charles d&amp
Nicolas-Quinibert Foliot was an 18th century French cabinetmaker. He was the supplier of furniture for the castles of Versailles, Fontainebleau and Compiègne.
All of his works are distinguished by luxury. The lines are balanced and elegant, the carvings are numerous and executed subtly and tastefully.
![[QIANLONG, Empereur de Chine (1711-1799) et Charles-Nicolas COCHIN (1715-1790), dir.]](/assets/image/picture_3601309/f9d87/rqfwcmyodhwl6a3u3cnvjqatap9yfxpvbnyt77bbuqb0bh1q4smembav9v5ika1700204263jpg__fix_374_244.jpeg)
![[QIANLONG, Empereur de Chine (1711-1799) et Charles-Nicolas COCHIN (1715-1790), dir.]](https://veryimportantlot.com/assets/image/picture_3601309/f9d87/rqfwcmyodhwl6a3u3cnvjqatap9yfxpvbnyt77bbuqb0bh1q4smembav9v5ika1700204263jpg__fix_374_244.jpeg)
Charles-Nicolas Cochin was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin the Younger, Charles-Nicolas Cochin the son, or Charles-Nicolas Cochin II.
More than fifteen hundred works by Cochin can be identified. They include historical subjects, book illustrations, and portraits in pencil and crayon. The richest collection of his engravings, apparently selected by himself, is in the Royal Library, now part of the Bibliothèque nationale.
Charles D'Oyly was a British public official and painter from Dacca (now Dhaka). He was a member of the Bengal Civil Service based in Calcutta, Dacca and Patna from 1797 to 1838. Although he held senior positions with the East India Company's civil service, he is best known as an amateur artist who published many books featuring engravings and lithographs featuring Indian subject matter.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
![[CHARLES LE BRUN (1619-1690)]](/assets/image/picture_2196355/b821a/4e1bc8ff80d6115249ebff990ca2e6fc1654678800jpg__fix_374_244.jpeg)
![[CHARLES LE BRUN (1619-1690)]](https://veryimportantlot.com/assets/image/picture_2196355/b821a/4e1bc8ff80d6115249ebff990ca2e6fc1654678800jpg__fix_374_244.jpeg)
Charles Le Brun was a French painter, draftsman and chief decorator of the Palace of Versailles.
Charles came from an educated and respected family, trained in painting in Italy and very soon his talents were appreciated in the highest circles of France. In 1660 Le Brun painted "The Family of Darius before Alexander", which brought him the reputation of a brilliant French painter, and in 1664 he received the position of the first painter of the king. Thereafter he received more and more commissions and more honors.
From 1662 Le Brun controlled all the artistic projects of the royal court. In the Palace of Versailles, Lebrun created beautiful decorations: the Ambassadors' Staircase, the Hall of Mirrors, the Peace Room and the War Room. In each of his designs, he emphasized the king's achievements. He was also responsible for the decoration of the State Apartments, which was entrusted to the greatest artists of the time, who worked from his drawings. Le Brun also designed most of the statues in the park at Versailles. This enormous work cemented his reputation as a true seventeenth-century genius, as well as one of the founders, ideologues, and chief representatives of the classicist "grand style" of King Louis XIV's era.
In 1648 Le Brun became a founding member of the Royal Academy of Painting and Sculpture, and in 1663 - the manager of the Manufacture of tapestries.
Charles Le Brun was not only the creator of the "grand style", but also contributed to the rebirth of classicism into academism.
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Charles Fortin was a French painter, son of the sculptor Augustin Felix Fortin.
Charles Fortin studied painting with Joseph Beaume and Camille Rocplan. From 1835 to 1865 he exhibited regularly at the Paris Salon. He was awarded the Knight's Cross of the Legion of Honour.
Jean-Charles Langlois, known as The Colonel, was a French soldier and painter.
Josef Baumhauer is a French cabinetmaker (ébéniste) of German origin.
Le Corbusier, born Charles-Édouard Jeanneret in Switzerland, was a visionary French architect, designer, and writer who profoundly influenced modern architecture and urban planning. His innovative ideas blended functionalism with bold sculptural expressionism, embodying the essence of the International Style of architecture. Notably, Le Corbusier's designs, such as the Villa Savoye and the master plan for Chandigarh, India, are celebrated for their revolutionary approaches to living spaces and urban environments.
Le Corbusier's early life in La Chaux-de-Fonds, Switzerland, where he was immersed in the art and craft of watchmaking, significantly shaped his design principles. His architectural journey began without formal training, starting with his education in decorative arts and leading to significant collaborations across Europe. Le Corbusier's philosophy was deeply rooted in the belief that architecture should improve living conditions, particularly in crowded cities. This belief drove his contributions to the Congrès International d'Architecture Moderne and his development of influential architectural principles, such as the Five Points of Architecture, which are exemplified in Villa Savoye.
Villa Savoye, located in Poissy, France, stands as a testament to Le Corbusier's innovative approach, featuring pilotis (reinforced concrete stilts), a functional roof garden, an open floor plan, horizontal windows, and a free façade design. These elements collectively embody his vision of a "machine for living," integrating the house with its environment and the modern lifestyle. Despite facing issues with structural durability and weather resistance, Villa Savoye remains a pivotal work in architectural history, symbolizing the transition to modern architectural thought.
Le Corbusier's legacy is multifaceted, extending beyond architecture to furniture design and painting, showcasing his broad artistic talents. His work continues to inspire and provoke discussion, reflecting both his groundbreaking contributions to modern architecture and the complexities of his ideologies and methodologies.
If you are inspired by Le Corbusier's visionary approach to architecture and design, and wish to stay informed about related updates, consider signing up for our newsletter. This subscription will keep you in the loop about new product launches, sales, and auction events that are directly related to Le Corbusier's enduring legacy. Dive deeper into the world of architecture and design, and ensure you don't miss out on opportunities to engage with Le Corbusier's influential work. Sign up now to connect with the past, present, and future of architectural excellence.
Pierre Jeanneret was a Swiss architect who collaborated with his cousin, Charles-Édouard Jeanneret (who assumed the pseudonym Le Corbusier), for about twenty years.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
Charles Sheeler was an American realist painter, one of the greatest representatives of precursorism and American art photography of the twentieth century. He was educated at the Pennsylvania Academy of Fine Arts, after which he worked as a professional photographer. Later he began to create artistic works, the basis of which were made by his earlier photographs. The theme of his work is the beauty of modern production, the age of machines and mechanisms, and the industrial landscape.
Charles Camoin, a French expressionist landscape painter, was a prominent figure associated with the Fauvism movement. Born in Marseille, France, on September 23, 1879, Camoin's journey into the art world began at a young age, leading him to Paris where he joined Gustave Moreau's class at the École des Beaux-Arts. It was here that he met Henri Matisse and other artists who would form the nucleus of the Fauve group, a circle known for their wild, expressionist-like use of color, which earned them the moniker "the wild beasts".
Camoin's art is celebrated for its vibrant color palette and expressive landscapes, a testament to his association with the Fauvists. Despite this, his work displayed a chromatic moderation, attributed to his intuitive and non-systematic approach to fauvism, setting him apart from his contemporaries. His masterpiece, the Portrait of Albert Marquet, epitomizes Camoin's unique style and is considered a pivotal piece of his oeuvre.
Throughout his career, Camoin's works were widely exhibited, earning him a place in major French collections, including the Musée d'Art Moderne de la ville de Paris and the Centre Georges Pompidou. Notably, his contributions to art were recognized with the Prix du Président de la République at the Biennale of Menton in 1955. His legacy includes a significant body of work that remains influential in the study of Fauvism and early 20th-century French art. Camoin passed away in Paris on May 20, 1965, leaving behind a rich legacy that continues to inspire art enthusiasts and collectors alike.
For collectors and experts in art and antiques, Camoin's work represents not only a pivotal moment in the evolution of modern art but also an opportunity to engage with the vibrant and emotive expressions of Fauvism. His paintings, characterized by a joyful and luminous use of color, offer a captivating glimpse into the artist's perception of the world around him.
If you're interested in staying updated on new discoveries, sales, and auction events related to Charles Camoin, signing up for updates can be a valuable resource. This ensures you're informed about the latest opportunities to acquire works by this remarkable artist, enhancing your collection with pieces that embody the spirit and innovation of early 20th-century art.
Charles Peale Polk was an American portrait painter and the nephew of artist Charles Willson Peale.
Polk’s earliest paintings were copies of his uncle's originals and he was highly dependent on his uncle's training and guidance. He continued to make copies of many paintings including his own. It is said that he produced fifty-seven reproductions of his George Washington portrait.
