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Roger de la Fresnaye was a French painter, a representative of Cubism in painting.
He studied at the Académie Julian in Paris and was fascinated by the art of Paul Cézanne. In his works Fresnaye synthesized lyrical color with geometric simplifications of Cubism.
Frank William Brangwyn was a Welsh artist, painter, watercolourist, printmaker, illustrator, and designer.
As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, glass tableware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft of canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood-engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows.
Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
Her breakthrough work is often considered to be the collected Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies). In the 1980s, she used color film and large prints, and focused more on costume, lighting and facial expression.
Félix Vallotton, a Swiss-born French graphic artist and painter, is recognized for his distinctive woodcuts and paintings of nudes and interiors. Vallotton's journey into art began in Paris, where he attended the Académie Julian, fostering a unique style that broke from traditional norms. His early works, characterized by extreme realism, were showcased at the Salon des Artistes Français and the Paris Universal Exposition of 1889. This period also marked Vallotton's encounter with Japanese prints, notably those by Hokusai, profoundly influencing his artistic direction.
In 1892, Vallotton joined Les Nabis, a group of avant-garde artists including Pierre Bonnard, Maurice Denis, and Édouard Vuillard, which led to a significant evolution in his style. His paintings from this era, such as "Bathers on a Summer Evening" and "Moonlight," exhibited at the Kunsthaus Zürich and the Musée d'Orsay respectively, reveal a departure from realism towards a more symbolic and abstract representation. The works from this period are characterized by flat areas of color, hard edges, and simplified details, mirroring the style he developed in his woodcuts.
Vallotton's woodcuts, like "Intimités" (Intimacies), a series published in 1898, showcased his mastery in capturing the nuances of human relationships, particularly the tensions between men and women. His graphic art, which included depictions of domestic scenes, bathing women, and street crowds, was not just celebrated in Europe but also influenced artists like Edvard Munch, Aubrey Beardsley, and Ernst Ludwig Kirchner.
Towards the end of his career, Vallotton continued to innovate, combining elements of realism and abstraction, evident in paintings like "La Malade" (The Sick Girl) and "Clair de lune" (Moonlight). His works remain a testament to his ability to merge technical precision with a poignant exploration of human emotions and societal themes.
For art collectors and experts, Vallotton's body of work offers a rich and diverse exploration of early 20th-century art movements, especially his role in the development of modern woodcut techniques and his contribution to the Nabis movement. His works are a study in the fusion of realism and symbolism, marked by a distinctive style that makes his art enduringly relevant and compelling.
For those interested in discovering more about Félix Vallotton and staying updated on related product sales and auction events, signing up for updates is a great opportunity. This subscription will exclusively alert you to new sales and events pertaining to Vallotton's works, ensuring you remain informed in the dynamic world of art and antiques.
Jean-Jacques Sempé was a French cartoonist. He is known for the series of children's books he created with René Goscinny, Le Petit Nicolas, and also for his poster-like illustrations, usually drawn from a distant or high viewpoint depicting detailed countrysides or cities. For decades, he created covers for The New Yorker.
Felix Mendelssohn (full name Jakob Ludwig Felix Mendelssohn Bartholdy) was a German composer, pianist, conductor, teacher, and one of the greatest representatives of Romanticism in music.
Felix was born into a Jewish musical family that later converted to Christianity. He received a versatile education and already as a child wrote many musical compositions, including 5 operas, 11 symphonies for string orchestra, concertos, sonatas and fugues. Mendelssohn's first public performance took place in Berlin in 1818, when he was nine years old. In 1821 Mendelssohn was introduced to J.W. von Goethe, for whom he performed works by J.S. Bach and Mozart and to whom he dedicated his Piano Quartet No. 3 in B minor. A friendship developed between the famous wise poet and the 12-year-old musician.
A few years later, the talented musician began conducting in various orchestras in Europe, and became acquainted with Carl Weber. In England, where Mendelssohn visited very often, by the middle of the 19th century his music had become very popular, even with Queen Victoria he was the most favorite composer. He dedicated his Symphony No. 3 in A minor major (Scottish Symphony) to the Queen.
Among Mendelssohn's most famous works are A Midsummer Night's Dream (1826), the Italian Symphony (1833), a violin concerto (1844), two piano concertos (1831, 1837), the oratorio Elijah (1846) and several chamber pieces. The tradition of playing the "Wedding March" from A Midsummer Night's Dream in wedding processions dates back to its performance at the wedding of a royal princess in 1858, already after Mendelssohn's death.
In 1843, Mendelssohn founded a conservatory in Leipzig, where he taught composition with Schumann. Mendelssohn was one of the first great Romantic composers of the nineteenth century.
François-Xavier Lalanne was a French painter and sculptor. He studied sculpture, drawing and painting at the Académie Julian. Since the 1960s he has worked as a couple with his wife Claude Lalanne.
Wilhelm Heinrich Otto Dix was a German artist whose work stands as a stark, unyielding reflection of the societal tumult and trauma of the early 20th century. Born in 1891 in Untermhaus, Germany, Dix's early life was steeped in the arts, his ambition to become an artist nurtured by both familial influence and formal education in Dresden. His experiences as a soldier in World War I deeply influenced his artistic direction, leading him to vividly depict the horrors of war and the decay of the Weimar Republic with a brutal realism that became his signature style.
Dix's association with the Dada movement and the New Objectivity (Neue Sachlichkeit) further honed his critical, often cynical portrayal of post-war society. His works, such as "The Trench" and "War Cripples," expose the visceral aftermath of conflict, while his engagement with the Dadaists imbued his art with a disruptive, confrontational energy against societal norms and the art establishment.
Perhaps most notable is Dix's ability to capture the psychological depth and societal critiques through his portraits and landscapes, which ranged from the grotesque to the surreal. Paintings like "Portrait of the Journalist Sylvia von Harden" and the triptychs "Metropolis" and "War" are emblematic of his keen observation and stark depiction of the era's social and political unrest.
Despite facing significant adversity, including being labeled a degenerate artist by the Nazi regime and facing professional and personal setbacks, Dix's legacy as a painter and printmaker endures. His works are not only historical documents but also profound reflections on humanity, war, and society, resonating with collectors and art experts alike.
For enthusiasts of culture, art, and history, Dix's oeuvre offers an unflinching look into the human condition under the strain of societal and political upheaval. His contributions to painting and printmaking continue to be celebrated in museums and galleries worldwide, underscoring the enduring relevance of his work.
For those interested in exploring the profound depth and historical significance of Otto Dix's work, signing up for updates on new product sales and auction events related to his art can provide invaluable insights. This subscription is a gateway to staying informed about opportunities to engage with the tangible pieces of Dix's enduring legacy.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Wilhelm Heinrich Otto Dix was a German artist whose work stands as a stark, unyielding reflection of the societal tumult and trauma of the early 20th century. Born in 1891 in Untermhaus, Germany, Dix's early life was steeped in the arts, his ambition to become an artist nurtured by both familial influence and formal education in Dresden. His experiences as a soldier in World War I deeply influenced his artistic direction, leading him to vividly depict the horrors of war and the decay of the Weimar Republic with a brutal realism that became his signature style.
Dix's association with the Dada movement and the New Objectivity (Neue Sachlichkeit) further honed his critical, often cynical portrayal of post-war society. His works, such as "The Trench" and "War Cripples," expose the visceral aftermath of conflict, while his engagement with the Dadaists imbued his art with a disruptive, confrontational energy against societal norms and the art establishment.
Perhaps most notable is Dix's ability to capture the psychological depth and societal critiques through his portraits and landscapes, which ranged from the grotesque to the surreal. Paintings like "Portrait of the Journalist Sylvia von Harden" and the triptychs "Metropolis" and "War" are emblematic of his keen observation and stark depiction of the era's social and political unrest.
Despite facing significant adversity, including being labeled a degenerate artist by the Nazi regime and facing professional and personal setbacks, Dix's legacy as a painter and printmaker endures. His works are not only historical documents but also profound reflections on humanity, war, and society, resonating with collectors and art experts alike.
For enthusiasts of culture, art, and history, Dix's oeuvre offers an unflinching look into the human condition under the strain of societal and political upheaval. His contributions to painting and printmaking continue to be celebrated in museums and galleries worldwide, underscoring the enduring relevance of his work.
For those interested in exploring the profound depth and historical significance of Otto Dix's work, signing up for updates on new product sales and auction events related to his art can provide invaluable insights. This subscription is a gateway to staying informed about opportunities to engage with the tangible pieces of Dix's enduring legacy.
