картина маслом горы
Frederick John Pym Gore was an English painter.
Stephan Kaluza is a multifaceted artist known for his work as a photographer, painter, and author. Living and working in Düsseldorf, Kaluza has developed a unique artistic voice that explores the intersections of natural philosophy, history, and the essence of human perception through both his visual art and literary works. His education in Düsseldorf during the 1990s, encompassing studies in photography, art history, and philosophy, has deeply influenced his creative output, allowing him to craft works that resonate on multiple levels with viewers and readers alike.
Stephan Kaluza's art often delves into themes of nature and creation, with his paintings ranging from hyperrealistic depictions to nearly abstract portrayals of forests and water surfaces. Notably, his work introduces disturbances into seemingly idyllic landscapes, revealing the layers of history and human impact hidden beneath the surface beauty of nature. This duality invites viewers to question the reality of what they see and to consider the deeper narratives that landscapes can hold, especially when those landscapes have served as backdrops to historical events or personal stories.
One of his most ambitious projects, the "Das Rheinprojekt," saw Stephan Kaluza undertaking an almost eight-month journey along the Rhine River. Documenting the river's right bank in over 21,000 photographs, he created a panoramic view that challenges traditional perspectives of landscape photography. This work, along with his "Das Mauerprojekt" and other photographic series, underscores Kaluza's commitment to capturing and conveying the complex relationship between humanity and the natural world.
Stephan Kaluza's contributions to the fields of art and literature have been recognized with awards such as the George-Konell-Preis of Wiesbaden and the Price of the Carl- und Ruth Lauterbach-Stiftung Dusseldorf. His works are held in both public and private collections worldwide, including the Portland Art Museum in Oregon, USA, and the Stadtmuseum Düsseldorf, Germany, highlighting his international appeal and the broad relevance of his themes.
For collectors and experts in art and antiques, Stephan Kaluza offers a profound engagement with the world through the lens of an artist deeply informed by a rich educational background and a keen sensitivity to the natural and cultural landscapes that shape our experiences. His work invites contemplation and dialogue, making his pieces valuable additions to any collection.
Stay updated on Stephan Kaluza's latest works, exhibitions, and publications by subscribing to newsletters from galleries and museums that feature his work. This subscription ensures access to new sales, auction events, and showcases related to Kaluza's evolving portfolio, offering insights into contemporary art and literature influenced by his unique perspective.
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
Hermann Ottomar Herzog was a German-born American landscape painter. He represented the Dusseldorf School of painting and was a member of the Hudson River School. He quickly achieved commercial success and began to earn good money, which allowed him to travel a great deal.
Herman Herzog settled in the United States at the end of the 1860s. He devoted a considerable part of his work to his journey through the western states to California in 1873. He also frequently visited and worked in Maine and Florida.
Hans Maurus was a German painter best known for his realistic portrayals of alpine views and specific mountains like the famed Matterhorn peak. Despite his relatively short career, the artist achieved widespread national appreciation and recognition for his talent at capturing these dynamic landscapes.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Edward Harrison Compton was a German landscape painter and illustrator of English descent.
Like his father he was inspired by the Alps to become a mountain painter (Bergmaler) working in both oils and watercolour. However, an attack of Polio at the age of 28 meant that he had to find more accessible landscapes to paint in Germany, England, northern Italy and Sicily. He also provided illustrations for several travel books published by A & C Black.
August Albert Zimmermann was a German artist. The eldest of the artist brothers Max, Robert and Richard Zimmermann.
Albert Zimmermann studied painting at the Dresden University School of Fine Arts and, from 1831, at the Munich Academy. In Munich the artist created a school of landscape painting that was popular with the locals. Since 1857 August Albert Zimmermann is professor of painting at the Accademia di Belle Arti di Brera in Milan.
Zimmermann was a major representative of heroic-historical landscape painting. He chose subjects for his canvases as a rule among mountainous terrain, often using events from biblical history. Later he created poetic pictures of idyllic nature.
Johann Joachim Faber was a German landscape painter and printmaker. He initially worked on historical subjects. During his travels to Italy he became interested in landscape painting, in which he became known.
Louis Catoir, full name Johann Ludwig Catoir, German landscape painter. His pupil was Gustav Jacob Canton.
Louis Catoir participated in art exhibitions in Berlin, Magdeburg, Halle, Karlsruhe and Strasbourg. His son, Theodor Catoire, was also a painter and draughtsman; around 1862 he founded a lithographic workshop in Mainz.
Hermann David Salomon Corrodi was an Italian painter of landscapes and orientalist scenes.
August Wilhelm Leu was a German landscape painter of the Romantic era. Most of his paintings are large format and depict scenes in Norway and the Alps. He studied painting under Johann Wilhelm Schirmer at the Düsseldorf Academy of Art.
August Wilhelm Loy's landscapes are characterized by a magnificent romantic conception of Alpine nature, masterful rendering, bright colours and well calculated light effects. Loy attached great importance to the particularly detailed design of the foreground.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Rockwell Kent is an American artist, illustrator, and writer. He was born and raised in New York City and began his art career in the early 1920s.
Kent worked in a variety of genres and styles, including realism, expressionism, and cubism. Kent became known for his book illustrations as well as his paintings and prints. His work was frequently published in Harper's Weekly, The New York Times, and Vanity Fair magazines and newspapers.
He also illustrated many books, including famous works by Ernest Hemingway and Herman Melville. Kent was also an activist and political activist. He was an advocate of socialist ideals and participated in political movements. In addition, he was a traveler and explorer, having made several trips to Alaska and other far northern territories.
Kent was also a writer and author of several books, including the autobiographical novel It's Me, O Lord! and a book about his travels. Kent's style was recognizable and original, and he was known for his powerful compositions, bright colors, and pronounced contours. His work remained popular even after his death in 1971, and many can be seen in museums and art galleries around the world.
Rockwell Kent is an American artist, illustrator, and writer. He was born and raised in New York City and began his art career in the early 1920s.
Kent worked in a variety of genres and styles, including realism, expressionism, and cubism. Kent became known for his book illustrations as well as his paintings and prints. His work was frequently published in Harper's Weekly, The New York Times, and Vanity Fair magazines and newspapers.
He also illustrated many books, including famous works by Ernest Hemingway and Herman Melville. Kent was also an activist and political activist. He was an advocate of socialist ideals and participated in political movements. In addition, he was a traveler and explorer, having made several trips to Alaska and other far northern territories.
Kent was also a writer and author of several books, including the autobiographical novel It's Me, O Lord! and a book about his travels. Kent's style was recognizable and original, and he was known for his powerful compositions, bright colors, and pronounced contours. His work remained popular even after his death in 1971, and many can be seen in museums and art galleries around the world.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Martiros Saryan (Russian: Мартирос Сергеевич Сарьян), an Armenian painter, left an indelible mark on the art world with his vibrant landscapes, still lifes, and portraits that radiate the essence of Armenian culture and nature. Born in Nakhichevan-on-Don in 1880, Saryan's journey into the world of art was influenced by his studies at the Moscow School of Arts and notable artists like Paul Gauguin and Henri Matisse. His work is celebrated for its bright, bold use of color and a unique ability to capture the beauty of the Armenian landscape.
Saryan's artistic odyssey was marked by extensive travels across Turkey, Egypt, and Iran between 1910 and 1913, which enriched his palette and broadened his thematic scope. These experiences, coupled with his later contributions as a designer of the Armenian SSR's coat of arms and a theatre curtain, underscore his profound impact on Armenian national identity. Despite the challenges of the 1930s, Saryan's commitment to landscape and portrait painting never wavered, earning him prestigious awards and recognition within the USSR Art Academy and the Armenian Academy of Sciences.
Today, Saryan's legacy is preserved at the Martiros Saryan House Museum in Yerevan, where visitors can immerse themselves in his life and art. The museum showcases a wealth of his works, including renowned paintings like "Armenia" and "The Ararat Valley," offering a window into the culture and history of Armenia through Saryan's eyes.
For collectors and experts in art and antiques, the vibrancy and depth of Saryan's work offer a unique insight into Armenian heritage. Sign up for updates on new product sales and auction events related to Martiros Saryan, and explore the rich tapestry of Armenian art as seen through the masterful strokes of one of its greatest painters.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
August Robert Ludwig Macke was an eminent German expressionist painter, founder and member of the Blue Rider association. His very colorful and individual style is today referred to as the Macke style, characterized by a harmonious combination of colors and the play of light effects. His favorite subjects of his works were sketches from the life of the city, as well as nature and man. The paintings of August Macke give an impression of joy and lightness.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
William Keith was a Scottish-American painter famous for his California landscapes. He is associated with Tonalism and the American Barbizon school. Although most of his career was spent in California, he started out in New York, made two extended study trips to Europe, and had a studio in Boston in 1871-72 and one in New York in 1880.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.