bildnis einer fürstin
Johann Heinrich Tischbein the Elder, known as the Kasseler Tischbein, was one of the most respected European painters in the 18th century and an important member of the Tischbein family of German painters, which spanned three generations.
His work consisted primarily of portraits of the nobility, mythological scenes, and historical paintings. For his mythology paintings his models were mostly members of the upper nobility.
Georges Desmarées was a Swedish-born German portrait painter.
Joseph Vivien was a French painter from Lyon.
He left Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation with his portraits in pastels, to which he gave a sparkle and immediacy previously unreached in that medium.
Joseph Vivien was a French painter from Lyon.
He left Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation with his portraits in pastels, to which he gave a sparkle and immediacy previously unreached in that medium.
Barbara Rosina de Gasc (Lisiewska) was a German portrait painter.
Johann Georg Ziesenis was a German portrait painter. He came from a family of artisans and artists of the 17th and 18th centuries whose works are attributed to the Hanoverian Rococo.
Barbara Rosina de Gasc (Lisiewska) was a German portrait painter.
Georges Desmarées was a Swedish-born German portrait painter.
Alexander Roslin was a distinguished Swedish portrait painter, celebrated for his refined depictions of European aristocracy, often highlighting his subjects' luxurious garments with great precision. Born in Malmö on July 15, 1718, Roslin moved to Paris in 1752 after developing his artistic skills in Sweden and traveling through Europe. His stay in Paris marked the peak of his career, where he became a prominent artist noted for his ability to capture the subtle intricacies of satin and skin, earning the admiration of high society.
Throughout his career, Roslin painted notable figures such as Empress Catherine II of Russia and members of the French aristocracy. His works, such as "The Lady with the Veil" (1768), showcase his skill in portraying delicate complexions and rich textiles, attributes that made his paintings highly sought after. This painting, along with others like "King Gustav III of Sweden" (1777), are celebrated for their artistic finesse and are held in prestigious collections, indicating Roslin's lasting legacy in the art world.
For collectors and enthusiasts of classical portraiture, Roslin's work offers a glimpse into the elegance of 18th-century aristocratic life, capturing both the opulence of the era and the personal character of his subjects. To stay updated on exhibitions and sales of Alexander Roslin's works, sign up for our newsletter. This subscription will keep you informed about new acquisitions and notable auction events featuring Roslin's art, ensuring you never miss an opportunity to appreciate or acquire his exquisite portraits.
Louis de Silvestre was a French portrait painter.
Joseph Karl Stieler was a German painter. From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich, as well as his emblematic portrait of Ludwig van Beethoven, which has become one of his most famous works.
