ecole de paris
François Robichon de la Guérinière was the French founder of classical dressage and a teacher.
La Guérinière was a pupil of Antoine de Vandale. In 1715, he received the title of royal knight and opened a riding school in Paris. At his school, de la Guérinière taught not only riding, but also "the complete science of the horse." De la Guérinière wrote two books, L'École de Cavalerie (1731) and Eléments de Cavalerie (1740), which are still considered the "Equestrian Bible," in which he devotes many pages to the care of the horse. Illustrations include plans and diagrams, anatomical and medical images, portraits of the author's most distinguished pupils, and a skeleton of a horse.
La Guérinière had a major influence on horse training tactics, riding and dressage practice. He is considered the founder of modern riding, his style is a clear reflection of the clarity, elegance and rigor of his teachings. In 1730, de la Guérinière was appointed director of the Tuileries Academy and held this position for the rest of his life.
François Robichon de la Guérinière was the French founder of classical dressage and a teacher.
La Guérinière was a pupil of Antoine de Vandale. In 1715, he received the title of royal knight and opened a riding school in Paris. At his school, de la Guérinière taught not only riding, but also "the complete science of the horse." De la Guérinière wrote two books, L'École de Cavalerie (1731) and Eléments de Cavalerie (1740), which are still considered the "Equestrian Bible," in which he devotes many pages to the care of the horse. Illustrations include plans and diagrams, anatomical and medical images, portraits of the author's most distinguished pupils, and a skeleton of a horse.
La Guérinière had a major influence on horse training tactics, riding and dressage practice. He is considered the founder of modern riding, his style is a clear reflection of the clarity, elegance and rigor of his teachings. In 1730, de la Guérinière was appointed director of the Tuileries Academy and held this position for the rest of his life.
Paul Gauguin, a French artist born in Paris in 1848, is renowned for his significant contributions to Post-Impressionism, Primitivism, and Synthetism. Gauguin's art is distinguished by his experimental use of color and style, which set him apart from the traditional Impressionist movement.
Gauguin's early life was marked by a period in Peru, which influenced his artistic perspective. Initially, he pursued a career in stockbroking but soon turned to art, driven by financial necessity and a growing passion. His artistic journey began under the mentorship of Impressionist artist Camille Pissarro and through exposure to the works of other avant-garde artists.
The hallmark of Gauguin's work is his exploration of non-Western cultures, particularly during his time in Tahiti and the Marquesas Islands. This period saw the creation of some of his most famous works, including "Where Do We Come From? What Are We? Where Are We Going?" His paintings from this era, characterized by vivid colors and Symbolist themes, reflect a fusion of cultural influences and his quest for a "primitive" expression of spiritual and emotional states.
Despite his innovative style, Gauguin struggled with financial difficulties and health issues throughout his life. His work received little recognition during his lifetime, but posthumously, he gained acclaim for influencing modern artists like Pablo Picasso and Henri Matisse.
Today, Gauguin's works are celebrated in galleries and museums worldwide for their unique blend of cultural influences and artistic innovation. His enduring legacy is a testament to his unique vision and the profound impact he had on the art world.
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Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Kees van Dongen was a Dutch-French painter renowned for his vivid and expressive works that placed him at the forefront of the Fauvist movement. Born in 1877 in Delfshaven, Netherlands, van Dongen's journey into the art world began with his education at the Akademie voor Beeldende Kunsten in Rotterdam. His move to Paris in 1897 marked a pivotal moment in his career, immersing him in the bustling avant-garde scene and connecting him with influential circles, including Pablo Picasso and the Fauves. Van Dongen's art, characterized by its striking use of color and bold brushwork, captured the essence of his subjects with a unique blend of realism and abstraction.
Van Dongen's work evolved significantly over time, initially influenced by the dark tones of his Dutch heritage and the works of Rembrandt. His encounter with Fauvism around 1906 brought a dramatic shift towards brighter, more vibrant colors, marking his most iconic phase. His ability to capture the sensuousness and personality of his subjects made him a sought-after portraitist among the French bourgeoisie and celebrities of his time. Notable works include "Femme aux bas noirs" (Woman with Black Stockings), "Les lutteuses" (Lutteuses du Tabarin), and "The Dancer Anita," showcasing his fascination with the human figure, particularly sensuous depictions of women.
Beyond his remarkable contributions to Fauvism, van Dongen's ventures into illustration and his role as a society portraitist underscore his diverse talents and adaptability to the changing tastes of the art market. His works are celebrated in major collections worldwide, including the Hermitage Museum and the National Gallery of Denmark, affirming his lasting impact on the art world.
Collectors and art experts continue to appreciate van Dongen's work for its bold experimentation with color, form, and the evocative portrayal of his subjects. His legacy lives on as a testament to the vibrancy and dynamism of early 20th-century modern art.
For those keen to explore van Dongen's captivating works further and stay informed about new discoveries, exhibitions, and auction events related to his art, signing up for updates is a must. This ensures direct access to the latest sales and scholarly insights into the painter's rich oeuvre, a valuable resource for collectors and enthusiasts alike.