PIERRE-PAUL PRUD`HON (CLUNY 1758-1823 PARIS) - photo 1

PIERRE-PAUL PRUD`HON (CLUNY 1758-1823 PARIS)

Lot 68
18.05.2022 14:30UTC +01:00
Classic
Sold
€ 7 560
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 761488
Lot 68 | PIERRE-PAUL PRUD'HON (CLUNY 1758-1823 PARIS)
Estimate value
€ 7 000 – 10 000
PIERRE-PAUL PRUD'HON (CLUNY 1758-1823 PARIS)Cupidon ôtant son carquois. Étude pour l'Innoncence préfère l'Amour à la Richessenuméroté '3510' et inscrit '300 f' (verso du châssis)pastel sur papier marouflé sur toile et monté sur châssis60,7 x 49,5 cm (23 7⁄8 x 19 1⁄2 in.). Provenance Vente d'atelier de l'artiste, Hôtel Drouot, Paris, 13-14 mai 1823, lot 39.Acquis (39,95 francs) lors de cette vente par Fontalard. Marquis Maison.Acquis à ce dernier via Susse (300 francs) par François Marcille (1786-1856).Légué à Camille Marcille (1816-1875), dès 1869 ; sa vente, Hôtel Drouot, Paris, 6-7 mars 1876, lot 121.Acquis à ce dernier (500 francs) par Henry Jahan (1843-1885) pour Eudoxe Marcille (1814-1890) ; puis par descendance aux actuels propriétaires. Literature C. de Ris, 'Exposition de la Société des Artistes', L'Artiste, 17 janvier 1847, p. 113. G. Duplessis, 'La Collection de M. Camille Marcille', Gazette des Beaux-Arts, mars 1876, p. 428, note 1, ill. p. 429 (gravure de Hotelin et Hurel).Ph. de Chennevières, 'Les dessins de maîtres anciens exposés à l'Ecole des Beaux-Arts en 1879', Gazette des Beaux-Arts, 1880, p. 123, ill (Gravure de Hotelin et Hurel). E. de Goncourt, Catalogue raisonné de l'œuvre peint, gravé et dessiné de P. P. Prud'hon, Paris, 1876, pp. 311-312.H. de Chennevières, 'Silhouettes de collectionneurs. M. Eudoxe Marcille', Gazette des Beaux-Arts, 3e période, IV, 1890, II, p. 304, 306.J. Guiffrey, L'Œuvre de P.-P. Prud'hon, Paris, 1924, p. 27, n° 73.S. Laveissière, Prud'hon ou le rêve du bonheur, cat. exp., Paris, Galeries nationales du Grand Palais, et New York, Metropolitan Museum of Art, 1997-1998, sous le n° 120. Exhibited Paris, Deuxième exposition pour l'Association des artistes, 15 décembre 1846, lot 60. Chartres, Société archéologique d'Eure-et-Loir, Exposition départementale. Catalogue de la partie Archéologique & artistique, troisième édition, 1869, n° 42.Paris, École des Beaux-Arts, Exposition des œuvres de Prud’hon au profit de sa fille, 1874, n° 222.Paris, École des Beaux-Arts, Catalogue description des dessins de maîtres anciens exposés à l'école des Beaux-Arts, mai-juin 1879, n°661.Paris, École des Beaux-Arts, Exposition de dessins de maîtres modernes, 1884, p. 95, n° 527.Paris, Exposition universelle internationale, 1889, n° 478.Paris, Palais des Beaux-Arts (Petit Palais), Exposition P.-P. Prud’hon, 1922, n° 79.Paris, musée Jacquemart-André, Pierre-Paul Prud’hon : 1758-1823, 1958, n° 15. Post lot text PIERRE-PAUL PRUD'HON, CUPID REMOVING HIS QUIVER, PASTELAccording to Chennevières, this drawing in pastel, a technique that Prud’hon rarely employed, 'looks like a real Corregio' (op. cit., 1890, p. 304). It is a preparatory drawing for a painting by Constance Mayer (1775-1821), a student of Prud’hon who eventually became his life companion: Innocence Preferring Love to Riches, exhibited in the Salon of 1804 (St. Petersburg, Hermitage Museum, inv. 5673). In the Prud’hon sketch, Riches, personified by an elegant woman in profile clothed in a red dress, offers her treasures to Love and Innocence (Art Institute of Chicago, inv. 1933. 1090). There is also a drawing of the group of figures (Chantilly, Musée Condé, inv. 502; N. Garnier-Pelle, S. Laveissière, Pierre-Paul Prud'hon dans les collections du musée Condé, Chantilly, Paris, 1997, pp. 18-19). The dancing, smiling cupid, for which this pastel is a study, appears next to Love. The Louvre has two of Prud’hon’s pastels similar to the current composition in its collection: the image of Riches in profile, almost identical to the one shown in the painting by Mayer (inv. 32 587; Laveissière, op. cit., 1997-1998, n°120), and the bust of Innocence (inv. RF 416).
Artist:Pierre-Paul Prud’hon (1758 - 1823)
Applied technique:Pastel on paper
Art style:Old Masters
Place of origin:Western Europe, France, Europe
Auction house category:Drawings
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