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Giambattista Pittoni, an illustrious Venetian painter from the 18th century, was renowned for his religious, historical, and mythological artworks. His style, once established, remained consistent throughout his career, characterized by fluency and expressive theatricality, making his paintings timeless within the Venetian art scene. Despite being less traveled compared to his contemporaries, Pittoni received numerous international commissions, particularly from Germany, reflecting his widespread acclaim.
Giambattista Pittoni's works include altarpieces for various churches across Italy and notable commissions from European royalty and aristocracy. His patrons included Augustus II of Poland, Clemens August of Bavaria, and Philip V of Spain, showcasing his significant influence beyond Italian borders. His artistic journey was influenced by early interactions with Venetian painters like Sebastiano Ricci and later by the Rococo style, evident in his sophisticated and elegant use of color.
Giambattista Pittoni's legacy is evident in various collections, including the National Gallery, London, and the Gallerie dell'Accademia in Venice, which houses a collection of his preparatory studies. As a founding member and later president of the Venice Academy, his contributions to the art world were substantial, leaving an enduring impact on the Venetian art scene and beyond.
For those interested in delving deeper into the world of Venetian art and exploring Giambattista Pittoni's exquisite works, consider signing up for updates on exhibitions, sales, and auctions featuring his art. This will provide enthusiasts and collectors with the latest information and opportunities to engage with Pittoni's enduring artistic legacy.
![RONSARD, Pierre de (1524-1585). Le Bocage de P. de Ronsard, Vandomoys, dédié à P. de Paschal, du bas païs de Languedoc. [Précédé de, du même :] Les Quatre premiers livres des Odes de P. de Ronsard, Vandomois, Dé](/assets/image/picture_1320816/c9d2e/4ef945702ae8a076923b4dfbf2c39f161616454000jpg__fix_374_244.jpeg)
![RONSARD, Pierre de (1524-1585). Le Bocage de P. de Ronsard, Vandomoys, dédié à P. de Paschal, du bas païs de Languedoc. [Précédé de, du même :] Les Quatre premiers livres des Odes de P. de Ronsard, Vandomois, Dé](https://veryimportantlot.com/assets/image/picture_1320816/c9d2e/4ef945702ae8a076923b4dfbf2c39f161616454000jpg__fix_374_244.jpeg)
John James Audubon was a French-American ornithologist and painter, renowned for his groundbreaking illustrations of American birds. Born in 1785 in Les Cayes, Saint-Domingue (now Haiti), Audubon is remembered for his keen observation skills and innovative artistic techniques.
Audubon's most famous work, "The Birds of America," transformed the field of ornithology by presenting birds in lifelike poses and detailed backgrounds. Published between 1827 and 1838, it contained 435 hand-colored engravings, showcasing over 489 bird species. His unique approach to illustrating birds in their natural habitats was a departure from traditional methods, which often portrayed birds in rigid poses.
Audubon used a wire armature to position freshly-killed specimens, allowing him to depict birds with a sense of movement and vitality. This innovative technique was truly revolutionary and set him apart from his contemporaries. Additionally, Audubon's artistic skill and attention to detail made his illustrations highly sought after, with surviving copies of "The Birds of America" considered valuable collectibles today.
For art collectors and enthusiasts, Audubon's work continues to be a source of inspiration and admiration. His legacy endures through his contributions to ornithology and the art world, with museums and galleries showcasing his work. If you're interested in learning more about John James Audubon and his famous illustrations, consider subscribing to our newsletter for updates on new product sales and auction events related to his work.
Jan Erasmus Quellinus was a Flemish painter and draughtsman, one of the last prominent representatives of the Flemish school of historical and portrait painting of the 17th century.
Jan came from a famous family of painters and sculptors, his father, the painter Erasmus Quellinus II (1607-1678), being his first and principal teacher. Later in Italy, he became a member of the Bentvueghels, a group of mainly Dutch and Flemish artists working in Rome. Back in Antwerp, Jan Quellinus received many commissions for churches in the city and throughout Flanders, and he also had many pupils.
Around 1680, Quellinus worked in Vienna at the Habsburg court as court painter to Emperor Leopold I. Among his other important works was a series of fifteen ceiling paintings of events in the life of Charles V. Some of these works are now in the Kunsthistorisches Museum in Vienna.
Isaac Newton was an English mathematician, physicist, astronomer, alchemist, theologian, and author (described in his time as a "natural philosopher"), widely recognised as one of the greatest mathematicians and physicists and among the most influential scientists of all time. He was a key figure in the philosophical revolution known as the Enlightenment. His book Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy), first published in 1687, established classical mechanics. Newton also made seminal contributions to optics, and shares credit with German mathematician Gottfried Wilhelm Leibniz for developing infinitesimal calculus.
In the Principia, Newton formulated the laws of motion and universal gravitation that formed the dominant scientific viewpoint until it was superseded by the theory of relativity. Newton used his mathematical description of gravity to derive Kepler's laws of planetary motion, account for tides, the trajectories of comets, the precession of the equinoxes and other phenomena, eradicating doubt about the Solar System's heliocentricity. He demonstrated that the motion of objects on Earth and celestial bodies could be accounted for by the same principles. Newton's inference that the Earth is an oblate spheroid was later confirmed by the geodetic measurements of Maupertuis, La Condamine, and others, convincing most European scientists of the superiority of Newtonian mechanics over earlier systems.
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![[DESCARTES, René (1596-1650)]](/assets/image/picture_2500811/a67fb/9ee6c1d6009ac0da55c5104d2c2f17ad1667984400jpg__fix_374_244.jpeg)
![[DESCARTES, René (1596-1650)]](https://veryimportantlot.com/assets/image/picture_2500811/a67fb/9ee6c1d6009ac0da55c5104d2c2f17ad1667984400jpg__fix_374_244.jpeg)
René Descartes was a French philosopher, mathematician, and natural scientist who is considered the founder of modern philosophy.
Descartes was a very versatile scientist: besides numerous philosophical reflections, he wrote works on optics, meteorology and geometry. Contemporaries noted his extensive knowledge in many sciences. Descartes owns the famous saying "I think, therefore I exist" (best known in the Latin formulation "Cogito, ergo sum", although it was originally written in French: "Je pense, donc je suis").
He developed a metaphysical dualism that radically distinguished between mind, whose essence is thought, and matter, whose essence is extension in three dimensions. Descartes' metaphysics is rationalistic, based on the postulation of innate ideas of mind, matter, and God, but his physics and physiology, based on sense experience, are mechanistic and empirical.
Unlike his scientific predecessors, who felt a holy awe at the incomprehensibility of the divine essence of the universe, Descartes admired the ability of the human mind to understand the cosmos and to generate happiness itself, and rejected the view that human beings were inherently unhappy and sinful. He believed that it was inappropriate to pray to God to change the state of things and the world; it was much more productive to change oneself.
Charles Le Brun was a French painter, draftsman and chief decorator of the Palace of Versailles.
Charles came from an educated and respected family, trained in painting in Italy and very soon his talents were appreciated in the highest circles of France. In 1660 Le Brun painted "The Family of Darius before Alexander", which brought him the reputation of a brilliant French painter, and in 1664 he received the position of the first painter of the king. Thereafter he received more and more commissions and more honors.
From 1662 Le Brun controlled all the artistic projects of the royal court. In the Palace of Versailles, Lebrun created beautiful decorations: the Ambassadors' Staircase, the Hall of Mirrors, the Peace Room and the War Room. In each of his designs, he emphasized the king's achievements. He was also responsible for the decoration of the State Apartments, which was entrusted to the greatest artists of the time, who worked from his drawings. Le Brun also designed most of the statues in the park at Versailles. This enormous work cemented his reputation as a true seventeenth-century genius, as well as one of the founders, ideologues, and chief representatives of the classicist "grand style" of King Louis XIV's era.
In 1648 Le Brun became a founding member of the Royal Academy of Painting and Sculpture, and in 1663 - the manager of the Manufacture of tapestries.
Charles Le Brun was not only the creator of the "grand style", but also contributed to the rebirth of classicism into academism.
Pieter Brueghel the Younger was a Flemish artist celebrated for his detailed landscapes, religious themes, proverbs, and vibrant village scenes. Despite being the son of the illustrious Pieter Bruegel the Elder, Brueghel the Younger carved out his own niche in the art world, earning the moniker 'Hell Brueghel' for his dynamic scenes of fires and energetic copies of his father's peasant life portrayals.
Brueghel the Younger's original creations, such as "The Village Lawyer," showcase his keen observation of village life, merging the energy and boldness of 17th-century style with his father's idiom. His work is characterized by its lively, picturesque depiction of peasants, albeit some critics argue they lack the subtlety and humanism of his father's creations. Despite this, Brueghel the Younger's legacy includes a significant number of original works and copies that were rediscovered in the 20th century, highlighting his contribution to the Flemish painting tradition.
His workshop was known for its prolific output, especially in producing copies of Bruegel the Elder's compositions, a testament to the enduring popularity and influence of the Bruegel family's artistic legacy. However, Brueghel the Younger also impressed with his unique compositions, contributing to the genre of still life and village scenes with a distinct style that resonated well into modern times.
For collectors and experts in art and antiques, Pieter Brueghel the Younger's works represent an important period in Flemish art, offering insights into the evolution of genre painting and the detailed portrayal of rural life. His paintings, held in esteemed collections worldwide, continue to be studied and admired for their vibrancy, narrative quality, and historical value.
To explore more about Pieter Brueghel the Younger and to stay updated on sales and auction events related to his work, signing up for specialized updates can offer exclusive insights into the world of this influential Flemish painter. This subscription ensures enthusiasts and collectors are well-informed about developments related to Brueghel the Younger's oeuvre, enhancing their appreciation and understanding of his artistic legacy.
Pieter Brueghel the Younger was a Flemish artist celebrated for his detailed landscapes, religious themes, proverbs, and vibrant village scenes. Despite being the son of the illustrious Pieter Bruegel the Elder, Brueghel the Younger carved out his own niche in the art world, earning the moniker 'Hell Brueghel' for his dynamic scenes of fires and energetic copies of his father's peasant life portrayals.
Brueghel the Younger's original creations, such as "The Village Lawyer," showcase his keen observation of village life, merging the energy and boldness of 17th-century style with his father's idiom. His work is characterized by its lively, picturesque depiction of peasants, albeit some critics argue they lack the subtlety and humanism of his father's creations. Despite this, Brueghel the Younger's legacy includes a significant number of original works and copies that were rediscovered in the 20th century, highlighting his contribution to the Flemish painting tradition.
His workshop was known for its prolific output, especially in producing copies of Bruegel the Elder's compositions, a testament to the enduring popularity and influence of the Bruegel family's artistic legacy. However, Brueghel the Younger also impressed with his unique compositions, contributing to the genre of still life and village scenes with a distinct style that resonated well into modern times.
For collectors and experts in art and antiques, Pieter Brueghel the Younger's works represent an important period in Flemish art, offering insights into the evolution of genre painting and the detailed portrayal of rural life. His paintings, held in esteemed collections worldwide, continue to be studied and admired for their vibrancy, narrative quality, and historical value.
To explore more about Pieter Brueghel the Younger and to stay updated on sales and auction events related to his work, signing up for specialized updates can offer exclusive insights into the world of this influential Flemish painter. This subscription ensures enthusiasts and collectors are well-informed about developments related to Brueghel the Younger's oeuvre, enhancing their appreciation and understanding of his artistic legacy.
Charles-Antoine Coypel was a multifaceted French Rococo artist, known for his contributions as a painter, designer, playwright, and art critic. Born into a family with a significant artistic legacy, Coypel rose to prominence in the French court, eventually serving as the court painter and the director of the Académie Royale. His work, which often blended dramatic narrative with intricate detail, played a pivotal role in the development of Rococo art in France, reflecting the opulent and expressive tendencies of the period.
Coypel's artistic output includes a range of subjects, from religious themes, as seen in his etching "The Virgin and Child," to theatrical history paintings that convey operatic passions and high drama. His ability to infuse his compositions with emotional depth and narrative complexity, alongside his mastery of the Rococo style's playful and ornamental characteristics, distinguishes his work within the era. Notably, Coypel was also involved in the design of tapestries for the Gobelins Manufactory, illustrating scenes from Miguel de Cervantes's "Don Quixote," which remained influential through the end of the 18th century.
His artworks, such as "The Virgin and Child," showcase not only his technical skill but also his sensitivity to composition and form, contributing to his reputation as one of the leading painters in the French court during the 18th century. Coypel's legacy is preserved in his paintings, etchings, and tapestry designs, which continue to be celebrated for their artistic and historical significance.
For collectors and experts in art and antiques, Charles-Antoine Coypel's work represents an essential connection to the Rococo period's rich cultural and aesthetic traditions. His contributions to French art history, particularly through his role at the Académie Royale and his influence on the development of Rococo style, make his work a valuable study for those interested in the dynamics of French art and culture during the 18th century.
To stay informed about updates related to Charles-Antoine Coypel, including new discoveries, sales, and auction events of his works, consider signing up for updates. This service will provide tailored notifications to enthusiasts and collectors eager to explore and acquire pieces by Coypel, ensuring they remain at the forefront of developments in the field of Rococo art.
