old master drawing
Sir Joshua Reynolds was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769.
Charles-Joseph Natoire was a prominent Rococo painter, known for his significant contributions to French art during his lifetime. Trained under François Lemoyne, Natoire excelled in various artistic endeavors, earning royal commissions and contributing to significant artistic projects in Versailles and Fontainebleau. His works included tapestry cartoons for the Manufacture de Beauvais and Gobelins, and he was known for his series on the History of Psyche and Don Quixote.
In 1751, Charles-Joseph Natoire became the director of the French Academy in Rome, a role he held until 1775. During this period, he mentored notable students like Hubert Robert and Jean-Honoré Fragonard. Although his active painting career dwindled during his directorship, his influence on the students and the artistic community was significant.
Charles-Joseph Natoire's works can be found in various prestigious institutions, including The Metropolitan Museum of Art and The Louvre. His painting "The Rebuke of Adam and Eve" is one such piece that showcases his mastery and attention to detail.
For collectors and experts in art and antiques, Charles-Joseph Natoire's works offer a glimpse into the Rococo style's elegance and the rich artistic heritage of 18th-century France. His contributions to tapestry and painting continue to be celebrated and studied for their historical and artistic value.
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Jan Lievens was a Dutch painter, draughtsman, and engraver of the Golden Age and a member of the Guild of St. Luke in Antwerp.
It is known that while still very young, at the age of twelve, Lievens already created skillful paintings that amazed art lovers of Leiden. He was later friendly with Rembrandt, shared a studio with him, and painted in a similar style. Lievens was also a court painter in England and elsewhere.
Jan Leavens created genre scenes, landscapes, ceremonial portraits and sketches on various themes, as well as religious and allegorical images, which were already highly valued during his lifetime.
Peter Paul Rubens was a distinguished Flemish Baroque painter, renowned for his dynamic, vibrant, and sensuous paintings. Born on June 28, 1577, in Siegen, Westphalia, Germany, Rubens' family moved back to Antwerp in the Spanish Netherlands (now Belgium) after his father's death. He was raised in his mother’s Roman Catholic faith and received a classical education. He began his artistic training in 1591 and later traveled to Italy, where he was profoundly influenced by Renaissance masters like Titian, Tintoretto, and Veronese. This experience significantly shaped his artistic style.
Rubens' art is celebrated for its emphasis on movement, color, and sensuality. He was particularly skilled in depicting religious and mythological scenes, portraits, and landscapes. Some of his notable works include "The Descent from the Cross" and "The Raising of the Cross," which are prime examples of Baroque religious art, showcasing his unique style that blended influences from Italian Renaissance and his own innovations.
Rubens was not just a painter but also a diplomat, serving at various European courts. He was knighted by both Philip IV of Spain and Charles I of England. His diplomatic missions often intertwined with his artistic endeavors, as seen during his travels to Spain and Italy. In addition to painting, he was involved in designing tapestries, prints, and book title-pages. He ran a large workshop in Antwerp, producing works that were popular with nobility and art collectors across Europe. His studio was in his home, the Rubenshuis, now a museum.
His influence extended to his students, notably Anthony van Dyck, and his collaborative works with other artists like Jan Brueghel the Elder. Rubens' work continued to be celebrated for its vitality and influence on the Baroque style, making him one of the most influential artists of his time.
For those interested in the work and life of Peter Paul Rubens, many of his works can be found in museums and galleries worldwide, including the National Gallery in London, which houses several of his paintings like "A View of Het Steen in the Early Morning" and "Minerva protects Pax from Mars ('Peace and War')".
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Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Johan Barthold Jongkind was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism.
Jongkind's most frequent subject was the marine landscape, which he painted both in the Netherlands and in France. Many of his works depict the Seine, particularly the area near Notre-Dame Cathedral. He painted watercolors out-of-doors, and used them as sketches for oil paintings made in his studio. His paintings are characterized by vigorous brushwork and strong contrasts. Like the 17th-century Dutch landscape painters of the Golden Age of Dutch painting, he typically composed his landscapes with a low horizon, allowing the sky to dominate.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting.
Giovanni Domenico Tiepolo, an Italian painter, was a remarkable figure in the 18th-century art world. The eldest surviving son of the famed Giovanni Battista Tiepolo, Domenico not only assisted his father but also carved out his own niche in the realms of painting and etching. His work, encompassing a broad array of subjects from religious themes to lively genre scenes and character sketches, reflects a blend of the allegorical grandeur inherited from his father and his own more grounded and observational approach.
Domenico Tiepolo's artistic legacy includes a significant contribution to printmaking, particularly in etching, where he reproduced both his and his father's paintings, alongside original compositions. Among these, the series of twenty-four illustrations of the "Flight into Egypt" and a set depicting the "Stations of the Cross" stand out as notable examples of his originality and skill in capturing narrative depth. His works are held in prestigious collections worldwide, such as the Prado Museum, The Art Gallery of New South Wales, and the National Gallery in London, underscoring his international acclaim and the enduring appeal of his art.
Despite being somewhat overshadowed by his father, Giovanni Domenico Tiepolo's contributions to the art world are significant. His ability to infuse his works with a sense of immediacy and emotional depth, while still engaging with the theatricality and elegance characteristic of the period, marks him as a pivotal figure in the transition from the grandiose Baroque to a more intimate and observant Rococo style. This duality is perhaps best represented in his genre scenes and character studies, which offer a glimpse into the daily life and cultural milieu of 18th-century Venice.
For collectors and experts in art and antiques, Domenico Tiepolo's works represent a fascinating intersection of historical significance and artistic merit. His prints and paintings not only reflect the cultural and artistic vibrancy of his era but also offer insights into the personal and professional dynamics within one of the most celebrated artistic families of the time.
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Egbert van der Poel was a Dutch Golden Age genre and landscape painter, son of a Delft goldsmith.
Hendrik van der Straaten was a Dutch painter, graphic artist and etcher of the Golden Age of Dutch painting, a master of the landscape genre.
Isaac de Moucheron was an 18th-century painter and interior decorator (wall painter) from the Northern Netherlands.