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René Boylesve, birth name René Marie Auguste Tardiveau, is a French writer and literary critic, a member of the Académie Française.
Boylesve was educated at Poitiers, Tours, and Paris, studying humanities and fine arts, natural sciences, and law. Ten years later, under his mother's maiden name, he wrote his first novel, The Physician of the Lady of Nean (1894). These were followed by other books, and then came the series known as the "Touraine novels": "Mademoiselle Cloke" (1899), "Beke" (1901), "The Child at the Balustrade" (1903), "The Educated Girl" (1909) and others. In these works, the author expertly depicts the mores of the provincial petty bourgeoisie. With a richly detailed style and characteristic irony Boylesve tells about the triumph of conventional values over artistic and spiritual aspirations.
In 1918 René Boylesve was elected a member of the French Academy.
Ernst Otto Greiner was a German painter and graphic artist. He studied at the Munich Academy of Fine Arts.
Otto Greiner was one of the outstanding masters of German Art Nouveau. The painter's mature style, characterised by unexpected spatial juxtapositions and sharply focused photographic naturalism, was strongly influenced by the work of Max Klinger.
Julius Muller-Massdorf was a German portrait painter, genre painter, and illustrator.
He studied at the Düsseldorf Academy of Fine Arts and later became a professor. Muller-Massdorf painted interior, street, park, and beach scenes. He also worked as an illustrator for the press. In the later works of the artist there is a sense of the Impressionist trend.
George Bernard Shaw was an Irish playwright, novelist and literary critic, socialist propagandist and journalist, winner of the 1925 Nobel Prize for Literature.
George Bernard was born into a poor noble family and, growing up, suffered greatly from that poverty. After a decade of failure on the literary field, Bernard became an active member of the Fabian Society, a middle-class socialist group founded in 1884, which sought the gradual transformation of English society.
He began working as a journalist and writing plays, which soon enough became popular. In The Man and the Superman, Shaw laid out his philosophy that humanity is the last stage of a purposeful and eternal evolutionary movement of "life force" toward ever higher forms of life. By far his most popular play is Pygmalion, a humane comedy about love and the English class system. But George Bernard Shaw was not only the best comic playwright of his time. Some of his stage works - Caesar and Cleopatra, The Man and Superman, Major Barbara, House of Broken Hearts, and St. Joan - are highly serious and refined in their prose.
Shaw was also a bold pamphleteer, a popular and widely read music and theater critic of his generation, a lecturer and essayist on politics, economics and sociology. In the course of his long and prolific life Bernard Shaw shaped the political, economic and social worldviews of several generations.
Pablo Ruiz Picasso, a Spanish artist renowned for his revolutionary contributions to the 20th-century art scene, is a figure that resonates profoundly with collectors and art experts. His unique blend of talents in painting, sculpture, printmaking, and ceramic art, infused with his time in France, positioned him as a pivotal character in modern art history.
Picasso's artistic journey was marked by distinct periods, each showcasing his evolving style and genius. His early years were characterized by the Blue Period (1901-1904), followed by the Rose Period (1904-1906), and then the African-influenced Period (1907-1909). Picasso's name is synonymous with Cubism, a movement he co-founded, which significantly altered artistic perspectives and methods. Works like "Les Demoiselles d'Avignon" (1907) and "Guernica" (1937) are emblematic of his cubist legacy, the latter being a poignant anti-war statement that remains influential.
His later years saw a return to more traditional styles, with neoclassical and surrealist influences becoming evident. Works from these phases reflect a deep engagement with mythological themes, as seen in "Faun with Stars" (1955), symbolizing his late-life romance with Jacqueline Roque, his second wife.
Picasso's prolific output and innovative spirit made him a legend in his own time, a status that only grew after his death. His works, housed in major museums and private collections worldwide, continue to captivate and inspire.
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Nicole Eisenman is French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial (1995, 2012, 2019). On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Josef Lorenzl was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947).
Kees van Dongen was a Dutch-French painter renowned for his vivid and expressive works that placed him at the forefront of the Fauvist movement. Born in 1877 in Delfshaven, Netherlands, van Dongen's journey into the art world began with his education at the Akademie voor Beeldende Kunsten in Rotterdam. His move to Paris in 1897 marked a pivotal moment in his career, immersing him in the bustling avant-garde scene and connecting him with influential circles, including Pablo Picasso and the Fauves. Van Dongen's art, characterized by its striking use of color and bold brushwork, captured the essence of his subjects with a unique blend of realism and abstraction.
Van Dongen's work evolved significantly over time, initially influenced by the dark tones of his Dutch heritage and the works of Rembrandt. His encounter with Fauvism around 1906 brought a dramatic shift towards brighter, more vibrant colors, marking his most iconic phase. His ability to capture the sensuousness and personality of his subjects made him a sought-after portraitist among the French bourgeoisie and celebrities of his time. Notable works include "Femme aux bas noirs" (Woman with Black Stockings), "Les lutteuses" (Lutteuses du Tabarin), and "The Dancer Anita," showcasing his fascination with the human figure, particularly sensuous depictions of women.
Beyond his remarkable contributions to Fauvism, van Dongen's ventures into illustration and his role as a society portraitist underscore his diverse talents and adaptability to the changing tastes of the art market. His works are celebrated in major collections worldwide, including the Hermitage Museum and the National Gallery of Denmark, affirming his lasting impact on the art world.
Collectors and art experts continue to appreciate van Dongen's work for its bold experimentation with color, form, and the evocative portrayal of his subjects. His legacy lives on as a testament to the vibrancy and dynamism of early 20th-century modern art.
For those keen to explore van Dongen's captivating works further and stay informed about new discoveries, exhibitions, and auction events related to his art, signing up for updates is a must. This ensures direct access to the latest sales and scholarly insights into the painter's rich oeuvre, a valuable resource for collectors and enthusiasts alike.
