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François Couperin was a French composer, organist and harpsichordist.
François Couperin is a member of a large dynasty of French musicians. At the age of 18, François succeeded his father, Charles Couperin (1638-1679), as organist at the Church of Saint-Gervais in Paris, and in 1693 he became one of the four organists of the Chapel Royal. He soon became a harpsichord teacher for the royal children, and in 1717 was appointed court harpsichordist.
François Couperin is known primarily for his harpsichord music; between 1713 and 1730 he published four books of more than 250 pieces for harpsichord. Some of them are characterized by complex accompaniment and dialogues between violin and bass, while others are light, graceful and expressive. Couperin's harpsichord pieces, even during the author's lifetime, gained great fame not only in France but also abroad. Couperin also wrote chamber music, including trio sonatas (for harpsichord and two violins) and "Royal Concertos", which he composed for Sunday evening royal entertainment. He also composed motets and other church music. Couperin's last and most significant liturgical work, Leçons de ténèbres (c. 1715), has no parallel in either French or Italian music of the period. Johann Sebastian Bach knew and appreciated this work by Couperin.
Couperin authored The Art of Touching the Clavier (1716), in which he explained in detail the technique of playing the harpsichord. And in his publications of the early 1720s, he suggested a wide variety of ways of combining French and Italian styles.
