gemälde moderne kunst
Franz Heckendorf was a German painter and graphic artist who was particularly successful during the Weimar Republic. During the National Socialist era, he was sentenced to ten years in prison after helping Berlin Jews threatened with deportation to extermination camps to escape to Switzerland.
Jean Dufy was a French painter of the late 19th century and the first half of the 20th century. He is known as a painter and designer who worked in various styles, including Cubism and Fauvism. Contemporaries appreciated Dufy's talent as a colorist who constantly experimented with colors, finding inspiration, in particular, in jazz music.
Jean Dufy preferred to depict life in Paris in his oil and watercolor paintings. One of his favorite subjects was the spectacle, especially the circus. Dufy was also in demand as a designer. For 30 years he designed porcelain and in 1925 at the International Exhibition of Decorative Arts, Dufy was awarded the gold medal for his design of the porcelain service Chateaux of France. Jean Dufy also helped his brother Raoul Dufy create a 600 square meter fresco for the Electricity Pavilion at the 1937 World Fair in Paris.
Jean Dufy's work was exhibited in prestigious museums and galleries throughout his career. Today his paintings are in the public collections of the Museum of Modern Art in New York, the Pompidou Center in Paris, the Albertina Gallery in Vienna and other world art centers.
Jean Dufy was a French painter of the late 19th century and the first half of the 20th century. He is known as a painter and designer who worked in various styles, including Cubism and Fauvism. Contemporaries appreciated Dufy's talent as a colorist who constantly experimented with colors, finding inspiration, in particular, in jazz music.
Jean Dufy preferred to depict life in Paris in his oil and watercolor paintings. One of his favorite subjects was the spectacle, especially the circus. Dufy was also in demand as a designer. For 30 years he designed porcelain and in 1925 at the International Exhibition of Decorative Arts, Dufy was awarded the gold medal for his design of the porcelain service Chateaux of France. Jean Dufy also helped his brother Raoul Dufy create a 600 square meter fresco for the Electricity Pavilion at the 1937 World Fair in Paris.
Jean Dufy's work was exhibited in prestigious museums and galleries throughout his career. Today his paintings are in the public collections of the Museum of Modern Art in New York, the Pompidou Center in Paris, the Albertina Gallery in Vienna and other world art centers.
Bruno Goller was a German painter. He received his painting training from the Düsseldorf landscape painter Julius Jungheim. Bruno Goller belonged to the artists' community "Das junge Rheinland", which he joined as early as 1920. In 1928 he participated in the founding of the "Rheinische Sezession".
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
Conrad Felixmüller was a twentieth-century German artist, born Conrad Felix Müller. He is known as a painter, graphic artist, illustrator and printmaker, a representative of the New Materiality movement, who worked in the Expressionist style.
Felixmüller created about 2,500 paintings and graphic drawings, the main motif of which was the human being. The artist considered himself a socially critical expressionist, and his works reflected scenes from everyday life. In the 1930s, many of his works were confiscated by the Nazis as examples of degenerate art and destroyed. As a result of the bombing of Berlin in 1944, Felixmüller lost much of his work.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
 Макс Клингер. Никола Першайд. Фотографический портрет Макса Клингера, 1913.jpg)
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.