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Robert Combas is a French painter and sculptor. He lives and works in Paris.
He is widely recognized as a progenitor of the figuration libre movement that began in Paris around 1980 as a reaction to the art establishment in general and minimalism and conceptual art in particular.
Figuration libre is often regarded as having roots in Fauvism and Expressionism and is linked to contemporary movements such as Bad Painting and Neo-expressionism. It draws on pop cultural influences such as graffiti, cartoons and rock music in an attempt to produce a more varied, direct and honest reflection of contemporary society, often satirizing or critiquing its excesses.
Robert Delaunay, a French artist, emerged as a pivotal figure in the development of early 20th-century art, blending the realms of painting and sculpture with his innovative approaches. His work is celebrated for its dynamic use of color and geometric shapes, making him a cornerstone in the Orphism movement, which he co-founded alongside his wife Sonia Delaunay and others. This movement is distinguished by its focus on vibrant colors and geometric forms, contributing significantly to the abstract art landscape.
Delaunay's artistic journey began earnestly at the age of 19 when he decided to fully dedicate himself to painting, contributing works to the Salon des Indépendants. His early career was marked by a deep engagement with Neo-Impressionism and Cubism, as evidenced by his collaborative work with Jean Metzinger and his exploration of color theory. Notable works from this period include "Paysage au disque" (1906–07) and "Champs de Mars: The Red Tower" (1911), showcasing his departure from representational art towards a more abstract, color-driven aesthetic.
Among Delaunay's celebrated series are the Eiffel Tower and Simultaneous Windows, reflecting his fascination with Parisian architecture and the dynamic interplay of light and color. These works, along with others like "L'Équipe de Cardiff" (1912-13) and "Endless Rhythm" (1934), are housed in prestigious museums such as the Musée d'Art Moderne de la Ville de Paris, The Solomon R. Guggenheim Museum, and the Tate collection. These pieces illustrate his evolving style, from the depiction of movement and technology in pre-war Paris to the rhythmic abstraction of later years.
Delaunay's influence extended beyond France, with significant contributions to exhibitions in Germany, Switzerland, and Russia, particularly through his involvement with Der Blaue Reiter group. His work not only captured the essence of the technological and cultural shifts of his time but also laid the groundwork for future artistic explorations into color and form.
For collectors and experts in art and antiques, Delaunay's oeuvre offers a rich study in the evolution of modern art, from its roots in Cubism and Neo-Impressionism to the heights of abstract expression. His works serve as a testament to the power of color and shape in conveying emotion and motion, making them invaluable to the understanding of 20th-century art history.
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Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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Henri de Toulouse-Lautrec was a distinguished French Post-Impressionist artist, renowned for his deep insights into Parisian nightlife and the world of entertainment in the 1890s. Born into an aristocratic family in Albi, France, Toulouse-Lautrec faced significant health challenges. He suffered from a rare condition, possibly pycnodysostosis, which stunted the growth of his legs following two fractures during his adolescence, leading to a notably short stature as an adult.
Despite his physical limitations, Toulouse-Lautrec immersed himself in art, becoming a key figure in the Post-Impressionist movement alongside artists like Paul Cézanne and Vincent van Gogh. He is particularly celebrated for his vibrant and expressive depictions of the bohemian lifestyle in late 19th-century Paris, often featuring scenes from brothels and nightlife venues. His unique style combined elements of Art Nouveau and lithography, as evidenced in famous works such as "Moulin Rouge: La Goulue" and "At the Moulin Rouge: The Dance".
Toulouse-Lautrec's work offers a window into the Parisian entertainment scene of his time, marked by a vivid use of color and a candid portrayal of his subjects. His ability to capture the essence of Parisian society, from dancers to prostitutes, in an era of great artistic and cultural dynamism, makes his work particularly valuable to art collectors and experts.
For those interested in the art and life of Henri de Toulouse-Lautrec, staying informed about sales and auction events is essential. Sign up for updates to receive the latest news on pieces by Toulouse-Lautrec available for purchase or auction. This subscription focuses exclusively on new product sales and auction events related to Toulouse-Lautrec, ensuring that enthusiasts and collectors don't miss out on any opportunity to acquire pieces from this iconic artist.
Niki de Saint Phalle was a French-American sculptor, painter, filmmaker, and author of colorful hand-illustrated books. Widely noted as one of the few female monumental sculptors, Saint Phalle was also known for her social commitment and work.
Hendrik Anthony Kramers was a Dutch theoretical physicist and a member of the Royal Netherlands Academy of Sciences.
Kramers studied mathematics and physics at Leiden University before being recruited in Copenhagen by future Nobel Prize-winning physicist Niels Bohr (1885-1962). He tried to understand how electromagnetic waves interact with matter and made important contributions to quantum mechanics and statistical physics. Under Bohr's supervision, Kramers prepared his dissertation.
In 1926, Kramers left Denmark and became a professor of theoretical physics at Utrecht University, and from 1931 he also worked at Delft University of Technology. After the end of World War II, the scientist was active in Europe and taught in the United States.
Kramers' scientific works are devoted to atomic physics, quantum mechanics, solid-state physics, low-temperature physics, physical optics, and the kinetic theory of gases. Together with Ralph de Laer Kronig, he derived important equations relating absorption to the dispersion of light. Kramers' research on X-rays led to the development of equations for determining the efficiency and intensity of X-ray production.
In the 1930s, Kramers worked as an editor of a literary magazine, wrote and translated poetry into Dutch, and was an expert on the works of Shakespeare.
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André Breton was a French writer, poet, and anti-fascist, renowned as the principal founder and leading theorist of Surrealism, an influential movement that sought to release the creative potential of the unconscious mind. Born in Tinchebray, France, in 1896, Breton's work was deeply influenced by the theories of Sigmund Freud and was characterized by a fascination with dreams, the irrational, and the workings of the mind. As a cultural icon, his contributions extended beyond literature into the realms of art, sculpture, and painting, making him a pivotal figure in 20th-century artistic movements.
Breton's seminal work, the "Manifesto of Surrealism" (1924), outlined the principles of the movement, advocating for the expression of the subconscious and the importance of dreams as a source of artistic inspiration. His leadership and writings not only shaped Surrealism but also had a lasting impact on the broader culture of art, influencing countless artists, painters, and sculptors. Breton's ability to merge poetry with visual arts led to collaborations with prominent artists like Salvador Dalí, Max Ernst, and Joan Miró, further cementing his legacy as a central figure in modern art.
Notably, André Breton's works and personal collection, which included art pieces and surreal objects, have been displayed in museums and galleries worldwide, showcasing his eclectic taste and profound influence on the art world. His Paris apartment was a gathering place for artists and intellectuals, becoming a hub of Surrealist activity and thought. For collectors and experts in art and antiques, Breton's contributions represent a fascinating intersection of literary prowess and visual creativity, highlighting the enduring relevance of Surrealism.
For those interested in exploring the depths of Surrealism and André Breton's groundbreaking contributions, signing up for updates can provide exclusive access to new product sales and auction events related to this pivotal artist and thinker. This subscription is an invaluable resource for collectors and enthusiasts keen to deepen their understanding of Breton's influence and the broader cultural movements he shaped.
![[RONSARD, Pierre de (1524-1585)] BINET, Claude (vers 1553-1600) . Discours de la vie de Pierre de Ronsard, gentilhomme Vandomois, Prince des Poëtes François, avec une eclogue representee en ses obseques, par Claude Binet. Plus les vers composez](/assets/image/picture_1321016/ca48d/e0d73f36ec4c1cf9c91e4a596552dc571616454000jpg__fix_374_244.jpeg)
![[RONSARD, Pierre de (1524-1585)] BINET, Claude (vers 1553-1600) . Discours de la vie de Pierre de Ronsard, gentilhomme Vandomois, Prince des Poëtes François, avec une eclogue representee en ses obseques, par Claude Binet. Plus les vers composez](https://veryimportantlot.com/assets/image/picture_1321016/ca48d/e0d73f36ec4c1cf9c91e4a596552dc571616454000jpg__fix_374_244.jpeg)
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Maurice Denis, a French painter and writer, was an influential figure in the transition from impressionism to modern art. Born on November 25, 1870, in Granville, France, Denis's artistic journey began at the Académie Julian in Paris. Here, he met future collaborators like Paul Sérusier and Pierre Bonnard, with whom he later formed the Nabis group, a collective deriving its name from the Hebrew word "Nabi," meaning "Prophet".
Denis's style evolved from neoimpressionism, influenced by artists like Seurat, to a more decorative and colorful approach under the influence of Gauguin. This shift is evident in works like "Taches du soleil sur la terrace" (1890). He famously stated, "Art is no longer a visual sensation... it is a creation of our spirit," highlighting his belief in art as an idealistic expression, transcending mere imitation of nature.
Denis was also impacted by Japanese art, which influenced his compositions and styles, contributing to his unique and recognizable approach. His philosophy on art, encapsulated in his 1890 essay published in "Art et Critique," emphasized the importance of color and form in creating emotional depth, a notion that laid the groundwork for modernism. He argued that a painting's essence lies in its colors and composition, rather than its subject matter.
Throughout his career, Denis's work evolved towards a more classical approach. His involvement with the Ateliers d'Art Sacré, founded in 1919, demonstrated his interest in religious art and decoration. His notable works include "The Legend of Saint Hubert" (1897) and "The History of Music" for the Théâtre des Champs Elysées (1912-1913).
Tragically, Maurice Denis's life ended on November 13, 1943, when he was struck by a truck during the German occupation of Paris. However, his legacy endures through his contributions to modern art and symbolism, his influence on fellow artists, and his works displayed in various museums and galleries.
For collectors and art experts, Denis's work offers a unique glimpse into the evolution of modern art. His blend of symbolism, color, and form marks a significant shift in art history. To stay updated on new sales and auction events related to Maurice Denis's work, sign up for our newsletter. This subscription will keep you informed about the latest developments in the world of this remarkable artist.
Maurice Denis, a French painter and writer, was an influential figure in the transition from impressionism to modern art. Born on November 25, 1870, in Granville, France, Denis's artistic journey began at the Académie Julian in Paris. Here, he met future collaborators like Paul Sérusier and Pierre Bonnard, with whom he later formed the Nabis group, a collective deriving its name from the Hebrew word "Nabi," meaning "Prophet".
Denis's style evolved from neoimpressionism, influenced by artists like Seurat, to a more decorative and colorful approach under the influence of Gauguin. This shift is evident in works like "Taches du soleil sur la terrace" (1890). He famously stated, "Art is no longer a visual sensation... it is a creation of our spirit," highlighting his belief in art as an idealistic expression, transcending mere imitation of nature.
Denis was also impacted by Japanese art, which influenced his compositions and styles, contributing to his unique and recognizable approach. His philosophy on art, encapsulated in his 1890 essay published in "Art et Critique," emphasized the importance of color and form in creating emotional depth, a notion that laid the groundwork for modernism. He argued that a painting's essence lies in its colors and composition, rather than its subject matter.
Throughout his career, Denis's work evolved towards a more classical approach. His involvement with the Ateliers d'Art Sacré, founded in 1919, demonstrated his interest in religious art and decoration. His notable works include "The Legend of Saint Hubert" (1897) and "The History of Music" for the Théâtre des Champs Elysées (1912-1913).
Tragically, Maurice Denis's life ended on November 13, 1943, when he was struck by a truck during the German occupation of Paris. However, his legacy endures through his contributions to modern art and symbolism, his influence on fellow artists, and his works displayed in various museums and galleries.
For collectors and art experts, Denis's work offers a unique glimpse into the evolution of modern art. His blend of symbolism, color, and form marks a significant shift in art history. To stay updated on new sales and auction events related to Maurice Denis's work, sign up for our newsletter. This subscription will keep you informed about the latest developments in the world of this remarkable artist.
Aristide Maillol was a French artist. He was a painter, sculptor, and printmaker, and is best known for his sculptural works.
Maillol initially worked as a painter, but after seeing Auguste Rodin's sculptures in the early 1890s, he turned to sculpture himself. His early sculptures were influenced by the classical tradition, and often depicted female figures in a simplified, stylized form.
Maillol's sculptures are characterized by their smooth surfaces and simplified forms, which reflect his interest in the pure and timeless beauty of the human body. He often worked in bronze, and his sculptures were typically larger than life size.
In addition to his sculptures, Maillol also created prints, including lithographs and woodcuts. His prints were often based on his sculptural works, and reflected his interest in simplifying form and line.
Maillol continued to work and exhibit his art throughout his life, and his work was shown in galleries and museums around the world. Today, his sculptures are held in the collections of many prestigious institutions, including the Musée d'Orsay in Paris, the Museum of Modern Art in New York, and the Tate Gallery in London.
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Jean Arp, born Hans Peter Wilhelm Arp, was a German and French poet, painter, graphic artist and sculptor. one of the founders of the Dada movement in Zurich.
Arp used abstract forms in his work and experimented with different materials such as wood, metal and stone. He was also known for his poetic works, in which he applied a method of randomly selecting words, called the "clutter method". Arp believed that this method helped him express his thoughts more precisely and originally. Arp's influence on the arts is still significant today.
Marcel Coard is one of the great decorators and designers of the 1930s.
