Designers Portrait
Louise Abbéma was a French painter, sculptor, and designer, celebrated for her work during the Belle Époque. Born in Étampes in 1853 into an affluent Parisian family, she became well known for her portraits, particularly of the famous actress Sarah Bernhardt, and for decorative panels commissioned for various public buildings in Paris and the Palace of the Governor in Dakar, Senegal.
Abbéma's art often depicted the upper echelons of French society and reflected the Impressionist style through her light and rapid brushstrokes. She was also notable for her involvement in the women's movement, where she contributed to the emerging image of the 'New Woman' by portraying androgynous figures and themes of intellectualism and freedom.
Among her many honors, Abbéma was awarded the Palme Academiques in 1887, nominated as the Official Painter of the Third Republic, and in 1906, she became a Chevalier of the Legion of Honour. Her works, such as "Lunch in the Greenhouse" and "Portrait of Sarah Bernhardt," have seen a resurgence in popularity as the contribution of women to historical art gains more recognition.
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Michel Victor Acier was a French porcelain sculptor and model-maker who worked at the famous Saxon porcelain manufactory in Meissen from 1765 to 1779. With his work in the activities of the manufactory is associated with the period of neoclassicism. Michel-Victor was the maternal great-grandfather of the composer Pyotr Ilyich Tchaikovsky.
Craig Alan is an American artist whose work displays a technical sophistication as well as a rich imagination.
After moving with his family to New Orleans, Alan worked as a street artist in his youth, creating portraits. Through his exceptional talent and through his own research, he eventually developed an admirable understanding and sense of textures, compositions and colors. Today, Craig Alan represents a wide range of artistic styles, from book illustration to naturalistic oil painting and his Populus Art.
Valery Vladimirovich Androsov (Russian: Валерий Владимирович Андросов) is a Soviet and contemporary Russian artist. He is known as a sculptor, architect, designer, painter, graphic artist and teacher.
Valery Androsov creates landscapes, still lifes and portraits, as well as fantasy works. He is also known as the author of a large collection of ex-libris that accurately convey the character and interests of book owners. At different periods he served as chief artist of the Mosstroiplastmass Combine and director of the Mytishchi Picture Gallery. He also created monuments to those who died in the Great Patriotic War and to the pilots of the Mytishchi Aero Club, showing his skill in various artistic directions.
Christian Ludwig Attersee, born Christian Ludwig, is an Austrian media artist living in Vienna and Semmering in Lower Austria.
The artist took his middle name, Attersee, from the area where he spent his youth. He studied at the Vienna Academy of Applied Arts and his work was characterized early on by flamboyant sexualization. He is known not only as a visual artist, but also as a musician, writer, object artist, designer, stage designer and film director. In the 1960s and 1970s he also created series on themes of food, everyday objects, beauty and cosmetics.
Attersee is known above all as one of the leading representatives of objective painting in Europe in the last 50 years. In the second half of the seventies he became the founder of the "New Austrian Painting". From 1990 to 2009, Atterse held a chair at the Vienna University of Applied Arts.
Richard Avedon was an American photographer and artist known for his iconic portraits and fashion photography.
Avedon began his career as a photographer in the late 1940s, working as a freelance photographer for magazines such as Harper's Bazaar and Vogue. He soon became known for his distinctive style, which was characterized by his use of simple, uncluttered backgrounds and his ability to capture the essence of his subjects.
Throughout his career, Avedon photographed some of the most famous people of his time, including Marilyn Monroe, Andy Warhol, and The Beatles. He was also known for his fashion photography, and his work appeared in many fashion magazines, including Harper's Bazaar and Vogue.
Avedon's work was often controversial, as he challenged traditional notions of beauty and fashion. He was known for his willingness to push boundaries, and his work was often seen as a reflection of the social and political issues of his time.
Today, Avedon is regarded as one of the most important photographers of the 20th century, and his work continues to inspire artists and photographers around the world.
Hermann Bachmann is a German artist, graphic designer and teacher.
Hermann studied at the School of Applied Arts Offenbach am Main and served in the army during World War II. In 1945, Bachmann returned to his hometown and joined the artists of the Halle School. And in 1953 he fled to West Berlin, whose creative atmosphere was closer to him.
In 1957 Hermann Bachmann became a teacher and later a professor at the University of Fine Arts in Berlin, among his students many famous artists. He was a member of the Association of German Artists.
Leon Bakst (Russian: Лев Самойлович Бакст) was a prominent Russian painter and stage designer, celebrated for his innovative contributions to the world of art and theater. Born in the late 19th century, Bakst became a central figure in the cultural renaissance that swept through Russia and Europe, leaving an indelible mark on the visual and performing arts.
Bakst's work is distinguished by its rich use of color, intricate patterns, and imaginative compositions, which brought to life the exotic and often fantastical themes of the ballets and operas for which he designed. His association with the Ballets Russes, a groundbreaking ballet company that performed across Europe and America, solidified his reputation as a visionary artist. The costumes and sets he created for productions like "The Firebird" and "Scheherazade" were celebrated for their creativity and exoticism, influencing not only the world of theater but also fashion and interior design.
His art extends beyond the stage, with paintings and illustrations that capture the same vibrancy and innovation found in his theatrical work. Museums and galleries around the world, including the State Russian Museum in St. Petersburg and the Metropolitan Museum of Art in New York, house his works, allowing art lovers to experience the magic of Bakst's creations.
For collectors and experts in art and antiques, Leon Bakst's work offers a unique glimpse into a transformative period of cultural history, where the boundaries of art and performance were reimagined. His legacy continues to inspire and captivate, making his pieces highly sought after in the art world.
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Vladimir Davidovich Baranov-Rossine (Russian: Владимир Давидович Баранов-Россине) was a master of the Russian avant-garde, a prolific painter, sculptor, and inventor, whose work significantly contributed to the Cubo-Futurism movement. Born on January 1, 1888, in Kherson, he was originally named Shulim Wolf Leib Baranov but is best known by his pseudonym, Daniel Rossine. His early artistic education took place in Odessa and then at the St. Petersburg Academy of Arts, laying the groundwork for his future as a revolutionary artist.
In 1910, Baranov-Rossine moved to Paris, a pivotal move that introduced him to the burgeoning European avant-garde scene. It was there, alongside other notable artists such as Marc Chagall, Osip Zadkine, Alexander Archipenko, and Chaim Soutine, that he became an inhabitant of the famous Parisian house "La Ruche." His innovative work, particularly the invention of the Optophonic Piano, which projected colors in sync with music, underscored his commitment to blending art and technology, a hallmark of his career.
Tragically, Baranov-Rossine's life was cut short when he was arrested by the Gestapo in 1943 and subsequently died in Auschwitz in 1944. Despite his untimely death, his legacy lives on through his contributions to modern art and technology. His works can be found in various museums and galleries, celebrated for their vibrant expression and avant-garde techniques that continue to inspire artists and collectors alike.
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Marcus Behmer, full name Marcus Michael Douglas Behmer, known by the pseudonyms Marcotino und Maurice Besnaux, is a German artist, graphic designer and illustrator.
Marcus was the son of the painter Hermann Behmer, participated in World War I and painted miniature portraits of fellow soldiers. From 1900 he began to collaborate with Munich periodicals and book publishers. Bemer drew hundreds of drawings and illustrations and published a series of engravings that were recognized and successful. He also designed typefaces.
In 1936, Behmer was convicted of homosexuality and spent a year and a half in prison, where the artist also found the strength to draw. During World War II, almost all of Bemer's creations were lost or destroyed.
Veniamin Pavlovich Belkin (Russian: Вениамин Павлович Белкин), a distinguished Russian and Soviet artist, was born in 1884 and made significant contributions to the fields of painting, graphic arts, and teaching until his death in 1951. His extensive teaching career included positions at prestigious institutions such as the Higher Institute of Photos and Photo Equipment, the Baron A.L. Stieglitz Central School of Technical Drawing, Vhuteine, the State Architectural Institute, and the Leningrad Institute of Painting, Sculpture, and Architecture named after Ilya Repin. In 1955, a memorial exhibition in Leningrad posthumously honored his artistic legacy.
Belkin's artworks, characterized by their depth and artistic integrity, are held in high regard within major museum collections, including the State Tretyakov Gallery and the State Russian Museum, as well as various regional museums. His contributions to Russian art are celebrated for their historical and cultural significance, bridging the gap between pre-revolutionary and Soviet art.
For collectors and experts in art and antiques, Belkin's work represents an intriguing investment, embodying the rich tapestry of Russian history and culture. His legacy continues to inspire and influence contemporary art, making his pieces sought after by connoisseurs around the world.
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Roger Bezombes was a 20th century French painter, sculptor, medallist and designer. He studied in Paris at the École des Beaux-Arts and was greatly influenced by his friendship with Maurice Denis. Bezomb worked mainly as a painter, adopting Henri Matisse's rich colours in landscapes and figures, often based on observations of 'exotic' cultures, particularly those of the Mediterranean and North Africa.
Boris Konstantinovich Bilinsky (Russian: Борис Константинович Билинский) was a Russian-born artist and designer, renowned for his significant contributions to set and costume design in theater, cinema, and ballet, as well as his accomplishments as a graphic artist. Bilinsky's career took him across Europe, from Russia to Germany, France, and eventually Italy, reflecting a life influenced by political and social upheavals of the early 20th century. His departure from Russia in 1920 marked the beginning of a prolific period in Berlin where he collaborated with prominent Russian emigre movie directors and theater companies. By 1923, Bilinsky had moved to Paris, becoming an integral part of the French cinema scene, notably designing posters and publicity material for the French release of Fritz Lang’s "Metropolis" in 1927, a commission that solidified his reputation as a leading cinema poster artist.
Bilinsky's creative vision extended beyond the cinema to the world of ballet and opera, where he made significant contributions, including designing for the Teatro alla Scala in Milan. His work for the "Follie viennesi" ballet in 1947, with music by Johann Strauss, showcased his ability to blend artistic freedom with the thematic requirements of the productions, employing vibrant colors and shapes that echoed the circular motion of a waltz.
Throughout his career, Bilinsky's versatility and talent were evident in the range of his work, from cinema posters to set and costume designs for prestigious theater productions. His legacy is preserved through collections and exhibitions, ensuring his artistic contributions continue to inspire and influence.
For collectors and experts in art and antiques, Boris Konstantinovich Bilinsky remains a figure of great interest due to the breadth of his work and the artistic prowess he displayed across various mediums. His contributions to the visual arts, particularly in the realm of set and costume design, cement his place in history as a versatile and innovative artist whose work transcends time and geographic boundaries.
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Joseph Binder, full name Joseph Friedrich Gustav Binder, was a German avant-garde painter, designer and graphic artist.
In the early 1930s, Joseph Binder worked on major brand commissions for Knorr, Reemtsma, Tekrum, Elida, Minera, Dujardin, Stella and Mercedes-Benz and earned fame as a style-defining industrial designer. In all, by the early 1960s, Binder had created more than 2,000 stamps and posters.
In painting, Binder favored cubism: geometrically stylized form is of great importance to the painter. He was also influenced by the Bauhaus school of art and the Blue Rider group.
Peter Thomas Blake is an English pop artist. He co-created the sleeve design for the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.
Gottlieb Bodmer was a German painter of the first half of the nineteenth century. He is known as a portrait painter, designer and lithographer.
Bodmer practiced portrait painting for several years, then took up lithography. His most important work of the time was a lithograph of the Sistine Madonna. For some time the artist stayed in Paris, where he improved his technique. He copied engravings, and was especially fond of reproducing paintings by artists of the Munich art school. Bodmer's achievements in lithography laid the foundation for the Bavarian lithographic school, which made Munich famous as the "lithographic capital of Germany".
Kseniya Leonidovna Boguslavskaya (Russian: Ксения Леонидовна Богуславская) was a twentieth-century Russian artist who lived and worked in Germany and France for most of her career. She is known as a painter, graphic artist, theatrical artist and designer, and poetess.
Kseniya Boguslavskaya was a representative of the avant-garde school. She created semi-abstract cubo-futuristic compositions, including landscapes, still lifes, genre scenes, and images of interiors. In the same style, the artist drew sketches for articles of applied art. She also illustrated covers of publications and worked as a scenographer.
Jean-Louis Boussingault was a French painter, printmaker and illustrator, and designer.
Boussingault studied at the Académie Julian and socialized closely with the student artists of that academy. He first exhibited in 1909 at the Salon des Indépendants. In 1919 he joined the Compagnie des arts français, founded by the architect and decorator Louis Xue and the designer André Marais. In addition to painting, he practiced dry needling, etching and lithography.
Christian Brandl is a German artist who lives and works in Leipzig.
He studied painting at the Leipzig Academy of Fine Arts.
Brandl's static paintings are reminiscent of 1950s psychological thrillers or even cartoons. They depict people without emotion, often in situations that are difficult to explain, the events on the canvases and the subjects are difficult to recognize.
Peter Candid was a Flemish painter, tapestry designer, draughtsman and sculptor.
Pieter Candide worked mainly in Italy and Germany. He was an artist at the court of the Medici in Florence and at the Bavarian court of Duke Wilhelm V and his successor Maximilian I in Munich.
His paintings range from historical paintings, portraits, mythological scenes and allegories. He created large altarpiece images as well as complex decorative designs.
Candide's style was characterised by a combination of Italian and Flemish influences, with a particular emphasis on detailed, realistic depictions of the human form.
Louis Carrogis, better known as Carmontelle was a French artist, garden designer, architect, playwright and inventor.
Carmontelle was of simple origins but versatilely gifted. He wrote several plays and three novels, and created portraits of historical figures. He became famous for his painting of little Mozart at the clavier. In the service of Louis-Philippe I, Duke of Orléans, he was responsible for the theatrical performances for the family as stage designer and stage director.
Carmontelle is the planner and designer of one of the earliest examples of a French landscape garden in Paris, now known as Parc Monceau. In designing the garden, Carmontel rejected many of the fashionable trends in landscape design at the time, drawing inspiration from Japanese pleasure gardens and insisting on incorporating illusion and fantasy.
Carmontelle is also credited as the inventor of animated images. Translucent tape with landscapes depicted on it was slowly rolled from one roll to another against a backdrop of daylight, thus creating the illusion of walking through a garden.
Hans Christiansen was a German painter, representative of classical modernism, decorator and illustrator.
Christiansen trained as a decorative painter in Flensburg and then at the School of Applied Arts in Munich, later studying at the Académie Julian in Paris. After a study trip to Italy in 1889, he moved to Hamburg, where he taught at the Technical University.
At the same time, Christiansen worked as a freelance decorative artist and was active in the Volkskunst-Verein, and was one of the founders and first residents of the Darmstadt artists' colony of the late 19th and early 20th century. Together with Josef Olbrich and Peter Behrens, he designed furniture, ceramics, tapestries, stained glass and graphic posters. He also designed his own house in the colony, which he called "Villa Rose," which was destroyed during World War II.
During this time, the versatile artist also wrote regularly for the magazine Jugend, creating many illustrations and covers. From 1911 he lectured at the Wiesbaden School of Arts and Crafts and was a member of the Wiesbaden Free Artists Association.
In 1933, Christiansen's work was banned by the Nazi Party of Germany because of his Jewish wife, and he was almost forgotten until his death in 1945.
Charles Edouard De Beaumont was a French realist painter, watercolourist and lithographer.
Beaumont illustrated classic books of his era and was a regular and very popular contributor to Parisian periodicals. He is widely known for his humorous and sometimes satirical scenes of Parisian life.
Sonia Delaunay-Terk (Russian: Соня Делоне-Терк) was a Russian-French painter and designer of Jewish descent. She received the name Sonia Terk, by which she is known, in 1890 after being adopted by her uncle. She is also called Sonia Delaunay in literature. She is considered a representative of geometric abstraction. Her artistic role models include Vincent van Gogh and Paul Gauguin. From 1912, she developed the so-called Orphism with her husband Robert Delaunay.
Fortunato Depero was an Italian futurist painter, designer, sculptor and poet. In 1913 Depero comes to Rome, where he meets the futurists Giacomo Balla and Umberto Boccioni.
In the early 1920s, Fortunato Depero tries his hand as an artist in commercial advertising, designs theatrical costumes, works for magazines and as a room decorator, and participates in many art exhibitions.
Paul Dom, born Paulus Ludovicus Carolus Dom, was a Belgian and Dutch painter and illustrator.
He studied at the Royal Academy of Fine Arts in Antwerp, lived in Belgium and the Netherlands, was granted Dutch citizenship in 1936 and lived in The Hague for the rest of his life.
Paul Dom was a versatile artist. He dabbled in drawing and painting and painted portraits, cityscapes and sketches, and genre scenes. At the same time he was a political cartoonist and illustrated books. Between 1917 and 1956 Dom illustrated hundreds of books, mostly for children.
Johanna Dumet is a French and German artist and designer living and working in Berlin.
She graduated in fashion design from La Calade, Marseille, France. Dumet uses a variety of techniques, such as gouache-dyed paper glued to canvas, and creates paper sculptures as well. She is known for painting impulsively, with a strong sense of flow and without limitations.
William Dunlap was an American playwright, theater director, artist, and historian.
William Dunlap was a pioneer of the young country's theater. He directed two of New York City's earliest and most famous theaters, the John Street Theater and the Theater in the Park. During his lifetime he directed over sixty plays, most of which were adaptations or translations of French and German works. But among them were some original ones based on American themes with American characters.
In 1832 Dunlap published A History of the American Theater in two volumes. In 1825, Dunlap co-founded the National Academy of Design and taught at its school. Even today, Dunlap is best known for his encyclopedic three-volume History of the Origin and Progress of the Art of Design in the United States. The book was published in 1834 and is now an invaluable source of information about artists, collecting, and artistic endeavors in the country of that historical period.
Teo Eble was a Swiss abstractionist painter and graphic designer.
Eble studied at the Academy of Fine Arts in Berlin, then taught at the Basel School of Applied Arts from 1931 to 1967. In 1933 he co-founded the Swiss Group 33, an anti-fascist association of artists.
His work was influenced by the realist, objective painting of the 1920s. The subjects of Eblé's early works were landscape paintings and depictions of cities and their life.
In 1934, Eblé began abstract painting and became a prominent artist of the abstract movement in Switzerland and was also recognized internationally. He held exhibitions in France and the United States, in 1958 at the Venice Biennale and in 1959 at Documenta in Kassel. In the 1960s, Eblé created numerous murals in public buildings.
Martin Eder is a German artist.
From 1986 until 1992, he studied at the Augsburg University of Applied Sciences, and from 1993 until 1995 continued his studies at the Academy of Fine Arts Nuremberg, attending the University of Kassel in 1995 and 1996. From 1996 until 1999 he studied under Eberhard Bosslet at the Dresden Academy of Fine Arts and was a master student under Professor Bosslet from 1991 until 2001. Eder lives and works in Berlin. He plays in his own experimental rock band under the name Richard Ruin et Les Demoniaques.
Aleksandra Aleksandrovna Ekster (Russian: Алекса́ндра Алекса́ндровна Эксте́р), a luminary of the Russian avant-garde, was a painter and designer whose work traversed the boundaries of Cubo-Futurism, Suprematism, and Constructivism, eventually influencing the Art Deco movement. Born in Białystok (then part of the Russian Empire, now Poland) and later splitting her life among Kiev, St. Petersburg, Moscow, Vienna, and Paris, Ekster played a pivotal role in bridging Russian and European artistic movements. Her innovative approach to art was characterized by dynamic movement, vibrant color contrasts, and geometric compositions, which were evident in her paintings, theater set and costume designs, and educational endeavors.
Ekster's studio became a hub for the intellectual and artistic elite, hosting figures like poets Anna Akhmatova and Osip Mandelstam, as well as painters Pablo Picasso and Georges Braque during her stays in Paris. Her involvement in significant art exhibitions, such as the Salon des Indépendants and the Salon de la Section d'Or in Paris, showcased her works alongside those of Jean Metzinger, Marcel Duchamp, and others, marking her as a key figure in the avant-garde community.
Beyond painting, Ekster's contributions to theater and design were profound. She worked on costume and set designs for Alexander Tairov's Chamber Theatre and participated in the revolutionary festivities' decoration in Kiev and Odessa. Ekster's pedagogical efforts included teaching at the Higher Artistic-Technical Workshop (VKhUTEMAS) in Moscow, fostering a new generation of avant-garde artists.
Ekster's work is housed in various international and private collections, reflecting her lasting impact on the art world. Her ability to integrate different genres and styles, along with her commitment to experimentation and innovation, made her one of the most influential women in the Russian avant-garde.
For those fascinated by the pioneering spirit of Aleksandra Aleksandrovna Ekster and the avant-garde movement, signing up for updates on new product sales and auction events related to her work is a compelling way to stay informed. This subscription ensures enthusiasts and collectors are always in the loop regarding opportunities to engage with Ekster's enduring legacy.
Fritz Erler was a German painter, graphic designer and scenic designer. Although most talented as an interior designer, he is perhaps best remembered for several propaganda posters he produced during World War I.
During the National Socialist period Erler's portraits of Adolf Hitler, Franz von Epp, and Wilhelm Frick were very remunerative.
Frank Shepard Fairey is an American contemporary artist, activist and founder of OBEY Clothing who emerged from the skateboarding scene. In 1989 he designed the "Andre the Giant Has a Posse" (...OBEY...) sticker campaign while attending the Rhode Island School of Design (RISD).
Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York City, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, D.C., the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London.
His style has been described as a "bold iconic style that is based on styling and idealizing images."
Salvatore Fiume is an Italian artist known for his diverse talents including painting, sculpture, ceramics and graphic design.
Salvatore Fiume's artistic style has evolved throughout his career, reflecting various influences. Fiume's paintings are characterised by vivid colours, dynamic brushwork and a sense of emotional intensity. He was also a skilled sculptor and created many sculptures in different materials.
Tsugouharu Foujita was a French twentieth-century artist of Japanese descent. He is known for his unique style, combining elements of Japanese painting and printmaking with European realism.
Foujita created a wide range of works in a variety of genres, including nudes, images of cats, portraits of women and children, and self-portraits. He later converted to Catholicism and began creating paintings with religious themes. The artist was internationally recognized, and his work was exhibited in many countries around the world. His work was characterized by the perfection of pictorial technique, virtuosity of drawing and an atmosphere of sophistication. The master also showed talent in graphics, photography, ceramics, theater, cinema and fashion design. Prices for his paintings were comparable to those of Picasso's works.
Akseli Gallen-Kallela, born Axel Waldemar Gallén, is a Finnish artist of Swedish descent.
He studied at the Académie Julian in Paris, traveled to Africa, and later designed flags, coats of arms and uniforms for the army of independent Finland.
Akseli Gallen-Kallela is a representative of Finnish National Romanticism and Northern Art Nouveau painting from 1880-1910. In his work he used symbolism and artistic techniques of Art Nouveau style. The unvarnished depiction of disease, suffering and social hardship was part of the naturalistic conception of art that Gallen-Kallela followed from the beginning of his career. He frequently painted the harshness of life, often with elements of Christian symbolism.
Alexander Gerbig was a German expressionist painter, graphic artist and decorative artist.
Gerbig worked successfully as a decorative painter, studied at the Royal School of Arts and Crafts in Dresden and later at the Royal Academy of Arts in Dresden, traveled Europe on study tours, and won various awards for his paintings.
He served as a soldier during World War I and made numerous sketches of the events he witnessed. In the 1920s Gerbig held several successful exhibitions and actively socialized with almost all art associations of the time. During the years of National Socialist rule in Germany, Gerbig's work was declared degenerate, his paintings were withdrawn from museums and he was forbidden to paint. In 1945, however, he became honorary chairman of the visual arts section of the Zuhl Cultural Association.
Charles March Gere was an English painter, illustrator of books, and stained glass and embroidery designer associated with the Arts and Crafts movement.
A member of the Birmingham Group of Artist-Craftsmen that formed around Joseph Southall, Gere taught at the Birmingham School of Art under Edward R. Taylor and illustrated many books for William Morris's Kelmscott Press, including the frontispiece of Morris's own News from Nowhere.
Rolf Gith is a German painter, draughtsman and designer. He studied painting at the University of Fine Arts in Hamburg. He was involved in teaching at various institutions of higher education. Git is a member of the Association of German Artists.
Rolf Git worked in different genres: he was fond of nudes, painted portraits of the people around him as well as numerous self-portraits. Since 1996 colour and light have been central themes in his work.
Franz Paul Glass is a German commercial artist, illustrator and type designer. From 1909 to 1910 he lived in Italy. Then he settled in Munich as a freelance artist, graphic artist, advertising designer and interior designer. In 1914, Glass, together with Valentin Zietara, Friedrich Heubner, Karl Moos, Emil Praetorius and Max Schwarzer, founded the group of artists "Six", and was also a member of the second formation of this group, founded in 1924. He was a member of the German Society for Christian Art, the Munich Association of Artists Der Bund, the Munich Cooperative Society of Artists, the Munich Art Association, the Association of German Imperial Artists and the Conference of Christian Art in Munich. In 1922 he was a member of the artists' committee of the German Trade Exhibition in Munich. Glass designed exhibition and advertising posters, including for the association of Munich poster artists "Six", the luxury car company "Dion Monopoly", the German exhibition of the brewery in Munich, etc.
Aleksandr Yakovlevich Golovin (Russian: Алекса́ндр Я́ковлевич Голови́н) was a distinguished Russian artist and stage designer, celebrated for his vibrant and ornate creations in the realms of theatre and fine arts. Born in Moscow in 1863, Golovin initially pursued architecture before shifting his focus to painting, a move that enriched Russian art with his unique blend of symbolism and modernism. His academic journey took him from the Moscow School of Painting, Sculpture and Architecture to the Académie Colarossi in Paris, marking the beginning of a prolific career that intertwined Russian heritage with avant-garde European influences.
Golovin's artistic signature is evident in his stage designs for prominent figures like Sergei Diaghilev, Constantin Stanislavski, and Vsevolod Meyerhold. His work for the original production of Stravinsky's "The Firebird" ballet and the scenic design for Beaumarchais's "The Marriage of Figaro" at the Moscow Art Theatre showcases his ability to blend visual splendor with dramatic storytelling. Beyond the theatre, Golovin's paintings, such as portraits of Fyodor Chaliapin and Vsevolod Meyerhold, and works like "Porcelain and flowers" and "Silver willows," display his mastery over color and form, capturing the essence of Russian culture and the beauty of the natural world.
A figure of national pride, Golovin was honored as a People's Artist of the RSFSR, a testament to his significant contribution to Russian art and culture. His legacy continues to inspire, with his works preserved in the Russian Museum among other collections, serving as a testament to his enduring influence on Russian artistic expression.
For collectors and experts in art and antiques, Aleksandr Yakovlevich Golovin represents a pivotal figure in the evolution of Russian visual arts and stage design. His contributions to both fields remain invaluable, reflecting a unique blend of cultural heritage and innovative artistry. For updates related to Golovin, including new product sales and auction events, signing up for updates offers an exclusive insight into the world of this remarkable artist.
Werner Gothein was a German painter, sculptor, printmaker and ceramicist-designer.
Gothein studied art in Berlin and mastered the techniques of painting, sculpture and wood engraving. In the 1920s, he began designing ceramic objects for the Karlsruhe State Maiolica Manufactory and the Felten-Vordamm ceramic factories.
In 1937, as part of the Nazi "Degenerate Art" campaign, Gothein's graphics were withdrawn from German museums and collections, most of them later destroyed. After the end of World War II, the artist continued to create woodcuts.
Ulrich Hachulla is a German painter and graphic artist, representative of the New Objectivity movement, who lives and works in Leipzig.
He was educated at the Academy of Fine Arts in Leipzig and, in addition to painting, has mastered many graphic techniques.
Hahulla's portraits and self-portraits depict a man in solitude, unsociable, coldly detached - these are numerous types of the respective times. The artist also creates paintings with mythological and allegorical references.
Albert Pieter Hahn was a Dutch political cartoonist, poster artist and book cover designer; well known for his socialist and antimilitaristic viewpoints. Some of his drawings, especially those of the railroad strikes of 1903, have been regularly used in history textbooks. His son-in-law, Albert Hahn jr., was also an artist, so he is sometimes referred to as "Sr.".
John Hassall was an English illustrator, known for his advertisements and poster designs. In 1895, he began work as an advertising artist for David Allen & Sons, a career which lasted fifty years. Between 1896 and 1899 alone, he produced over 600 theatre poster designs for this firm while, at the same time, providing illustrations to several illustrated newspapers. Making use of flat colours enclosed by thick black lines, his poster style was very suitable for children's books, and he produced many volumes of nursery rhymes and fairy stories, such as Mother Goose’s Nursery Rhymes.
Johann Caspar Herterich was a German painter of the last third of the nineteenth century. He is known as a historical and genre painter, as well as a teacher at the Royal Academy of Fine Arts in Munich.
Herterich created a number of portraits in addition to canvases on historical, religious and genre themes. His works included dramatic scenes, sentimental genre scenes from family life. The artist actively participated in the Arts and Crafts movement and was involved in designing chandeliers and other decorative elements. Among the master's pupils was his younger brother Ludwig von Herterich, who also became a famous artist.
Wolfgang Herzig was an Austrian painter and sculptor known for his critical portrayal of social realities. In his figurative paintings he draws attention to human weaknesses in everyday life.
There is a sense of social criticism in Herzig's work, but he never turns his characters into caricatures. Over time, the artist came to a peculiar two-dimensional form of plastics.
Ernst Georg Heussler was a Swiss painter, graphic designer and sculptor.
A versatile artist, Heussler worked in many techniques - prints and woodcuts, oil and watercolor, and large-scale murals. He painted Art Nouveau portraits and graphic still lifes, nude paintings and abstract landscapes.
Elisabeth Hölzl is an Italian artist, sculptor and photographer who lives and works in Merano.
She studied art history in Innsbruck and then sculpture at the Academy of Fine Arts in Bologna. In the 1990s Elisabeth presented minimalist sculptures and installations to the public, later her work moved away from matter and turned to other media such as glass and light. In these works the focus is no longer on volumes, but on what makes them visible: light. In recent years, photography has become the artist's preferred medium of expression, and has accompanied his work from the beginning.
Elliott Hundley is a contemporary American abstract painter and installation artist, living and working in Los Angeles. Hundley creates mixed-media paintings and sculptures that consist of original and found materials. His assemblages are reminiscent of the bricolage techniques of Robert Rauschenberg and the conceptual sculptures of Marcel Duchamp. Hundley's work has been exhibited at Daniel Reich Gallery, New York, the Andrea Rosen Gallery, New York and various venues in Los Angeles, including group exhibitions at Peres Projects. His work is in the permanent collection of the Museum of Contemporary Art, Los Angeles, the Judith Rothschild Foundation Collection at the Museum of Modern Art, New York, and the Guggenheim Museum, New York.
Vojtěch Adalbert Hynais was a Czech painter, designer and graphics artist. He designed the curtain of the Prague National Theatre, decorated a number of buildings in Prague and Vienna, and was a founding member of the Vienna Secession. He was made an Officer of the Légion d'honneur in 1924.
Marcel Jefferis is a Belgian Impressionist painter. He painted figures, genre scenes, landscapes and still lifes in oils and watercolors, and made etchings. His paintings often depict festive demonstrations with many characters. He also designed furniture, wallpapers, fabrics, tapestries and interiors for the Vanderborght company in Brussels.
Hermann Kätelhön was a German artist of the first half of the twentieth century. He is known as a realist painter, graphic artist, woodcarver and ceramicist.
Kätelhön created works depicting the people and nature of middle Germany, including portraits of peasants and sketches of fieldwork scenes. His graphic series "Work" as well as his drawings on the theme "Mining Leaders" explore the labor of miners. The artist later turned to depicting nature, especially water, including springs, rivers, glaciers, and seas.
Carl Friedrich August von Kloeber was a German painter of the first half of the 19th century. He is known as a painter and teacher, a member of the Berlin Academy of Arts.
August Kloeber preferred to use motifs from mythology in his works, which distinguished him from many German artists of the time. He also created paintings on religious and historical subjects. He also painted portraits, and his models included members of Beethoven's family. Kloeber received commissions from the Prussian royal family and worked on the painting of castles, churches, and other sites. He also designed porcelain, jewelry, and medals.
Gustav Gustavovich Klutsis (Russian: Густав Густавович Клуцис), a pioneering Latvian artist, played a significant role in the Constructivist avant-garde movement of the early 20th century. His work is celebrated for its innovative use of photomontage, which Klutsis developed alongside his wife, Valentina Kulagina. Klutsis's early career flourished with projects like the agitprop kiosks for the fifth anniversary of the Revolution, showcasing his talent for integrating various media such as "radio-orators," film screens, and newsprint displays. His commitment to the Constructivist ethos was evident through his dynamic compositions, which often featured distorted scales and perspectives, making his propaganda pieces for the Soviet regime perpetually modern.
Klutsis's art evolved under the shadow of Stalinist propaganda, with his later works reflecting the regime's increasing control over artistic expression. Despite this, he managed to innovate within the constraints, integrating large portraits of Stalin into his photomontages. However, this shift towards monumental propaganda also marked a departure from Constructivism's principles. Klutsis's dedication to the Soviet state did not shield him from its purges; he was arrested in 1938 and executed shortly thereafter, a tragic end for a loyal supporter of the Bolshevik regime.
His contributions to art and propaganda remain influential, with works housed in prestigious institutions like the Museum of Modern Art (MoMA) and the Latvian National Museum of Art. Klutsis's legacy as a key figure in Soviet art and his tragic fate reflect the complex relationship between artistic innovation and political ideology in the early Soviet Union.
For collectors and experts in art and antiques, Klutsis's work offers a fascinating insight into the power of visual communication and the turbulent history of Soviet art. To stay updated on new product sales and auction events related to Gustav Klutsis, signing up for updates is highly recommended. This subscription will ensure you're informed about the latest opportunities to engage with the enduring legacy of this revolutionary artist.
Muriel Köhler-Docmac, née Tamschick, alias Muche, is a German artist, designer and scenographer living and working in Stuttgart.
She studied at the Academy of Fine Arts in Munich and at the University of Design Karlsruhe, specializing in scenography, then at the Eberhardt-Ludwig Gymnasium in Stuttgart. Muriel Köhler-Dokcmac's background includes the design of commercial spaces and work in stage design, styling, artwork for various music videos and commercials at home and abroad. She also created the interior design of the Munich Theater Academy.
The artist works in a variety of techniques: she paints, spray paints, creates collages and glues materials onto surfaces. She uses perforated sheets, self-cut stencils or even a shower mat to apply her meshes. References to street art, graffiti and comics are also visible in her works, as well as elements of caricature, illustration and pop art. Muche has participated in numerous exhibitions at home and abroad with her paintings.
Max Koner was a German painter of the late 19th century. He is known as a portrait painter.
Max Koner began his career with landscapes, but then switched to figure painting and especially portraits. He painted more than 100 portraits, including thirty portraits of Kaiser Wilhelm II. His clients were not only the imperial court, but also other aristocratic families, famous artists, scholars and the elite of Berlin society. Koner was one of the most sought-after artists of his time and received design commissions from Stolwerk, a chocolate manufacturer in Cologne.