huile sur panneau
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Charles-Emile Jacques was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Jacob Levecq was a Dutch portrait painter of the Golden Age, a disciple of Rembrandt, and a member of the Dordrecht Guild of St. Luke. Levecq is known mainly for his portraits.
Françoise Gilot is a French painter, illustrator, and writer. She has published several books, including a memoir about her life with Pablo Picasso.
Gilot studied at the Sorbonne in Paris and later at the École des Beaux-Arts in Fontainebleau. She began exhibiting her work in the 1940s and quickly gained recognition for her colorful and vibrant paintings. Gilot's early work was influenced by the cubist and surrealist movements, but she developed her own unique style over time, characterized by bold colors and strong lines.
Gilot is also known for her personal life, particularly her relationship with Pablo Picasso, with whom she had two children. She wrote a memoir, "Life with Picasso," which was published in 1964 and became a bestseller. The book provided insight into Picasso's personality and working methods, as well as the challenges of being an artist in the mid-20th century.
Gilot has continued to paint throughout her life and has exhibited her work in galleries and museums around the world. She has also been recognized with numerous awards and honors, including being named a Chevalier de la Légion d'Honneur in 1990. Her work continues to be celebrated for its bold and expressive style, as well as for the way it reflects her experiences and insights as a woman and an artist.
Roger de la Fresnaye was a French painter, a representative of Cubism in painting.
He studied at the Académie Julian in Paris and was fascinated by the art of Paul Cézanne. In his works Fresnaye synthesized lyrical color with geometric simplifications of Cubism.
.jpg)
Max Ernst was a pivotal figure in the 20th-century art world, whose work transcended the boundaries of nationality and genre to leave an indelible mark on culture, art, sculpture, and painting. Born in Germany on April 2, 1891, and later becoming a naturalized American and French citizen, Ernst's career was a testament to his relentless innovation and creativity. Known primarily as an artist and painter, Ernst was a founding member of the Dada movement in Cologne before becoming a major proponent of Surrealism in Paris. His early encounters with the works of Pablo Picasso, Vincent van Gogh, and Paul Gauguin at the Sonderbund exhibition in 1912 deeply influenced his artistic direction, infusing it with elements of Cubism and Expressionism. Despite his lack of formal artistic training, Ernst's experimentation with techniques such as collage and frottage showcased his unique ability to blend the absurd with the sublime, making him a central figure in the artistic avant-garde of his time.
Ernst's work is notable for its exploration of the unconscious, using dreamlike imagery and symbolic figures to critique societal norms and delve into the chaos of the human psyche. His experiences in World War I profoundly impacted his worldview, leading to a deep skepticism of Western culture and an enduring search for meaning through art. This is evident in works such as "Europe After the Rain II," which reflects the devastation of war and "The Fireside Angel," inspired by the political turmoil of the Spanish Civil War, showcasing his ability to address contemporary issues through a surreal lens.
Ernst's contributions to art are preserved in major museums and galleries worldwide, including the Tate in the United Kingdom and the Museum of Modern Art in New York. His sculptures, paintings, and collages continue to be celebrated for their innovative techniques and imaginative scope, marking him as a revolutionary figure in modern art. Among his most significant works are "Ubu Imperator," "The Elephant Celebes," and "The Virgin Spanking the Christ Child before Three Witnesses," each reflecting his mastery over a diversity of mediums and themes.
For collectors and experts in art and antiques, Max Ernst remains a symbol of artistic freedom and exploration. His ability to navigate through various artistic movements while maintaining a distinct, innovative voice is a testament to his enduring legacy in the art world. To stay updated on new product sales and auction events related to Max Ernst, signing up for updates is a valuable opportunity for those deeply invested in the nuances of modern and surreal art.
Jan Bruegel the Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he painted the same subjects as his father in a style which was similar to that of his father. He regularly collaborated with leading Flemish painters of his time.
Marten van Cleve the Elder was a Flemish painter and draftsman active in Antwerp between 1551 and 1581. Van Cleve is mainly known for his genre scenes with peasants and landscapes, which show a certain resemblance with the work of Pieter Bruegel the Elder. Marten van Cleve was one of the leading Flemish artists of his generation. His subjects and compositions were an important influence on the work of Pieter Brueghel the Younger and other genre painters of his generation.
Anthonie Jansz. van der Croos was a Dutch painter and draughtsman of the Golden Age of Dutch painting. He mainly painted landscapes, often in combination with castles or country houses, as well as cityscapes. He was a pupil of Moyses van Uyttenbroeck.
Antoni Jans van der Kroes lived and worked in The Hague from 1634. He became a member of the local St. Luke's Guild in 1647. He was a neighbour of Jan van Goyen, whose work had a great influence on him, so much so that their works were sometimes confused with each other.
In 1656 he became co-founder and secretary of the Confrerie Pictura in The Hague.
![Scharfschwerdt, Adolf (Worpsweder Maler 1 Hälfte 20. Jh.) "Moorgewässer bei Worpswede", Aquarell, sign. u.r. und dat. 1933, 38x46 cm, im Passepartout hinter Glas und Rahmen](/assets/image/picture_3894694/43fe5/ppvfbwvq3atyb9msyf8bwlcc5ikptjurkyu4q80fv-k7lrxz8wzjqe7b5yplyi91713880520jpg__fix_374_244.jpeg "Scharfschwerdt, Adolf (Worpsweder Maler 1 Hälfte 20. Jh.) "Moorgewässer bei Worpswede", Aquarell, sign. u.r. und dat. 1933, 38x46 cm, im Passepartout hinter Glas und Rahmen")
