Romanticism — Auction price
Jean-Louis André Théodore Géricault was a French painter and lithographer, celebrated for his pivotal role in the Romantic movement. Born in Rouen, France, in 1791, and educated among the elite in Paris, Géricault developed a profound connection with art from a young age, influenced by his training under notable figures like Carle Vernet and Pierre-Narcisse Guérin. This foundation set him on a path that diverged significantly from the classical traditions of his time.
Géricault's artistry is best known for its vibrant energy and emotional intensity, characteristics that marked a departure from the Neoclassical style predominant in the early 19th century. His most famous work, "The Raft of the Medusa" (1818–19), is a monumental canvas that dramatizes the tragic aftermath of the French shipwreck, Méduse, capturing the public and critical imagination for its raw portrayal of human despair and resilience. This painting not only criticized the French government but also showcased Géricault's masterful handling of drama, becoming an iconic symbol of Romanticism.
Throughout his career, Géricault remained deeply engaged with contemporary issues and the human condition, exploring themes of mental illness, social injustice, and the raw power of nature versus human vulnerability. His series of portraits depicting patients with mental illnesses, created towards the end of his life, highlighted his empathy and innovative approach to capturing human emotion and psychological depth.
Géricault's fascination with the dynamic forms and emotional potential of horses also led to some of the most stirring equestrian art of his time, reflecting his personal passion for horseback riding and his exceptional understanding of equine anatomy. This interest is evident in works like "A Horse Frightened by Lightning", showcasing his ability to capture motion and emotion in both human and animal forms.
Despite his premature death at the age of 32, Géricault's legacy endures, with his works residing in prestigious institutions like the Louvre in Paris. His artistic vision and dedication to portraying the realities and turbulences of his era have cemented his status as a pioneer of Romanticism, influencing subsequent generations of artists, including his contemporary and friend, Eugène Delacroix.
For collectors and experts in art and antiques, Géricault's oeuvre offers a profound insight into the Romantic spirit, embodying the tumult, passion, and innovation of an era on the cusp of modernity. His works continue to inspire and captivate audiences, reminding us of the power of art to provoke thought and evoke deep emotional responses.
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Jean-François Raffaëlli was a French realist painter, sculptor, and printmaker who exhibited with the Impressionists. He was also active as an actor and writer.
Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.
Paul César Helleu was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Époque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.
Pierre-Alfred Dedreux, who signed his works as Alfred de Dreux was a French portrait and animal painter, best known for his scenes with horses.
Eugène Louis Boudin was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the «King of the skies».
Johan Hendrik Louis Meijer was a Dutch painter, etcher, lithographer, and draftsman. He painted in the Romantic tradition and is best known for his seascapes. Meijer received his first training in painting from Westenberg and then continued his studies under JW Pieneman. He went through all the classes at the Royal Academy of Art in Amsterdam. In 1827 he left for France where he practiced landscape painting. In 1831 he returned to Holland. It was there that he first occupied himself with the profession of sea painting with the happy result that he devoted himself entirely to it.
Johannes Hermanus Koekkoek was a Dutch painter and draughtsman. Following his education, he worked as an art teacher, but soon decided to become a free-lance artist. In 1826, he moved to Durgerdam, near Amsterdam, where he would live and work until 1833. He initially combined seascapes and cityscapes but, in his later years, focused entirely on ocean scenes. Much of his inspiration came from the painters of the Dutch Golden Age. His style was essentially Realistic, but alos showed elements of the newer Romantic aesthetic. Rather than merely paint ships, he also learned as much as he could about the different types.
Abraham Hulk was an Anglo-Dutch painter, draughtsman and lithographer. He initially trained as a portraitist, but became a well-known as a marine-painter and the patriarch of a whole family of Anglo-Dutch artists.
Hermanus Koekkoek was a distinguished Dutch painter known for his marine art. As a member of the renowned Koekkoek Painting Family, Hermanus followed in the footsteps of his father, Johannes Hermanus Koekkoek, and his brothers, becoming an influential figure in the realm of maritime and landscape painting.
His art education began under the tutelage of his father and later extended to formal studies at the Rijksakademie in Amsterdam, where he honed his skills in marine art, a genre that he primarily focused on throughout his career. Hermanus's works exhibit a blend of Realism and Romanticism, drawing inspiration from the Dutch Golden Age of painting. His contributions to the art world were recognized with a gold medal at an exhibition held by Arti et Amicitiae, an artists' society in Rotterdam.
Hermanus Koekkoek's paintings often depict serene maritime scenes, showcasing his adeptness at capturing the tranquility and dynamism of the sea. His works were well received not only in the Netherlands but also in Germany and England, and today, they can be viewed in prestigious institutions like the Teylers Museum and the Museum Boijmans Van Beuningen.
For art collectors and enthusiasts, Hermanus Koekkoek's oeuvre provides a captivating glimpse into 19th-century Dutch marine and landscape painting, offering a testament to his skill and artistry in capturing the essence of the natural world and maritime life.
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Henriette Ronner-Knip was a Dutch-Belgian artist celebrated for her detailed and emotive animal paintings, especially cats and dogs. Born into an artistic family in Amsterdam in 1821, Henriette's talent was evident early on, and she quickly became a prominent figure in the art world. Her father, a key influence in her life, helped hone her skills from a young age, emphasizing the dedication required for artistic success. Despite challenges, including her father's blindness and the responsibility of supporting her family, Henriette's resolve only strengthened.
After marrying Teiko Ronner in 1850, Henriette moved to Brussels, where she transitioned her focus predominantly to animals, capturing the essence and character of her subjects with remarkable precision. Her works, such as "The Death of a Friend," not only garnered acclaim but also reflected societal elements, like the reliance on dog sleds in the 19th century. Henriette's contributions were recognized with numerous accolades, and her legacy continued through her children, who also pursued artistic careers.
For collectors and art enthusiasts, Henriette Ronner-Knip's works offer a glimpse into the 19th-century life and a deep appreciation for animal portrayal in art. Her paintings, imbued with a blend of realism and romanticism, continue to resonate, reflecting her profound connection with her subjects and her exceptional skill in bringing them to life on canvas.
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Jacques François Joseph Carabain was a Dutch-Belgian painter, known primarily for his scenes of cities and buildings in the Romantic-Realist style. He was especially interested in Medieval and Baroque structures, and was often attracted to busy market places.
Willem Koekkoek was a Dutch painter of the urban landscape.
Following in the family tradition, his father gave all four brothers their first art lessons. Willem also received training as an architect, but practiced that profession for only a short time. It did, however, leave a lasting influence on his choice of subject matter.
Pieter Gerardus Vertin is a Dutch landscape painter and graphic artist. He is known for his urban views.
Jacob Jan Coenraad Spohler was a Dutch painter. He is known for his winter landscapes and cityscapes.
Charles Henri Joseph Leickert was a Belgian painter of Dutch landscapes. As a specialist in winter landscapes, he explored the nuances of the evening sky and the rosy-fingered dawn.