ANDREAS GURSKY (B. 1955)

Lot 27
18.05.2023 01:00UTC -05:00
Classic
Prix de départ
$ 600 000
AuctioneerCHRISTIE'S
Lieu de l'événementEtats-Unis, New York
Archive
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Archive
ID 949302
Lot 27 | ANDREAS GURSKY (B. 1955)
Valeur estimée
$ 600 000 – 800 000
ANDREAS GURSKY (B. 1955)

Chicago, Board of Trade

signed, titled, numbered and dated 'Chicago Board of Trade, '97, 3/6, A. Gursky' (on the reverse)

chromogenic print, in artist's frame

72 1/2 x 94 1/2 in. (184.1 x 240 cm.)

Executed in 1997. This work is number three from an edition of six.





Provenance

Matthew Marks Gallery, New York

Acquired from the above by the present owner, 2003



Literature

P. Schjeldahl, "Gurskyvision," Village Voice, no. 42, 16 December 1997, p. 101 (illustrated).

R. Bevan, "Gursky at the Serpentine", Art & Auction, 11 January 1999, p. 83 (illustrated).

M. Gautier, "Vues imprenables sur readymades: La photographie selon Andrew Gursky", Les Cahiers, no 67, Spring 1999, p. 70.

R. Golden, Photography: Complete Guide to the Greatest Artists of the Photographic Age, London, 1999, p. 97 (illustrated).



Exhibited

New York, Matthew Marks Gallery, Andreas Gursky, November 1997-January 1998 (another example exhibited).

Kunsthalle Düsseldorf, Andreas Gursky: Fotografien 1984 bis heute, August-October 1998, p. 32 (another example exhibited and illustrated).

London, Architectural Association, Reconstructing Space: Architecture in Recent German Photography, April-May 1999, p. 92 (another from the edition exhibited and illustrated).

Aspen Art Museum, 20 Years/20 Artists, 1999, n.p., no. 19 (another from the edition exhibited and illustrated).

Kunstmuseum Wolfsburg; Fotomuseum Winterthur; London, Serpentine Gallery; Edinburgh, Scottish National Gallery of Modern Art; Turin, Castello di Rivoli, Museo d'arte contemporanea; Lisbon, Cento Cultural de Belém, Andreas Gursky: Fotografien 1994-1998, May 1998-January 2000, pp. 60 and 61 (another example exhibited and illustrated).

Stuttgart, Zentrum für Kunst und Medien, just what is it, 100 Years of Modern Art from Private Collections in Baden-Württemberg, December 2009-April 2010, pp. 326-327 and 371 (another example exhibited and illustrated).
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