SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM)

Lot 11
10.06.2022 10:00UTC -05:00
Classic
Vendu
$ 567 000
AuctioneerCHRISTIE'S
Lieu de l'événementEtats-Unis, New York
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ID 770953
Lot 11 | SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM)
Valeur estimée
$ 500 000 – 700 000
SALOMON VAN RUYSDAEL (NAARDEN 1600⁄03-1670 HAARLEM)
A view of Beverwijk
signed and dated ‘S. VRuysdael / 1646’ (‘VR’ linked, lower right)
oil on panel
29 5⁄8 x 25 7⁄8 in. (75.2 x 65.7 cm.)




Provenance

Frigyes Glück (1858-1931), Budapest, by 1918.
Ferenc Chorin (1879-1964), Budapest, circa 1931, and by whom deposited in 1943 at the following,
Hungarian Commercial Bank of Pest, Co., Budapest, and from which taken in January 1945 (probably) by Soviet troops.
Private collection, Switzerland.
with Edward Speelman, Ltd., London, and by whom sold on 15 September 1982 to the following,
Museum of Fine Arts, Boston.
Restituted to the heirs of Ferenc Chorin in 2021.



Literature

L. Baldass, ‘Glück Frigyes képgyüjteménye,’ Müvészeti Szemle, I, May-June 1924, pp. 302, 305, illustrated.
‘Principales Acquisitions des Musées en 1982,’ La Chronique des Arts [Supplement to the Gazette des Beaux-Arts], no. 1370, March 1983, p. 34, no. 184, fig. 184.
The One Hundred Seventh Annual Report of the Museum of Fine Arts Boston, 1982-3, p. 33, illustrated.
A.R. Murphy, European Paintings in the Museum of Fine Arts, Boston: An Illustrated Summary Catalogue, Boston, 1985, p. 257, illustrated.
P.C. Sutton, Masters of 17th-Century Dutch Landscape Painting, exhibition catalogue, Amsterdam, Boston and Philadelphia, 1987, pp. 470-471, under no. 92, fig. 4.
P.C. Sutton, in Art for Boston: A Decade of Acquisitions under the Directorship of Jan Fontein, Boston, 1987, pp. 140-141, illustrated.
C. White, Ashmolean Museum Oxford: Catalogue of the Collection of Paintings: Dutch, Flemish, and German Paintings before 1900, Oxford, 1999, pp. 138, 207, under no. A 1065, fig. 20.
R. Baer, The Poetry of Everyday Life: Dutch Painting in Boston, exhibition catalogue, Boston, 2002, p. 57.
S. Juhász, ‘Egy Pesti Inyenc Képei,’ Múzeumcafé, LXXI, 2019, p. 232, no. 15.



Exhibited

Budapest, Hall of Exhibitions (Mücsarnok), First Exhibition of Art Works Taken into Public Ownership, 1919.
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