neo-impressionism
Paul Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
David Davidovich Burliuk (Russian: Давид Давидович Бурлюк) was an avant-garde artist of the 20th century, who is considered one of the founders of futurism. The paintings of David Burliuk are bright and shocking works that reflect the inner world of the author, whom contemporaries remembered as a very non-trivial figure. The artist's work is constant experimentation and the search for something new.
Maurice Denis — a French painter, decorative artist, and writer. An important figure in the transitional period between impressionism and modern art. Maurice Denis is associated with Les Nabis, symbolism and later neo-classicism. His theories contributed to the foundations of cubism, fauvism, and abstract art. Following the First World War, he founded the Ateliers d'Art Sacré (Workshops of Sacred Art), decorated the interiors of churches, and worked for a revival of religious art.
Lucien Pissarro was a French painter, graphic artist and woodcutter, representative of Pointillism. Son of Camille Pissarro. Since 1890, he lived and worked in England.
Lucien Pissarro initially studied painting under his father. He later developed his own artistic style influenced by the neo-impressionist techniques of Georges Seurat and Paul Signac. Like other Neo-Impressionist painters, Pissarro used broken strokes and divisionism techniques to create light and vivid effects.
The subjects of Pissarro's paintings often included landscapes, rural scenes and coastal vistas, reflecting his love of nature and the countryside. He was particularly fond of capturing the effects of light and atmosphere in his paintings, using a subtle and harmonious colour palette.
Charles Angrand was a French painter and draftsman known for his Pointillist style and depictions of rural life. Born in Normandy, Angrand moved to Paris in his youth to study art. He was initially influenced by the Realist and Impressionist movements, but later developed his own style of Pointillism, which he applied to landscapes, cityscapes, and genre scenes.
Angrand's Pointillist technique involved the use of small, distinct dots of color that, when viewed from a distance, blended together to create the impression of a more vibrant and luminous image. His work often focused on the people and landscapes of rural France, and he was particularly interested in the effects of light and atmosphere on his subjects.
Angrand exhibited his work at many important exhibitions, including the Salon des Indépendants and the Salon d'Automne in Paris. He was also involved in the Neo-Impressionist movement, which sought to explore the scientific principles of color and optics in painting.
Despite his contributions to the development of Pointillism, Angrand's work was largely forgotten after his death, and it was not until the mid-20th century that he began to be rediscovered by art historians and collectors. Today, his paintings are represented in many important collections, including the Musée d'Orsay in Paris and the Art Institute of Chicago.
Hermenegildo Anglada Camarasa was a Spanish painter.
Camarasa studied at the Llotja de Barcelona School of Fine Arts under Modeste Urgel, whose work influenced his first landscapes. He moved to Paris in 1894, studying at the Académie Julian and the Académie Colarossi. His colorful style of painting shows a strong Oriental and Arabic influence, and his decorative style is associated with the work of Gustav Klimt.
In the early 1990s, Camarasa opened a painting school attended by many students, including Marie Blanchard. He was one of the founders of the Autumn Salons of Paris and was associated with the artists of the Vienna Secession. Camarasa's works from these years, depicting nighttime street scenes, Parisian cabarets and music halls, attracted the attention of Pablo Picasso, who had recently arrived in Montmartre; he even painted a profile portrait of Anglade.
In 1901 Camarasa took part in an international exhibition in Dresden, where he was a great success. He subsequently exhibited all over the world and was awarded gold medals in Venice (1907) and Buenos Aires (1910). During the war years 1939-1947 the artist lived in exile in France.
Franz Nölken was a German painter of the early twentieth century. He is known as a painter and a member of the Bridge art group, which became the founder of German Expressionism.
Franz Nölken, mastering a variety of techniques including oil, pastel and watercolor, excelled in portrait painting, as well as creating landscapes and still lifes. His work is characterized by virtuoso drawing and a desire to simplify his pictorial media. Conscripted during World War I, Nölken died in northern France just before the end of the war. He left an important mark on the history of Expressionism.
Christian Rohlfs was a German painter and printmaker, one of the important representatives of German expressionism.
Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism.
Alexander Kanoldt was a German painter of the first half of the twentieth century. He is known as a painter, landscape and portrait painter, a representative of the New Materiality movement.
Alexander Kanoldt was one of the founders of the New Munich Art Association and the Blue Rider group. His style evolved from Neo-Impressionism to magic realism, to depicting plants, objects, landscapes and people in angular forms. During the Nazi regime, he tried to adapt to the styles in demand, but many of his works were confiscated as belonging to "degenerate art."
Kanoldt was a professor at the Berlin Academy of Art and director of the State School of Art in Berlin until his retirement in 1936.
Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism.
Alexander Kanoldt was a German painter of the first half of the twentieth century. He is known as a painter, landscape and portrait painter, a representative of the New Materiality movement.
Alexander Kanoldt was one of the founders of the New Munich Art Association and the Blue Rider group. His style evolved from Neo-Impressionism to magic realism, to depicting plants, objects, landscapes and people in angular forms. During the Nazi regime, he tried to adapt to the styles in demand, but many of his works were confiscated as belonging to "degenerate art."
Kanoldt was a professor at the Berlin Academy of Art and director of the State School of Art in Berlin until his retirement in 1936.
Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism.
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
Carl Ludwig Christoph Douzette, known as Louis Douzette, was a German landscape painter.
