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Jan van den Hoecke (Dutch: Jan van den Hoecke, Johannes van den Hoecke) was a Flemish Baroque painter, a pupil of Rubens.
The young artist was trained in the studio of Rubens, where he was one of the main assistants of the famous painter. Then lived and worked in Italy, in Vienna at the court of the Holy Roman Emperor Ferdinand III Habsburg. After returning to Antwerp, Hoecke was court painter to Archduke Leopold Wilhelm of Austria. Here he completed his most important and complex commission, the design of a series of 12 wall tapestries for Leopold Wilhelm around 1650, and also made several portraits of his suzerain.
Jan van den Hoecke was the author of a number of monumental paintings influenced by Rubens and A. van Dyck, such as The Triumph of David (1635). He painted pictures on biblical, mythological and allegorical subjects, altarpieces for the churches of Flanders.
His brother was the battle painter Robert van den Hoecke (1622-1668).


Ivan Vasilievich Kliun (Russian: Иван Васильевич Клюн) was a seminal figure in the Russian Avant-Garde movement, a painter, sculptor, and art theorist associated with Suprematism, a movement that sought to break down art into its basic geometric components. Born in Bolshiye Gorki, Kliun was deeply involved with the avant-garde circles that revolutionized Russian art in the early 20th century. His journey into the art world took him through studies in Kiev, Warsaw, and Moscow, culminating in a long-standing collaboration and friendship with Kazimir Malevich.
Kliun's artistic contributions were vast, ranging from his exploration of color theories to his pioneering Suprematist works that featured geometric shapes against stark backgrounds. Despite the changing tides of political and artistic favor in Soviet Russia, Kliun remained committed to his abstract and purist visions, even when abstraction fell out of favor with the Soviet authorities in the late 1920s.
His works, characterized by a unique integration of light and color to enhance the depth and intensity of the abstract forms, are significant for their experimental approach to Suprematism. Unlike many of his contemporaries who shifted towards Socialist Realism under state pressure, Kliun continued his abstract explorations discreetly. Today, his works are recognized for their innovation and contribution to the avant-garde movement, with pieces displayed in prestigious collections like the Costakis collection and international exhibitions.
For enthusiasts and collectors interested in the avant-garde movement and Kliun's groundbreaking work, staying updated on exhibitions and sales of his art is essential. Sign up for updates to stay informed about new product sales and auction events related to Ivan Vasilievich Kliun and explore the depths of Russian Avant-Garde art.


Valerii Nikolaevich Koshliakov (Russian: Валерий Николаевич Кошляков) is a Russian painter, graphic artist, author of installations, lives and works in Germany, France and Moscow.
He studied at the Rostov Grekov Art School. Koshliakov works mainly with images of architecture, which in his works appears as a memory of the former greatness. The artist uses canvas, paper, kraft, but most often cardboard, pieces of which make up huge canvases and entire installations. On this basis with diluted colors he creates a very light, yet monumental painting, which imbues the material with a web of sweat, reflecting the author's unique vision.
The works of this successful artist are in the collections of the world's major museums, including the Tretyakov Gallery, the Guggenheim Museums in New York and Bilbao.


James Augustine Aloysius Joyce was an Irish writer and poet, journalist and literary critic.
Joyce is a representative of the modernist avant-garde movement and is considered one of the most influential writers of the 20th century. Joyce's best known works are the novels Ulysses (1922) and A Portrait of the Artist as a Young Man, and the short story collection The Dubliners.



















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