british
Donald Grant is one of Britain's leading wildlife artists who has used his art to raise funds for conservation and animal welfare charities around the world.
Edward Brian Seago was an English artist who painted in both oils and watercolours.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Harold Knight was an English portrait, genre and landscape painter.
![Thomas Pennant | The British zoology. London, [1761]-1766, fine coloured plates](/assets/image/picture_3553052/cf9ca/5vmcpiiefschwxfd644hmmxujwr-inwgmjwdqtkchu1wuxzb45ec2hhjerbwp1699094282jpg__fix_374_244.jpeg)
![Thomas Pennant | The British zoology. London, [1761]-1766, fine coloured plates](https://veryimportantlot.com/assets/image/picture_3553052/cf9ca/5vmcpiiefschwxfd644hmmxujwr-inwgmjwdqtkchu1wuxzb45ec2hhjerbwp1699094282jpg__fix_374_244.jpeg)
![[BRITISH ANTARCTIC EXPEDITION, 1910-13] – CHARCOT, Jean-Baptiste (1867-1936)](/assets/image/picture_2279210/1d586/5b2d1f36cbff007a105f6c496bad72fd1657663200jpg__fix_374_244.jpeg)
![[BRITISH ANTARCTIC EXPEDITION, 1910-13] – CHARCOT, Jean-Baptiste (1867-1936)](https://veryimportantlot.com/assets/image/picture_2279210/1d586/5b2d1f36cbff007a105f6c496bad72fd1657663200jpg__fix_374_244.jpeg)
John Frederick Herring the Elder was a British painter of Victorian England.
John had a passion for horses and painting from a young age. In his spare time from his day job as a sign painter and coachman, Herring painted horses for innkeepers and customers. Developing his talent, John specialized in drawing animals and loved to depict sporting events with horses. His impressive and vivid depictions of racehorses, cows and ducks as well as picturesque hunting scenes caught the eye of Queen Victoria. In 1845 Herring was appointed animal painter to Her Royal Highness the Duchess of Kent, followed by a commission from the reigning Queen Victoria, who remained a patron for the rest of his life.
A highly successful and prolific artist, Herring is considered one of the most important animal painters of mid-19th century Europe. He exhibited at the Royal Academy, the British Institution, and the Society of British Artists, where Herring became vice-president in 1842. Three of his sons also became artists.
John Atkinson Grimshaw was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. He was called a «remarkable and imaginative painter» by the critic and historian Christopher Wood in Victorian Painting (1999).
Grimshaw's love for realism stemmed from a passion for photography, which would eventually lend itself to the creative process. Though entirely self-taught, he is known to have used a camera obscura or lenses to project scenes onto canvas, which made up for his shortcomings as a draughtsman and his imperfect knowledge of perspective. This technique, which Caravaggio and Vermeer may also have used, was condemned by a number of his contemporaries who believed it demonstrated less skill than painting by eye, with some claiming that his paintings appeared to «show no marks of handling or brushwork», while others "were doubtful whether they could be accepted as paintings at all". However, many recognised his mastery of colour, lighting and shadow, as well as his unique ability to provoke strong emotional responses in the viewer. James McNeill Whistler, who Grimshaw worked with in his Chelsea studios, stated, «I considered myself the inventor of nocturnes until I saw Grimmy's moonlit pictures».
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Francis Bernard Dicksee was an eminent English painter and illustrator, celebrated for his dramatic portrayals of historical, literary, and legendary themes. Born into an artistic family in 1853, Dicksee received his early education in art from his father, Thomas Dicksee, a renowned painter himself. His proficiency in art was evident from a young age, leading to his enrollment at the Royal Academy Schools at the tender age of 17.
Dicksee's works are characterized by their romantic flair and vivid storytelling. He masterfully blended color, emotion, and detailed historical settings to create captivating scenes. His most notable works include "The Funeral of a Viking" (1893), housed at the Manchester Art Gallery, and "The Two Crowns" (1900), celebrated for its striking medieval pageantry. These paintings, along with others like "Romeo and Juliet" (1884) and "Chivalry" (1885), exemplify his skill in romantic and historical portrayals.
Throughout his career, Dicksee remained true to his Victorian roots, often expressing skepticism towards modernism in art. His dedication to traditional artistic values led to his election as the President of the Royal Academy in 1924, a position that reflected his standing and contributions to the art world. Despite his reservations about modern artistic trends, Dicksee's work continued to resonate with audiences, cementing his legacy as a quintessential Victorian artist.
Dicksee's influence extended beyond the canvas; his paintings like "The Funeral of a Viking" found a place in popular culture, being used as album covers by bands like Bathory. His comprehensive portfolio, documented by Simon Toll in a 2016 publication, reveals a rich tapestry of portraits, historical scenes, and romantic depictions, offering a window into the Victorian era's artistic sensibilities.
For art collectors and enthusiasts, Dicksee's work represents a significant chapter in the history of English painting. His paintings, often featuring dramatic and emotional scenes, are not just artistic masterpieces but also historical documents that capture the essence of an era.
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