4ème modèle 1937
Victor Amalric Walter was a French glass maker mainly known for his pâte de verre (a glass casting method that translates as glass paste) pieces.
Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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Diego Giacometti was a Swiss sculptor and designer, and the younger brother of the sculptor Alberto Giacometti.
Victor Amalric Walter was a French glass maker mainly known for his pâte de verre (a glass casting method that translates as glass paste) pieces.
Jean Royère was a French designer.
A key figure of the avant-garde in the 1950s, Royère tackled all kinds of decoration work and opened branches in the Near East and Latin America. Among his patrons were King Farouk, King Hussein of Jordan, and the Shah of Iran, who were captivated by his freedom of creation and his elegance and entrusted him with the layout of their palaces. Royère pioneered an original style combining bright colors, organic forms and precious materials within a wide range of imaginative accomplishments. In 1980, he left France for the United States, where he lived until his death.
Man Ray, born Emmanuel Radnitzky, was an American visual artist who played a significant role in the Dada and Surrealist movements. His pioneering efforts in photography, alongside his work in painting and sculpture, have cemented his place as a major figure in modern art. Known for his innovative techniques and the ability to convey complex ideas through simple, striking visuals, Man Ray's contribution to the art world is profound.
Throughout his career, Man Ray was celebrated for his avant-garde approach and his ability to transcend traditional boundaries between different artistic mediums. His photography, characterized by experimental techniques such as solarization and rayographs (cameraless photographs), challenged conventional perceptions of photography as merely a means of representation. These artistic innovations made him a central figure in both Parisian and American art circles.
Man Ray's works are housed in some of the world's most prestigious museums and galleries, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. His pieces, such as "Le Violon d'Ingres" and "Noire et Blanche," are iconic images that continue to influence artists today. His ability to blend the abstract with the realistic, and the humorous with the serious, has left a lasting legacy in the world of art.
For collectors and experts in art and antiques, the work of Man Ray offers a glimpse into the revolutionary changes that shaped the visual arts in the 20th century. His unique perspective and pioneering techniques continue to inspire and challenge those interested in the boundaries of creativity and expression.
If you're passionate about the avant-garde, or simply wish to explore the fascinating world of Man Ray further, sign up for our updates. You'll receive alerts on new product sales and auction events related to Man Ray, ensuring you never miss an opportunity to engage with the legacy of this extraordinary artist.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Theo van Doesburg, real name Christian Emil Marie Küpper, is a Dutch painter, architect and sculptor, art theorist, co-founder of the Style Group and of Neoplasticism.
Theo van Doesburg co-founded with Piet Mondrian the De Stijl abstract art movement. The basis of van Doesburg's views was the attempt to reduce all forms of objective harmony in a work of art to certain geometric elements. These new principles soon had a significant influence on the development of architecture, literature, graphics and music.
 Пьер Боннар. «Автопортрет», 1889.jpg)
Pierre Bonnard was a distinguished French painter and printmaker, recognized as one of the foremost colorists of modern art. Born on October 3, 1867, in Fontenay-aux-Roses, France, Bonnard initially pursued law studies before embracing his true calling in art. He attended the École des Beaux-Arts and the Académie Julian, where his journey as an artist began in earnest.
Bonnard's art is characterized by its vibrant use of color and the portrayal of intimate, sunlit domestic interiors and gardens. His works often include scenes populated with friends and family, creating a narrative that is both personal and relatable. His distinctive style was influenced by Japanese prints, evident in his use of bold patterns and flat color planes. This influence earned him the nickname "Le Nabi très japonard" among his peers in the Les Nabis group, an avant-garde artists' group he joined in his twenties.
His early work, such as "Woman in Checkered Dress" (1890), showcases the influence of Japanese prints. Bonnard's talent was evident from the beginning of his career, with Claude Roger-Marx noting in 1893 his ability to capture fleeting poses and expressions. His work evolved over time, moving towards a style that resonated with the Intimists' focus on personal and intimate spaces.
Bonnard's wife, Marthe, was a recurring subject in his paintings, often depicted in everyday scenarios. Their relationship, spanning several decades, was a significant influence on his work. His paintings, such as "Dining Room on the Garden" and "Landscape at Le Cannet," demonstrate his mastery in capturing light and color, creating a sense of warmth and intimacy.
Bonnard's work remains influential and celebrated, with his paintings held in esteemed collections worldwide. His ability to transform everyday scenes into vibrant, color-filled canvases has made him a beloved figure in the world of modern art.
Art collectors and experts in the field will find Bonnard's work a study in the transformative power of color and composition. For those interested in staying updated on sales and auction events related to Pierre Bonnard's works, signing up for updates would provide valuable insights into this remarkable artist's enduring legacy.
Paul Cézanne, a French Post-Impressionist painter, was pivotal in shaping the transition from 19th-century art to a new, revolutionary approach in the 20th century. His unique and exploratory brushstrokes, utilizing planes of color to form complex fields, made his work instantly recognizable and influential in the development of Cubism.
Cézanne’s early works, influenced by Romanticism and Realism, evolved into a groundbreaking artistic language. He challenged traditional perspective and academic art rules, focusing on objects' structural aspects and art's formal qualities. This approach led to a renewed emphasis on impressionistic color space and modulation principles.
His most notable works, like “Mont Sainte-Victoire,” “The Card Players,” and “The Bathers,” display his mastery in creating depth and dimension through color gradations. These paintings, initially met with skepticism, eventually cemented Cézanne’s reputation as a pioneering artist. His exhibitions, particularly the one-man show by dealer Ambroise Vollard in 1895, played a critical role in his recognition.
Cézanne’s impact on art history is profound, with greats like Henri Matisse and Pablo Picasso acknowledging him as a significant influence. His exploration of geometric forms and innovative use of light and color laid the groundwork for subsequent movements, particularly Cubism.
For collectors and art experts, Cézanne's works are more than just paintings; they are pivotal chapters in the narrative of modern art. His creations, bridging Impressionism and Cubism, continue to inspire and challenge contemporary artists.
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Aristide Maillol was a French artist. He was a painter, sculptor, and printmaker, and is best known for his sculptural works.
Maillol initially worked as a painter, but after seeing Auguste Rodin's sculptures in the early 1890s, he turned to sculpture himself. His early sculptures were influenced by the classical tradition, and often depicted female figures in a simplified, stylized form.
Maillol's sculptures are characterized by their smooth surfaces and simplified forms, which reflect his interest in the pure and timeless beauty of the human body. He often worked in bronze, and his sculptures were typically larger than life size.
In addition to his sculptures, Maillol also created prints, including lithographs and woodcuts. His prints were often based on his sculptural works, and reflected his interest in simplifying form and line.
Maillol continued to work and exhibit his art throughout his life, and his work was shown in galleries and museums around the world. Today, his sculptures are held in the collections of many prestigious institutions, including the Musée d'Orsay in Paris, the Museum of Modern Art in New York, and the Tate Gallery in London.
Jean-Louis André Théodore Géricault was a French painter and lithographer, celebrated for his pivotal role in the Romantic movement. Born in Rouen, France, in 1791, and educated among the elite in Paris, Géricault developed a profound connection with art from a young age, influenced by his training under notable figures like Carle Vernet and Pierre-Narcisse Guérin. This foundation set him on a path that diverged significantly from the classical traditions of his time.
Géricault's artistry is best known for its vibrant energy and emotional intensity, characteristics that marked a departure from the Neoclassical style predominant in the early 19th century. His most famous work, "The Raft of the Medusa" (1818–19), is a monumental canvas that dramatizes the tragic aftermath of the French shipwreck, Méduse, capturing the public and critical imagination for its raw portrayal of human despair and resilience. This painting not only criticized the French government but also showcased Géricault's masterful handling of drama, becoming an iconic symbol of Romanticism.
Throughout his career, Géricault remained deeply engaged with contemporary issues and the human condition, exploring themes of mental illness, social injustice, and the raw power of nature versus human vulnerability. His series of portraits depicting patients with mental illnesses, created towards the end of his life, highlighted his empathy and innovative approach to capturing human emotion and psychological depth.
Géricault's fascination with the dynamic forms and emotional potential of horses also led to some of the most stirring equestrian art of his time, reflecting his personal passion for horseback riding and his exceptional understanding of equine anatomy. This interest is evident in works like "A Horse Frightened by Lightning", showcasing his ability to capture motion and emotion in both human and animal forms.
Despite his premature death at the age of 32, Géricault's legacy endures, with his works residing in prestigious institutions like the Louvre in Paris. His artistic vision and dedication to portraying the realities and turbulences of his era have cemented his status as a pioneer of Romanticism, influencing subsequent generations of artists, including his contemporary and friend, Eugène Delacroix.
For collectors and experts in art and antiques, Géricault's oeuvre offers a profound insight into the Romantic spirit, embodying the tumult, passion, and innovation of an era on the cusp of modernity. His works continue to inspire and captivate audiences, reminding us of the power of art to provoke thought and evoke deep emotional responses.
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Jules Bastien-Lepage was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement.
His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City.
