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Paul Storr was an English goldsmith and silversmith working in the Neoclassical and other styles during the late 18th and early 19th centuries. His works range from simple tableware to magnificent sculptural pieces made for royalty.
![DELAUNAY, Robert (1885-1941) et Anatole JAKOVSKY (1909-1938) [sous le pseudonyme d’Anatole Delagrave]](/assets/image/picture_2160007/f333f/0a9982de42702699f74597fdba7229c11651492800jpg__fix_374_244.jpeg)
![DELAUNAY, Robert (1885-1941) et Anatole JAKOVSKY (1909-1938) [sous le pseudonyme d’Anatole Delagrave]](https://veryimportantlot.com/assets/image/picture_2160007/f333f/0a9982de42702699f74597fdba7229c11651492800jpg__fix_374_244.jpeg)
Robert Delaunay, a French artist, emerged as a pivotal figure in the development of early 20th-century art, blending the realms of painting and sculpture with his innovative approaches. His work is celebrated for its dynamic use of color and geometric shapes, making him a cornerstone in the Orphism movement, which he co-founded alongside his wife Sonia Delaunay and others. This movement is distinguished by its focus on vibrant colors and geometric forms, contributing significantly to the abstract art landscape.
Delaunay's artistic journey began earnestly at the age of 19 when he decided to fully dedicate himself to painting, contributing works to the Salon des Indépendants. His early career was marked by a deep engagement with Neo-Impressionism and Cubism, as evidenced by his collaborative work with Jean Metzinger and his exploration of color theory. Notable works from this period include "Paysage au disque" (1906–07) and "Champs de Mars: The Red Tower" (1911), showcasing his departure from representational art towards a more abstract, color-driven aesthetic.
Among Delaunay's celebrated series are the Eiffel Tower and Simultaneous Windows, reflecting his fascination with Parisian architecture and the dynamic interplay of light and color. These works, along with others like "L'Équipe de Cardiff" (1912-13) and "Endless Rhythm" (1934), are housed in prestigious museums such as the Musée d'Art Moderne de la Ville de Paris, The Solomon R. Guggenheim Museum, and the Tate collection. These pieces illustrate his evolving style, from the depiction of movement and technology in pre-war Paris to the rhythmic abstraction of later years.
Delaunay's influence extended beyond France, with significant contributions to exhibitions in Germany, Switzerland, and Russia, particularly through his involvement with Der Blaue Reiter group. His work not only captured the essence of the technological and cultural shifts of his time but also laid the groundwork for future artistic explorations into color and form.
For collectors and experts in art and antiques, Delaunay's oeuvre offers a rich study in the evolution of modern art, from its roots in Cubism and Neo-Impressionism to the heights of abstract expression. His works serve as a testament to the power of color and shape in conveying emotion and motion, making them invaluable to the understanding of 20th-century art history.
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