Draftsmen Portrait
Frederico Aguilar Alcuaz is a Filipino abstract painter, sculptor and ceramist, and master tapestry artist.
He studied painting at the University of the Philippines' School of Fine Arts, then lived and worked both in the Philippines and Spain, and in Brno, Czech Republic, he worked extensively on tapestries.
Alcuaz has earned international acclaim with his vivid abstract works in various genres and techniques, and he has exhibited extensively internationally.
Carl Johann Arnold was a German painter, draftsman, and graphic artist.
He was the son and pupil of the designer and wallpaper maker, landscape and portrait painter, lithographer, and decorator Carl Heinrich Arnold (1793-1874).
He first studied at the Academy in Kassel and then went to Berlin. Carl Johann Arnold painted pictures of animals, canvases on historical events, and numerous portraits. In particular, he created many portraits of the German Emperor Wilhelm II, for which he was apparently appointed royal Prussian court painter. Arnold also produced drawings, etchings, and lithographs that were published in the popular magazines of the time.
Amico Aspertini was an Italian Renaissance painter, draughtsman, and sculptor, considered one of the leading representatives of the Bolognese school of painting.
He was trained in the family workshop and was influenced by the artists of the Ferrara school, Ercole de'Roberti, Lorenzo Costa, and Francesco Francia. He worked as a painter and sculptor, and was also an excellent draughtsman, as evidenced by his many surviving drawings and sketches. Contemporaries marveled at his complex and impulsive character and noted that he worked with both hands simultaneously.
Aspertini painted splendid portraits as well as numerous frescoes and altarpiece paintings in chapels and churches in Italy. Many of his works are eccentric and eclectic, even whimsically fantastical, his complex style anticipating Mannerism.
John Augustus Atkinson was a British watercolorist, illustrator and engraver.
In 1784, the young Atkinson traveled to St. Petersburg, Russia, to stay with his uncle James Walker, who worked as an engraver at the court of Empress Catherine the Great. The aspiring artist learned from the work of the great Russian painters whose paintings he saw in the art galleries of St. Petersburg. Catherine and her son Paul I, noticing his talent, commissioned Atkinson to paint pictures on historical subjects.
In 1801 Atkinson returned to England and a year later published an album entitled "Pictorial representation of Russian manners, customs and amusements" on 100 plates drawn and engraved by himself. This work was a great success in Europe. Later, during the Napoleonic Wars, Atkinson created many battle scenes, including the Battle of Waterloo and naval battles. In 1808 he was elected to the Society of Watercolor Painters.
George Franklin Atkinson was a British Army officer and artist.
Atkinson was an officer in the East India Company's Bengal Engineer Service. He published two picture books depicting colonial life in India in the mid-nineteenth century.
Guido Bach was a German portrait painter who focused mainly on watercolor painting. Bach traveled to Italy, Bohemia, and also visited Egypt. He created portraits and depictions of Italian village life, battle scenes, and images of North African Arab life.
Alexander Hugo Bakker Korff was a 19th-century Dutch genre painter. He was a pupil of the painters Cornelis Kruseman and Huib van Hove. He was trained in the 1840s at the Koninklijke Academie van Beeldende Kunsten in the Hague and the Koninklijke Academie. He became known for his "Bakker Korffjes" – genre pieces of ladies in caps in interiors, that he started painting in 1856 while he was living in Oegstgeest with his sisters as models. In 1870 he was awarded the title ridder in de Leopoldsorde after his works were presented at an exhibition in Brussels in 1869.
Pieter Balten or Pieter Custodis was a Flemish Renaissance painter, etcher, draftsman, publisher, and poet. He was a member of the Guild of St. Luke in Antwerp.
Pieter Balten is considered one of the pioneers of realistic depictions of village life, often comic. He also painted religious compositions, landscapes and painted tronies - portraits with comic and even caricatured facial images.
Issa Abasovich Barkhanoyev (Russian: Исса Абасович Барханоев) was a Soviet and Russian Ingush artist of the last quarter of the twentieth and early twenty-first centuries. He is known as a painter, draughtsman, landscape painter, genre painter and poet, a self-taught artist.
Issa Barkhanoyev created more than 500 paintings during his career, in which, according to critics, he skillfully conveyed his deep thoughts and feelings through images and symbols, and these works of art epitomize spirituality and life philosophy. The works of the folk artist are in museums of the Republic of Ingushetia and private collections.
Pompeo Girolamo Battoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.
Wolfram Beck was a German sculptor, draughtsman, and painter who worked with wood, steel, bronze, acrylic, and stone. He was trained at the Higher School of Artistic Culture in Berlin, and his work initially included large organic wooden works, portrait busts, and torsos in clay and stone. In the 1970s, Beck created strictly geometric and airy-filigree constructions from mechanical and electronic components that could be moved by actuators or by hand. He also created colorfully accented and fragile looking objects in metal and acrylic. Beck's work can be found in the collections of Axel Springer, Egon Eiermann, and others.
René Beeh was a German painter, graphic artist and draftsman born in Alsace, France.
René Beeh studied at the School of Fine Arts in Strasbourg, then at the Academy of Fine Arts in Munich. In 1910 he traveled to Algeria, resulting in the publication of a collection of letters with many drawings entitled M'Barca. He also illustrated several books and periodicals.
Beeh was a member of the New Munich Secession. The talented artist was highly respected among his contemporaries and was expected to have a great future, but unfortunately his early death interrupted these plans.
Thomas Blanchet, a distinguished French painter, sculptor, and architect, left an indelible mark on the Baroque era with his multifaceted talent. Blanchet's journey in art saw him transitioning from sculpture to painting under the guidance of Jacques Sarazin. His early years in Paris were enriched by the emerging Baroque influence and the Mannerism of the School of Fontainebleau, placing him among contemporaries like Simon Vouet.
Blanchet's formative years extended beyond French borders, as he ventured to Rome around 1645 to 1653. There, he immersed himself in the circle of Nicolas Poussin and visited the studios of Andrea Sacchi and Pietro da Cortona, earning high praise from Gianlorenzo Bernini. This period was marked by significant commissions, including works for Niccolò Guido di Bagno and the creation of engravings and mausoleums, notably in Venice for René de Voyer d'Argenson.
His repertoire was vast, encompassing classical themes, religious narratives, and architectural capriccios, as evidenced in works like "Time and Truth overcoming Envy and Discord" and "La Résurrection De Lazare". Blanchet's influence extended to Lyon, where he contributed to the city's cultural heritage through frescoes at the Collège de la Trinité, now Collège Ampère, and designed significant public and private spaces including the Palais de Roanne's grand chamber ceilings.
For collectors and experts in art and antiques, Thomas Blanchet's oeuvre represents a bridge between French and Italian Baroque, embodying the era's dramatic expressions and classical reverence. His works, found in both public spaces and museums, continue to be celebrated for their historical and artistic significance.
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Bernardo Blanco y Pérez was a Spanish lithographer, painter and illustrator.
He studied at the Royal Academy of San Fernando, mainly drawing and lithography, and taught. Bernardo Blanco was one of the artists whose work was included in a series of lithographs on the Spanish-Moroccan War (1859-1860).
David Bles was a 19th-century painter from the Northern Netherlands. According to the Netherlands Institute for Art History, at the age of thirteen Bles was talented enough to be accepted at the Hague Academy. He attended classes from 1834 to 1837 and from 1838 to 1841. He became a pupil of the painter Cornelis Kruseman and his nephew Jan Adam Kruseman. Bles then travelled to France to study with Joseph-Nicolas Robert-Fleury in Paris. He remained in Paris until 1843 after which he settled in The Hague, though he was a member of the Royal Academy in Amsterdam between 1845 and 1899. He painted scenes from the history of Dutch painting and is best known for portraits and genre paintings.
Ludwig Bock was a German painter and graphic artist, draughtsman, and illustrator.
He studied painting at the Munich Academy and was a member of the Munich Secession. Bock's work was influenced by Matisse and Cézanne, as well as by the artists of the Scholl circle. His watercolors, painted mainly in Paris and inspired by the Impressionists who lived there, depict landscapes, folk and fair scenes, and nude scenes.
Louis-Marin Bonnet (French: Louis-Marin Bonnet) is a French draftsman and engraver, an outstanding master of metal engraving using the “pencil style” technique. Since 1757, Louis-Marais Bonnet was a student of Jean-Charles Francois, then of Gilles Demarteau. He became famous for his color engravings reproducing drawings by A. Watteau, F. Boucher, Sh.-A. Van Loo, J.-B. Yue. Bonnet reproduced mainly complex pastel drawings, using up to eighty boards per engraving. He used opaque paints that gave a matte tone and tinted paper. He reproduced the spaces by printing with white from a separate board. Bonnet even imitated the golden frames bordering the original drawings. This technique is called “pastel style”. In 1769, Bonnet described his technique in detail in the book Pastel in Engraving, Invented and Executed by Louis Bonnet. In 1765-1767, the French master worked in St. Petersburg, where he completed several engraving portraits in the “pencil style” of Catherine II and the heir Pavel Petrovich based on drawings by Jean-Louis de Velli, then returned to Paris and opened his own workshop.
Victor Elpidiforovich Borisov-Musatov (Russian: Ви́ктор Эльпидифо́рович Бори́сов-Муса́тов) was a distinguished Russian artist celebrated for his unique contribution to the Post-Impressionist movement, combining elements of Symbolism, realism, and a decorative style that was all his own. Born in 1870 in Saratov, Russia, into the family of a former serf, Borisov-Musatov overcame early challenges, including a spinal injury that left him humpbacked, to emerge as a pivotal figure in Russian art. His education spanned the Moscow School of Painting, Sculpture and Architecture, and the Imperial Academy of Arts in Saint-Petersburg, further enriched by studies in Paris under the tutelage of Fernand Cormon. His admiration for French contemporaries, especially Pierre Puvis de Chavannes and Berthe Morisot, profoundly influenced his artistic direction.
Borisov-Musatov is renowned for his lyrical, evocative works that often depict the serene and idyllic life of the 19th-century Russian nobility, set against the backdrop of their estates. This half-illusory world, which he masterfully created, reflects a deep nostalgia and a retreat from the industrial harshness of his time. By integrating figures seamlessly into the landscapes, as seen in masterpieces like "The Pool" (1902) and "The Phantoms" (1903), he achieved a harmony that resonates with viewers for its beauty and tranquility. His use of mixed media, including tempera, watercolor, and pastel, allowed for subtle visual effects, making his works distinctive in their soft, dreamlike quality.
Borisov-Musatov's legacy extends beyond his paintings; he was a significant figure in the Russian Symbolist movement and a founding member of the Moscow Association of Artists. His works, which provide a poignant, poetic commentary on the era he lived in, are celebrated in Russian and international art circles alike. Notable paintings like "The Pool" and "The Phantoms" not only highlight his technical skill but also his ability to evoke emotion and atmosphere, making them favorites among collectors and art enthusiasts.
For collectors and experts in art and antiques, Borisov-Musatov's oeuvre offers a fascinating glimpse into the Russian Symbolist movement and the broader cultural milieu of the late 19th and early 20th centuries. His works, preserved in museums and private collections around the world, continue to enchant and inspire.
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Albrecht Peter Bräuer was a German painter and draftsman, from 1860 a teacher at the School of Applied Arts in Breslau. Paintings for various places of worship, Bräuer soon made a name for himself as a church and history painter. In addition to this painting, he produced materials for art classes, such as templates for drawing classes, an ornamental work with 40 lithographs, which won a gold medal at a Berlin exhibition in 1878. He also copied works by old masters. He also engaged in experiments on dyes and art-theoretical research on perspective, anatomy and proportions. In addition, he collected engravings and drawings depicting garments, art objects from different times and cultures, as well as folders with ornamental, plant, perspective and anatomical studies for his studio at the art school.
Carl Buddeus, full name Carl Friedrich Christian Buddeus, was a German painter, draftsman and engraver.
After studying at the Salzmann School in Schnepfenthal, Carl Buddeus went to Estonia. For several years he worked as a teacher on the island of Osel (now Saarema) and made sketches of local landscapes. Later Buddeus worked as a tutor and illustrator in Russia in St. Petersburg and Pskov. In 1820, two of his booklets with hand-colored lithographs depicting the life and peoples of Russia were published in Leipzig.
Anton Burger was a German painter, draftsman and etcher. He was a prolific and versatile painter, producing works in almost every genre. His paintings sold very well and, in the area around Kronberg, it was considered a sign of good taste to have a "Burger" in one's home. In 1861, he and Jakob Fürchtegott Dielmann (an old friend from his days at the Städelschule) founded the Kronberg Artists' Colony, where he remained until his death. He was highly regarded and came to be known as the "King of Kronberg".
Georg Conrad Ludwig Burger was a German historical painter, illustrator, and medallist. He studied at the Berlin Art Academy, at the same time working at book illustrating; he was also a pupil of Thomas Couture in Paris. Among his best drawings are the illustrations for the works of La Fontaine and a collection of 20 plates known as Die Kanone. After 1869, he devoted himself to decorative painting, his most important work in this line being the walls and ceilings in the Berlin City Hall (1870) and the colossal figures symbolizing the warlike virtues at the School of Cadets at Lichterfelde (1878).
Peter Candid was a Flemish painter, tapestry designer, draughtsman and sculptor.
Pieter Candide worked mainly in Italy and Germany. He was an artist at the court of the Medici in Florence and at the Bavarian court of Duke Wilhelm V and his successor Maximilian I in Munich.
His paintings range from historical paintings, portraits, mythological scenes and allegories. He created large altarpiece images as well as complex decorative designs.
Candide's style was characterised by a combination of Italian and Flemish influences, with a particular emphasis on detailed, realistic depictions of the human form.
Asmus Jacob Carstens was a Danish-German painter of the late 18th century. He is known as a painter and draughtsman, a representative of classicism and romanticism.
Carstens produced famous narrative and historical paintings, including Plato's Symposium and The Battle of Rossbach, which brought him popularity. His famous huge painting The Fall of Angels, containing 200 figures, made him a professor at the Academy of Fine Arts in Berlin. Carstens preferred pencil, chalk and watercolor, and worked with fresco, rarely using oil. Most of his large-scale projects have been left unfinished or lost. Many of his surviving works exist as drawings.
Antoine-Laurent Castellan was a French painter, engraver and architect.
Castellan traveled to Turkey, Greece, Italy and Switzerland. He was the official artist of the mission of Engineer Ferrego to the court of Sultan Selim III, spending several months in Constantinople in 1797. Castellan was a prolific draughtsman, making notes of everything he saw in Constantinople, and also engaged in portrait painting of socialites, which he captured in numerous works he published on his return to France. His best-known work is The Manners, Customs and Costumes of the Otomans and a Brief Account of their History, published in 1812.
Bernardo Castello (or Castelli) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait and historical painter. He was apprenticed under Andrea Semino and Luca Cambiaso, then travelled throughout Italy, meeting other painters and creating his own particular style. During his career he painted many works and was appreciated by famous poets with whom he had friendships. Beside working in Genoa, Castello was employed in Rome and worked also for the Duke of Savoy, Charles Emmanuel I.
Giovanni Benedetto Castiglione or Il Grechetto was an Italian Baroque painter, draftsman and printmaker.
He is one of the prominent representatives of the Genoese school, working at various times in Genoa, Venice and Rome. Castiglione is believed to be the author of monotype, a type of graphic art and a technique of printmaking that is not engraving.
Castiglione was a versatile and prolific painter, while working in a wide variety of styles that he studied carefully. His paintings pay tribute to Rubens, Van Dyck and Bernardo Strozzi, who worked in Genoa, and his etchings pay tribute to Rembrandt. Castiglione painted expressive portraits, historical and religious works and landscapes, and excelled in rural scenes with animals.
Bartolomeo Cesi was an Italian painter and draftsman of the Bolognese School. He made easel paintings as well as frescoes. He is known mainly for his religious paintings but he also painted portraits and mythological scenes.
James Henry Charles was a British impressionist painter.
He studied at the Heatherley School of Fine Arts on Newman Street and at the Royal Academy School, and painted portraits and landscapes as well as genre scenes from life.
Edouard Chimot was a French Art Deco painter, illustrator and editor.
Edouard studied at the Ecole des Arts Décoratifs in Nice and then at the Ecole des Beaux-Arts in Lille. After the war, he was able to prove himself as an illustrator and master publisher. At the height of the Art Deco heyday, Chimot received a number of commissions to illustrate books with his original engravings, the first of which was the rare book Les Après-Midi de Montmartre with fourteen engravings by Chimot.
In 1920, Édouard Chimot founded his own publishing house, Éditions d'Art Édouard Chimot. Through this venture, he not only continued to create his own art, but also collaborated with other artists and writers to create high quality limited edition books, often with his distinctive illustrations. Édouard Chimot was associated with late Symbolist and decadent culture, and his own work is sometimes referred to as post-Symbolist. His collaborations with famous writers and poets, including Paul Verlaine and Charles Baudelaire, brought his illustrations to the forefront of the Art Nouveau movement.
With the collapse of the financial system in the early 1930s in Europe, the demand for luxury products also fell, but the artist continued to work, produce books and paint. Chimot's artistic style is characterized by sensuality and romanticism. He was an artist of the female figure, style, eroticism and embodied the essence of Art Deco imagery.
George Chinnery was a British painter best known for his work in India and China.
George studied at the Royal Academy schools, painting portraits and sketches, but in 1802, shortly after his marriage, trying to straighten out his family's financial situation, he traveled to India. In Calcutta, Chinnery became the leading artist of the British community in India. And in 1825 he went to China and lived in Macau for the rest of his life.
Chinnery painted portraits of Chinese and Western merchants, visiting sea captains and their families. Chinnery also painted landscapes (both in oil and watercolor) and made many vivid drawings of Macau residents of the time engaged in their daily activities. Among the heroes of his portraits are the Scottish opium merchants who patronized him. In addition to their artistic value, Chinnery's paintings also have historical value, as he was the only Western artist living in South China during the early to mid-19th century.
There are still many architectural sites in Macau recognizable from his sketches that have changed little since then. Today, Chinnery's paintings are in public and private collections around the world. The Macau Museum and the Macau Art Museum have a good selection of his work.
Fabrizio Clerici was an Italian painter, draftsman, illustrator, scenographer and architect.
Clerici earned a degree in architecture and was greatly influenced by antiquities, Renaissance and Baroque painting and architecture. In 1943, Clerici held his first solo exhibition at the Galleria dell'Arte Cairola in Milan, featuring drawings, watercolors, lithographs and etchings. His first book illustrations belong to the same period.
In 1947, Clerici began a prolific career in theater, ballet and opera with his debut as a stage designer in a production of George Bernard Shaw's play Mrs. Warren's Profession. The following year he participated for the first time in the Venice Biennale. There he met Salvador Dalí and created the sets and costumes for Igor Stravinsky's Orpheus, which was performed at the La Fenice Theater. In 1949 he created large-scale architectural fantasy paintings.
The further life of the multifaceted artist Fabrizio Clerici was full of work in a variety of fields of art, creative successes and exhibitions. His work has been exhibited in many museums in the United States, including MoMA and the Guggenheim Museum, as well as in France, such as the Pompidou Center.
Alfred Jean Andre Cluysenaar was a Belgian Portrait painter. Jean Alfred was a member of the Cluysenaar family, an artistic family from Brussels. He became the father of the painter André Cluysenaar. He studied in the Académie Royale des Beaux-Arts of Brussels in the atelier of Joseph Jaquet and François-Joseph Navez. He painted some important decorations in the Royal Zoo of Antwerp and in 1861-1876 he ornated the Aula in Ghent. Cluysenaar was famous for his monumental decorations of high quality. Awarded in the expositions of Brussels, Ghent, Paris Vienna and London. Some of his paintings are kept in the Royal Museum of Fine Arts Antwerp.
Ithell Colquhoun is a British surrealist painter, writer, poet, and playwright who hails from India. She has been called "the mother of British surrealism. Influenced by Salvador Dali, she depicted plants and the world around her in what she herself called "magical realism.
Cornelis Cort, also known as Cornelio Fiammingo, was a Dutch engraver and draughtsman. He began his career in the Northern Netherlands, but later moved to Venice and lived in Titian's house. Cort produced engravings based on Titian's works and became renowned for his copperplates of various subjects. He traveled back and forth between Italy and the Netherlands, establishing a school in Rome and circulating works of famous artists. Cort's impressive output includes over 150 engravings.
Antoine Coypel was a French painter, known for his versatile and eclectic style, which blended the French classical tradition with influences from Pieter Paul Rubens and the Roman Baroque. His career flourished thanks to his role as a court painter and his positions within the French art world, including his tenure as a professor and director at the Académie Royale.
Antoine Coypel's artistry was evident in his ability to infuse classical subjects with a vibrant color palette and dynamic compositions, reflecting a transition in French painting towards a lighter 18th-century style. His notable works include "Democritus" at the Louvre and "Susan accused of adultery" at the Museo del Prado, demonstrating his range from philosophical figures to biblical narratives. Beyond painting, Coypel was also a master draughtsman, with many of his drawings preserved at the Louvre, showcasing his skill in figure studies and preparatory sketches.
Antoine Coypel's legacy extends through his family, with his son Charles-Antoine and half-brother Noël-Nicolas also being recognized painters. His works are held in esteemed collections globally, from the Louvre in Paris to the Metropolitan Museum of Art in New York, and continue to be celebrated for their artistic merit and historical significance.
For collectors and art experts, understanding Antoine Coypel's contributions provides valuable insights into the evolution of French art and the interplay between classical influences and personal creativity.
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Giuseppe Maria Crespi, an Italian Baroque painter from Bologna, was known for his unique contributions to genre painting, capturing scenes of everyday life with a distinct realism and humanism. His work diverged from the formal academic tradition, providing a more direct and immediate approach to his subjects. Crespi's artistry is evident in his kitchen scenes and domestic subjects, where he depicted the grittier aspects of daily life, often with a touch of darkness or irony, as seen in his paintings like "The Flea" and "Searching for Fleas".
Giuseppe Maria Crespi's style evolved through his studies, first with Angelo Michele Toni and then with more prominent artists like Domenico Maria Canuti and Carlo Cignani. He was particularly influenced by the Venetian color and brushwork, integrating these into his own Bolognese tradition, which he further enriched during his travels across Italy.
His contributions extended beyond his own works; Giuseppe Maria Crespi influenced a new generation of artists, including notable Venetians like Giovanni Battista Piazzetta and Pietro Longhi, and his sons Antonio and Luigi Crespi followed in his artistic footsteps.
For art collectors and enthusiasts, Giuseppe Maria Crespi's works offer a unique glimpse into the Baroque era's daily life, marked by his distinctive style and profound humanism. If you're interested in exploring more about Crespi's art and staying updated on related sales and auction events, consider subscribing for updates, ensuring a connection to this remarkable artist's legacy.
Jacopo da Pontormo, an Italian painter born in 1494, was a pivotal figure in the Mannerist movement, diverging from the High Renaissance's balanced compositions to explore more expressive and emotionally charged art. His work is celebrated for its unusual color palettes, elongated forms, and a unique approach to perspective, all of which contribute to the intensely emotional effect of his paintings.
Operating in Florence, Pontormo's art is distinguished by its vivid expressiveness and dramatic tension, characteristics that set him apart from his contemporaries. His ability to convey deep psychological complexity through his subjects has left a lasting impact on the history of art, making his works highly prized among collectors and scholars alike.
One of his most acclaimed works, the "Deposition from the Cross" in the Capponi Chapel in Florence, exemplifies his innovative approach to composition and color, marking a significant departure from traditional depictions of this biblical scene. This masterpiece, along with others like his portraits and religious paintings, can be found in some of the world's most prestigious museums and galleries.
For art collectors and enthusiasts, Jacopo da Pontormo represents the intriguing complexity of the Mannerist period, offering a window into the evolving artistic landscape of 16th-century Italy. His works not only challenge the viewer's expectations but also invite a deeper exploration of the emotional and spiritual dimensions of painting.
To stay abreast of the latest discoveries, exhibitions, and auctions related to Jacopo da Pontormo's art, we encourage you to sign up for updates. This subscription is your gateway to the refined world of Renaissance and Mannerist art, ensuring you're informed about opportunities to enrich your collection with works by this exceptional artist.
Jules De Bruycker, a Belgian graphic artist and etcher, is renowned for his depictions of Ghent, cathedrals, war scenes, and book illustrations. He achieved technical virtuosity in his prints and was considered one of Belgium's greatest etchers. His work showcased crowds and dramatic lighting, providing an intimate view of daily life in Ghent. De Bruycker's influences ranged from Flemish traditions to artists like Brueghel, Bosch, and Ensor. His later work included prints of cathedrals, figure studies, and sensuous nudes. De Bruycker's art greatly influenced his contemporaries, including Gustave van de Woestijne.
Ernesto de Fiori was a German artist of the first half of the twentieth century of Italian-Austrian origin. He is known as a sculptor, draughtsman, and secular portraitist and is considered one of the leading artists of the Weimar Republic.
Ernesto de Fiori made a name for himself as a sculptural portraitist in Berlin during the so-called "Golden Twenties". He portrayed such celebrities as movie actresses Greta Garbo and Marlene Dietrich, boxer Jack Dempsey, Field Marshal Paul von Hindenburg. In 1936, the artist emigrated to Brazil and took up journalism. In 1937, the Nazi campaign to expose "degenerate art" led to the removal of his sculptures and graphics from German museums.
Pieter Cornelis de Moor, a Dutch artist, stands out as a versatile and innovative figure in the art world. His education at the Academy of Visual Arts in Rotterdam and the Drawing Academy in Antwerp laid the foundation for a career marked by diversity and creativity. De Moor's achievements, including a silver medal in the Prix de Rome in 1887, underline his early recognition and the promise of his artistic journey.
De Moor's artistry was not confined to a single medium; he was adept in drawing, etching, painting, watercolor, producing lithographs, and working as an illustrator. His artworks, ranging from "Dancing Women" to "Poultry on a Yard" and "An Elegant Lady Feeding Peacocks," showcase his broad thematic interests and technical skills. Notably, his works are held in prestigious collections, including the Rijksmuseum and the Dordrechts Museum.
The artist's life was rich with experiences, having worked across Europe and eventually settling in the United States. His legacy, punctuated by exhibitions in museums such as Museum Boijmans Van Beuningen and the Drents Museum, continues to captivate art enthusiasts and collectors.
For collectors and art experts, delving into the works of Pieter Cornelis de Moor offers a unique glimpse into the evolution of Dutch art. His contributions, particularly in the realm of Symbolism, highlight an era of artistic exploration and innovation.
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Marten de Vos (or Maarten de Vos, or Maerten de Vos) was a Dutch painter, draughtsman and graphic artist, dean of the Antwerp Guild.
After studying in Rome and Venice, de Vos returned to his native Antwerp in 1558 and became one of the city's leading artists. He created altarpiece images for many of Antwerp's churches. Many of his religious and historical paintings were later engraved, making him known throughout Flanders.
De Vos was also the founder of the Society of Romanists, whose members were famous artists and humanists of the time who appreciated the humanistic culture of Rome.
Franz Doll was a German painter, draftsman and graphic artist. Doll specialized in portraiture and landscapes. He created numerous portraits of well-known personalities. Works by the artist are in the Staatliche Graphische Sammlung Munich. From 1938 to 1947 he was a professor at the Düsseldorf Art Academy. In 1928 he was awarded the Art Prize of the City of Munich, in 1930 the Albrecht Dürer Prize of the City of Nuremberg and in 1940 the Goethe Medal. Franz Doll had been a member of the Munich Neue Secession since 1930 and, from 1946, of its successor association, the Neue Gruppe, as well as a founding member of the Association for Original Etchings. Franz Doll was a member of the artist association 7 Munich painters. In 1938 and 1943 he took part in the Great German Art Exhibitions in Munich.
Bernard / Ben Essers was a Dutch painter. His work was part of the painting event in the art competition at the 1936 Summer Olympics. Essers' work was included in the 1939 exhibition and sale Onze Kunst van Heden (Our Art of Today) at the Rijksmuseum in Amsterdam.
Henri-Jacques-Edouard Evenepoel was a Belgian artist whose most important works are associated with Fauvism. The artist debuted a portrait of his cousin (Louise in Mourning) at the 1894 Salon des Artistes Français. He showed four portraits at the Salon du Champ-de-Mars in 1895 and continued to exhibit there until his death. His first solo exhibition came at the Brussels Cercle Artistique (December 1897 – January 1898). Family and friends were the artist's preferred subjects; his full-length portraits, often against a neutral background, show the influence of Édouard Manet and James Abbott McNeill Whistler. His Parisian scenes were influenced by Henri de Toulouse-Lautrec and Jean-Louis Forain. Though his early scenes had a somber palette, his paintings while in Algeria (where he first wintered during his solo exhibition) were very different in style, anticipating the bold colours of Fauvism (e.g., Orange Market, Blidah).
