Graphic artists 18th century
Johann Adam Ackermann was a German landscape painter of the early 19th century. His best-known works are his winter landscapes and watercolours. Johann Ackermann was the brother of Georg Friedrich Ackermann, who also painted landscapes but with less success.
Nikolai Ivanovich Argunov (Russian: Николай Иванович Аргунов) was a Russian painter of the late 18th - the first third of the 19th centuries. He is known as a painter, graphic artist, miniaturist, representative of Russian classicism.
Nikolai Argunov is considered one of the greatest portrait painters of his time. His works are notable for their diversity, psychologism, objective approach to nature, devoid of classicist idealization and romantic heroization of the models.
The artist was a serf, was granted his freedom after the death of his master and became an academician of the Imperial Academy of Arts in St. Petersburg. He was a member of a dynasty of artists, the beginning of which began with his father Ivan Argunov.
Carl Daniel David Friedrich Bach was a German artist of the late eighteenth and early nineteenth centuries, the Baroque period. He is known as a painter, graphic artist and printmaker.
Bach worked in the historical genre, was a portraitist, animalist, created canvases on allegorical subjects in the spirit of his era. In his works he combined elements of baroque and classicism. The artist often worked in the etching needle technique.
Antonio Balestra, an Italian painter, is celebrated for his contributions to the Baroque art movement. Initially training in his hometown, Balestra's artistic journey took him to Venice and Rome, where he honed his skills and absorbed diverse artistic influences. By 1694, his talents were recognized with a prestigious award from the Accademia di San Luca in Rome, underscoring his growing reputation.
Antonio Balestra's works, characterized by their adherence to classical artistic standards, are found in various Italian cities, including Venice, Bologna, and Verona. He was known for his religious paintings, such as "The Miracle of Saint Nicholas" and "The Annunciation," as well as his contributions to church decorations and altarpieces.
Despite his traditional approach, Antonio Balestra's legacy is cemented in the art world, with works displayed in notable museums and his influence extending to pupils and subsequent generations of artists. His devotion to the established norms of academic painting reflected a broader dialogue within the art community about innovation versus tradition during his time.
For art collectors and enthusiasts, Antonio Balestra's works offer a glimpse into the Baroque era's rich artistic heritage, showcasing a blend of devout religiosity and meticulous craftsmanship. To stay informed about Antonio Balestra's art and related auction events, consider subscribing to updates, ensuring you remain connected to the enduring appeal of his artistic legacy.
Jacques Barraband was a French zoological and botanical illustrator, renowned for his lifelike renderings of tropical birds. His pictures were based on mounted specimens and his illustration was considered the most accurate ones made during the early 1800s.
Johann Wolfgang Baumgartner was an Austrian-German Rococo painter.
He worked as a glass painter. The ceiling painting in the Sanctuary of the Holy Cross of the former Klosters Mountains is considered as his largest and most important work.
Henryka Zofia Maria Beyer was a German-Polish artist of the first half of the 19th century. She is known as a painter and graphic artist.
Henryka Beyer moved to Warsaw from Berlin early in her career. She worked in oil, watercolor and gouache. The artist preferred to paint still lifes with flowers and fruits in warm, dark colors, creating them in the style of Dutch artists of the 17th and 18th centuries and using mostly watercolors. She signed her works as Hka Beyer.
Beyer established the first painting school for women in Poland.
Johann Christian Brand was an Austrian landscape painter and graphic artist, copperplate etcher.
He received his first lessons in painting from his father, the landscape painter Christian Hilfgott Brand (1695-1750), then studied at the Vienna Academy of Painting. In 1758 Brand was commissioned by the imperial family for a series of hunting scenes. In addition to many landscapes, he also created 16 oil paintings for Vienna's Museum of Military History, depicting various types of cavalry of the Austrian army during the reign of Empress Maria Theresa.
From 1772 Brand was professor of painting at the Vienna Academy.
Richard Brompton was an esteemed English portrait painter, active during the mid to late 18th century. Born around 1734, Brompton honed his artistic skills under the mentorship of Benjamin Wilson and later, in Italy, with Raphael Mengs. His Italian sojourn also brought him under the patronage of the Earl of Northampton, leading to significant exposure and subsequent recognition back in England.
Brompton's mastery in portraiture gained him high-profile commissions and admittance to elite art circles, including the Presidency of the Society of Artists from 1779 to 1780. Some of his notable works include portraits of influential figures such as William Pitt, the 1st Earl of Chatham, and Admiral Sir Charles Saunders, which are preserved in prestigious locations like the National Maritime Museum and the National Portrait Gallery.
Later in his career, financial difficulties led him to St. Petersburg, Russia, where he served as the court painter to the Empress of Russia, enjoying considerable success before his death in 1783.
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Philippe Caffiéri was a French sculptor. The son of Jacques Caffieri, he was received as a maître fondeur-ciseleur, joined his father's workshop and sometimes signed his independent works, especially after the death of his father in 1755, P.CAFFIERI.
Louis-François Cassas was a distinguished French landscape painter, sculptor, architect, archeologist and antiquary.
Besides his architectural and archaeological drawings and sketches, he drew numerous costumes studies, views and processions, as well as scenes from daily life, plants and animals of all sorts. He also exhibited views of his travels at the "Salons", which were periodic art exhibitions sponsored by the French Académie Royale, in 1804 and 1814, and published Picturesque views of the Principal Sites and Monuments of Greece, of Sicily, and of the Seven Hills of Rome, of which thirty parts had already been published by 1813.
Jacob Cats was a Dutch painter, printmaker and graphic artist.
He was famous for his urban landscapes and landscapes with realistic portrayals of people and animals. His works were distinguished for their originality, poetic rendering of the features of nature and depth.
His works are represented in almost all major public collections in the Netherlands.
Charles-Nicolas Cochin the Elder was a French painter and line engraver.
Charles-Nicolas Cochin the Elder painted until the age of twenty-two, and then devoted himself entirely to engraving. In 1731 he became an academician, and on the occasion of his reception engraved portraits of Jacques Sarracen and Estache Le Sueur. He then turned his attention to the fanciful subjects of Watteau, Lancret, and Chardin, after which he executed several fine works.
Charles-Nicolas Cochin was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin the Younger, Charles-Nicolas Cochin the son, or Charles-Nicolas Cochin II.
More than fifteen hundred works by Cochin can be identified. They include historical subjects, book illustrations, and portraits in pencil and crayon. The richest collection of his engravings, apparently selected by himself, is in the Royal Library, now part of the Bibliothèque nationale.
Richard Corbould was an English artist. He was a painter, in oil and watercolour, of portraits, landscape, and occasionally history; of porcelain, and miniatures on ivory, and enamels; and was furthermore an important illustrator of books renowned for his Napoleonic sketches of Ships, and a follower of the old masters. From 1777 to 1811 he was a constant contributor to the Royal Academy.
George Cumberland was an English art collector, writer and poet. He was a lifelong friend and supporter of William Blake, and like him was an experimental printmaker. He was also an amateur watercolourist, and one of the earliest members of the Bristol School of artists. He made use of his wide circle of connections to help its other members, in particular assisting and influencing Edward Bird and Francis Danby.
Hendrik Frans de Cort was a Flemish landscape painter and draughtsman. In 1770 he became a master in the Antwerp Guild of Saint Luke. His early landscapes from the time before he moved to England were often made in collaboration with other Flemish artists. De Cort is known for his topographical views of English and Welsh landscapes. These were painted in an Italianate idiom indebted to the style of Gaspar Dughet. He often painted on specially prepared mahogany panels.
Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker, celebrated as the most pivotal Spanish artist of the late 18th and early 19th centuries. Born in Fuendetodos, Aragon, Spain, on March 30, 1746, Goya's work reflects a tumultuous period of history, intertwining the personal, political, and social upheavals of his time with a bold and innovative artistic vision. His early career was marked by portraits of the Spanish aristocracy and royalty, as well as Rococo style tapestry cartoons for the royal palace. However, following a severe illness in 1793 that left him deaf, his art took on a darker and more pessimistic tone.
Goya's oeuvre is vast, encompassing around 700 paintings, 280 prints, and several thousand drawings, through which he depicted a wide range of subjects from the whimsical to the macabre. Notable among his works are "The Naked Maja," "The Clothed Maja," "The Family of Charles IV," "The Third of May 1808: The Execution of the Defenders of Madrid," and "Saturn Eating His Children." His etchings, particularly the series "Los Caprichos" and "The Disasters of War," are celebrated for their intricate detail, emotional depth, and critical social commentary.
Goya's contribution to art goes beyond his mastery of painting and printmaking. He is often considered the bridge between the Old Masters and modern art, introducing themes and techniques that would influence countless artists in the centuries to follow. His ability to capture the essence of his era, the human condition, and the complexities of his own psyche, makes his work universally relatable and enduringly relevant.
His most famous paintings are housed in prestigious museums worldwide, including the Museo del Prado in Madrid, which holds an extensive collection of his works. The Prado's collection serves as a testament to Goya's significant impact on art and culture, offering insight into the artist's unique perspective on the world around him.
For collectors and experts in art and antiques, Francisco de Goya's legacy is a beacon of artistic innovation and historical significance. His works not only adorn the walls of museums but also continue to inspire and provoke thought among audiences across the globe.
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Jean-François de Troy was a French Rococo easel and fresco painter, draughtsman and tapestry designer. One of France's leading history painters in his time, he was equally successful with his decorative paintings, genre scenes and portraits. He was the inventor of the tableaux de modes ('paintings of fashions'), which attempted to provide a spirited portrayal of contemporary fashions, pastimes and manners.
He was the Director of the French Academy in Rome from 1738.
Georg Dionysius Ehret was a German botanist and entomologist known for his botanical illustrations.
Ehret's original art work may be found at the Natural History Museum in London, the Royal Botanic Gardens, Kew, The Royal Society, London, the Lindley Library at the Royal Horticultural Society, the Victoria and Albert Museum, at the University Library of Erlangen, the LuEsther T. Mertz Library of the New York Botanical Garden, and the Hunt Institute for Botanical Documentation in Pittsburgh, Pennsylvania.
Franz Ertinger (German: Franz Ertinger) was a French painter born in Germany but working in France and Flanders, a member of the Guild of St. Luke in Antwerp.
Ertinger is a versatile artist who has applied his talents in various fields of art. He is known as a painter, illustrator and printer of books, draughtsman, designer and writer, and worked as a royal engraver in Paris.
Henry Fuseli (German: Johann Heinrich Füssli) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as The Nightmare, deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake.
Jakob Gauermann was a German artist of the late eighteenth and first half of the nineteenth centuries. He is known as a painter and graphic artist who originally worked as a stone carver.
Jakob Gauermann became famous for his works depicting the nature of mountainous regions. He created numerous landscapes of Swiss landscapes and mountainous regions of Austria. His creative legacy includes a limited number of oil paintings and a significant number of watercolors.
Friedrich Carl Gröger was a North German painter of the late 18th and first half of the 19th centuries. He is known as a painter and lithographer and is considered one of the most respected portrait painters of his time in Northern Germany.
Gröger was a self-taught artist. He began his career as a miniaturist, but soon began to specialize in portraiture, preferring chest-length portraits. His acquaintance with French artists during Gröger's stay in Paris inspired him to work with oil portraiture. He became known as a sought-after portraitist of the nobility of Schleswig-Holstein and painted a portrait of King Frederick VI of Denmark, which served as a model for coins and other portraits of members of the Danish royal family.
His works can be found in museums and private collections in Northern Germany and Denmark.
Johann Lorenz Haid was a distinguished German painter, graphic artist, and engraver, whose career spanned the early to mid-18th century. Born in 1702 in Eislingen/Fils and passing away in 1750 in Augsburg, Haid carved a niche for himself in the world of religious and portrait art.
Haid's artistic journey was marked by his adept skills in engraving and painting, making him a notable figure in German cultural history. His works often reflected a deep understanding of religious themes, captured with a finesse that brought these subjects to life. Furthermore, his contributions to portrait art showcased his ability to depict human emotions and characteristics with remarkable clarity and depth.
Notably, Haid's works have been a subject of interest at various art auctions, underscoring his lasting impact and continued relevance in the art world. His creations not only hold historical significance but also continue to captivate modern audiences, making them valuable additions to collections.
Johann Lorenz Haid's legacy extends beyond his lifetime, with his works continuing to inspire and attract art enthusiasts and experts. His mastery in engraving and painting has left a lasting impression on the art community, making his creations sought-after pieces at art auctions and galleries.
For those passionate about German art and culture, the works of Johann Lorenz Haid offer a window into the artistic excellence of the 18th century. His ability to blend religious and portrait genres with unique craftsmanship is a testament to his skills and artistic vision.
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Gerdt Hardorff the Elder was a distinguished German artist and educator, celebrated for his contributions to the Hamburg art scene from the late 18th to the mid-19th century. His career was marked by a devotion to painting, teaching, and collecting art, which left a lasting impact on the cultural landscape of his time.
Hardorff's early artistic training was at the Dresden Academy of Fine Arts, where he honed his skills in portrait painting and studies from nature. Despite opportunities to study abroad, he chose to remain in Hamburg, where he rapidly established himself as a sought-after artist for portraits and religious commissions.
Throughout his life, Hardorff was deeply involved in art education. In 1802, he began teaching at the Johanneum and later at the Patriotische Gesellschaft's school for the poor. His teaching influenced a generation of Hamburg artists, including notable names such as Philipp Otto Runge and Hermann Kauffmann.
Hardorff's work can be seen in several prestigious collections, including the Hamburger Kunsthalle and the Museum für Hamburgische Geschichte. His art captures the essence of the period with a focus on detailed realism and emotional depth.
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Isidore Stanislas Henri Helman was a French painter and engraver.
Among other works, Helman published an abridged version of the album Conquests of the Emperor of China, which was originally printed in an edition of only 200 copies, almost all of which were sent to Emperor Qianlong. Helman developed an interesting style of depicting Chinese art and Chinese subjects aimed at a European audience.
Johann Gottlob Henschke, a distinguished German landscape artist and copper engraver, was born on September 8, 1771, in Dresden. His life and career were dedicated to creating sepiatinted views of the Dresden and Meissen regions, capturing the essence of German landscapes in his unique style.
Renowned for his precise and evocative landscape drawings and engravings, Henschke's works reflect a deep connection with his homeland's natural beauty. His mastery in depicting landscapes with a keen eye for detail and texture made his work stand out in the artistic community of his time. His contributions were significant in the field of landscape painting in Saxony during the late 18th century.
Henschke's legacy is preserved in various prestigious collections, including the Staatlichen Kunstsammlungen Dresden. His works are a testament to his skill and dedication, capturing the serene beauty of German landscapes that continue to fascinate art collectors, auctioneers, and experts in art and antiques.
For those interested in exploring the tranquil beauty of German landscapes through Henschke's eyes, his works offer a journey back in time, to the picturesque sceneries of 18th-century Dresden. His art not only provides aesthetic pleasure but also serves as a historical document of the landscapes of that era.
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Willem Jacob Herreyns, the Younger, was a Flemish painter of history subjects and portraits. He is regarded as one of the last painters in the tradition of the Flemish Baroque and the last follower of Peter Paul Rubens. Herreyns’ work was very highly regarded in his time. His religious compositions stand in the Rubens tradition. Herreyns is considered a draughtsman with a precise line, but his work shows a certain coldness and lacks originality.
János Mihály Hesz was a Hungarian painter, etching artist and university lecturer.
Between 1791 and 1794, János Mihály Hesz studied at the art academy in Vienna. After his studies, he taught painting and drawing at the academy.
Art historians emphasise the "academic classicism" of Hes's paintings. The influence of Italian Mannerism can be felt in his later religious paintings and altarpieces.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
Johann Gerhard Huck was a German artist of the late eighteenth and early nineteenth centuries. He is known as a painter, draughtsman, graphic artist and copperplate engraver.
Huck early in his career worked at the Academy of Arts in Düsseldorf, then studied with the famous engraver Valentine Green in London. The master founded the Academy of Art in Hanover and was court engraver to the Hanoverian royal court. He was also a member of the Chalcographic Society of Dessau. Among his famous works is a portrait of Baron and patron of the arts Friedrich Moritz von Brabach.
Jean-Auguste-Dominique Ingres, a French Neoclassical painter, carved a niche for himself in the art world with his profound influence from past traditions and his aspiration to uphold academic orthodoxy amidst the burgeoning Romantic style. Born in Montauban, France, on August 29, 1780, Ingres' journey into the realms of art was marked by his early study under Jacques-Louis David, leading to a fully developed style that scarcely changed throughout his life.
Ingres is celebrated for his expressive distortions of form and space, which have positioned him as a crucial precursor to modern art, influencing modernists such as Picasso and Matisse. His oeuvre, renowned for its meticulous precision and sinuous lines, skillfully bridges elements of Neoclassical and Romantic styles. Despite never traveling to the Near East or Africa, Ingres was deeply inspired by the exotic, as evidenced in his detailed and sensuous portrayals of odalisques, contributing to his posthumous recognition among avant-garde circles.
His contributions include significant commissions like "The Vow of Louis XIII," which solidified his position as a leader of the Neoclassical school in France, and "The Turkish Bath," his last major work, showcasing his enduring fascination with the female form and Orientalism. His works, including the iconic "Portrait of Monsieur Bertin" and other masterful portraits, continue to captivate, housed in esteemed collections such as the Musée du Louvre in Paris.
Art collectors and experts appreciate Ingres for his dedication to classical techniques and his innovative approach to composition and form. His legacy, encompassing both his Neoclassical roots and his pioneering forays into early modernism, underscores his unique position in art history.
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Ferdinand Jagemann was a German painter of the first quarter of the 19th century. He is known as a painter and graphic artist, especially famous in portraiture.
Ferdinand Jagemann created many portraits of famous personalities of his time, including several portraits of Johann Wolfgang Goethe painted in 1805, 1806, 1817 and 1819, as well as Friedrich Schiller, whom he portrayed on his deathbed.
Feodor Iwanowitsch Kalmück (Russian: Фёдор Иванович Калмык) was a German artist of the late 18th and first third of the 19th centuries of Russian and Kalmyk origin. He was known as a painter and engraver.
Feodor Kalmück was captured as a child by Cossacks and presented to Empress Catherine II, who then gave the boy to Duchess Amalia of Hesse-Darmstadt of Baden. Kalmück studied painting in Germany and Italy. He was primarily a draughtsman and portraitist, favoring antique motifs and Renaissance religious themes. The artist rarely painted in oils; his best known works are prints. He also executed monumental murals in the Evangelical Church in Karlsruhe.
Franz Michael Katz was a nineteenth-century German painter. He is known as a graphic artist, watercolorist, portraitist, miniaturist, collector and teacher.
Katz founded the Higher School of Drawing and Painting in Cologne, which quickly gained a reputation as a prestigious institution for the city's wealthy residents. He was also a member of the "Olympic Society," founded in 1809, which brought together lovers of art and literature. As a collector, the artist amassed a significant collection of paintings, copperplate engravings, and plaster casts of ancient statues.
Orest Adamovich Kiprensky (Russian: Орест Адамович Кипренский) emerged as a masterful Russian portraitist in the Age of Romanticism. His journey from an illegitimate serf background to a celebrated artist is a testament to his extraordinary talent and determination. Kiprensky's early exposure to art at the St. Petersburg Academy of Arts paved the way for his signature style, marked by emotional depth and technical brilliance.
Orest Kiprensky's works resonate with the spirit of Romanticism, capturing the essence of his subjects with remarkable sensitivity and nuance. His portrait of Alexander Pushkin is among his most famous, celebrated for its vivid portrayal of the poet's character. Kiprensky's life was as dramatic and varied as his art, with significant periods spent in Italy, where he immersed himself in the local culture and art scene, eventually marrying and converting to Roman Catholicism.
His legacy is enshrined in numerous galleries, where his portraits continue to captivate audiences with their expressive intensity and elegance. Orest Kiprensky's ability to capture the soul of his subjects on canvas ensures his enduring status as a pivotal figure in Russian Romantic art.
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Ferdinand Kobell was a German painter of the second half of the eighteenth century. He is known as a painter, graphic artist, printmaker and landscape painter.
Kobell painted landscapes inspired by the style of Nicholas Berchem. His oil paintings are in many German galleries, but he was much more skillful, according to critics, in conveying the states of nature with an engraving needle. Kobbel is considered a master of landscape etchings, which are recognized as some of the best of the 18th century.
Kobell had seven children, including Wilhelm von Kobell, who also became a landscape, animalist and battle painter.
Johannes Hermanus Koekkoek was a Dutch painter and draughtsman. Following his education, he worked as an art teacher, but soon decided to become a free-lance artist. In 1826, he moved to Durgerdam, near Amsterdam, where he would live and work until 1833. He initially combined seascapes and cityscapes but, in his later years, focused entirely on ocean scenes. Much of his inspiration came from the painters of the Dutch Golden Age. His style was essentially Realistic, but alos showed elements of the newer Romantic aesthetic. Rather than merely paint ships, he also learned as much as he could about the different types.
Johann Baptist Lampi the Younger was an Austrian portrait painter, renowned for his detailed and expressive portraiture. Born on March 4, 1775, in Trento, Lampi was educated at the Academy of Fine Arts Vienna under the guidance of Hubert Maurer and Heinrich Friedrich Füger. His artistic journey began under the tutelage of his father, Johann Baptist von Lampi the Elder, a prominent painter himself.
Lampi the Younger's career took a significant turn when he, along with his family, moved to St. Petersburg in 1797, following an invitation from Catherine the Great. This move marked a pivotal period in his life as he produced many portraits of Russian nobility and other significant figures of his time. His notable works during this period earned him a position as a member of the Academy in St. Petersburg and later in Vienna.
Among his well-known works, which can be viewed in major galleries such as the Belvedere Gallery and the Vienna Museum, are portraits of Antonio Canova, Francis I, and Ivan Akimov. His artistic legacy is further highlighted by his influence and contributions to the European art scene of the 19th century.
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Sébastien Leclerc was a French graphic artist of the second half of the seventeenth and early eighteenth centuries. He is known as a brilliant master of engraving and woodcuts, as well as an art theorist and military engineer.
Leclerc created more than 3,400 engravings during his career, most of them in the religious genre. He was also famous for his illustrations of French literary novels and scientific treatises on art theory, architecture, and geometry.
The artist's son Sebastien Leclerc Jr. and grandson Jacques-Sebastien Leclerc became famous as painters.
Pietro Longhi was a Venetian painter renowned for his intimate depictions of daily life in 18th-century Venice. His works, void of biting satire but possibly tinged with gentle irony, provide a unique window into the social and domestic spheres of Venetian society. Pietro Longhi's art captures a range of everyday moments, from high society gatherings to common street scenes, all characterized by a keen observation of human interaction and behavior.
Pietro Longhi's training began under the tutelage of the history painter Antonio Balestra and continued with Guiseppe Maria Crespi in Bologna, whose influence is evident in Longhi's detailed genre scenes. Returning to Venice, he shifted his focus to these smaller, more personal vignettes, starting in 1741. His works, such as "The Charlatan" and "The Ridotto in Venice," highlight the public and private lives of Venetians, often showcasing masked figures engaging in various activities, hinting at the city's famous carnival culture.
Notable works like "The Exhibition of a Rhinoceros at Venice" reflect Pietro Longhi's interest in capturing contemporary events and curiosities, offering insight into the leisure and entertainment of the time. This particular painting is part of the National Gallery's collection and stands out for its depiction of public fascination with exotic animals, intertwined with social commentary.
For collectors and art experts, Pietro Longhi's paintings are invaluable for their historical context and artistic merit, capturing the essence of Venetian life with a unique blend of realism and subtlety. His works continue to be celebrated for their detailed narrative quality and their ability to transport viewers to the heart of 18th-century Venice.
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Jean-Baptiste Mallet was a French painter in the Troubadour style.
His style shows the strong influence of Jean-Baptiste Greuze, Jean-Honoré Fragonard (also from Grasse) and Louis Léopold Boilly. He is also known to have studied 17th-century Dutch painting.
Most of his works were gouaches and watercolors, done in relatively small formats, and consist largely of genre scenes depicting life under the Directorate and the First Empire.
His paintings were very popular and are an indispensable source of information about interior decorations and furnishings of the period. Most of his works were also available as prints.
Outside of France, his works may be seen at the National Gallery of Art and LACMA.
Andrey Efimovich Martynov (Russian: Андрей Ефимович Мартынов) was a Russian painter and engraver, known for his landscapes and lithographs. Born in 1768 in St. Petersburg, he graduated from the Imperial Academy of Arts in 1788. Martynov studied landscape painting under Semion Shchedrin and further honed his skills in Italy from 1788 to 1794, under the influence of Jakob Philipp Hackert. His Italian landscapes were highly appreciated upon his return to Russia, leading to his appointment as an academician in 1795.
Martynov’s work is renowned for its idealized and panoramic views of nature. He traveled extensively, capturing the beauty of rural Russia, Siberia, and Mongolia in his watercolors and lithographs. His series "Views of Russia and Mongolia" and "Peoples Types of Russia and Mongolia" are particularly admired for their detail and artistic quality. Martynov was also the official artist of the Russian embassy to China in 1805, a role that further enriched his portfolio with diverse cultural landscapes.
In addition to painting, Martynov contributed significantly to the development of lithography in Russia. His works, including scenes from the Crimea, the Baltic States, and the Volga River, are preserved in various museums, such as the Russian Museum and the Museum of the Academy of Fine Arts. Martynov’s legacy lies in his ability to blend classical composition with the celebration of natural beauty, making his works a valuable part of Russian art history.
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Franz Anton Maulbertsch was an Austrian painter of the second half of the 18th century. He is known as a painter and printmaker, master of frescoes and altarpieces in oil.
Maulbertsch became famous for his unique style, characterized by expressiveness and expressiveness. Working in Vienna, Hungary, Bohemia, Moravia and Italy, he was able, according to critics, to overcome the provincialism of the style of the South German and Austrian artists who had preceded him. Rembrandt's influence also made an imprint on his work.
Anna Maria Mengs was a German painter of the second half of the 18th century. She is known as a painter and graphic artist, famous for her portraits.
Anna Maria Mengs was the daughter of Anton Raphael Mengs, a famous German painter and representative of classicism, from whom she studied painting. In 1777 she married the Spanish engraver Manuel Salvador Carmona and had seven children. Despite family obligations, she continued to paint miniatures and pastels, as contemporaries noted, with talent and exquisite taste. In 1793, a year after her death, her work was exhibited at the Accademia de San Fernando in Madrid.
Johann Michael Mettenleiter was a German artist, born in 1765, who left an indelible mark in the fields of drawing, etching, copper engraving, and lithography. His dedication to art was not just confined to creating works but also extended to establishing a lithographic institution and field printing office for the Russian Tsar Alexander I in Warsaw in 1818, a feat that earned him the prestigious Saint Stanislaus Order.
In 1824, Johann Michael Mettenleiter's contributions to art were further recognized when he was honored as an honorary member of the Royal Bavarian Academy of Fine Arts. Despite a severe accident in 1844, his influence continued until his death in 1853 in Passau. His legacy is carried on through his pupils, including his stepsons and his nephew, Johann Evangelist Mettenleiter.
One of Johann Michael Mettenleiter's notable works, "Ariovistus in confrontatie met Caesar, 58 v.C.," created in 1808, captures a historical scene with precision and is housed in the Rijksmuseum. His artworks, like this one, offer a glimpse into the depth and diversity of his skills, showcasing his mastery in capturing historical narratives through art.
For art collectors and enthusiasts, Johann Michael Mettenleiter's works represent a fascinating blend of historical storytelling and artistic prowess. His pieces, whether in private collections or public museums, continue to inspire and captivate audiences, underscoring the timeless appeal of his artistry.
If Johann Michael Mettenleiter's fusion of history and art intrigues you, sign up for updates and stay informed about upcoming sales, exhibitions, and auctions featuring his works. Delve deeper into the world of a visionary artist who bridged the gap between the past and the present through his captivating creations.
Alessandro Molinari was a German-born portrait painter of Italian ancestry, celebrated for his depictions of the Russian and Polish nobility. Born on January 5, 1772, in Berlin, and passing away on January 20, 1831, in Dresden, Molinari's artistic journey spanned various European locales. His prowess in portrait painting gained prominence during his stays in cities such as Rome, Vienna, and Saint Petersburg.
Molinari's technique and ability to capture the essence of aristocracy allowed him to become a favorite among the nobles during his time in Russia around 1806. His works often reflected a deep understanding of his subjects, infused with cultural insights that appealed to his high-society clientele. Notable pieces by Molinari include a miniature self-portrait circa 1820, showcasing his meticulous skill in this demanding medium. His legacy persists through his contributions to portrait painting, with his works displayed in prestigious institutions such as the Hermitage Museum and the Tretyakov Gallery.
For enthusiasts and collectors of classical portrait art, especially those focusing on European nobility, Alessandro Molinari's works offer a glimpse into the aristocratic life of the 18th and 19th centuries. To stay updated on exhibitions and auctions featuring Molinari's work, consider signing up for our newsletter. This subscription will keep you informed about new findings and sales directly related to Molinari, ensuring you never miss an opportunity to appreciate or acquire his timeless art.
Antonio Molinari, an Italian painter, was a prominent figure in the Venetian Baroque movement. Molinari was celebrated for his dynamic and dramatic renditions of religious and mythological scenes, often characterized by their emotional intensity and vibrant color palette. His training under Antonio Zanchi in Venice and the influence of Neapolitan artists like Luca Giordano significantly shaped his artistic style, which blended Neapolitan naturalism with classic Venetian colorism.
Antonio Molinari's work is known for its tumultuous narratives, as seen in pieces like "The Adoration of the Golden Calf" housed in the Hermitage Museum and "The Boy Moses Stepping on Pharaoh's Crown" at the Museum Kunstpalast. His ability to convey complex stories through his art has left a lasting impact on the Baroque genre, influencing subsequent artists, including his pupil Giovanni Battista Piazzetta.
For art collectors and aficionados, Antonio Molinari's oeuvre offers a deep dive into the Baroque's rich narrative and aesthetic qualities, making his works coveted pieces in the realm of art and antiquities. His contributions to the Venetian Baroque movement remain significant, illustrating the vibrant cultural and artistic history of the period.
To stay updated on Antonio Molinari's artworks and related auction events, subscribing for updates is recommended for enthusiasts keen on acquiring or learning more about his influential pieces. This subscription ensures that collectors and art lovers are promptly informed about new sales and auction events related to Molinari's works, enriching their appreciation and understanding of this pivotal artist's legacy.
