivist artist Vladimir Tatlin, and "Untitled (Marfa Project)" (1996), a permanent installation of colored fluorescent light in Marfa, Texas.
Flavin's work was recognized with numerous awards and honors, including the Guggenheim Fellowship and the Skowhegan Medal for Sculpture. He exhibited his work extensively in the United States and Europe, and his installations continue to be celebrated as seminal examples of minimalist and conceptual art.
Flavin's legacy as a pioneering artist continues to inspire new generations of artists working with light and other non-traditional materials.
Anni Albers (born Annelise Elsa Frieda Fleischmann) was a German textile artist and printmaker credited with blurring the lines between traditional craft and art.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Anni Albers (born Annelise Elsa Frieda Fleischmann) was a German textile artist and printmaker credited with blurring the lines between traditional craft and art.