skulpturen (klassische) moderne
Aristide Maillol was a French artist. He was a painter, sculptor, and printmaker, and is best known for his sculptural works.
Maillol initially worked as a painter, but after seeing Auguste Rodin's sculptures in the early 1890s, he turned to sculpture himself. His early sculptures were influenced by the classical tradition, and often depicted female figures in a simplified, stylized form.
Maillol's sculptures are characterized by their smooth surfaces and simplified forms, which reflect his interest in the pure and timeless beauty of the human body. He often worked in bronze, and his sculptures were typically larger than life size.
In addition to his sculptures, Maillol also created prints, including lithographs and woodcuts. His prints were often based on his sculptural works, and reflected his interest in simplifying form and line.
Maillol continued to work and exhibit his art throughout his life, and his work was shown in galleries and museums around the world. Today, his sculptures are held in the collections of many prestigious institutions, including the Musée d'Orsay in Paris, the Museum of Modern Art in New York, and the Tate Gallery in London.
Horst Antes was a German painter, graphic artist and sculptor, a pioneer of the new figurative painting in Germany.
After studying at the Karlsruhe Academy of Fine Arts from 1957 to 1959, Antes taught there himself and later became a professor there.
Antes became known for the Kopffüßler (head-foot) image, which has been a recurring theme in his paintings, sculptures and graphic works since the early 1960s. Antes' work is represented in several major collections in Berlin, Hamburg, Cologne and elsewhere in Germany.
Bernhard Hoetger is a German painter, sculptor, graphic artist and architect. He studied at the Dusseldorf Academy of Art.
In 1937, as part of the Nazi "Degenerate Art" campaign, many works by Bernhard Hoetger were destroyed.
Ernesto de Fiori was a German artist of the first half of the twentieth century of Italian-Austrian origin. He is known as a sculptor, draughtsman, and secular portraitist and is considered one of the leading artists of the Weimar Republic.
Ernesto de Fiori made a name for himself as a sculptural portraitist in Berlin during the so-called "Golden Twenties". He portrayed such celebrities as movie actresses Greta Garbo and Marlene Dietrich, boxer Jack Dempsey, Field Marshal Paul von Hindenburg. In 1936, the artist emigrated to Brazil and took up journalism. In 1937, the Nazi campaign to expose "degenerate art" led to the removal of his sculptures and graphics from German museums.
Ernesto de Fiori was a German artist of the first half of the twentieth century of Italian-Austrian origin. He is known as a sculptor, draughtsman, and secular portraitist and is considered one of the leading artists of the Weimar Republic.
Ernesto de Fiori made a name for himself as a sculptural portraitist in Berlin during the so-called "Golden Twenties". He portrayed such celebrities as movie actresses Greta Garbo and Marlene Dietrich, boxer Jack Dempsey, Field Marshal Paul von Hindenburg. In 1936, the artist emigrated to Brazil and took up journalism. In 1937, the Nazi campaign to expose "degenerate art" led to the removal of his sculptures and graphics from German museums.
Toni Stadler the Younger is a German watercolourist, sculptor and graphic artist.
Toni Stadler the Younger is a German watercolourist, sculptor and graphic artist.
Rudolf Hausner was an Austrian painter, draughtsman, printmaker and sculptor. Hausner has been described as a "psychic realist" and "the first psychoanalytical painter".
A characteristic of his painting technique is the use of translucent ("glazing") resin oil paints in more than ten layers on top of each other over underpainting of acrylic paints, which gives the paint a special luminous depth. He also developed methods to create flawless transitions in pure oil painting without the use of an airbrush.
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Gerhard Marcks was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics.
Salvador Dalí, a Spanish Surrealist painter and printmaker, is celebrated for his vivid and imaginative works that delve into subconscious imagery. Born on May 11, 1904, in Figueres, Catalonia, Spain, Dalí's early exposure to Impressionism and Renaissance masters significantly influenced his artistic development. His education in fine arts in Madrid further shaped his style, leading him to experiment with Cubism and avant-garde movements. In the late 1920s, Dalí embraced Surrealism, joining the Surrealist group in 1929 and rapidly becoming one of its most prominent figures.
Dalí's most famous work, "The Persistence of Memory," completed in 1931, epitomizes the Surrealist movement with its iconic melting clocks symbolizing the fluidity of time. His artistic repertoire was diverse, including painting, graphic arts, film, sculpture, design, and photography, often incorporating themes of dreams, the subconscious, sexuality, religion, and science. Despite his remarkable artistic contributions, Dalí's eccentric and flamboyant public persona often overshadowed his work. He faced criticism for his public support of the Francoist regime and the authenticity of some of his late works.
Dalí's legacy is preserved in major museums, notably the Dalí Theatre-Museum in Figueres and the Salvador Dalí Museum in St. Petersburg, Florida. These institutions showcase his extensive and varied body of work, illustrating his profound impact on Surrealism, pop art, and contemporary artists.
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Fritz Klimsch was a German sculptor of the first half of the twentieth century. He is known as a brilliant representative of Art Nouveau and Classicism. Klimsch was one of the founders of the association of Berlin artists and sculptors "Berlin Secession".
Fritz Klimsch is best known for his sculptural works depicting nudes of women. Among his masterpieces are also monumental and grave monuments.
Fritz Klimsch was the most famous, but by no means the only representative of the family dynasty of German artists. His close relatives, in particular his grandfather Ferdinand Karl Klimsch, his father Eugen Klimsch, and his brothers Karl Klimsch and Paul Klimsch, also made significant contributions to the development of European art.
