art nouveau - créations d'artistes
Martial Raysse is a French artist and actor. He lives in Issigeac, France. He holds the record for the most expensive work sold by a living French artist.
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Émile-Jacques Ruhlmann, (sometimes called Jacques-Émile Ruhlmann), was a French furniture designer and interior decorator, who was one of the most important figures in the Art Deco movement. His furniture featured sleek designs, expensive and exotic materials and extremely fine craftsmanship, and became a symbol of the luxury and modernity of Art Deco. It also produced a reaction from other designers and architects, such as Le Corbusier, who called for simpler, functional furniture.
Ivan da Silva-Bruhns was a French painter and decorator.
Marcel Coard is one of the great decorators and designers of the 1930s.
Jean Fautrier was a French painter and sculptor associated with the Art Informel and Tachisme movements. He initially studied architecture before turning to painting in the early 1920s.
Fautrier's early work was influenced by Cubism and Surrealism, but he eventually developed a more abstract style characterized by thick impasto and expressive brushwork. He often used unconventional materials, such as asphalt, sand, and tar, to create textured surfaces that conveyed a sense of materiality.
During World War II, Fautrier was active in the French Resistance and went into hiding to avoid arrest by the Nazis. His experiences during the war had a profound impact on his work, which became darker and more introspective. He began to create what he called "Hostage" paintings, which depicted anonymous faces and figures that were both haunting and vulnerable.
After the war, Fautrier continued to explore themes of violence, trauma, and decay in his art. He created a series of "Otages" (Hostages) sculptures that were made from casts of human limbs and torsos. These works were highly controversial and provoked strong reactions from critics and the public alike.
Fautrier's influence on the development of Art Informel and Tachisme was significant, and he is regarded as one of the key figures of the movement. His work is represented in many major museums and collections around the world, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Niki de Saint Phalle was a French-American sculptor, painter, filmmaker, and author of colorful hand-illustrated books. Widely noted as one of the few female monumental sculptors, Saint Phalle was also known for her social commitment and work.
Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Pierre Soulages was a French painter, printmaker, and sculptor. In 2014, François Hollande described him as "the world's greatest living artist."
Soulages is known as "the painter of black," owing to his interest in the colour "both as a colour and a non-colour. When light is reflected on black, it transforms and transmutes it. It opens a mental field all its own." He saw light as a work material; striations of the black surface of his paintings enable him to reflect light, allowing the black to come out of darkness and into brightness, thus becoming a luminous colour.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
Gabriel Argy-Rousseau, born Joseph Gabriel Rousseau, was a French sculptor, ceramicist and master glassblower who contributed to the rediscovery of pâte de verre as the primary art of glass in the early twentieth century.
Gabriel Argy-Rousseau, born Joseph Gabriel Rousseau, was a French sculptor, ceramicist and master glassblower who contributed to the rediscovery of pâte de verre as the primary art of glass in the early twentieth century.
Gabriel Argy-Rousseau, born Joseph Gabriel Rousseau, was a French sculptor, ceramicist and master glassblower who contributed to the rediscovery of pâte de verre as the primary art of glass in the early twentieth century.
Jean Philippe Arthur Dubuffet, a pioneering French painter and sculptor, revolutionized the post-war art scene with his radical Matterism movement. He defied the conventional aesthetics of his time, championing "low art" and propelling a more genuine, humanistic image-making approach.
Dubuffet, born in Le Havre, France, in 1901, was a prominent figure at the Ecole de Paris and an advocate for Art Brut, or "raw art", which sought to capture art's purest form. His works were characterized by a rough, unrefined aesthetic, which eschewed academic norms in favor of spontaneity and authenticity.
Art enthusiasts and experts can view Dubuffet's innovative works at institutions like the Museum of Modern Art, where his legacy as a groundbreaking artist continues to be celebrated. His Matterism philosophy has left an indelible mark on the art world, inspiring generations of artists to embrace the beauty in the unconventional.
For those interested in the avant-garde and the legacy of Jean Philippe Arthur Dubuffet, sign up for our exclusive updates. This service is designed for connoisseurs and professionals in the art and antique sector, promising alerts on new insights and events strictly related to Dubuffet's profound influence.
Kees van Dongen was a Dutch-French painter renowned for his vivid and expressive works that placed him at the forefront of the Fauvist movement. Born in 1877 in Delfshaven, Netherlands, van Dongen's journey into the art world began with his education at the Akademie voor Beeldende Kunsten in Rotterdam. His move to Paris in 1897 marked a pivotal moment in his career, immersing him in the bustling avant-garde scene and connecting him with influential circles, including Pablo Picasso and the Fauves. Van Dongen's art, characterized by its striking use of color and bold brushwork, captured the essence of his subjects with a unique blend of realism and abstraction.
Van Dongen's work evolved significantly over time, initially influenced by the dark tones of his Dutch heritage and the works of Rembrandt. His encounter with Fauvism around 1906 brought a dramatic shift towards brighter, more vibrant colors, marking his most iconic phase. His ability to capture the sensuousness and personality of his subjects made him a sought-after portraitist among the French bourgeoisie and celebrities of his time. Notable works include "Femme aux bas noirs" (Woman with Black Stockings), "Les lutteuses" (Lutteuses du Tabarin), and "The Dancer Anita," showcasing his fascination with the human figure, particularly sensuous depictions of women.
Beyond his remarkable contributions to Fauvism, van Dongen's ventures into illustration and his role as a society portraitist underscore his diverse talents and adaptability to the changing tastes of the art market. His works are celebrated in major collections worldwide, including the Hermitage Museum and the National Gallery of Denmark, affirming his lasting impact on the art world.
Collectors and art experts continue to appreciate van Dongen's work for its bold experimentation with color, form, and the evocative portrayal of his subjects. His legacy lives on as a testament to the vibrancy and dynamism of early 20th-century modern art.
For those keen to explore van Dongen's captivating works further and stay informed about new discoveries, exhibitions, and auction events related to his art, signing up for updates is a must. This ensures direct access to the latest sales and scholarly insights into the painter's rich oeuvre, a valuable resource for collectors and enthusiasts alike.
