Painters Italy
![Antonio Capellan](/assets/image/ArtImage_46910/c4d8d/antonio-capellanjpg__fix_147_180.jpeg)
![Antonio Capellan](/assets/image/ArtImage_46910/f6dbc/antonio-capellanjpg__fix_86_98.jpeg)
Antonio Capellan was an Italian engraver, active in a Neoclassical style. He trained with Joseph Wagner. Capellan is best known for making engraved copies of masterworks of the Italian Renaissance found in private collections, which were published in Gavin Hamilton's work, Schola Italica Picturae. He also engraved a series of portraits of cardinals titled "Calcographia R.C.A. apud Pedem Marmoreum". In 1759, he engraved portraits of Michelangelo and Giorgio Vasari for a volume of the life of Vasari, curated by Bottari.
![Antonio De Simone](/assets/image/ArtImage_41301/bdfb0/antonio-de-simonejpg__fix_147_180.jpeg)
![Antonio De Simone](/assets/image/ArtImage_41301/cae05/antonio-de-simonejpg__fix_86_98.jpeg)
Antonio De Simone was an Italian marine painter.
He created many paintings depicting various ships at sea: frigates, yachts, sailing ships and steamships, in the storm and with the sails down. De Simone also painted historical battle scenes, such as his famous painting - "Bombardment of Alexandria", which is in the Royal Greenwich Museums.
![Giuseppe Abbati](/assets/image/ArtImage_448/16489/prijpg__fix_147_180.jpeg)
![Giuseppe Abbati](/assets/image/ArtImage_448/949ff/prijpg__fix_86_98.jpeg)
Giuseppe Abbati was an Italian artist, renowned for his role in the Macchiaioli movement. Born on January 13, 1836, in Naples, Abbati's early exposure to art came from his father Vincenzo, who specialized in painting architectural interiors. This foundational experience deeply influenced his initial works, which were primarily interiors. However, Abbati's artistic journey took a significant turn after losing his right eye in the Battle of Capua during Garibaldi's 1860 campaign. This event marked a period of transformation, leading him to Florence where he engaged deeply with the Macchiaioli group at Caffè Michelangiolo.
Abbati's contribution to the Macchiaioli movement was profound, characterized by a bold treatment of light and shadow, a technique he mastered by painting en plein air. His landscapes, such as the "View from the Wine Cellar of Diego Martelli" (1866), exemplify his skill in capturing the interplay of light, offering viewers a luminous landscape scene glimpsed through the doorway of a darkened interior. His works are celebrated for their unique perspective and are housed in prestigious collections, including several museums across Italy.
Tragically, Abbati's promising career was cut short at the age of 32, when he died in Florence from rabies, a consequence of a dog bite. Despite his brief life, his artistic legacy endures, influencing generations of painters who admire his innovative approach to natural light and landscape.
For enthusiasts and collectors keen on exploring Giuseppe Abbati's work further or acquiring pieces associated with him, subscribing to updates on new sales and auction events is highly recommended. Stay informed on opportunities to own a piece of this remarkable artist's legacy. Subscribe today for exclusive updates.
![Guido Ubaldo Abbatini](/assets/image/ArtImage_59619/4f2c9/guido-ubaldo-abbatini-2jpg__fix_147_180.jpeg)
![Guido Ubaldo Abbatini](/assets/image/ArtImage_59619/aab6a/guido-ubaldo-abbatini-2jpg__fix_86_98.jpeg)
Guido Ubaldo Abbatini was an Italian Baroque painter, celebrated for his fresco works and significant contributions during the artistic fervor of 17th-century Rome. Born around 1600 in Città di Castello, Umbria, and later active in Rome and Usigni, Abbatini's career was marked by his apprenticeships under prominent artists such as Giuseppe Cesari and Pietro da Cortona. He is also noted for his association with Gian Lorenzo Bernini, under whom he worked on notable projects like the frescoes in the Cornaro Chapel.
Abbatini's works are characterized by their dynamic compositions and vibrant use of color, which were typical of the Baroque movement's dramatic style. His artistic contributions extend to several churches in Rome, where his frescoes continue to be admired for their artistic and historical significance.
For art collectors and enthusiasts interested in Baroque art, Guido Ubaldo Abbatini's works represent a pivotal chapter in Italian art history. His paintings not only reflect the rich cultural heritage of the era but also showcase the evolution of Baroque artistic expressions in Italy.
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![Filippo Abbiati](/assets/image/ArtImage_450/37ea7/filippojpg__fix_147_180.jpeg)
![Filippo Abbiati](/assets/image/ArtImage_450/b9eb1/filippojpg__fix_86_98.jpeg)
Filippo Abbiati was an Italian painter, renowned for his contribution to the Baroque period. Born in Milan in 1640, Abbiati's training under Carlo Francesco Nuvolone and Antonio Busca honed his skills, leading him to develop a distinct style characterized by fluid touch and luminous foundations. His work was heavily influenced by early seventeenth-century Lombard painting and later, the Roman Baroque and Venetian painting.
Abbiati's career was predominantly based in Milan, where he produced numerous significant religious and historical paintings. Notable works include the altarpiece of the Preaching of St. John the Baptist for the Sanctuary of the Beata Vergine dei Miracoli in Saronno and the extensive frescoes in the Milanese church of Sant'Alessandro. His masterpieces are celebrated for their dynamic composition and expressive intensity, marking a transition toward the Rococo movement.
Though details about his later years remain sparse, Abbiati's legacy lives on through his influential frescoes and the mentorship of notable students like Alessandro Magnasco. His works can still be admired in places like the Pinacoteca di Brera in Milan and the Biblioteca Ambrosiana.
For collectors and enthusiasts looking to explore the depth of Italian Baroque, Filippo Abbiati's work offers a rich narrative woven through the tapestry of art history. Sign up for updates on auctions and new discoveries related to Filippo Abbiati, ensuring you stay informed about opportunities to own a piece of this illustrious artist's legacy.
![Carla Accardi](/assets/image/ArtImage_7879/342b5/82642f39ff66f91ae2c1134d06d46a1cjpg__fix_147_180.jpeg)
![Carla Accardi](/assets/image/ArtImage_7879/23b03/82642f39ff66f91ae2c1134d06d46a1cjpg__fix_86_98.jpeg)
Carla Accardi was an Italian abstractionist painter associated with the Arte Informel and Arte Povera movements and a founding member of the art groups Forma (1947) and Continuità (1961). She studied painting at the Academy of Fine Arts in Palermo and Florence.
Carla Accardi was known for her innovative use of materials and her exploration of geometric shapes and vivid colours. One of her notable contributions was the introduction of the "tela intrecciata" (interwoven canvas) technique, in which she used strips of coloured canvas to create textured and layered compositions.
Accardi's work often exhibited a sense of rhythm and movement, a dynamic arrangement of forms and lines. Her compositions are characterised by a sense of balance and harmony and often incorporate elements of repetition and symmetry.
![Angelo Accardi](/assets/image/ArtImage_40704/b170e/vilaccardiangelojpg__fix_147_180.jpeg)
![Angelo Accardi](/assets/image/ArtImage_40704/8d6d4/vilaccardiangelojpg__fix_86_98.jpeg)
Angelo Accardi is a contemporary Italian artist. He grew up surrounded by both modern and traditional art. Although he studied fine art at the Art Academy of Naples, he never completed his training. Angelo Accardi illustrates surreal visions of everyday life under realistic backdrops of urban and natural landscapes. There is never a single meaning, but a whole story behind each painting. Ironic, striking, and playful, Accardi’s unique perspective and avant-garde style is a result of his diverse inspirations.
![Peter Ackermann](/assets/image/ArtImage_33830/e6f3e/vilackermannpeterwebp__fix_147_180.jpeg)
![Peter Ackermann](/assets/image/ArtImage_33830/e3912/vilackermannpeterwebp__fix_86_98.jpeg)
Peter Ackermann was a German painter and graphic artist. He became known for his alienation of architectural subjects. Ackermann was a representative of fantastic realism. The preferred subject of his work was classical Italian architecture, which he drew on site. He put together columns, portals and walls with machine parts, ruins and desolate parts of the city, which were piled up threateningly and thus alienated. In his etchings he showed references to the techniques of the old masters, his pictorial conception is compared with that of Giovanni Battista Piranesi and Canaletto.
![Giacomo Adolfi](/assets/image/ArtImage_43462/2d676/giacomo-adolfijpg__fix_147_180.jpeg)
![Giacomo Adolfi](/assets/image/ArtImage_43462/7fc16/giacomo-adolfijpg__fix_86_98.jpeg)
Giacomo Adolfi was an Italian Baroque painter who worked in and around Bergamo.
Born in Bergamo, Giacomo Adolfi was the older brother of the painter Ciro Adolfi and initially trained under his father Benedetto Adolfi. He executed a number of frescoes in churches and public buildings in Bergamo, including "The Crowning of the Virgin" for the church of the Convent del Paradiso and "The Adoration of the Magi" for the church of Sant'Alessandro della Croce in Bergamo.
![Ciro Adolfi](/assets/image/ArtImage_37296/8a8d2/ciro-adolfijpg__fix_147_180.jpeg)
![Ciro Adolfi](/assets/image/ArtImage_37296/dbfb8/ciro-adolfijpg__fix_86_98.jpeg)
Ciro Adolfi was an Italian painter of the Baroque period, active in and around Bergamo.
He completed a number of fresco paintings in the churches and public buildings of Bergamo, including a Four Evangelists for the church of for Sant'Alessandro della Croce; a Deposition from the cross for Santa Maria della Grazie, and a Decollation of St. John for the parish church of Colognola.
![Giuseppe Ajmone](/assets/image/ArtImage_41962/a76b3/giuseppe-ajmonejpg__fix_147_180.jpeg)
![Giuseppe Ajmone](/assets/image/ArtImage_41962/da9a7/giuseppe-ajmonejpg__fix_86_98.jpeg)
Giuseppe Ajmone was an Italian painter and printmaker.
He studied painting at the Brera Academy of Fine Arts in Milan and in 1946 was one of the signatories of the Realist Manifesto, also known as "Oltre Guernica.
Ajmone painted both landscapes and still lifes as well as semi-abstract figures.
![Francesco Albani](/assets/image/ArtImage_26307/106fa/vilfrancescoalbanijpeg__fix_147_180.jpeg)
![Francesco Albani](/assets/image/ArtImage_26307/a8623/vilfrancescoalbanijpeg__fix_86_98.jpeg)
Francesco Albani was a renowned Italian painter and fresco artist. He is celebrated for his contributions to the academic Bolognese school, which was profoundly influenced by the Carracci family, under whom Albani trained. Albani's artistic journey began at the young age of 12, marking the start of a career that would see him become one of the 17th-century's most esteemed Bolognese masters.
Francesco Albani's style is characterized by its lyricism and often features cherubic figures, a trait that became his signature. Despite not embracing the monumentality or tenebrism prevalent in the works of his contemporaries, his thematic appeal and mannerist elegance have earned him a place in art history. His works often comprise mythological and religious scenes, executed with a refined and lyrical view of nature. This approach helped disseminate the classical ideals prominent in Carracci's landscapes.
Among Francesco Albani's notable works are his frescoes in the Hall of Aeneas at Palazzo Fava in Bologna and Palazzo Doria Pamphilj in Rome, and his paintings "The Judgment of Paris" and "The Toilet of Venus". His works can be found in prestigious collections worldwide, including the Museo del Prado, Galleria Borghese in Rome, and the Hermitage in St. Petersburg.
Francesco Albani's influence extended beyond his lifetime, with his classicising and idealised scenes finding favor with 18th-century French painters and collectors. However, his popularity waned during the 19th century. Despite this, his work remains an integral part of the study of Baroque art, particularly in understanding the transition from Mannerism to Baroque styles.
For collectors and experts in art and antiques, the legacy of Francesco Albani presents an opportunity to explore a pivotal moment in the history of Italian painting. His works not only provide aesthetic pleasure but also serve as important cultural artifacts, offering insights into the artistic trends and societal values of the 17th century.
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![Cherubino Alberti](/assets/image/ArtImage_37008/e9e43/cherubino-albertijpg__fix_147_180.jpeg)
![Cherubino Alberti](/assets/image/ArtImage_37008/1009c/cherubino-albertijpg__fix_86_98.jpeg)
Cherubino Alberti, also called Borghegiano, was an Italian engraver and painter. He is most often remembered for the Roman frescoes completed with his brother Giovanni Alberti during the papacy of Clement VIII. He was most prolific as an engraver of copper plates.
![Mariotto Albertinelli](/assets/image/ArtImage_53106/36e6e/mariotto-albertinelli3jpg__fix_147_180.jpeg)
![Mariotto Albertinelli](/assets/image/ArtImage_53106/56578/mariotto-albertinelli3jpg__fix_86_98.jpeg)
Mariotto Albertinelli, an Italian painter born in 1474, was a prominent figure in the High Renaissance, celebrated for his contribution to the Florentine school of painting. Albertinelli's work is distinguished by its adherence to the principles of the Renaissance, characterized by a profound appreciation for classical beauty, balanced compositions, and a deep engagement with religious themes.
Known for his collaboration with Fra Bartolommeo, Albertinelli's artistry was marked by a harmonious blend of spirituality and naturalism. His paintings are revered for their delicate handling of religious subjects, brought to life with vivid realism and emotional depth. This unique approach made him a pivotal figure in the evolution of Renaissance art, bridging the gap between the divine and the human.
Among his renowned works, the "Visitation of the Virgin Mary" stands out as a masterpiece, showcasing his skillful use of color and perspective to enhance the narrative. Albertinelli's contributions can be found in several prestigious museums and collections around the world, offering a testament to his enduring legacy.
For collectors and connoisseurs of art and antiques, Mariotto Albertinelli represents the quintessence of Renaissance artistry. His works not only capture the aesthetic ideals of his time but also reflect the cultural and spiritual aspirations of the era.
To delve deeper into the life and art of Mariotto Albertinelli and stay informed about upcoming exhibitions, sales, and auctions featuring his work, signing up for updates is essential. This subscription ensures that enthusiasts and collectors alike remain connected to the vibrant legacy of this Renaissance master, offering exclusive insights and opportunities to enhance their appreciation and collection.
![Antonio Ambrogio Alciati](/assets/image/ArtImage_42665/1cae4/antonio-ambrogio-alciatijpg__fix_147_180.jpeg)
![Antonio Ambrogio Alciati](/assets/image/ArtImage_42665/52388/antonio-ambrogio-alciatijpg__fix_86_98.jpeg)
Antonio Ambrogio Alcati was an Italian academic painter, portraitist, master of frescoes and teacher. He studied painting at the Vercelli Institute of Fine Arts and the Brera Academy of Fine Arts.
Ambrogio Alcati's work is also influenced by Impressionism.
![Tommaso Aldrovandini](/assets/image/ArtImage_34564/fa36b/tommasoaldrovandinivenusandadonisjpg__fix_147_180.jpeg)
![Tommaso Aldrovandini](/assets/image/ArtImage_34564/b26aa/tommasoaldrovandinivenusandadonisjpg__fix_86_98.jpeg)
Tommaso Aldrovandini was an Italian painter of the Baroque period. He mainly painted perspective views and architectural subjects (quadratura), in which the figures were painted by Marcantonio Franceschini and Carlo Cignani. He decorated churches, palaces, and theaters in Forlì, Verona, Venice, Parma, Turin, Ferrara, and Genoa, and especially in his native Bologna. Among his pupils was Giovanni Benedetto Paolazzi.
![Pompeo Aldrovandini](/assets/image/ArtImage_34563/53140/pompeoaldrovandinijpg__fix_147_180.jpeg)
![Pompeo Aldrovandini](/assets/image/ArtImage_34563/24c5f/pompeoaldrovandinijpg__fix_86_98.jpeg)
![Francesco Allegrini](/assets/image/ArtImage_37549/25a95/francescoallegrinijpg__fix_147_180.jpeg)
![Francesco Allegrini](/assets/image/ArtImage_37549/15650/francescoallegrinijpg__fix_86_98.jpeg)
Francesco Allegrini da Gubbio was an Italian painter of the Baroque period.
He was admired as a battle painter. He was active in Rome, Genoa, Savona, and Naples. In Rome, he painted in the Vatican Loggias. He also painted in the church of San Marco, Rome, and the chapel of San Antonio in the church of Santi Cosma e Damiano. He painted for the Casa Durazzo in Genoa. In Savona he painted for the Palazzo Gavotti and the Savona Cathedral.
![Cristofano Allori](/assets/image/ArtImage_33132/aa547/vilallori-cristofanojpg__fix_147_180.jpeg)
![Cristofano Allori](/assets/image/ArtImage_33132/5f05b/vilallori-cristofanojpg__fix_86_98.jpeg)
Cristofano Allori was an Italian painter of the late Florentine Mannerist school, painting mostly portraits and religious subjects. Allori received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani. When still young he became a court portraitist for the Medicis, though many of his commissions were replicas of portraits by his predecessor Bronzino, or had participation by others.[citation needed. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His most famous work, in his own day and now, is Judith with the Head of Holofernes.
![Alessandro Allori](/assets/image/ArtImage_44093/8e068/alessandro-allorijpg__fix_147_180.jpeg)
![Alessandro Allori](/assets/image/ArtImage_44093/1efaa/alessandro-allorijpg__fix_86_98.jpeg)
Alessandro Allori, full name Alessandro di Cristofano di Lorenzo del Bronzino Allori, was an Italian painter of the Florentine school of late Mannerism.
Allori was one of the major artists of Florence in the late 16th century. He painted prostrate images and portraits. His son Cristofano Allori (1577-1621) also became an artist.
![Martino Altomonte](/assets/image/ArtImage_8877/510c6/j2-mfma313mht1qbhp9xo11280jpg__fix_147_180.jpeg)
![Martino Altomonte](/assets/image/ArtImage_8877/432ee/j2-mfma313mht1qbhp9xo11280jpg__fix_86_98.jpeg)
Martino Altomonte, born Johann Martin Hohenberg, was an Italian Baroque painter renowned for his artistic endeavors across Poland and Austria. With his roots in a family of artists, Altomonte honed his craft under the tutelage of Giovanni Battista Gaulli and Carlo Maratta in Rome, before making a significant name change and cultural shift to become a court painter in Poland under King John III Sobieski.
Martino Altomonte's oeuvre is marked by a vibrant blend of Neapolitan chiaroscuro and Venetian color, elements that distinguished his style from his contemporaries. This unique combination is particularly evident in his altarpieces and frescoes, which include major works like the ceiling frescoes in Vienna's Lower Belvedere and the high altarpiece at the Stiftskirche Wilhering. Despite the loss of many of his altarpieces, some key pieces survive, offering a glimpse into his dramatic yet harmonious approach.
Throughout his career, Martino Altomonte was deeply involved in the Viennese art scene, his works contributing significantly to the development of Baroque painting in the region. His legacy is continued by his son, Bartolomeo Altomonte, who also became a noted painter. Martino Altomonte's impact on Baroque painting, with his mastery of light and shadow, makes his work a continued point of study and appreciation among art collectors and historians.
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![Jacopo Amigoni](/assets/image/ArtImage_37423/1ff26/akopo-amigonijpg__fix_147_180.jpeg)
![Jacopo Amigoni](/assets/image/ArtImage_37423/39e3f/akopo-amigonijpg__fix_86_98.jpeg)
Jacopo Amigoni, also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.
![Antonio Amorosi](/assets/image/ArtImage_15030/67191/4eapjpg__fix_147_180.jpeg)
![Antonio Amorosi](/assets/image/ArtImage_15030/97448/4eapjpg__fix_86_98.jpeg)
Antonio Amorosi was an Italian painter of the late Baroque period.
Amorosi studied in Rome in the studio of Giuseppe Ghezzi. He produced portraits and religious works, but he is best known for his genre paintings of bambocanti. The artist has a keen eye for the everyday lives of ordinary people, particularly children, whose world he depicts in a gentle and delicate manner. Among Amorosi's most characteristic and best works are "Boy with a Glass" and "Boy with a Dog", preserved in the Pinacoteca Comunale in Deruta.
![Franco Angeli](/assets/image/ArtImage_22141/fb597/vilangelifrancojpg__fix_147_180.jpeg)
![Franco Angeli](/assets/image/ArtImage_22141/8a00f/vilangelifrancojpg__fix_86_98.jpeg)
![Fra Angelico](/assets/image/ArtImage_9470/56b19/frajpg__fix_147_180.jpeg)
![Fra Angelico](/assets/image/ArtImage_9470/95353/frajpg__fix_86_98.jpeg)
Fra Angelico, a name synonymous with the serenity and purity of Early Renaissance art, was a Dominican friar and Italian painter celebrated for his devout and luminous religious works. Born Guido di Pietro around 1395 in Vicchio, near Florence, he later became known as Fra Giovanni upon joining the Dominican order at Fiesole. His monastic life profoundly influenced his art, reflecting a deep spiritual commitment and a heavenly tranquility. Pope John Paul II recognized his sanctity by beatifying him in 1982, officially bestowing upon him the title "Blessed" and affirming his legacy as a bridge between heaven and earth through his art.
Fra Angelico's technical prowess and innovative approaches to composition and color set new standards in the art world. He was initially trained as an illuminator, which is evident in the delicate details and luminous quality of his works. His art was not confined by his religious duties; instead, his position allowed him to advance the Dominican order's mission through visually compelling narratives that spoke directly to the viewer's soul. His works, including altarpieces and frescoes, are revered for their serene religious attitude and classical influence, embodying the Early Renaissance spirit that sought to harmonize Christian themes with the natural world and human emotion.
Among his most notable contributions are the frescoes at the convent of San Marco in Florence, commissioned by Cosimo de' Medici. These works display Angelico's mastery over perspective and his ability to create a spiritual atmosphere that invites contemplation. The Annunciation, one of his most famous frescoes at San Marco, exemplifies his use of architectural space to frame the sacred narrative, integrating the divine with the everyday. His altarpieces, characterized by their detailed figures and harmonious compositions, were innovative in their unified presentation of sacred stories, moving away from the segmented Gothic style towards a more cohesive and immersive narrative experience.
Fra Angelico's influence extended beyond his lifetime, shaping the trajectory of Renaissance art through his integration of humanistic principles with devout Christian faith. His works are preserved in some of the world's most prestigious museums, including the Museo Diocesano in Cortona, the Uffizi Gallery, and the Museo del Convento di San Marco in Florence, continuing to inspire awe and reverence among viewers.
For collectors and experts in art and antiques, the legacy of Fra Angelico offers a window into the soul of the Renaissance, where beauty and spirituality converge. To stay informed about new product sales and auction events related to this pivotal artist, signing up for updates is a prudent step towards enriching one's collection with works that embody the zenith of religious and artistic expression in the Early Renaissance.
![Pieter Angellis](/assets/image/ArtImage_40524/c1053/pieter-van-angellisjpeg__fix_147_180.jpeg)
![Pieter Angellis](/assets/image/ArtImage_40524/7047b/pieter-van-angellisjpeg__fix_86_98.jpeg)
Pieter Angellis, also known as Pieter van Angellis, Peter van Angellis or Peter Angelles, was a French-born painter. He worked in Flanders, Germany, Italy, England, and France and is known for his landscapes and genre paintings of urban life. Angelles was a member of the Guild of St. Luke in Antwerp and Düsseldorf.
![Pietro Annigoni](/assets/image/ArtImage_8897/43a86/stata-61-1-petro-annigoni-fotoportret-hudoznika-1966png__fix_147_180.jpeg)
![Pietro Annigoni](/assets/image/ArtImage_8897/4d0f2/stata-61-1-petro-annigoni-fotoportret-hudoznika-1966png__fix_86_98.jpeg)
![Giovanni Andrea Ansaldo](/assets/image/ArtImage_33301/48257/vilansaldogiovanni-andreajpg__fix_147_180.jpeg)
![Giovanni Andrea Ansaldo](/assets/image/ArtImage_33301/1ba05/vilansaldogiovanni-andreajpg__fix_86_98.jpeg)
Giovanni Andrea Ansaldo was an Italian painter active mainly in Genoa. He trained under Orazio Cambiasi and possibly collaborated with Bernardo Strozzi. Ansaldo's works are typical of the Genoese eclecticism of the early 17th century, influenced by Flemish artists. Ansaldo was responsible for the fresco decoration of the cupola of the Basilica della Santissima Annunziata del Vastato of Genova. His Annunciation fresco is considered the first true Baroque painting in the city.
![Pietro Aquila](/assets/image/ArtImage_45131/fce0b/vilaquila-pietrojpg__fix_147_180.jpeg)
![Pietro Aquila](/assets/image/ArtImage_45131/c388a/vilaquila-pietrojpg__fix_86_98.jpeg)
Pietro Aquila was an Italian painter and printmaker of the Baroque period. He was born in Palermo. He mentored his nephew, the printmaker Francesco Faraone Aquila. He trained at the school of Palermo painter and engraver Pietro del Po and worked, like a teacher, first at home, in Palermo, then in Naples and Rome, where he pursued the ecclesiastical career. For his paintings that he left in Palermo in the church of the Pietà (Parabola del Figlio Prodigo, Abraham and Melchizede) and in the cloister of S. Maria delle Vergini (S. Benedetto), as well as some frescoes in the Chapel of the Rosary in S. Cita, he gained the status of "respectable painter", loyal to the Raphaelesque tradition. But Aquila established himself first and foremost as a copper engraver, dedicating himself to the distribution and popularization of many of the most remarkable paintings with the help of which the sacred and profane buildings of Rome were adorned at that time. He made engravings after the works of different artists that were dear to him including: Raphael before any other, and then Annibale Carracci, Pietro da Cortona, Giovanni Lanfranco, Lazzaro Baldi, Ciro Ferri, Morandi, Franceschini, and finally Carlo Maratta, who was bound to him by a close friendship.
![Francesco Faraone Aquila](/assets/image/ArtImage_41863/1932a/francesco-faraone-aquilajpeg__fix_147_180.jpeg)
![Francesco Faraone Aquila](/assets/image/ArtImage_41863/97a9e/francesco-faraone-aquilajpeg__fix_86_98.jpeg)
Francesco Faraone Aquila was an Italian engraver. In 1690 he moved to Rome where his brother Pietro had been an engraver for several decades in major workshops in the capital. Pope Clement XI gave him an order which has remained his main work - engraving the bas-reliefs of the Antoninus Pius column and its pedestal. Another important work by Francesco Aquila is the engraving of the frescoes of the dome of the Cathedral of Parma by Correggio and the painting of the Vatican chambers. Following the antique taste established in the 18th century, Aquila engraved various Roman classical works: statues, vases and triumphal arches, thus satisfying the demand of mainly foreign visitors, mainly German and English. His portraits of his contemporaries, both painters and clergymen, also enjoyed great popularity.
![Giacomo Antonio Arland](/assets/image/ArtImage_43474/63b49/giacomo-antonio-arlandjpg__fix_147_180.jpeg)
![Giacomo Antonio Arland](/assets/image/ArtImage_43474/8f18f/giacomo-antonio-arlandjpg__fix_86_98.jpeg)
Giacomo Antonio Arland was an Italian Baroque painter. At the age of 20 he travelled to Paris, where he was patronised by the Duke of Orleans. He became famous as a portrait miniaturist. In 1729 Giacomo Antonio Arland returned to Genoa as a wealthy man.
![Amico Aspertini](/assets/image/ArtImage_43209/41e88/amico-aspertini3jpg__fix_147_180.jpeg)
![Amico Aspertini](/assets/image/ArtImage_43209/55e2f/amico-aspertini3jpg__fix_86_98.jpeg)
Amico Aspertini was an Italian Renaissance painter, draughtsman, and sculptor, considered one of the leading representatives of the Bolognese school of painting.
He was trained in the family workshop and was influenced by the artists of the Ferrara school, Ercole de'Roberti, Lorenzo Costa, and Francesco Francia. He worked as a painter and sculptor, and was also an excellent draughtsman, as evidenced by his many surviving drawings and sketches. Contemporaries marveled at his complex and impulsive character and noted that he worked with both hands simultaneously.
Aspertini painted splendid portraits as well as numerous frescoes and altarpiece paintings in chapels and churches in Italy. Many of his works are eccentric and eclectic, even whimsically fantastical, his complex style anticipating Mannerism.
![Gioacchino Assereto](/assets/image/ArtImage_33309/60df9/vilassereto-gioacchinojpg__fix_147_180.jpeg)
![Gioacchino Assereto](/assets/image/ArtImage_33309/fc6da/vilassereto-gioacchinojpg__fix_86_98.jpeg)
Gioacchino Assereto was a prominent Italian Baroque painter, celebrated for his dramatic and emotionally charged works that often depicted religious and historical subjects. Born in Genoa in 1600, Assereto's early career was marked by his apprenticeship with Luciano Borzone and Giovanni Andrea Ansaldo, which laid the foundation for his development as an artist. His paintings are known for their vibrant light effects and dynamic compositions, a style significantly influenced by Caravaggio during Assereto's brief visit to Rome in 1639. This influence is evident in his masterful use of chiaroscuro and sfumato techniques, which added depth and realism to his works.
Assereto's oeuvre includes powerful pieces like "The Lamentation," notable for its intense shadows and dramatic portrayal of Christ's body, and "The Torture of Prometheus," a work that showcases his later years' shift towards more emotional and theatrical compositions. His "Death of Cato" and "Ecce Homo" further illustrate this evolution, moving from refined styles to bold, expressive techniques that emphasize violent emotions through the dramatic effects of light.
Throughout his career, Assereto's works were highly regarded, with contemporary Genoese biographer Raffaele Soprani praising him as incomparable. His paintings can be found in significant collections, including the Musei di Strada Nuova in Genoa, the Cummer Museum of Art and Gardens, and the National Gallery in London. Assereto's legacy extends beyond his lifetime, with his son Giuseppe Assereto and others producing many copies of his work, ensuring the endurance of his artistic influence.
For art collectors and experts, Assereto's work embodies the Baroque spirit with its emotional intensity and technical mastery. His ability to convey deep psychological tension and his innovative use of lighting make his paintings a valuable study in the evolution of Baroque art.
If you're passionate about Baroque painting and interested in staying updated on sales and auction events related to Gioacchino Assereto's works, consider signing up for updates. This subscription will ensure you're informed about new opportunities to acquire pieces by this master of the Baroque period, enriching your collection with the depth and drama of Assereto's art.
![Ugo Attardi](/assets/image/ArtImage_40701/35b47/vilattardi-ugojpg__fix_147_180.jpeg)
![Ugo Attardi](/assets/image/ArtImage_40701/ef2f9/vilattardi-ugojpg__fix_86_98.jpeg)
Ugo Attardi was an Italian painter, sculptor and writer. Attardi moved from Genoa to Rome in the early 1950s, where he formed the group Forma 1 together with other artists. His sculpture of Ulysses is now permanently installed in Battery Park in New York
![Matteo Baccelli](/assets/image/ArtImage_40755/80538/matteo-baccellijpg__fix_147_180.jpeg)
![Matteo Baccelli](/assets/image/ArtImage_40755/b0374/matteo-baccellijpg__fix_86_98.jpeg)
Matteo Baccelli was an Italian painter born in Lucca, Italy. He was a pupil of Pompeo Batoni and studied at the Accademia di Belle Arti di Firenze. He specialized in portrait painting and was a well-known artist in his time, receiving many commissions from members of the aristocracy and the church.
Baccelli's portraits are characterized by their realism and attention to detail, as well as their sensitive and subtle use of color. He was particularly skilled at capturing the character and personality of his subjects, and his paintings often convey a sense of psychological depth and complexity.
Baccelli's works can be found in various museums and private collections around the world, including the Uffizi Gallery in Florence, the Pinacoteca di Brera in Milan, and the Metropolitan Museum of Art in New York. He is considered an important figure in the history of Italian painting and a representative of the neoclassical style that dominated European art in the late 18th and early 19th centuries.
![Karl Daniel Friedrich Bach](/assets/image/ArtImage_600/d97c0/bahjpg__fix_147_180.jpeg)
![Karl Daniel Friedrich Bach](/assets/image/ArtImage_600/85ac6/bahjpg__fix_86_98.jpeg)
Carl Daniel David Friedrich Bach was a German artist of the late eighteenth and early nineteenth centuries, the Baroque period. He is known as a painter, graphic artist and printmaker.
Bach worked in the historical genre, was a portraitist, animalist, created canvases on allegorical subjects in the spirit of his era. In his works he combined elements of baroque and classicism. The artist often worked in the etching needle technique.
![Giuseppe Badaracco](/assets/image/ArtImage_33418/8ca33/vilbadaracco-giuseppejpg__fix_147_180.jpeg)
![Giuseppe Badaracco](/assets/image/ArtImage_33418/cbdfd/vilbadaracco-giuseppejpg__fix_86_98.jpeg)
Giuseppe Badaracco also called “Il Sordo” (the Deaf), was an Italian painter of the Baroque period, active mainly in Genoa, in Liguria and in the island of Corsica. He worked for some years in Florence, where he copied many of the works of Andrea del Sarto. Returning to Genoa, he painted mainly for private customers. He worked also in Corsica (at that time part of the Republic of Genoa), where he painted locally influential paintings for some churches around Bastia.
![Antonio Balestra](/assets/image/ArtImage_8931/1ab52/antoniobalestraself-portraitjpg__fix_147_180.jpeg)
![Antonio Balestra](/assets/image/ArtImage_8931/5b135/antoniobalestraself-portraitjpg__fix_86_98.jpeg)
Antonio Balestra, an Italian painter, is celebrated for his contributions to the Baroque art movement. Initially training in his hometown, Balestra's artistic journey took him to Venice and Rome, where he honed his skills and absorbed diverse artistic influences. By 1694, his talents were recognized with a prestigious award from the Accademia di San Luca in Rome, underscoring his growing reputation.
Antonio Balestra's works, characterized by their adherence to classical artistic standards, are found in various Italian cities, including Venice, Bologna, and Verona. He was known for his religious paintings, such as "The Miracle of Saint Nicholas" and "The Annunciation," as well as his contributions to church decorations and altarpieces.
Despite his traditional approach, Antonio Balestra's legacy is cemented in the art world, with works displayed in notable museums and his influence extending to pupils and subsequent generations of artists. His devotion to the established norms of academic painting reflected a broader dialogue within the art community about innovation versus tradition during his time.
For art collectors and enthusiasts, Antonio Balestra's works offer a glimpse into the Baroque era's rich artistic heritage, showcasing a blend of devout religiosity and meticulous craftsmanship. To stay informed about Antonio Balestra's art and related auction events, consider subscribing to updates, ensuring you remain connected to the enduring appeal of his artistic legacy.
![Giacomo Balla](/assets/image/ArtImage_8932/45a87/stata-21-1-dzakomo-balla-kartina-avtoportret-1902jpg__fix_147_180.jpeg)
![Giacomo Balla](/assets/image/ArtImage_8932/c1575/stata-21-1-dzakomo-balla-kartina-avtoportret-1902jpg__fix_86_98.jpeg)
Giacomo Balla was a great painter of the 20th century, representative of the first wave of Italian futurism, one of the most influential masters of the last century.
Giacomo Balla's work is an attempt to convey dynamics, to capture the very essence of movement. His paintings are lyrical, full of light and rhythm.
![Angelo Barabino](/assets/image/ArtImage_39939/97972/angelo-barabino-1jpeg__fix_147_180.jpeg)
![Angelo Barabino](/assets/image/ArtImage_39939/df1d0/angelo-barabino-1jpeg__fix_86_98.jpeg)
Angelo Barabino was an Italian painter, divisionist-symbolist, exponent of the social current, friend and pupil of Giuseppe Pellizza da Volpedo.
In Barabino's work we encounter realistic and symbolic instances applied to not infrequently social-oriented themes, always supported by a technical quality that was reworked on Pellizza with wholly original results.
![Simone Barabino](/assets/image/ArtImage_33314/4c578/vilbarabino-simonejpg__fix_147_180.jpeg)
![Simone Barabino](/assets/image/ArtImage_33314/8bda0/vilbarabino-simonejpg__fix_86_98.jpeg)
Simone Barabino was an Italian painter of the late-Mannerist style. Born in Val de Polcevera, near Genoa, he was mainly active in his native city, where he trained with Bernardo Castello. Notable works include San Diego restoring sight to blind child for the Nunziata del Guastato in Genoa and Dead Christ with the Virgin and Saints Michael and Andrew for the church of San Girolamo at Milan.
![Jean Barbault](/assets/image/ArtImage_38708/024ff/jean-barbaultjpg__fix_147_180.jpeg)
![Jean Barbault](/assets/image/ArtImage_38708/40353/jean-barbaultjpg__fix_86_98.jpeg)
Jean Barbault was a French painter, etcher and printmaker, who worked in Rome for most of his life. He is noted for paintings of local people, wearing traditional costumes or Oriental costumes and for his work documenting iconic Roman monuments and antiquities which were published in two volumes.
![Giovanni Francesco Barbieri](/assets/image/ArtImage_37548/97e6e/dzovanni-francesko-barberijpg__fix_147_180.jpeg)
![Giovanni Francesco Barbieri](/assets/image/ArtImage_37548/9af30/dzovanni-francesko-barberijpg__fix_86_98.jpeg)
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
![Donato di Niccolò di Betto Bardi](/assets/image/ArtImage_38791/39595/vil-donato-di-niccolo-di-betto-bardi-vilwikijpeg__fix_147_180.jpeg)
![Donato di Niccolò di Betto Bardi](/assets/image/ArtImage_38791/43958/vil-donato-di-niccolo-di-betto-bardi-vilwikijpeg__fix_86_98.jpeg)
Donato di Niccolò di Betto Bardi, better known as Donatello, sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's David was the first freestanding nude male sculpture since antiquity.
He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.
![Federico Barocci](/assets/image/ArtImage_1213/2eacc/baroccijpg__fix_147_180.jpeg)
![Federico Barocci](/assets/image/ArtImage_1213/65eb7/baroccijpg__fix_86_98.jpeg)
Federico Barocci, an Italian Renaissance painter and printmaker, was celebrated for his vibrant use of color and dynamic compositions. Born around 1533 in Urbino, Italy, a hub of Renaissance culture, Barocci's early life was steeped in the rich artistic heritage of the time. His training included an apprenticeship with his father, a sculptor, and later with notable artists such as Battista Franco Veneziano and Taddeo Zuccari.
Federico Barocci's work, known for its emotional intensity and use of light, positioned him as a critical link between the Mannerist style of the 16th century and the emerging Baroque period. His paintings often depicted religious scenes, imbued with a warmth and spirituality that resonated with viewers. His unique approach to color and composition had a significant influence on later artists, including the Baroque masters Peter Paul Rubens and Gian Lorenzo Bernini.
Despite suffering from chronic illness, possibly due to poisoning, Federico Barocci's output remained prolific and influential. His works can be found in several prestigious galleries, including the Uffizi in Florence, where his "Madonna del Popolo" and "Martyrdom of Saint Vitale" are displayed. These pieces, along with others like "The Deposition" in the Cathedral of Perugia and "Noli me Tangere" in Munich, showcase his mastery in portraying human emotion and divine radiance.
Collectors and experts in art and antiques will appreciate the depth and innovation of Federico Barocci's work. His legacy as a master colorist and draughtsman is undeniable, making his pieces a valuable addition to any collection.
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![Fra Bartolomeo](/assets/image/ArtImage_26112/34e69/vil-baccio-della-portajpg__fix_147_180.jpeg)
![Fra Bartolomeo](/assets/image/ArtImage_26112/8c826/vil-baccio-della-portajpg__fix_86_98.jpeg)
Fra Bartolomeo was an Italian painter, a notable figure of the High Renaissance. Known for his religious artworks, Fra Bartolommeo's style was deeply influenced by his spiritual journey and association with the Dominican Order.
After receiving his early artistic training from Cosimo Rosselli, Bartolommeo's style initially exhibited influences from artists like Piero di Cosimo, Domenico Ghirlandaio, and Filippino Lippi. However, his encounter with Savonarola, a Dominican friar and reformer, in the late 1490s led to a significant spiritual transformation. This encounter influenced him to enter the Dominican monastery at San Domenico in Prato as a novice in 1500, and he temporarily renounced painting. It wasn't until 1504, when he resumed painting as the head of the monastery workshop, that his style saw a significant transformation.
In his works, Fra Bartolomeo beautifully integrated the styles of Leonardo da Vinci and Raphael, especially in his altarpieces, which are imbued with a sense of pietism reminiscent of Fra Angelico. His work is notable for the skilled massing of light and shade, richness in coloring, and delicate handling of drapery. The introduction and use of the lay-figure with joints in his compositions were innovations he is credited with. His masterpiece, St. Mark Evangelist, and the undraped figure of Saint Sebastian, are particularly noted for their expressive power.
Some of his notable works include "Vision of St. Bernard" (1507), "The Holy Family with John the Baptist," and "Virgin and Child with Saints." His art can be found in prestigious galleries, including the Pinacoteca Vaticana, Palazzo Pitti in Florence, and the National Gallery in London.
For art collectors and enthusiasts, Fra Bartolomeo's works represent a blend of spiritual depth and artistic innovation during the pinnacle of the Renaissance period. His legacy in religious art continues to inspire and captivate audiences worldwide.
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![Mirko Basaldella](/assets/image/ArtImage_22158/7b7a3/vilbasaldello-mirkojpg__fix_147_180.jpeg)
![Mirko Basaldella](/assets/image/ArtImage_22158/ab548/vilbasaldello-mirkojpg__fix_86_98.jpeg)
Mirko Basaldella is an Italian and American sculptor and artist.
Born into a creative family, he displayed his talent from a young age and participated in the Italian Biennale. In 1957 Basaldella moved to Cambridge, Massachusetts, and was elected a Fellow of the American Academy of Arts and Sciences in 1962.
![Afro Basaldella](/assets/image/ArtImage_46121/bdc90/afro-basaldellajpg__fix_147_180.jpeg)
![Afro Basaldella](/assets/image/ArtImage_46121/2032e/afro-basaldellajpg__fix_86_98.jpeg)
Afro Basaldella was an Italian abstractionist painter, a representative of lyrical abstraction, better known as Afro.
Afro's father and uncle were decorators, his two older brothers became sculptors, and to avoid confusion with surnames, the artist began signing his works with his first name only. Bazaldella trained in Florence, Venice and Rome. Shortly after graduation, his first monographic exhibition was held in Milan.
From 1935, Afro exhibited regularly at the Quadrennale in Rome and the Biennale in Venice. He made frescoes, notably for the Udine Opera House, and mosaics, and tried his hand at painting in a variety of directions. In 1941 he became a lecturer in mosaic painting at the Venice Academy of Fine Arts, and in 1950 he caused a sensation in the United States, and by the mid-1950s Afro's art was world famous.
Afro interpreted the Italian tradition in a modern abstract form that resulted from his painterly studies of color harmony.
![Jacopo Bassano](/assets/image/ArtImage_40442/73dec/jacopo-bassanojpg__fix_147_180.jpeg)
![Jacopo Bassano](/assets/image/ArtImage_40442/57eb8/jacopo-bassanojpg__fix_86_98.jpeg)
Jacopo Bassano or Jacopo da Ponte was an Italian painter of the Venetian school. He painted biblical scenes and portraits in the late Renaissance and Mannerist style, with a slight touch of Baroque. Bassano was quite realistic in his depictions of everyday objects, animals, homes and landscapes.
![Franco Batacchi](/assets/image/ArtImage_42745/a9219/franco-batacchi2jpg__fix_147_180.jpeg)
![Franco Batacchi](/assets/image/ArtImage_42745/d159b/franco-batacchi2jpg__fix_86_98.jpeg)
Franco Batacchi was an Italian painter and sculptor.
Franco Batacchi presented himself as a Renaissance artist, curious about modern experiments, including materials such as ink and gold leaf on paper made by himself. From paper he could move with equal talent to sculptures in steel, other metals and glass.
![Pompeo Girolamo Batoni](/assets/image/ArtImage_8949/f91f7/807px-pompeo-batoni-painting-self-portraitjpg__fix_147_180.jpeg)
![Pompeo Girolamo Batoni](/assets/image/ArtImage_8949/ddb19/807px-pompeo-batoni-painting-self-portraitjpg__fix_86_98.jpeg)
Pompeo Girolamo Battoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.