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Jan (Joan) Willemsz. Blaeu was a Dutch cartographer, publisher and judge.
Jan was born into the family of the cartographer and publisher Willem Janszoon Blaeu (1571-1638). He studied in Leiden, where he earned a doctorate in law, and in Padua. He then began to assist his father, who was engaged in the manufacture of globes and maps. After his father's death, Jan, together with his brother Cornelius, continued his work, and succeeded him as cartographer for the Dutch East India Company.
In 1651 Blaeu was elected to the Amsterdam city council and later appointed as a judge. At the same time, he was engaged in his publishing business: he continued to publish volumes of Atlas novus, which contained maps of English counties and, for the first time, an atlas of Scotland, as well as one volume of maps of the Far East.
Blaeu did not have time to complete his most ambitious project, but it made him famous as the author of the famous 11-volume Dutch atlas. Based on his previous maps, Blaeu created the Great Atlas (Atlas Maior) - it contained nearly 600 maps and a total of 3,000 pages of Latin text - and was published in 1662. Blaeu's maps were groundbreaking for their time because they were created in accordance with the heliocentric theories of Nicolaus Copernicus.
In 1672, a great fire in Amsterdam destroyed Blaeu's workshop, and the cartographer died a year later, apparently never recovering from this stroke of fate.
Willem Janszoon Blaeu was a Dutch cartographer and map publisher.
Willem studied astronomy and cartography under the Danish astronomer Tycho Brahe and even discovered the variable star P Swan in 1600. A little later Blaeu settled in Amsterdam, where he began making globes and also began producing land and sea maps, including a 1605 world map. In 1629 he managed to acquire the printing plates of the cartographer Jodok Hondius, with which he published his own atlas.
In 1633, Willem Blaeu was appointed cartographer of the Dutch Republic, as well as the official cartographer of the Dutch East India Company. Blau built up a large collection of maps and conducted an extensive publishing business. After Willem's death, his sons Jan Blaeu (1596-1673) and Cornelius Blaeu successfully continued his work. But in 1672, during a fire in Amsterdam, Blaeu's workshop was destroyed, and the company founded by Willem Blaeu ceased to exist in 1698.
Pierre-Joseph Redouté was a French artist and botanist of Belgian origin, a royal painter and lithographer.
Redouté traveled extensively from his youth and carefully studied the pictorial art of various masters, but his main interest eventually became botanical illustration. He gained access to the Botanical Gardens in Paris and the botanical library. Over time, the talented Redouté became a very popular and successful painter of flowers and plants, publishing more and more albums.
In the 1790s, Redouté was internationally recognized as one of the most popular floral artists in the world. His depictions of plants are still as fresh as if they had just been painted. His album of watercolor illustrations, The Lilies, is one of the most expensive printed books in history.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Giovanni Andrea Sirani was an Italian Baroque painter and printmaker, father of Elisabetta Sirani and the lesser known Anna Maria Sirani.
Giovanni Andrea Sirani began his artistic education through a brief apprenticeship in the studio of Giacomo Cavedone, only to join the school of Guido Reni, becoming a favourite pupil of the maestro.
Sirani's paintings can be found in various Bolognese churches. His recent works show the influence of the Venetian school.
Friedrich Wilhelm Heinrich Martersteig was a German historical and genre painter and drawing teacher. From 1828 to 1834 he studied at the Dresden Academy of Art under Ludwig Richter. Afterwards he spent four years at the academy in Dusseldorf and was a pupil of Carl Ferdinand Sohn, Theodor Hildebrandt and Friedrich Wilhelm von Schadow.
Friedrich Martersteig was a member and professor of the Prussian Academy of Arts.
Master of the Rouen Échevinage was a French artist, one of the leading 15th-century Rouen illustrators, named after the magnificent manuscripts he painted for the Bibliothèque des Echevins in Rouen. He was active between the 1450s and 1480s.
Master of the Rouen Échevinage was a French artist, one of the leading 15th-century Rouen illustrators, named after the magnificent manuscripts he painted for the Bibliothèque des Echevins in Rouen. He was active between the 1450s and 1480s.
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Friedrich Wilhelm Heinrich Martersteig was a German historical and genre painter and drawing teacher. From 1828 to 1834 he studied at the Dresden Academy of Art under Ludwig Richter. Afterwards he spent four years at the academy in Dusseldorf and was a pupil of Carl Ferdinand Sohn, Theodor Hildebrandt and Friedrich Wilhelm von Schadow.
Friedrich Martersteig was a member and professor of the Prussian Academy of Arts.
Andy Warhol, born as Andrew Warhola Jr., was an American visual artist, film director, and producer, who played a pivotal role in the development of the Pop Art movement. His art delved into the interplay between artistic expression, advertising, and celebrity culture, especially prevalent in the 1960s. Warhol was renowned for his diverse range of media, which included painting, silkscreening, photography, film, and sculpture.
Warhol's journey began in Pittsburgh, where he was born and raised, initially making a name for himself as a commercial illustrator. His New York studio, "The Factory," became a famous hub for intellectuals, celebrities, and various artistic minds. He was known for creating the notion of "Warhol superstars" and popularized the phrase "15 minutes of fame."
His contribution to the art world is significant, with notable works like "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), as well as his experimental films like "Empire" (1964) and "Chelsea Girls" (1966). These works not only define his career but also underscore the essence of the Pop Art movement.
Warhol's influence extended beyond his artwork. He managed and produced the experimental rock band The Velvet Underground, founded Interview magazine, and wrote several books, including "The Philosophy of Andy Warhol" and "Popism: The Warhol Sixties." Living openly as a gay man before the gay liberation movement, Warhol's personal life was as influential as his professional endeavors.
Tragically, Warhol's life was nearly cut short in 1968 when he was shot by radical feminist Valerie Solanas. He eventually passed away in 1987 due to cardiac arrhythmia following gallbladder surgery. His legacy continues, with The Andy Warhol Museum in Pittsburgh standing as the largest U.S. museum dedicated to a single artist.
Warhol's art remains highly collectible and valuable. His works, like the "Silver Car Crash (Double Disaster)" and "Shot Sage Blue Marilyn," have fetched staggering amounts at auctions, signifying his enduring impact on the art market.
For art collectors and experts, Andy Warhol's work represents a crucial intersection of pop culture and fine art, offering a unique perspective on consumerism and celebrity. His pieces are not just art; they are historical landmarks that capture a transformative era in both art and society.
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Master of the Troyes Missal de Troyes was a French book illustrator who worked in Troyes in the mid-15th century.
The artist got his name from the missal (liturgical book) he illustrated, which is now preserved in Paris. The master is considered one of Troyes' most brilliant illustrators circa 1450. Contemporaries described him as "the most prominent figure in Troyes' illuminations of the mid-15th century. Troyes was the main center of book production in Champagne during the second half of the 15th century, when the region's lavish manuscripts made it an alternative to Paris, and the master of Troyes books was the most sought-after artist in that city. The widespread demand among devout laymen for the Book of Hours (the most popular liturgical text of the Middle Ages) brought the Troyes master many commissions.
Elegantly elongated figures with flat faces, richly brocaded tapestries, and checkered green floors are hallmarks of the artist's work.
