allégorie
Boris Grigoriev (Russian: Бори́с Дми́триевич Григо́рьев), a Russian artist born in 1886, gained fame for his multifaceted talents as a painter, graphic artist, and writer. His works are celebrated for capturing the essence of rural Russian life and the country's Bohemian artistic circles, including figures like Anna Akhmatova and Velimir Khlebnikov. His series "Russia" (Raseya), created between 1916 and 1918, is particularly noted for its poignant depiction of Russian peasants, earning praise for revealing the true spirit of pre-revolutionary Russia. Grigoriev's international journey took him across Europe and the Americas, where he continued to paint, influenced by the likes of Paul Cézanne. Despite his global travels, Grigoriev's heart remained tied to his Russian roots, which is evident in his works housed in prominent collections such as the Tretyakov Gallery and The Russian Museum.
Grigoriev's life was marked by significant relationships and experiences that influenced his art. His early connection with prominent collector Alexander Korovin and studies at the Académie de la Grande Chaumière in Paris played a crucial role in his development. His art, characterized by expressive portraits and landscapes, spans a wide range of subjects, from notable contemporaries like Sergei Rachmaninoff and Maxim Gorky to the vibrant life and people of Russia. His series "Faces of Russia" and the poignant "Village" from the Raseya series highlight his unique ability to blend personal reflection with social commentary.
Collectors and experts in art and antiques appreciate Grigoriev's work for its depth, diversity, and the way it reflects the turbulent times he lived through. His legacy is a bridge between the Russian tradition and modernist influences, making his works highly sought after in the art world. For those interested in exploring Grigoriev's art further, his paintings are accessible in several museums and galleries worldwide, offering a glimpse into the artist's rich inner world and his perspectives on Russia and beyond.
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Bernhard Keil was a Danish Baroque painter.
He is considered a pupil of Rembrandt. Keil is known for his lively genre paintings depicting children, he also painted portraits and allegorical paintings.
Reginald John (Rex) Whistler was a British artist, who painted murals and society portraits, and designed theatrical costumes. He was killed in action in Normandy in World War II. Whistler was the brother of poet and artist Laurence Whistler.
Pieter Bruegel (also Brueghel or Breughel) the Elder (Dutch: Pieter Bruegel de Oude) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings.
Philips Galle was a Dutch publisher, best known for publishing old master prints, which he also produced as designer and engraver. He is especially known for his reproductive engravings of paintings.
As a resident of Antwerp, Galle witnessed numerous events of the Eighty Years War, notably the siege and looting of the town in 1576 by the Spaniards, called "The Spanish Fury". This rather personal book, which was translated in several languages soon after its first publication, shows Galle as a peace-loving person who intended to stay far away from the political and military turmoil of his era.
Antoine-François Callet was a French painter of portraits and allegorical works, who acted as official portraitist to Louis XVI.
Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.
Vladimir Grigorievich Veisberg (Russian: Владимир Григорьевич Вейсберг) was a mid-twentieth-century Soviet artist of Jewish origin. He is known as a painter, teacher, and art theorist, considered a representative of "unofficial art".
Vladimir Veisberg began his career in the 1940s and quickly developed a unique style, creating still lifes and psychological portraits. In the 1960s he moved on to working with plaster geometric figures, creating a variety of compositions. Later he painted portraits, combining the model's vision with subjective experience. He also developed a deep interest in philosophy, literature, art and music, which influenced his own theory of painting, known as "white on white" and "invisible painting".
![DORAT, Jean (1508-1588). Novem Cantica de Pace ad Carolum Nonum Galliae Regem…Neuf Cantiques ou sonetz de la Paix, à Charles Neufiesme Roy de France… Paris : [Jean Charron] pour l’auteur, 1570.](/assets/image/picture_1321015/73294/2d2ad6139223a9b7fba5f3d2b4dc27b91616454000jpg__fix_374_244.jpeg)
![DORAT, Jean (1508-1588). Novem Cantica de Pace ad Carolum Nonum Galliae Regem…Neuf Cantiques ou sonetz de la Paix, à Charles Neufiesme Roy de France… Paris : [Jean Charron] pour l’auteur, 1570.](https://veryimportantlot.com/assets/image/picture_1321015/73294/2d2ad6139223a9b7fba5f3d2b4dc27b91616454000jpg__fix_374_244.jpeg)
Edgar Carl Alfons Ende was a German surrealist painter, father of children's author Michael Ende and member of the Munich Secession.
Edgar Ende's work belongs to the tradition of fantasy and visionary art, and is considered one of the most important contributions of twentieth-century German painting to this style.
By the end of 1936 his paintings were considered 'degenerate art', and his work and exhibitions were banned by the Nazi regime. After the end of the war, Edgar Ende was one of the co-founders of the professional association of Munich artists, and for the first time participated in the Venice Biennale.
Since 1963 he has been an honorary member of the Academy of Fine Arts in Munich.
Nikolai Ivanovich Andronov (Russian: Николай Иванович Андронов) was a Soviet artist of the second half of the twentieth century. He is known as a painter, muralist and teacher, considered one of the founders of the "severe style" in the art of the USSR.
Nikolai Andronov actively worked to liberalize the Soviet art scene. At the beginning of his career, he created thematic paintings, later focusing on landscapes. The artist was also involved in the decoration of buildings, including the clubhouse of the Soviet Embassy in the United States, the Paveletsky Railway Station and subway stations in Moscow. From 1992, he taught at the Surikov Moscow Art Institute and headed the composition department.
Dmitry Grigoryevich Levitzky (Russian: Дмитрий Григорьевич Левицкий) was an acclaimed Ukrainian-Russian portrait painter and academician born in May 1735, renowned for his exceptional contributions to the art of the 18th century. Originating from a family deeply rooted in the Ukrainian noble-priestly class, Levitzky's early exposure to art came from his father, Grigory Kirillovich Levitsky, a priest and an enthusiast in painting and engraving. This familial influence laid the foundation for Levitzky's artistic journey, which began in earnest when he assisted the prominent painter Alexey Antropov in Kiev, leading to his eventual move to Saint Petersburg.
Levitzky's rise to fame was marked by his unique ability to capture the essence of his subjects, combining exceptional technique with a fresh approach to portrait painting. His most notable works include portraits of significant figures from the Russian elite, such as Catherine II as the Legislatress in the Temple of the Goddess of Justice and portraits of the Smolny Institute's young ladies. Despite the grandeur and recognition that these works brought him, Levitzky faced financial struggles, spending his final years in poverty, a testament to the often-precarious nature of artistic acclaim.
His legacy, which had waned by the 19th century, was revitalized in the 20th century by art historian Alexander Benois, who positioned Levitzky among the pantheon of European Enlightenment artists. Levitzky's work is celebrated for its technical mastery and unique contribution to Russian and European portraiture, leaving an indelible mark on the artistic landscape of his time.
For collectors and experts in art and antiques, Levitzky's paintings are not just artistic achievements but also historical narratives captured in oil, reflecting the complex socio-cultural dynamics of 18th-century Russia. His portraits, housed in prestigious museums and galleries worldwide, continue to be studied and admired for their elegance, detail, and historical significance.
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