В деревне у бабушки канва Peinture acrylique Postimpressionnisme Art de genre Ukraine 2021
In the village with my grandmother. That is how I named my new job. It was a long time ago. As a fragile red-haired boy, my parents sent me on vacation to my grandmother in the village. I will say one thing that Granny did not have a TV, only an old radio, and even then only the news broadcast in the evening. But with what trepidation I remember these days now. Nostalgia? Maybe. But, most likely, my first boyish love, which remained somewhere far away in my memories.
ID: | 47362 |
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Originalité: | Original de l'artiste |
Condition: | Nouveau |
Année de fabrication: | 2021 |
Technique appliquée: | Peinture à l'huile, Peinture acrylique |
Taille: | 60 x 90 x 3 cm |
Encadrement: | рамы нет |
Style artistique: | Postimpressionnisme |
Genre: | Art de genre |
Expédition à: | Partout dans le monde |
Méthode de paiement: | Virement bancaire |
Méthode d'expédition: | Service postal |
Retour de marchandises: | Pas de retour |
Lieu d'origine: | Ukraine |
Catégorie: | Peintures |
Mots clés: | Chiens, Enfants, Village |
Informations sur l'artiste
Serhiy Berezin. I was born in 1959 and still live in a small picturesque town of Stryi, Ukraine.
In 1982 he graduated in absentia from the National Art University in Leningrad (today St. Petersburg). He also received a diploma of a specialist in the field of chemistry of inorganic compounds from the Lviv Polytechnic University. It helps me a lot in developing my own designer paints.
Azam studied painting with his mother, who at one time was a master of a very high class.
My technique is not similar to the already known art school methods. I create and in constant search for something new, different from others.
For glazing, I sometimes use paints left by my mother and grandfather. Very old pigments of the 19th century, which allow you to work even in the technique of absolute stretching of paints, similar to the watercolor technique.
Over the long years of creativity, most of my works adorn the homes of my fans around the world.
Repeatedly participated in regional exhibitions. One of the exhibitions was especially memorable. It took place in Moscow (international exhibition "Mother and Child" 2003), where I was awarded the first prize for sponsorship of the International Fund for Helping Children in Need. There were also many exhibitions in the capital of Ukraine.
Now I try to work in different styles and I am constantly looking for something new in solving the problems of modern painting, to show what we stand in this society, and how painting makes us think about our being.
In 1982 he graduated in absentia from the National Art University in Leningrad (today St. Petersburg). He also received a diploma of a specialist in the field of chemistry of inorganic compounds from the Lviv Polytechnic University. It helps me a lot in developing my own designer paints.
Azam studied painting with his mother, who at one time was a master of a very high class.
My technique is not similar to the already known art school methods. I create and in constant search for something new, different from others.
For glazing, I sometimes use paints left by my mother and grandfather. Very old pigments of the 19th century, which allow you to work even in the technique of absolute stretching of paints, similar to the watercolor technique.
Over the long years of creativity, most of my works adorn the homes of my fans around the world.
Repeatedly participated in regional exhibitions. One of the exhibitions was especially memorable. It took place in Moscow (international exhibition "Mother and Child" 2003), where I was awarded the first prize for sponsorship of the International Fund for Helping Children in Need. There were also many exhibitions in the capital of Ukraine.
Now I try to work in different styles and I am constantly looking for something new in solving the problems of modern painting, to show what we stand in this society, and how painting makes us think about our being.
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