peinture sur glaçure
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Edwin James Douglas was a British animal painter.
Edwin was the son of the famous portrait painter James Douglas, studied at the Royal Scottish Academy schools and exhibited his first works at the Royal Scottish Academy at the age of only 17. Edwin Douglas painted hunting scenes, dogs and horses, which attracted many famous patrons, including Sir Charles Tennant and Queen Victoria. She even purchased a painting of setters as a birthday present for King Edward VII.
Douglas was a very successful artist whose animal paintings, like those of his predecessor Landseer, resonated with Victorian collectors. He was best at dogs and horses, but he also painted portraits and genre pictures. Between 1869 and 1900 he exhibited at the Royal Academy, forty-one works in all, at the Royal Scottish Academy and other venues in London and the provinces. In addition to painting, Douglas had a passion for cattle breeding and was elected an honorary life member of the Jersey Cattle Society of England.
Edwin James Douglas was a British animal painter.
Edwin was the son of the famous portrait painter James Douglas, studied at the Royal Scottish Academy schools and exhibited his first works at the Royal Scottish Academy at the age of only 17. Edwin Douglas painted hunting scenes, dogs and horses, which attracted many famous patrons, including Sir Charles Tennant and Queen Victoria. She even purchased a painting of setters as a birthday present for King Edward VII.
Douglas was a very successful artist whose animal paintings, like those of his predecessor Landseer, resonated with Victorian collectors. He was best at dogs and horses, but he also painted portraits and genre pictures. Between 1869 and 1900 he exhibited at the Royal Academy, forty-one works in all, at the Royal Scottish Academy and other venues in London and the provinces. In addition to painting, Douglas had a passion for cattle breeding and was elected an honorary life member of the Jersey Cattle Society of England.
Adrien Manglard was a French marine painter and printmaker who worked most of his life in Italy.
He was a member of the Royal Academy of Painting and Sculpture of France. The artist mainly painted coastal landscapes with ships and sailing ships. As a very skilled marine landscape painter, Manglard was very successful and in demand, and had many commissions for paintings.
Dóra Maurer is a Hungarian visual artist whose work has spanned a 50-year career. She works in almost every medium, from film and photography, to painting, performance, and sculpture. Principally achieving recognition in the 1970s with avant-garde work, Maurer has developed her art career from works with contemporary and modern influences that have been shown worldwide. Her art is based on mathematical and complex system processes. Most of Maurer's work follows the theme of showing options to the viewer and what the viewer can do with those options. Many of her works break down simple actions so the viewer can really view the piece as movement, not a photograph of movement. Dóra Maurer has in addition been a professor at the Faculty of Fine Arts in Budapest and a curator.
Jacques-Laurent Agasse is a Swiss animal painter.
As a young man he studied at the veterinary school in Paris and was well versed in equine anatomy. In 1880 he moved to London and began painting dogs and racehorses, as well as exotic animals such as giraffes and zebras, which he observed in London zoos. Later, Agasse began to paint landscapes, portraits, and genre scenes as well.
Paul Gavarni, real name Hippolyte Sulpice Guillaume Chevalier, was a French painter, cartoonist, illustrator, and a prominent 19th-century satirist.
Beginning his career as an assistant engineer, he showed signs of his future genius in the late 1820s as a fashion designer and illustrator. His talent for caricature and satirical art, however, led him to the editorship of Les Gens du Monde in 1835. Paul Gavarni, one of the smartest caricaturists, had no equal in drawing, capturing the follies and foibles of his time. He developed close friendships with many other leading artists and contemporary writers, including Honoré Balzac, Charles Dickens and William Maykpis Thackeray. His work was collected by Queen Victoria, as well as by Edgar Degas and Vincent van Gogh.
Gavarnie's long association with the popular magazine Le Charivari, with which Dumier and other cartoonists of the time also collaborated, was the pinnacle of his career. Working continuously from 1838 to 1844, he produced more than 900 engravings illustrating secular Parisian life with great wit, charm, and satire. He also illustrated the novels of Balzac and Eugène Sue and the short stories of Hoffmann. In addition to satirical works, Gavarni also distinguished himself in portraiture and sketches.
But it was not only in social circles that Gavarni revolved, where he was admired. In 1847 he spent a year in London, painting the inhabitants of the poor quarters around Whitechapel and producing some of his best work there.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Marie Laurencin was a pivotal figure in the Parisian avant-garde, a French artist renowned for her distinct approach to painting. Unlike her contemporaries who embraced the bold facets of Cubism, Laurencin carved a niche for herself with a palette of soft pastels and a focus on ethereal female forms. Her work, embodying an enchanted, feminine world devoid of masculine presence, was revolutionary for its time, offering a sanctuary of female harmony that was both subtle and profound.
Laurencin's oeuvre extends beyond paintings to include watercolors, drawings, and prints, with notable works such as "Les jeunes filles" and "Portrait de Mademoiselle Chanel" finding homes in prestigious institutions like the Museum of Modern Art in New York and the Musée de l'Orangerie in Paris. Her legacy is further cemented by the Musée Marie Laurencin in Nagano, Japan, the only museum dedicated solely to a female painter, showcasing over 600 of her pieces.
Her approach diverged significantly from the norms of Cubism, incorporating a distinctly feminine aesthetic through the use of pastel colors and curvilinear forms. This unique style set her apart from peers and positioned her as one of the few female Cubist painters, alongside figures like Sonia Delaunay and Marie Vorobieff. Laurencin's artistry was not just an exploration of femininity but a celebration of it, challenging the dominant artistic narratives of her time.
The critique of Laurencin's work for its deliberate embrace of femininity and decorative qualities overlooks the radical essence of her aesthetic. Her paintings, characterized by serene and charming depictions of women, argue for a creative space where the feminine is not just visible but central. Works like "The Fan" and "Spanish Dancers" exemplify her ability to create intimate, self-sufficient worlds that engage the viewer in narratives of absence, longing, and female solidarity.
For collectors and experts in art and antiques, Laurencin's work offers a nuanced understanding of early 20th-century modern art movements through the lens of femininity. Her contributions to art history reflect a bold reimagining of the female form and the spaces women occupy, both in the physical and imaginative realms.
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Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Hermenegildo Anglada Camarasa was a Spanish painter.
Camarasa studied at the Llotja de Barcelona School of Fine Arts under Modeste Urgel, whose work influenced his first landscapes. He moved to Paris in 1894, studying at the Académie Julian and the Académie Colarossi. His colorful style of painting shows a strong Oriental and Arabic influence, and his decorative style is associated with the work of Gustav Klimt.
In the early 1990s, Camarasa opened a painting school attended by many students, including Marie Blanchard. He was one of the founders of the Autumn Salons of Paris and was associated with the artists of the Vienna Secession. Camarasa's works from these years, depicting nighttime street scenes, Parisian cabarets and music halls, attracted the attention of Pablo Picasso, who had recently arrived in Montmartre; he even painted a profile portrait of Anglade.
In 1901 Camarasa took part in an international exhibition in Dresden, where he was a great success. He subsequently exhibited all over the world and was awarded gold medals in Venice (1907) and Buenos Aires (1910). During the war years 1939-1947 the artist lived in exile in France.
Hermenegildo Anglada Camarasa was a Spanish painter.
Camarasa studied at the Llotja de Barcelona School of Fine Arts under Modeste Urgel, whose work influenced his first landscapes. He moved to Paris in 1894, studying at the Académie Julian and the Académie Colarossi. His colorful style of painting shows a strong Oriental and Arabic influence, and his decorative style is associated with the work of Gustav Klimt.
In the early 1990s, Camarasa opened a painting school attended by many students, including Marie Blanchard. He was one of the founders of the Autumn Salons of Paris and was associated with the artists of the Vienna Secession. Camarasa's works from these years, depicting nighttime street scenes, Parisian cabarets and music halls, attracted the attention of Pablo Picasso, who had recently arrived in Montmartre; he even painted a profile portrait of Anglade.
In 1901 Camarasa took part in an international exhibition in Dresden, where he was a great success. He subsequently exhibited all over the world and was awarded gold medals in Venice (1907) and Buenos Aires (1910). During the war years 1939-1947 the artist lived in exile in France.
Jean-Antoine Watteau was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet.
