Graphic artists Abstract art
Pacita Abad was a renowned Filipino artist, celebrated for her vibrant and colorful artwork that showcased her deep engagement with global cultures and social issues. Born in 1946 in Batanes, Philippines, into a politically active family, Abad's life took a significant turn when she decided to abandon her law studies in favor of art, influenced by her interactions and travels across the globe. This decision led her to explore various art forms and techniques, including trapunto painting—a method where canvases are stitched and padded to create a three-dimensional effect.
Abad's art was profoundly influenced by her extensive travels with her husband, Jack Garrity, through more than 60 countries, where she not only collected textiles but also immersed herself in local cultures. This exposure is vividly reflected in her works, which often incorporate traditional fabrics and objects, such as beads and shells, integrating them into her colorful abstract and figurative paintings.
Throughout her career, Abad's works were displayed in over 200 museums and galleries worldwide, including prestigious venues like Tate Modern and the Museum of Modern Art (MoMA) PS1. Her work not only celebrates the visual and cultural diversity she encountered but also addresses global and humanitarian issues, such as the plight of refugees, which she depicted through intimate and powerful portraits of women and children.
Pacita Abad's legacy continues to inspire and influence the art world, highlighting her role as an "ambassador of colors" whose works helped to "make the world smile" with their exuberance and vibrancy. If you're interested in learning more about her life and work, consider signing up for updates on exhibitions and sales related to her art. This will keep you informed about opportunities to engage with and perhaps collect pieces from the oeuvre of this groundbreaking artist.
Franz Ackermann is a German media artist.
He studied at the Academy of Fine Arts in Munich and at the University of Fine Arts in Hamburg, lives and works in Berlin and Karlsruhe.
Franz Ackermann's work includes drawings, watercolors, murals, paintings and installations, which he complements with photographic works, projections and architectural models. His works deal with the themes of tourism, globalization and urbanism and reflect the social changes and political problems caused by increasing globalization.
Abdul Ghani Ahmad is a contemporary Malaysian artist. He is known as a watercolorist working in the styles of realism and abstraction.
Abdul Ghani Ahmad creates landscape and rural landscapes as well as abstractions. His work is characterized by photographic precision and detail. Some of the artist's best known works include the Pristine Nature, Journey and Flora of Malaysia series. He has also produced a series of postcards with views of Malaysia.
Ahmad is a member of various art organizations including the Asian Watercolorists Confederation and the Malaysian Artists Union.
Andreu Alfaro Hernández was a Spanish sculptor.
Alfaro learned the principles of geometry and applied his knowledge to create abstract works. His sculptures are usually full of nuances that play with the module, the series and light and color. He was also described as a minimalist artist, albeit with reservations.
John Altoon was an American painter and representative of Abstract Expressionism. He was an important figure in Los Angeles art in the 1950s and 1960s.
He studied at the Otis Art Institute and simultaneously attended the Los Angeles Art Centre College of Design. Known for figurative works, he was a member of the Ferus group with Edward Kienholz and Robert Irwin. He suffered from schizophrenia from an early age and in fits of depression and paranoia destroyed some of his work.
Richard Joseph Anuszkiewicz was a prominent American artist celebrated for his foundational contributions to the Op Art movement. Born in Erie, Pennsylvania, to Polish immigrant parents, Anuszkiewicz's early talent in art earned him scholarships, leading to his studies at the Cleveland Institute of Art and later, the Yale University School of Art and Architecture under Josef Albers. Albers, a pivotal figure in his career, inspired Anuszkiewicz to explore the intricacies of color and geometric forms, steering him away from realism towards a more abstract and mathematical approach to art.
Anuszkiewicz gained prominence in the 1960s, notably through his participation in the landmark exhibition "The Responsive Eye" at MoMA, which played a crucial role in propelling Op Art into mainstream recognition. His works, characterized by vibrant colors and geometric patterns, create illusions of depth and movement, challenging viewers' perceptions and offering a mesmerizing visual experience. His technique was not just about the visual impact; it was a meticulous, mathematical exploration of color and form, aiming to achieve a 'very, very mechanistic geometry' that was nonetheless romantic in its precision and purity.
Throughout his career, Anuszkiewicz's art evolved, yet he remained faithful to his intellectual and analytical approach, focusing on the optical effects of color and shape. His contributions extended beyond painting to include printmaking and sculpture, showcasing his versatility as an artist. Notably, his works are housed in prestigious collections around the world, including the Metropolitan Museum of Art, Museum of Modern Art, and the Whitney Museum of American Art, among others.
For collectors and experts in art and antiques, Anuszkiewicz's work embodies the confluence of scientific precision and artistic expression, offering insights into the profound impact of color and form on human perception. His legacy continues to inspire and challenge the boundaries of visual art.
If you're captivated by the transformative power of Op Art and the pioneering work of Richard Joseph Anuszkiewicz, sign up for updates. Stay informed about new product sales and auction events related to this remarkable artist's oeuvre, enriching your collection with pieces that resonate with history and innovation.
Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
Jean Arp, born Hans Peter Wilhelm Arp, was a German and French poet, painter, graphic artist and sculptor. one of the founders of the Dada movement in Zurich.
Arp used abstract forms in his work and experimented with different materials such as wood, metal and stone. He was also known for his poetic works, in which he applied a method of randomly selecting words, called the "clutter method". Arp believed that this method helped him express his thoughts more precisely and originally. Arp's influence on the arts is still significant today.
Helen Ashbee is a British artist, sculptor and jeweller. Daughter of renowned architect, designer and social reformer Charles Robert Ashbee.
Helen Ashbee was a textile designer and after the death of her husband, Italian painter Francesco Cristofanetti, she finds her real business in Paris - 'abstract sculpture' and related jewellery, for which she always did many preparatory drawings.
Pablo Atchugarry is a Uruguayan artist, best known for his abstract sculptural art. His works are included in many major collections, both private and public, and he has held more than one hundred solo and collective exhibitions worldwide.
For each sculpture, Atchugarry personally selects an appropriate block and is actively involved in carving it, with minimal help from assistants. He works with white Carrara marble from Tuscany, gray stone from Bardiglio, black from Belgium, and pink from Portugal. Aside from working with stone, he utilizes bronze finished in various patinas, ceramic, and, more rarely, various types of wood.
Edgar Augustin was a German painter and sculptor.
Augustin studied sculpture in Münster with Karl Ehlers, then was a pupil of the master Gustav Zeitz in Hamburg. His oeuvre includes partly abstract figurative representations in bronze, wood and plaster as well as paintings, drawings and graphics. Some of Edgar Augustine's sculptures are located in public spaces in Hamburg and other cities.
Edgar Augustin was a member of the Free Academy of Arts in Hamburg and the Special Association of Artists in Germany. In the second half of the 20th century, Augustin was one of the pioneers of figurative wood sculpture and is considered its most important representative.
Hermann Bachmann is a German artist, graphic designer and teacher.
Hermann studied at the School of Applied Arts Offenbach am Main and served in the army during World War II. In 1945, Bachmann returned to his hometown and joined the artists of the Halle School. And in 1953 he fled to West Berlin, whose creative atmosphere was closer to him.
In 1957 Hermann Bachmann became a teacher and later a professor at the University of Fine Arts in Berlin, among his students many famous artists. He was a member of the Association of German Artists.
Alexander Georg Rudolf Bauer was a German-born painter who was involved in the avant-garde group Der Sturm in Berlin, and whose work would become central to the non-objective art collection of Solomon R. Guggenheim.
Erwin Bechtold is a German abstract painter and sculptor. He spent some time in Paris, where he had the opportunity to work with Fernand Léger.
Erwin Bechtold was the founder of the artist's group Ibiza 59, whose members sought to create art free of subjective expression. Bechtold's paintings from this period were characterised by minimal geometric forms and the use of a monochromatic colour palette.
Later in his career, Bechtold began experimenting with sculpture, creating large-scale works that explored the relationship between form and space.
Maria Beine-Hager was a German artist and graphic artist.
She was brought up in a convent, was widowed early and later worked as a Red Cross nurse before beginning her artistic education in postwar Germany under Soviet academy professor Leonid Bordyuk and graphic artist Norbert Hochsiedler. Beine-Hager subsequently attended the Oskar Kokoschka International Summer Academy in Salzburg and established herself as a thoughtful graphic artist and painter at exhibitions at home and abroad.
Maria Beine-Hager's art has both strong religious and political undertones.
Anna Beothy-Steiner was a Hungarian-French Avant-Garde painter. She studied journalism at the private art school of Álmos Jaschik in Budapest between 1922 and 1925. Her travels to Austria, Germany, and Italy exposed her to the futuristic ideas of Filippo Tommaso Marinetti and the Orphism of Robert Delaunay, both of which influenced her work. Beothy-Steiner moved to Paris in 1927 and married István Beöthy. Between 1927 and 1934, she created her major works, including gouaches, watercolors, magazine illustrations, fabric, and fashion designs. Her compositions during this period were characterized by the interpenetration and superimposition of simple, geometric color surfaces, revealing the influence of her husband's preoccupation with proportions. From 1932 onwards, her compositions contrasted simple colors, creating flat color spaces that anticipated the ideas of Op Art. Beothy-Steiner interrupted her artistic work in 1934 and did not resume until the 1960s, following her husband's death.
Siegfried Berndt, born 1880 in Germany and passing away in 1946, was a distinguished painter and printmaker whose artistic contributions are often overlooked in art history. After studying at the Dresden Art Academy, Berndt received a travel scholarship that profoundly influenced his art, taking him to cities like Paris, Brussels, Antwerp, London, and Scotland. These travels exposed him to diverse artistic movements, enriching his work with elements of Impressionism, Expressionism, and New Objectivity.
Berndt was especially skilled in the traditional Japanese woodblock printmaking technique, which he employed to explore various artistic styles. This unique approach resulted in color woodcuts with a distinct personality, appealing to a wide range of collectors. His woodblock prints are particularly noted for their innovative use of this traditional technique, blending it with Western artistic movements.
Despite the challenges posed by the two World Wars, Berndt's work found its way into public collections and was recognized for its artistic merit. However, much of his pictorial work was lost due to the turmoil of war. Some of his expressive pastel works, often repeated with small variations, as well as oil paintings, have been documented.
Berndt's art remains relevant for collectors, auctioneers, and experts in art and antiques, particularly for those interested in the intersection of Eastern and Western printmaking techniques. His work, although not as widely known, represents a unique blend of styles and techniques that contribute to the rich tapestry of early 20th-century art.
For enthusiasts interested in staying updated about sales and auction events related to Siegfried Berndt's work, subscribing to updates would be beneficial. This ensures access to the latest information about new sales and auction events related to his art.
Wolfgang E. Biedermann / Wolfgang Erich Hessler, a German abstract painter and graphic artist, began his artistic journey under the guidance of Ursula Mattheuer-Neustädt. He studied at the Leipzig Academy of Visual Arts and worked as a freelance artist in Leipzig. Biedermann's artistic career spanned from 1960 to 2008, during which he developed his own technique, creating abstract paintings and paper works using various printing methods. He exhibited his artwork extensively in Germany and internationally. Biedermann also participated in happenings and performances with the artist group "Clara Mosch" and collaborated on experimental outdoor installations called "Pleinairs."
Joseph Binder, full name Joseph Friedrich Gustav Binder, was a German avant-garde painter, designer and graphic artist.
In the early 1930s, Joseph Binder worked on major brand commissions for Knorr, Reemtsma, Tekrum, Elida, Minera, Dujardin, Stella and Mercedes-Benz and earned fame as a style-defining industrial designer. In all, by the early 1960s, Binder had created more than 2,000 stamps and posters.
In painting, Binder favored cubism: geometrically stylized form is of great importance to the painter. He was also influenced by the Bauhaus school of art and the Blue Rider group.
Sebastian Black is a contemporary American artist from New York whose work is stylistically reminiscent of Cubism. The artist is best known for his Puppy Paintings series, in which he depicts puppy muzzles in fragmented abstract shapes and warm tones.
Otmar Blaser is a contemporary German artist. In 1967 he studied at the Werkkunstschule with Prof. Holweck. In 1968 he traveled through Europe, the Middle East, Canada and America. From 1970-1976 he studied at the University of the Arts in Berlin. In 1975 he was a master's student with Professor Bachmann, in 1976 he was an assistant to Professor Kapitsky at the Institute of Visual Communication and Design. In 1977 he was a lecturer at the Volkshochschule Berlin-Neukölln, collaborating freelance with the Theatertreffen Berlin.
Andreas Böhm is a German painter, graphic artist and art teacher at Brunsbüttel Upper Secondary School from 1980. He lives and works in Dingen, Schleswig-Holstein.
For a long time Andreas Bem was known for his stencil drawings, which are like silhouettes with just two or three thick layers of paint. As an artist, he continued to play with shapes, but now adapted the free lines of wildlife.
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Hans Brass was a German artist of the first half of the twentieth century. He is known as a painter and graphic artist, famous for his expressionist works.
Hans Brass created landscapes in a traditional style at the beginning of his career. However, between 1917 and 1923 he turned to Expressionism, Cubism and Futurism. From 1921 he became interested in abstract art, and until 1933 he created abstract works and works with religious content. By 1948 Brass had developed his own unique style based on his expressionist experience. From 1952 he worked in watercolor, depicting landscapes and flowers.
Will Brüll was a German painter and sculptor. Brüll's work was characterised by abstract painting and sculpture influenced by the De Stijl movement and artists such as Piet Mondrian and Theo van Doesburg. He studied at the Düsseldorf Academy of Fine Arts, where he developed his own distinctive style. Brüll exhibited his work widely in the Netherlands and abroad. Many of his works are in public and private collections.
Hede Bühl is a German artist. She is known for her abstract paintings, which often feature bold colors and expressive brushstrokes. Bühl studied at the Kunstakademie Düsseldorf under Joseph Beuys and worked as a freelance artist from the 1970s onwards.
Her work has been exhibited in numerous galleries and museums across Germany, including the Museum Ludwig in Cologne and the Kunstmuseum Düsseldorf. Bühl's art has been described as energetic and intuitive, with an emphasis on the emotional and physical experience of painting. Her work has also been noted for its connection to the natural world, as she often incorporates elements of landscape and organic forms into her compositions.
Alberto Burri was an Italian visual artist, painter, sculptor, and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. He had connections with Lucio Fontana's spatialism and, with Antoni Tàpies, an influence on the revival of the art of post-war assembly in America (Robert Rauschenberg) as in Europe.
Enrico Castellani was an Italian artist. He was active in Italy from the early 1960s, and associated with Piero Manzoni and Vincenzo Agnetti. Castellani is known for his "paintings of light". He studied at the Ecole Nationale Superieure in Belgium, then settled in Milan. Castellani collaborated with artists such as Getulio Alviani, Piero Manzoni, and others. In 2010 he received the Praemium Imperiale for painting.
Vija Celmins is a Latvian-American artist. She is best known for her photorealistic paintings and drawings of natural and man-made objects.
Celmins and her family fled Latvia during World War II and eventually settled in the United States. She studied art at the John Herron School of Art in Indianapolis and later at the University of California, Los Angeles.
Celmins began her career as a painter in the 1960s, and by the 1970s she had developed her signature style of photorealism. She is known for her painstaking attention to detail, and her paintings and drawings often take months or even years to complete. Some of her most famous works include images of the night sky, oceans, and rocks.
Celmins has been the subject of numerous solo exhibitions in museums and galleries around the world, including a retrospective at the Centre Pompidou in Paris in 2006. Her work is held in the collections of many major museums, including the Metropolitan Museum of Art in New York, the Museum of Modern Art in New York, and the National Gallery of Art in Washington, D.C.
Antoni Clavé was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen.
Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage.
William Congdon is an American artist known for his strong and deeply personal paintings exploring themes of spirituality, existentialism and the human condition.
William Congdon's early work was influenced by Expressionism and the post-war abstract art movement. Over time, however, his artistic style evolved, and he developed a unique approach combining abstraction with representational elements. His paintings often depicted isolated figures, cityscapes and landscapes, conveying a sense of introspection and emotional depth.
Congdon's works are characterised by a rich colour palette, dramatic brushwork and a sense of raw emotion. He explored the contrast between light and darkness, creating compositions that were both contemplative and expressive.
Pedro Coronel Arroyo was a Mexican sculptor and painter, part of the Generación de la Ruptura, bringing innovation into Mexican art in the mid 20th century. Coronel’s training was with artists of the Mexican muralism tradition, with influence from artists like Diego Rivera. This influence remained with the use of pre Hispanic themes and colors in his work. However, his artistic trajectory took him towards more use of color and more abstract forms in his work, due to influences from artists such as Rufino Tamayo. His work was exhibited and gained recognition in Mexico, the United States and Europe. Shortly before his death, he donated his considerable personal art collection to the people of Mexico, which was used to open the Museo Pedro Coronel in the city of Zacatecas.
Joseph Csaky, a Hungarian avant-garde artist, sculptor, and graphic artist, is renowned for his pioneering contributions to the Cubist movement. Born in 1888, Csaky's journey into the art world was profoundly influenced by his discovery of Auguste Rodin's work, which paved the way for his mastery in sculptural techniques. His innovative approach is highlighted in his Cubist sculptures, where he skillfully integrated volumetric and spatial relationships, utilizing abstract architectonic forms and drawing inspiration from non-Western art such as Cycladic, Oceanic, and ancient Egyptian art.
Joseph Csaky's commitment to originality is evident in his personal artistic language, which he developed while being part of the vibrant Parisian art scene. His works, such as "Euterpe – Muse of Lyric Poetry" and "Imbrication de cônes," showcase his ability to translate Cubist principles into three-dimensional forms.
Art collectors and experts appreciate Joseph Csaky's contributions to modern sculpture, with his works being sought after in art galleries and auctions. His pieces like "Woman Raising her Hand" and "Figure, dite aussi Femme" not only reflect his artistic prowess but also his influence on subsequent art movements.
For those interested in the fusion of Cubism and sculpture, Joseph Csaky's oeuvre offers a profound insight into the evolution of modern art. To stay updated on new product sales and auction events related to Joseph Csaky, consider signing up for updates. This subscription will keep you informed about the latest developments and opportunities to engage with Csaky's enduring legacy.
Aaron Curry is an American painter and sculptor, with works in the collections of the Museum of Modern Art, the Los Angeles County Museum of Art, the Chicago Museum of Contemporary Art and the San Francisco Museum of Art. His work has been shown at the Lincoln Center for the Performing Arts (in 2013) and the Katonah Museum of Art (in 2015) in New York, at the Musée d'art contemporain de Bordeaux in France (in 2014), and at the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts (in 2017).
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Bernd Damke, a German graphic artist and painter, was known for his minimalist and constructive style. Balancing between Tachism and Surrealism, he created works that combined shapes and colors in exciting compositions. His work received recognition and was presented in various exhibitions. As a professor at the Münster University of Applied Sciences, he also shaped design education. His works can be found in renowned museums and collections.
Ian Davenport is an English abstraction artist known for his intricate compositions of streams of colored paint flowing over surfaces. All of Davenport's work involves experimentation: he uses various industrial and domestic tools, including wind machines, hypodermic syringes, and watering cans, to manipulate the paint and to draw as much attention to the process of creating artwork as to the finished works themselves.
Juan Manuel de la Rosa is a painter, engraver, and ceramicist known for his works on handmade paper. He studied lesser-known techniques for painting and papermaking from Japan, Egypt, Fiyi and France; his handmade paper is typically made of linen, cotton, or hemp. With these traditional approaches, he creates layers and adds new dimensions to his artworks.
Fernando de Szyszlo Valdelomar was a Peruvian painter, sculptor, printmaker, and teacher who was a key figure in advancing abstract art in Latin America since the mid-1950s, and one of the leading plastic artists in Peru.
Felix del Marle is a French artist and designer associated with the avant-garde movements of the early 20th century, in particular Orphism and De Stijl. Originally influenced by Cubism, he later adopted the principles of Orphism, a movement founded by Robert Delaunay and characterised by the use of bright colours and geometric shapes to create abstract compositions.
Felix del Marle explored the dynamic interaction of colours and shapes to evoke a sense of rhythm and movement. His works often feature overlapping planes, bold colour contrasts and a sense of optical vibrancy.
Felix del Marle was also a significant influence on the De Stijl movement, which sought to reduce art to its basic geometric elements and colours. He collaborated with Piet Mondrian and Theo van Doesburg.
In addition to painting, del Marle pursued industrial and graphic design, applying his principles to furniture, textiles and typography. He believed in the integration of art into everyday life and the synthesis of artistic disciplines.
Albrecht Demitz is a German graphic artist and sculptor who belongs to the "New Fauves" (German "Neue Wilde") group in Berlin. His paintings are often expressive, abstract and executed in expressive bright colors. He works in silkscreen techniques in particular, and creates sculptures from various materials - wood, twigs, stones, metals and waste.
David Diao is a Chinese American artist and teacher based in New York City. He first won acclaim and public attention with an exhibition at Paula Cooper Gallery in 1969. He is known for his simplification of form, minimal compositions, and uses of stylized text and typography. Diao's work was included at dOCUMENTA 13. His work is featured in the collection of the Hirshhorn Museum and Sculpture Garden, MoMA, the Whitney Museum of American Art, SFMOMA, Rennes's public council collection, among others. Diao taught at the Cooper Union in the early 70s and was then mostly doing color field painting made by squeegying paint across a large canvas. In 2008 he had his first exhibition in China. In 2012, he was elected into the National Academy of Design. He received a Foundation for Contemporary Arts Grants to Artists award (2015).
Antonio Manuel Lima Dias was a Brazilian artist and graphic designer. He was a prominent figure in concrete art. He studied at the National School of Fine Arts of Rio de Janeiro.
Antonio Lima Dias has undertaken study trips around the world since 1965, travelling to Paris, Milan, Berlin, New York and Nepal. Diaz's artistic style was characterised by a bold and confrontational approach. He used a combination of figurative and abstract elements, bright colours, strong lines and dynamic compositions.
In 1992 he became a professor at the Sommerakademie für bildende Kunst in Salzburg, Austria, and the following year at the State Academy of Fine Arts in Karlsruhe, Germany.One of his characteristics is his use of handmade paper, combining texture and colour in his work. One of his main characteristics is his use of handmade paper, combining texture and colour in his works.
Manfred Dinnes is a German painter, sculptor, writer and art gallery director. He was also cultural editor of Europeonline magazine.
Manfred Dinnes travelled around the world to study other cultures in his youth. In 1973-74 he trained as a church painter-restorer. At the same time he was introduced to the craft of glass painting and glass blowing. Graduated from the Academy of Fine Arts in Nuremberg in 1979, where he studied freehand painting with Gerhard Wendland, Ludwig Scharl and Franz Wintzinger.
Since founding Visual-Art Concepts in 2007, Dinnes has created large sculptures from 7 to 8 metres in height.
Pavlos Dionyssopoulos was a Greek artist born in Filiatra, Greece in 1930 and passed away in 2019. He was known for his unique and colorful abstract paintings, which were influenced by the art movements of the 20th century, including surrealism and abstract expressionism.
Dionyssopoulos studied art in Greece and later in France, where he was exposed to the works of famous artists such as Pablo Picasso and Henri Matisse. His style evolved throughout his career, starting with realistic portraits and landscapes before moving towards abstract art.
He held numerous solo and group exhibitions in Greece and internationally, including in Paris, New York, and Tokyo. His works can be found in private collections and museums around the world.
Dionyssopoulos was a member of the Greek Chamber of Fine Arts and was awarded the "Order of the Phoenix" by the Greek government for his contributions to the arts. He was also a writer and poet, and his poetry was published in several Greek literary journals.
Today, Pavlos Dionyssopoulos is considered one of the most important Greek artists of the 20th century, known for his unique style and contributions to the development of abstract art in Greece.
Simon Dittrich is a German painter and graphic artist who lives and works in Stuttgart, Munich, Tuscany and Styria.
Dittrich studied painting at the University of Fine Arts in Berlin, is a member of the Munich and Darmstadt Secession, and a member of the Sudeten-German Academy of Sciences.
Simon Dittrich's early works are dominated by landscapes, animals and still lifes, characterized by varied color and clear lines that emphasize contours. His later works, however, gravitate towards figurative concepts with an abstract tendency.
Bertrand Dorny is a French abstractionist artist, painter, printmaker and graphic designer.
Originally a painter, Dorny became interested in various techniques, particularly printmaking, in which he achieved great success and recognition. He created more than 650 engravings.
Dorny enjoyed working with wood and paper, from which he created intricate collages, reliefs, and assembled large wooden panels. He also worked in the field of book collage.
Ugo Dossi is a German conceptual artist.
Typical of his work is the use of forms of representation of the infinite, which lead the mind to the perception of the infinite and incomprehensible, which lies behind everything.
His installations have been shown twice at Documenta (Documenta 6 and Documenta 8), the Venice Biennale (1986 and 2011), Paris (1975) and Buenos Aires (2000) as well as numerous solo exhibitions in international museums and institutions.
Heinrich Eberhard was a German modernist painter.
Eberhard studied at the Royal Academy of Fine Arts in Stuttgart, and was decisively influenced in his artistic development by the modernist pioneer Adolf Helzel (1853-1934). In 1920 he became a member of the Stuttgart "Üecht Group", which also included Willy Baumeister and Oskar Schlemmer, and was a member of the legendary Hölzelkreis.
Eberhard's oeuvre includes oil paintings, drawings, prints and stained glass windows and is characterized by a stylistic pluralism between expressive naturalism, cubist influences and abstraction.
During the Nazi "Degenerate Art" campaign in Germany in 1937, some of the artist's paintings were removed from galleries and destroyed, but in 1943 he was allowed to exhibit one canvas that met the tastes of the authorities. After the war, Eberhard continued to create with success, participating in exhibitions.
Teo Eble was a Swiss abstractionist painter and graphic designer.
Eble studied at the Academy of Fine Arts in Berlin, then taught at the Basel School of Applied Arts from 1931 to 1967. In 1933 he co-founded the Swiss Group 33, an anti-fascist association of artists.
His work was influenced by the realist, objective painting of the 1920s. The subjects of Eblé's early works were landscape paintings and depictions of cities and their life.
In 1934, Eblé began abstract painting and became a prominent artist of the abstract movement in Switzerland and was also recognized internationally. He held exhibitions in France and the United States, in 1958 at the Venice Biennale and in 1959 at Documenta in Kassel. In the 1960s, Eblé created numerous murals in public buildings.
Aleksandra Aleksandrovna Ekster (Russian: Алекса́ндра Алекса́ндровна Эксте́р), a luminary of the Russian avant-garde, was a painter and designer whose work traversed the boundaries of Cubo-Futurism, Suprematism, and Constructivism, eventually influencing the Art Deco movement. Born in Białystok (then part of the Russian Empire, now Poland) and later splitting her life among Kiev, St. Petersburg, Moscow, Vienna, and Paris, Ekster played a pivotal role in bridging Russian and European artistic movements. Her innovative approach to art was characterized by dynamic movement, vibrant color contrasts, and geometric compositions, which were evident in her paintings, theater set and costume designs, and educational endeavors.
Ekster's studio became a hub for the intellectual and artistic elite, hosting figures like poets Anna Akhmatova and Osip Mandelstam, as well as painters Pablo Picasso and Georges Braque during her stays in Paris. Her involvement in significant art exhibitions, such as the Salon des Indépendants and the Salon de la Section d'Or in Paris, showcased her works alongside those of Jean Metzinger, Marcel Duchamp, and others, marking her as a key figure in the avant-garde community.
Beyond painting, Ekster's contributions to theater and design were profound. She worked on costume and set designs for Alexander Tairov's Chamber Theatre and participated in the revolutionary festivities' decoration in Kiev and Odessa. Ekster's pedagogical efforts included teaching at the Higher Artistic-Technical Workshop (VKhUTEMAS) in Moscow, fostering a new generation of avant-garde artists.
Ekster's work is housed in various international and private collections, reflecting her lasting impact on the art world. Her ability to integrate different genres and styles, along with her commitment to experimentation and innovation, made her one of the most influential women in the Russian avant-garde.
For those fascinated by the pioneering spirit of Aleksandra Aleksandrovna Ekster and the avant-garde movement, signing up for updates on new product sales and auction events related to her work is a compelling way to stay informed. This subscription ensures enthusiasts and collectors are always in the loop regarding opportunities to engage with Ekster's enduring legacy.
Ernest Engel-Pak was a Belgian painter and lithographer, designer and illustrator.
Engel-Pak was a self-taught painter and went from Cubism and Surrealism to lyrical and abstract art. In Paris, he exhibited with the Surindépendants. In 1931 in Brussels, he co-founded the Journal des Poets.
André Evard was a Swiss painter and drafter. His special significance lies in the field of constructive art. He is counted among the first artists who did not work figuratively. In the course of his life he produced hundreds of oil paintings, a large number of drawings as well as approximately 2000 to 3000 watercolor and gouache paintings.
André Evard's work is difficult to classify in the categories of art history. He was not committed to any particular style, but rather reverted to the past, mixed styles and invented something new. Art Nouveau, Cubism, and geometric-constructive abstractions all define his work. While in Paris he was part of the avant-garde, he later repeatedly withdrew to representational painting.
On the one hand, the play of forms and colors leads to highly expressive representational landscapes, on the other hand, fascinating still lifes emerge from the clear reduction, which show unusual color combinations and completely new object-space relationships. In doing so, he always exposed himself to the risk of a stylistic break, which, however, is the special feature of his artistic oeuvre. He painted abstract when hardly anyone painted abstract and returned to representational painting when Abstract art dominated.
Günter Evertz is a German visual artist.
Günter Evertz has studied art history and nudes at the School of Art in Berlin since 1978. He was a master student under Prof. Georg Baselitz.
From 1993 to 1997 was visiting professor of painting at the Humboldt University.
Gerson Fehrenbach was a German sculptor.
Stylistically, Fehrenbach's sculptures can be classified as Informel. He processed the study of nature and ancient art together with suggestions from classical modernism and influences from his teacher Karl Hartung to create an individual pictorial language.
He processed his impressions into autonomous, organically proliferating forms based on intensive study of nature. Many of his works are characterised by horizontal and vertical axes on the one hand and "knob-like" protrusions on the other. His main materials were stone, bronze and concrete. Fehrenbach took his motifs from mythology and religion.
Gerhard Fietz was a German painter, professor and representative of non-objective painting. He is considered an important painter of the second half of the 20th century in Germany.
As a co-founder of the artist group ZEN 49, he opposed traditional representational art and, together with painters such as Willi Baumeister, Fritz Winter and Rupprecht Geiger, developed a style of painting that focused on experimenting with artistic means. Fietz exhibited at numerous national and international exhibitions, including the highly regarded exhibition at the Cercle Volnay in Paris in 1955.