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Clyfford Still was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues like Jackson Pollock and Mark Rothko, who continued to paint in figurative-surrealist styles well into the 1940s.
Clyfford Still was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues like Jackson Pollock and Mark Rothko, who continued to paint in figurative-surrealist styles well into the 1940s.
Ludwig Stiller was a German genre painter.
Jorge José Castillo Casalderrey is a Spanish-born painter and sculptor.
Jorge José Castillo Casalderrey is a Spanish-born painter and sculptor.
Jorge José Castillo Casalderrey is a Spanish-born painter and sculptor.
Antonio del Castillo y Saavedra was a Spanish Baroque painter, sculptor, and poet, renowned for his significant contributions to the Cordoba School of art. Born in Cordoba, Spain, in 1616, Castillo y Saavedra grew up under the influence of his father, Agustín del Castillo, also a painter. His early education continued under Ignacio Aedo Calderón, and later, in Seville, he studied with Francisco de Zurbarán and his uncle Juan del Castillo.
Castillo y Saavedra's work is distinguished by its adherence to naturalism, a style he maintained despite the evolving Baroque trends of his time. His landscapes and narrative paintings, often featuring elaborate architectural or landscape settings, showcase his unique spatial sense and meticulous studies of nature. Praised as an "excellent landscape painter" by his contemporaries, Castillo y Saavedra was adept at capturing nature's essence and integrating it seamlessly into his historical oil paintings. His works, such as the Calvary of the Inquisition and the series on the life of Joseph, exhibit a luminous sense of landscape with refined color palettes.
Some of his most celebrated works are housed in prestigious institutions around the world. The Museo del Prado in Madrid, Spain, holds an impressive collection of his paintings, including the notable series on the story of Joseph. The Museo de Bellas Artes de Córdoba also features his significant works, like the Calvary of the Inquisition.
Despite his death in 1668, Castillo y Saavedra's legacy lives on through his contributions to the Cordoba School, influencing generations of artists who followed. His work remains a testament to the rich cultural heritage and artistic prowess of the Spanish Golden Age.
For collectors and experts in art and antiques, Antonio del Castillo y Saavedra's works represent a pinnacle of Baroque art. To stay informed about new sales and auction events related to Castillo y Saavedra's work, we invite you to sign up for our updates. This subscription will keep you at the forefront of the latest developments in this fascinating field.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
August Robert Ludwig Macke was an eminent German expressionist painter, founder and member of the Blue Rider association. His very colorful and individual style is today referred to as the Macke style, characterized by a harmonious combination of colors and the play of light effects. His favorite subjects of his works were sketches from the life of the city, as well as nature and man. The paintings of August Macke give an impression of joy and lightness.
Jakob Marrel was a German still life painter active in Utrecht during the Dutch Golden Age.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
Frans Snyders was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens.
Sebastian Stoskopff was an Alsatian painter. He is considered one of the most important German still life painters of his time. His works, which were rediscovered after 1930, portray goblets, cups and especially glasses. The reduction to a few objects, which is characteristic of early still life painting, can again be recognized in Stoskopff's painting. His chief works hang in his hometown of Strasbourg, but some of the world's most important art museums (the MET, the Louvre, the KHM, the Gemäldegalerie) own paintings by Stoskopff as well.
Georg Flegel was a German painter, best known for his still-life works.
According to the RKD he was pupil of Lucas van Valckenborch in Linz during 1582-1592. In a period of about 30 years (c. 1600–1630), he produced 110 watercolor and oil pictures, mostly still-life images which often depicted tables set for meals and covered with food, flowers and the occasional animal.
Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
Ben Nicholson, an English artist, is celebrated for his significant contributions to abstract art. Born into an artistic family, Nicholson's work evolved from figurative art to embrace and lead in the development of abstract art in Britain. His early career was marked by experimentation with Cubism and interaction with influential artists like Barbara Hepworth, Henry Moore, Piet Mondrian, and Pablo Picasso, which profoundly shaped his artistic direction.
Nicholson's art is notable for its sensitive balance of tone and texture, employing dynamic and rhythmic lines that abstractly reference architectural forms and societal structures. His technique involved meticulous carving, painting, and the innovative use of color, especially in his later works where he explored the interplay of light and form to create poetic, abstract landscapes. His contributions were not just confined to his own practice; through collaborative projects and influential writings, he played a pivotal role in the discourse of modernist art, advocating for abstract art's broader appreciation.
Noteworthy pieces of Nicholson's work, including "March 1963 (Archimedes)" and "June 1961 (green goblet and blue square)," among others, are housed in prestigious collections like the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, The Hepworth Wakefield, Pallant House Gallery in Chichester, and the Pier Arts Centre in Stromness, Orkney.
Nicholson's legacy as a pioneer of abstract art in the UK is secured through his innovative approaches and influential partnerships, which have left an indelible mark on the landscape of 20th-century art. His work continues to inspire and resonate, reflecting a deep understanding of the abstract's power to express the complexities of human experience and the natural world.
For collectors and experts in art and antiques interested in the pivotal movements of 20th-century art, Ben Nicholson's oeuvre offers a rich field of study and appreciation. To stay updated on new product sales and auction events related to Ben Nicholson's work, signing up for updates is a step towards deepening your understanding and appreciation of this key figure in modernist art.
Johann Wilhelm Preyer was a German painter of the second half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of painting.
Preyer specialized in still lifes with flowers and fruit, which were notable for their detailed and meticulous elaboration. He is considered the preeminent painter of this genre of his era. His work is common in the United States, but there are also important pieces in the Berlin National Gallery and other German museums.
Preyer was one of the first representatives of the Düsseldorf School and was instrumental in founding the Düsseldorf Artists' Association.
Gabriele Münter, a prominent German painter, left an indelible mark on the art world with her expressionist style and vibrant use of color. Born in Berlin in 1877, Münter was not just an artist but a trailblazer in the early 20th-century avant-garde movement in Munich. Her relationship with Wassily Kandinsky, both personal and professional, greatly influenced her artistic development and vice versa. Together, they explored Europe and North Africa, absorbing influences that would shape their styles. This period was crucial for Münter's transition from impressionistic to more abstract and expressive works, incorporating intense colors and simplified forms that became hallmarks of her style.
Münter's artistic evolution was significantly shaped by her time in Murnau, a Bavarian town that became a refuge and inspiration for her work. Here, she experimented with the Blaue Reiter aesthetic, emphasizing the emotional and spiritual over the representational. Münter's landscapes from this period are notable for their bold use of color and simplified forms, reflecting an intimate interaction with nature. Works like "Jawlensky and Werefkin" and "Lower Main Street, Murnau" exemplify her mastery of color and form, showcasing her ability to capture the essence of her subjects through a unique visual language.
Throughout her career, Münter contributed significantly to the German Expressionist movement, particularly through her involvement with Der Blaue Reiter group. Despite the challenges of World War I and the subsequent estrangement from Kandinsky, she continued to innovate and express her vision through her art. In her later years, Münter's commitment to preserving the legacy of the Blaue Reiter group was demonstrated through her donation of a substantial collection of artworks to the Städtische Galerie im Lenbachhaus in Munich.
For collectors and experts in art and antiques, Gabriele Münter's work represents a pivotal moment in the history of expressionism, offering insights into the movement's evolution and the role of women artists in shaping modern art. Her contributions, both in her vibrant landscapes and in her pioneering spirit, continue to inspire and captivate audiences around the world.
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