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Anne Vallayer-Coster was a renowned French artist, celebrated for her exceptional still-life paintings that captivated 18th-century art enthusiasts, including the French Queen Marie Antoinette. Born into an artistic family in 1744, Vallayer-Coster's talent was evident early on, leading to her unanimous election into the prestigious Académie Royale at just 26 years old. Her works, characterized by their vibrant color, meticulous detail, and textural precision, often depicted bowls of fruit, game, shells, and flowers, showcasing the opulence of French aristocracy before the Revolution.
Vallayer-Coster's career was notable not only for her artistic achievements but also for her ability to navigate the male-dominated art world of her time. Despite the societal constraints on women artists, she gained the patronage of influential figures like Marie Antoinette and was one of the few women admitted to the Royal Academy of Painting and Sculpture. Her work received critical acclaim at the Salon, where she exhibited regularly from 1771 until 1817, and her still-lifes were praised for their sensuality, illusionistic perfection, and the rich, indulgent luxury they portrayed.
One of Vallayer-Coster's most ambitious works, Still Life with Flowers in an Alabaster Vase and Fruit (1783), exemplifies her unparalleled skill in capturing the soft textures of flowers and their harmonious arrangement. This masterpiece was hailed as such at the Salon of 1783 and is considered by Vallayer-Coster herself as her finest painting. Lost for nearly two centuries, it was recently rediscovered in an almost pristine state and is now part of the National Gallery of Art's collection, highlighting Vallayer-Coster's significant contributions to European art history.
Throughout her career, Vallayer-Coster produced more than 120 still lifes, always with a distinctive brilliance in color, earning her a place among the elite artists of her time. Despite facing challenges during the French Revolution due to her close association with the monarchy, she continued to exhibit her work and contribute to the art world until her death in 1818.
For collectors and experts in art and antiques, Anne Vallayer-Coster's legacy is a testament to her skill, resilience, and the impact of her work on the history of art. To stay updated on new product sales and auction events related to Anne Vallayer-Coster, sign up for updates that focus solely on this exceptional artist's contributions to the art world.
Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.
![Monandrian Plants of the Order Scimitaneae, Liverpool, [1824-]28, modern green half morocco](/assets/image/picture_3102473/2ff18/huhu-acnsj3wkb8rwn3ifrqfy41x9iibh0dfiztwxhihpkpzocprbk5bc1jhdq1694080163jpg__fix_374_244.jpeg)
![Monandrian Plants of the Order Scimitaneae, Liverpool, [1824-]28, modern green half morocco](https://veryimportantlot.com/assets/image/picture_3102473/2ff18/huhu-acnsj3wkb8rwn3ifrqfy41x9iibh0dfiztwxhihpkpzocprbk5bc1jhdq1694080163jpg__fix_374_244.jpeg)
Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.
Girolamo da Milano, better known as Maestro Olivetano, was an Italian miniaturist who worked between 1425 and 1450. He was one of the most important figures of Lombard illumination in the mid-fifteenth century.
Girolamo da Milano, better known as Maestro Olivetano, was an Italian miniaturist who worked between 1425 and 1450. He was one of the most important figures of Lombard illumination in the mid-fifteenth century.
Bernard van Orley was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
Henry Wadsworth Longfellow was the most popular American poet of the nineteenth century.
Longfellow is one of the most revered poets in the United States. His poems "Paul Revere's Ride", "Evangeline", "The Tale of Acadia" (1847) and "Psalm of Life" were included in elementary and high school curricula and have long been remembered by generations of readers who studied them as children. Longfellow revitalized American literary life by linking American poetry to European traditions outside of England.
Elihu Hubbard Smith is an American author, writer, and physician.
Smith graduated from Yale College as early as age 11 with a liberal arts education, followed by a medical degree. He worked at New York Hospital and published historical articles on plague and plague fevers.
Elihu Smith was a very active writer: he was a member of the Hartford Witters, wrote the first American comic opera "Edwin and Angelina" (1796), was the editor of the first book anthology of American poetry ("American Poems, Selected and Original," 1793) and the first national American medical journal ("Medical Repository"), and corresponded extensively with many writers and writers of his time.
Smith died at age 27 of yellow fever, which he contracted while treating patients during an outbreak in New York City.
Sally Wood, full name Sarah Sayward Barrell Keating Wood, is an American author.
In her long life, Sally wrote four novels and one collection of fairy tales. She is considered the first American writer of gothic fiction. She signed her novels "The Lady from Massachusetts" or "The Lady from Maine". The first, entitled Julia and the Enlightened Baron, was published in 1800.
Jacob Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.
Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640 — the year Rubens died — he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens' main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
François Auguste René Rodin was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community.
