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Georg Kolbe was a German sculptor of the first half of the twentieth century. He is known as a master of Classicism and Symbolism. Throughout most of his professional career he was an artist in demand by various German authorities.
Georg Kolbe, despite the strong influence of the Expressionists, managed to develop his own unique style. He left a notable mark not only in sculpture, his artistic legacy includes a large number of drawings and hundreds of engravings.
His biography is closely connected with Berlin, where he lived for more than 40 years. Kolbe is named for the prize awarded by the Artists' Union of Berlin. The artist's former studio now houses a museum with permanent solo exhibitions of works by renowned sculptors of modern art.
Petrus van Schendel was a Dutch-Belgian genre painter in the Romantic style who specialized in nighttime scenes, lit by lamps or candles. This led to him being known as "Monsieur Chandelle".
Tiziano Vecellio, an Italian Renaissance painter from Venice, stands out as a pivotal figure in the art world, renowned for his versatility across various genres like portraits, landscapes, and religious subjects. His influence on the development of Western art, particularly through his revolutionary use of color, is profound and long-lasting.
Born around 1488/90 in Pieve di Cadore, part of the then Republic of Venice, Titian's talent was evident early on. He began his artistic journey in the studio of the Bellini brothers in Venice, later joining forces with Giorgione, another influential painter of the time. This collaboration marked the beginning of a distinguished career that would see Titian become the most sought-after painter in Europe, working for nobility, the Habsburgs, and the papacy.
Titian's style evolved significantly throughout his career. He initially gained recognition for his vibrant, luminous colors and later became famous for his loose brushwork and subtle tonality. This shift was not just a matter of aesthetics but also represented a deeper understanding of color and light. Titian's approach to painting, particularly his use of colore, where he juxtaposed colors to define compositions, contrasted sharply with the line-focused disegno technique of the time. This method contributed significantly to the distinctiveness of Venetian art.
Among his many patrons, Emperor Charles V and his son, Philip II of Spain, were perhaps the most notable. As their official painter, Titian created numerous portraits and mythological works that were celebrated for their psychological depth and expressive use of color. His 'poesie' series for Philip II, including famous works like "Diana and Actaeon," showcased his skill in portraying mythological narratives with a sense of drama and sensuality.
Titian's later works, created in the 1560s and 1570s, are particularly revered for their experimental nature, pushing his art towards what has been termed 'magic impressionism'. These works, like "The Death of Actaeon" and the unfinished "Pietà", demonstrate a radical departure from his earlier style and reflect a continued evolution even in his later years.
For art collectors and experts, Titian's oeuvre represents a crucial link in the history of European art, illustrating the transition from the Renaissance to a more modern, expressive form of painting. His mastery of color and light, combined with his ability to convey deep emotional resonance, continues to influence artists and captivate viewers centuries later.
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Veit Stoß war ein bedeutender deutscher Bildhauer, dessen Werk den Übergang von der Spätgotik zur nördlichen Renaissance markiert. Der um 1450 in der Nähe von Horb am Neckar geborene Stoß ist für seinen gefühlsbetonten Stil und seine filigranen Schnitzereien, vor allem in Holz, bekannt. Sein Hauptwerk, der 1489 vollendete Veit-Stoß-Altar in der Krakauer Marienkirche, ist ein Zeugnis seines handwerklichen Könnens und gilt als eines der größten Triptychen seiner Zeit.
Nach seiner Rückkehr nach Nürnberg im Jahr 1496 geriet Stoß in Turbulenzen, unter anderem wurde er wegen Fälschung verurteilt, aber schließlich begnadigt. Seine späteren Werke, wie der "Tobias und der Engel", zeigen weiterhin sein außergewöhnliches Talent und wurden sogar von Kritikern wie Giorgio Vasari bewundert.
Für alle, die sich für die Kunst der Bildhauerei und die Geschichte der Renaissance interessieren, bieten die Werke von Stoß einen tiefen Einblick in die Kunst dieser Epoche. Seine Werke, die sich in verschiedenen Museen befinden, geben einen Einblick in eine entscheidende Zeit der Kunstgeschichte.
Peter Simon Pállas was a German and Russian scientist-encyclopedist, naturalist and traveler, who gave almost all his life to the service of Russia.
The breadth of his scientific interests made him a true encyclopedist, but he was particularly interested in natural sciences. By the age of 25, Pallas had already acquired European fame as a major scientist-naturalist. At the same time he received an invitation from the St. Petersburg Academy of Sciences, where he was offered a professorship. In 1767, Pallas arrived in St. Petersburg with his wife and soon led several important expeditions to Siberia and southern Russia. In his numerous ethnographic descriptions, the scientist was the first to report in detail on the Kalmyks, Tatars, Mordvins, Chuvashs, Nagaians, Tungus (Evenks), Votyaks (Udmurts), and Cheremis (Mari). In addition, he brought with him large natural-scientific collections. Later he traveled with scientific expeditions to Kamchatka, the Kuril Islands, Crimea and other previously unexplored lands.
In 1785 Catherine II attracted Pallas to the collection and comparative analysis of the languages of the peoples inhabiting America, Asia, Europe and Russia, and he compiled and published a comparative dictionary in two parts (1787-1789), in which more than 200 languages and dialects of the peoples of Asia and Europe were presented. In the last years of his life, among other things, Pallas was engaged in the preparation of a fundamental three-volume work on the fauna of Russia, Zoographia rosso-asiatica ("Russian-Asiatic Zoology"), in which more than 900 species of vertebrates, including 151 species of mammals, of which about 50 new species were introduced. This work was so extensive, and the descriptions of the animals were so thorough and detailed, that until the early 20th century the book remained the main source of knowledge about the fauna of Russia. In 1810. Peter Pallas went to Berlin to prepare illustrations for this work, but a year later the famous scientist died and was buried in Berlin.
A volcano in the Kuril Islands, a reef off New Guinea, and many animals and plants are named after Pallas.
