Draftsmen Animalistic
Carl Johann Arnold was a German painter, draftsman, and graphic artist.
He was the son and pupil of the designer and wallpaper maker, landscape and portrait painter, lithographer, and decorator Carl Heinrich Arnold (1793-1874).
He first studied at the Academy in Kassel and then went to Berlin. Carl Johann Arnold painted pictures of animals, canvases on historical events, and numerous portraits. In particular, he created many portraits of the German Emperor Wilhelm II, for which he was apparently appointed royal Prussian court painter. Arnold also produced drawings, etchings, and lithographs that were published in the popular magazines of the time.
Charles Aubry was a French painter, illustrator and caricaturist who worked in Saumur from 1810-1840.
From 1817. Aubry made drawings and illustrations of military costume. He was soon recognized as one of the best lithographers and draughtsmen of military scenes, showing a particular talent for depicting cavalry. Charles Aubry's colored lithographs were published in a publication on the uniforms of the Swiss Royal Guard (Collection des Uniforms de l'Armee Francaise, 1823), as well as caricatures in the Comic Album de Pathologie (1823).
In 1822 Charles Aubry was appointed professor of art at l'Ecole Militaire de Saumur.
Curt Beckmann is a German painter and sculptor.
He studied at the Düsseldorf State Academy of Art, was a member of the Rhine Secession, Das Junge Rheinland, was a member of the Malkasten Association of Artists, the Association of West German Artists and the Association of German Artists.
Beckmann's work is distinguished by the contemplative quality of the female nude bodies. He gradually moved from naturalistic figures to an almost abstract expressionist representation of them.
Anton Burger was a German painter, draftsman and etcher. He was a prolific and versatile painter, producing works in almost every genre. His paintings sold very well and, in the area around Kronberg, it was considered a sign of good taste to have a "Burger" in one's home. In 1861, he and Jakob Fürchtegott Dielmann (an old friend from his days at the Städelschule) founded the Kronberg Artists' Colony, where he remained until his death. He was highly regarded and came to be known as the "King of Kronberg".
Philippe Caffiéri was a French sculptor. The son of Jacques Caffieri, he was received as a maître fondeur-ciseleur, joined his father's workshop and sometimes signed his independent works, especially after the death of his father in 1755, P.CAFFIERI.
Pieter Cornelis de Moor, a Dutch artist, stands out as a versatile and innovative figure in the art world. His education at the Academy of Visual Arts in Rotterdam and the Drawing Academy in Antwerp laid the foundation for a career marked by diversity and creativity. De Moor's achievements, including a silver medal in the Prix de Rome in 1887, underline his early recognition and the promise of his artistic journey.
De Moor's artistry was not confined to a single medium; he was adept in drawing, etching, painting, watercolor, producing lithographs, and working as an illustrator. His artworks, ranging from "Dancing Women" to "Poultry on a Yard" and "An Elegant Lady Feeding Peacocks," showcase his broad thematic interests and technical skills. Notably, his works are held in prestigious collections, including the Rijksmuseum and the Dordrechts Museum.
The artist's life was rich with experiences, having worked across Europe and eventually settling in the United States. His legacy, punctuated by exhibitions in museums such as Museum Boijmans Van Beuningen and the Drents Museum, continues to captivate art enthusiasts and collectors.
For collectors and art experts, delving into the works of Pieter Cornelis de Moor offers a unique glimpse into the evolution of Dutch art. His contributions, particularly in the realm of Symbolism, highlight an era of artistic exploration and innovation.
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Jan Jansz. den Uyl was a painter of the Dutch Golden Age. He very much specialized in the form of still life known as the breakfast piece, or, in the elaborate style of painters like den Uyl, banquet pieces (banketjestukken). He also painted landscapes and animal paintings.
Georg Ehrlich was an Austrian and British sculptor and graphic artist.
At the School of Arts and Crafts in Vienna, Ehrlich mastered etching and lithography, and served in the Austrian army during World War I. He held his first solo exhibition in Munich in 1920 and won a reputation as a painter and printmaker. In 1920 he had his first solo exhibition in Munich and gained a reputation as a graphic artist working in an expressionist manner. Returning to Vienna in 1924, he began to work primarily as a sculptor in the realist style and actively participated in exhibitions.
In 1937 Ehrlich was awarded the Gold Medal at the World Exhibition in Paris, but in the same year he fled to England, and after the war, in 1947 he became a British citizen. Georg Ehrlich worked actively, creating numerous portrait and animalistic sculptures, as well as memorials, participating in numerous exhibitions. In 1963, Ehrlich became a Royal Academician.
Otto Clemens Fikentscher the Elder was a German painter, draughtsman and illustrator of the Düsseldorf School. Although it is unclear whether he is related to the artist Otto Fikentscher, who was married to Jenny Fikentscher, Otto Fikentscher (the Elder) studied at the Düsseldorf Art Academy and specialised in historical painting and the depiction of horses in battle scenes. He was a member of the artists' association Malkasten and served as a war correspondent during conflicts such as the German-Danish War and the Franco-Prussian War. Fikentscher's works were reproduced in popular magazines and showed his lively and dynamic style.
Noel-Dieudonné Finart was a French painter and draftsman.
A painter of battle and war scenes, Finart carefully sketched the ammunition and equipment of foot soldiers and cavalry, depicting the historical events of Napoleon's campaigns in Russia and the Middle East. He also painted landscapes, portraits, and hunting scenes. Finart exhibited his work regularly at the Salon from 1822.
Jakob Fischer-Rhein, a German artist, was a talented draftsman, portrait and landscape painter.
After training as a technical draftsman, he studied at the Düsseldorf Art Academy and continued his studies in Munich. During the First World War he was a prisoner of war in France, where he was able to continue painting.
Fischer-Rhein also established himself in America and created impressive works, particularly of the New York skyline.
He was a member of the SA during the Nazi era and was represented at National Socialist exhibitions. After the war he settled in Miltenberg and painted motifs from various cities. Fischer-Rhein considered himself an academic painter and stayed away from modern trends.
Robert Frankland was a British politician and artist.
He was elected to Parliament in 1815 and succeeded his father as a baronet, taking the name Sir Robert Frankland-Russell, seventh baronet. He was also High Sheriff of Yorkshire. Frankland was fond of painting and drew watercolors with hunting scenes and horses. His sketches of human figures are also interesting.
Alfred Fritzsching is a German artist known as Painter, graphic artist, draftsman, sculptor, commercial, commercial graphic artist. He began his training as a commercial graphic artist at the Blocherer School for Graphic and Advertising in Munich and worked as an advertising specialist. In 1970 Alfred Fritzsching became a member of Munich Artists 'cooperative and participated in exhibitions at the Haus der Kunst in Munich. From 1978, he worked as a freelance painter and also as board member and juror of the Munich Artists' Cooperative.
Jean-Louis André Théodore Géricault was a French painter and lithographer, celebrated for his pivotal role in the Romantic movement. Born in Rouen, France, in 1791, and educated among the elite in Paris, Géricault developed a profound connection with art from a young age, influenced by his training under notable figures like Carle Vernet and Pierre-Narcisse Guérin. This foundation set him on a path that diverged significantly from the classical traditions of his time.
Géricault's artistry is best known for its vibrant energy and emotional intensity, characteristics that marked a departure from the Neoclassical style predominant in the early 19th century. His most famous work, "The Raft of the Medusa" (1818–19), is a monumental canvas that dramatizes the tragic aftermath of the French shipwreck, Méduse, capturing the public and critical imagination for its raw portrayal of human despair and resilience. This painting not only criticized the French government but also showcased Géricault's masterful handling of drama, becoming an iconic symbol of Romanticism.
Throughout his career, Géricault remained deeply engaged with contemporary issues and the human condition, exploring themes of mental illness, social injustice, and the raw power of nature versus human vulnerability. His series of portraits depicting patients with mental illnesses, created towards the end of his life, highlighted his empathy and innovative approach to capturing human emotion and psychological depth.
Géricault's fascination with the dynamic forms and emotional potential of horses also led to some of the most stirring equestrian art of his time, reflecting his personal passion for horseback riding and his exceptional understanding of equine anatomy. This interest is evident in works like "A Horse Frightened by Lightning", showcasing his ability to capture motion and emotion in both human and animal forms.
Despite his premature death at the age of 32, Géricault's legacy endures, with his works residing in prestigious institutions like the Louvre in Paris. His artistic vision and dedication to portraying the realities and turbulences of his era have cemented his status as a pioneer of Romanticism, influencing subsequent generations of artists, including his contemporary and friend, Eugène Delacroix.
For collectors and experts in art and antiques, Géricault's oeuvre offers a profound insight into the Romantic spirit, embodying the tumult, passion, and innovation of an era on the cusp of modernity. His works continue to inspire and captivate audiences, reminding us of the power of art to provoke thought and evoke deep emotional responses.
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David (Dudu) Gerstein is an Israeli painter, sculptor, draftsman and printmaker.
Gerstein received a broad education: he studied at the Bezalel Academy, then at the École des Beaux-Arts in Paris, in New York he continued his studies at the Art Students League, and in 1974 he received a diploma from St. Martin's School of Art in London. He works freely in all media: printmaking, painting, sculpture, drawing, murals and monumental creations.
In the 1970's Gerstein began experimenting with three-dimensional works, leaving cut-out fragments hanging in space. After many innovations, David began creating wall sculptures made with laser cutting and automotive paint. He created his own kind of pop art and gained an international reputation for his signature style with colorful images of numerous cyclists, butterflies, dancers, runners and more. With the advent of computers, he was able to convert his drawings into perfectly formatted patterns that can be faithfully reproduced in a metalworking shop.
And Gerstein's recognizable monumental sculptures can be seen in cities around the world. His street sculpture Momentum is Singapore's tallest public sculpture.
Roger Godchaux was a French sculptor, painter, and draftsman, recognized for his exceptional portrayal of animal figures. Born on December 21, 1878, in Vendôme, France, Godchaux's journey in the arts was marked by innovation and a profound connection to the animal form, particularly felines and elephants. His academic training at the Ecole des Beaux-Arts under the tutelage of Jules Adler and Jean-Léon Gérôme honed his skills, leading him to exhibit annually at the Salon des Artistes Français from 1905.
Godchaux's works are characterized by their dynamic force and volume, a testament to his rigorous observation and detailed drawings. His models, often sourced from zoos, allowed him to capture the dense muscularity of young felines and large animals, creating sculptures that are both lifelike and expressive. His admiration for Antoine-Louis Barye is evident in the vitality and precision of his animal sculptures.
For collectors and connoisseurs of fine animalier sculpture, Roger Godchaux's works remain a pinnacle of the genre. His sculptures, paintings, and designs can be found in galleries and private collections, celebrated for their timeless appeal and artistic excellence. To explore Godchaux's captivating world of animal art, sign up for our updates and discover the depth of his sculptural legacy.
Moritz Heymann was a German painter, graphic artist and art teacher. Heymann initially worked primarily as a graphic artist and exhibited pencil drawings and lithographs. He created portrait and animal studies, especially of horses. Later he mainly showed paintings in exhibitions. From 1914 he often chose circus scenes as a motif for his works. He was a representative of Munich Impressionism.
Wenceslaus Hollar, born on July 13, 1607, in Prague, was a Bohemian artist acclaimed for his etchings and engravings. His journey in art began in Germany, where he studied under the engraver Matthäus Merian. Hollar's career flourished when he moved to England, where he worked for various print sellers and publishers, including the notable John Ogilby and antiquarian Sir William Dugdale.
Hollar is remembered for his intricate and detailed works that include over 2,000 pieces, ranging from classical and historical subjects to portraits, costumes, and topographical scenes. His skill in translating texture into the etched medium was unparalleled, even as he lost most of the sight in one eye. Some of his most significant works include "Views of London," created after the Great Fire of London in 1666, which became valuable historical records of the city.
Tragically, Hollar's life was marked by hardships, including financial struggles and the loss of his young son to the plague. Despite these challenges, his dedication to his craft never waned. He continued to produce high-quality works until his death on March 25, 1677, in extreme poverty. Today, his works are held in high regard and are preserved in prestigious collections such as the British Museum in London and the National Gallery in Prague.
Hollar's legacy is a testament to his exceptional talent and his ability to capture the essence of his subjects with precision and depth. His works continue to be a rich source of historical and artistic knowledge, particularly for collectors, auctioneers, and experts in art and antiques.
For those interested in the remarkable etchings and engravings of Wenceslaus Hollar, staying informed about exhibitions and sales of his work can offer valuable insights into his unique artistic perspective.
Angelo Jank was a German animal painter, illustrator and member of the Munich Secession. He was the son of the German painter Christian Jank and specialized in scenes with horses and riders. For many years, he was also employed as an illustrator for the magazines Jugend and Simplicissimus, And he was also an instructor at the Academy of Fine Arts. In addition to his canvases, he painted murals at the Justizpalast and scenes from history at the Reichstag building in Berlin. His work was also part of the painting event in the art competition at the 1936 Summer Olympics.
Nikolay Nikolaevich Karazin (Russian: Николай Николаевич Каразин) was a Russian military officer, painter, and writer, known for his depictions of wars and exotic places. Born in 1842 in Kharkov (now Ukraine), Karazin came from a family of prominent intellectuals, including his grandfather Vasily Karazin, who founded Kharkiv University.
Karazin's career began in the military, where he participated in campaigns against the January Uprising in Poland and in Central Asia. His firsthand experiences in battles, such as the 1868 Bukhara campaign and the 1873 Khiva campaign, greatly influenced his later work as a painter and writer. After retiring from the military, he focused on creating large canvases depicting military actions in Turkestan, as well as writing numerous adventure and ethnographic stories and novels.
Karazin's works, which include "In the Distant Confines" (1875) and "From Orenburg to Tashkent" (1886), reflect his deep engagement with the landscapes and cultures of Central Asia. His children's book "Cranes Flying South" remains popular for its vivid storytelling and illustrations. Karazin also contributed significantly to the visual arts, participating in early designs for the Moscow Metro and becoming an academician of the Imperial Academy of Arts in 1904.
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August Köllner (German: Augustus Koellner or Köllner), full name Augustus Theorore Frederick Adam Kollner, was a German and American painter and illustrator, engraver, and publisher.
August Köllner studied painting and lithography in Frankfurt, moved from Germany to the United States, and settled in Philadelphia in 1839. He soon took a job with Huddy and Duvall's U.S. Military Journal. In the 1840s he worked on a series of watercolors, fifty-four of which were published in 1848-51 by the Paris firm of Goupil, Vibert & Co. under the title Views of American Cities.
August Köllner worked on book illustrations, designed various merchandise, and worked for other lithographic firms in Philadelphia until he went into business for himself as a printer and lithographer. He exhibited his drawings at the Pennsylvania Academy of the Fine Arts in Philadelphia in 1865 and 1868.
Carl August Liner was a Swiss painter, graphic artist, designer and inventor. He is sometimes referred to as Senior to distinguish him from his son, Carl Walter Liner, who was also a well known painter.
In addition to his paintings, he designed postage stamps and posters and did illustrations. It was this work that provided most of his income. He was also an amateur inventor and holds the patent for an early version of the single-axis mower.
Karl Luckhardt was a painter, draughtsman and etcher. He trained as a lithographer and studied with Emil Gies at the Städel from 1907. After military service and studies in Munich, he settled in Frankfurt as a freelance artist. In the 1920s he became a popular commissioned painter, known for his depictions of rural life. Although Luckhardt fell out of favour after the Second World War, he regained recognition through public commissions and the support of friends. His detailed and sensitive depictions of landscapes, portraits and still lifes were well received by the public. While his work was popular with the public, it was often criticised by art critics for its typecasting. A retrospective in 1985 drew attention to Luckhardt's forgotten early works, including important oil studies, watercolours, drawings and etchings. His preferred subjects included landscapes, country life, animals, portraits and still lifes, with a focus on Frankfurt and its surroundings.
Birgit Megerle is a German artist who lives and works in Berlin.
She was educated at the Hamburg University of Fine Arts and her work includes painting, drawing, collage and performance art.
The motifs in Megerle's work are contemporary, relevant and yet devoid of an obvious time period or identifiable context. The images are subtly voyeuristic.
Isidore Meyers is a Belgian landscape painter and draftsman. Around 1850 he studied at the Academy of Fine Arts in Antwerp with Jacob Jacobs. In Paris, where he studied at the École des Beaux-Arts, between 1855 and 1858 Meyers became acquainted with the French painters of the Barbizon school, which opposed formal academicism in landscape painting. In 1858, after returning to Brussels, he began to study in Campina, from where he graduated in October 1861. The Kalmpthout school was born there. In 1865 he became a professor at the Dendermonde Academy, famous for its harmonies of gray tones.
Adolphe Philippe Millot was a French painter, illustrator, lithographer, and entomologist.
Millot is known for his talented, painstaking and meticulous illustrations of many sections of natural history in the encyclopedia Petit Larus. He was also a senior illustrator for the National Museum of Natural History, a member of the Salon des Artistes de France and the Society of Entomologists of France.
Lei Molin or Leopold Hubertus Molin was a Dutch painter, draftsman, engraver, and sculptor.
He was educated at the School of Applied Arts in Maastricht and at the Académie Julian in Paris. In the early period Molin worked in the style of Impressionism. Later, while living in North Holland, he joined the so-called Amsterdam Limburgers.
Jean-Baptiste Oudry was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. His son, Jacques-Charles Oudry, was also a painter.
Édouard John Ravel, also known as Jean-Édouard Ravel or Edouard Ravel, was a Swiss painter, printmaker, and illustrator. Because of his many talents, he painted genre scenes, portraits, animals, landscapes, historical scenes, and allegories in a variety of techniques.
Edith Rimmington was a famous English surrealist painter, poet and photographer. From the beginning to the end of her career, Rimmington was deeply influenced by Salvador Dali. She had an inquisitive mind and boundless imagination and thus became a highly respected and central member of the British Surrealist group. Rimmington also worked with color photographs of coastal landscapes.
Alfred Ronner was a Belgian painter, graphic artist and illustrator. From 1868 to 1879, he studied at the Académie Royale des Beaux-Arts in Brussels. After graduating, he chose to become a genre and portrait painter, rather than focus on animals and still-lifes like his other family members. Although he participated in numerous salons, he never became as popular or familiar as they did. He took a few students, notably Marcel Jefferys. In 1880, he participated in the Belgian Prix de Rome, but did not advance past the preliminary stages. Eventually, he abandoned painting, because the turpentine fumes irritated his weak lungs, and focused entirely on book illustration. Many of his illustrations were for children's books.
Aart Schouman was a Dutch painter, member of the Guild of St. Luke in Dordrecht and The Hague, and for many years was a leading painter in Zealand and the south of Holland. Most of his work consists of portraits and large paintings on wallpaper, he also did etchings and engravings on glass and copper and stained glass. Schaumann was interested in mythological and biblical themes, and later became famous for his watercolors of city and park landscapes and unique compositions with exotic birds, rare animals and plants.
Karl-Henning Seemann was a German painter and sculptor who lived and worked in Löchgau.
Seemann studied sculpture at the University of Fine and Applied Arts Berlin-Weißensee and the Berlin-Charlottenburg University of Fine Arts. From 1974 to 1999 he served as a professor at the Stuttgart State Academy of Fine Arts and also taught drawing at other institutions.
Seemann is the author of numerous sculptural compositions and fountains in public spaces in German cities. His works attract attention with bright characters of the depicted heroes, created with a share of humor.
Charles Hamilton Smith was a British illustrator, naturalist, writer, and military spy.
In connection with his military service, Smith traveled extensively throughout the United States, Canada, and India. He was also a talented self-taught artist and illustrated historical works on the military uniforms of the British Empire army, medieval life, drew costumes of native and ancient inhabitants of the British Isles, costumes for the theater stage, and sketched various animals. In 1848 Smith published The Natural History of the Human Species.
Jan van Kessel the Elder or Jan van Kessel I was a Flemish painter active in Antwerp in the mid 17th century. A versatile artist he practised in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions, scenes with animals and genre scenes. A scion of the Brueghel family many of his subjects took inspiration of the work of his grandfather Jan Brueghel the Elder as well as from the earlier generation of Flemish painters such as Daniel Seghers, Joris Hoefnagel and Frans Snyders. Van Kessel’s works were highly prized by his contemporaries and were collected by skilled artisans, wealthy merchants, nobles and foreign luminaries throughout Europe.
Maria Margaretha van Os was a 19th-century flower painter from the Northern Netherlands. She was born in The Hague as the daughter of the painters Jan van Os and Susanna de la Croix. She was the younger sister of Pieter Gerardus van Os and became the older sister of Georgius Jacobus Johannes van Os and aunt of Pieter Frederik van Os. Like her brothers, she was a pupil of her parents. She is known for fruit and flower still lifes. From 1826 she was an honorary member of the Koninklijke Academie voor Beeldende Kunsten in Amsterdam.
Carle Vernet, born Antoine Charles Horace Vernet, was a French painter, draughtsman and lithographer.
He was the son of the famous landscape painter Claude Joseph Vernet (1714-1789) and studied painting with his father and then in Italy. Under Napoleon I, Vernet painted battle scenes and later became court painter to Louis XVIII. Vernet successfully depicted hunting and domestic scenes of Parisian life. However, the main focus of his work was horses, races and equestrian battles.
Charles Vernet was the father of the famous battle painter Oras Vernet (1789 - 1863).
Raymond-Émile Waydelich is a French-Alsatian painter, sculptor and action artist. He lives and works in Hindisheim/Alsace.
Waydelich's extensive oeuvre includes paintings, sculptures and sculptures in ceramic or bronze, assemblages, works on paper as well as public art actions and performances. The artistic techniques of his colourful, playful, witty and whimsical graphics range from drawing, watercolour, lithography, etching and monotype to overpaintings of found paper objects.
He is one of France's best-known living artists. His works are in numerous public and private collections worldwide. His watercolour collages have become particularly famous, showing real-life creatures (crocodile, cat, pig) ghostly alienated within landscapes, which the artist painted on antique letters, some of which he acquired on journeys (e.g. to Crete). His style, which often takes up perspectives, motifs and elements of prehistoric cave paintings or Greek mythology, approaches fantastic realism.
Johannes (Jan) Wierix was a Flemish engraver, draughtsman, and publisher. He was a very accomplished engraver who made prints after his own designs as well as designs by local and foreign artists.
Together with other members of the Wierix family of engravers he played an important role in spreading appreciation for Netherlandish art abroad as well as in creating art that supported the Catholic cause in the Southern Netherlands. Johannes Wierix is also known for his miniature pen drawings.
Thomas Williamson was a British artist working in the 19th century.
Captain Williamson was a talented amateur artist who amassed a fine collection of sketches suitable for aquatint. Together with Samuel Howitt (1765-1822) - a sportsman, hunter and also an engraver - they produced an album of Eastern Field Sports, first published in London in 1807. This work gives an insight into the details of hunting wild animals in India. The book is full of information about this picturesque country along with the manners and customs of both local and European inhabitants.
Peter Zaumseil, born in 1955 in Greiz, Germany, is a German artist known for his work with woodcuts, painting, and various printmaking techniques. He has had a significant influence on the contemporary art scene in Germany, producing original artworks and artist books. His work often explores the natural world and landscapes, reflecting his deep connection with the Vogtland region.
Zaumseil's portfolio includes a variety of art forms, from colorful woodcuts to expressive paintings and sculptures. His talent for creating vibrant and detailed woodcuts is demonstrated in his original art book, "Wasser ist Leben – die Weiße Elster von der Quelle bis zur Mündung," which contains 50 woodcuts depicting the journey of the Weiße Elster river.
His works have gained recognition in the art market, with pieces sold at various auctions. His auctioned works range from expressive coffeehouse interiors to unique paper cuts, showcasing his versatility and skill in different mediums. Many of his pieces, including "Im Dreieck II," "Teuflisch guter Wein," and "Schwarze Figur 1," highlight his ability to create intricate designs with a striking use of color.
Collectors and art experts can explore Zaumseil's work at art galleries and exhibitions across Germany, as well as through online platforms specializing in contemporary art. If you're interested in staying updated on new releases and auction events related to Peter Zaumseil, consider signing up for updates to receive information on new product sales and art-related activities.
