Composers 18th century
Johann Sebastian Bach was a German Baroque composer, Kapellmeister, organist and teacher.
Johann Sebastian Bach was the youngest child in the family of musician Johann Ambrosius Bach (1645-1695) and belonged to a large family of North German musicians whose dynasty he himself traced back to his great-great-grandfather Veit Bach, a Lutheran baker in the late 16th century. Johann was orphaned at an early age and was taken into care by his older brother, the organist Johann Christoph Bach. In August 1703 he was appointed official organist of the church in Arnstadt, then from 1714 he worked as Kapellmeister and concertmaster at the Weimar court, to which time his first compositions date. In 1736 he was appointed court composer to the King of Saxony, thus recognizing his merits as a composer and organist. While working as a concertmaster, Bach also mastered almost all the instruments in the orchestra.
In the last years of his life, Bach was nearly blind and living poorly, and his Baroque music was considered outdated as tastes changed. But in the 19th century, interest in Bach's works increased dramatically, and he became the favorite composer of many subsequent musicians. Johann Sebastian's sons Wilhelm Friedemann, Carl Philipp Emanuel and Johann Christian continued the family dynasty and also became musicians. And Johann Sebastian Bach himself was surrounded by students throughout his life.
Although his contemporaries admired Bach's playing on the harpsichord and organ, today it is his compositions that are considered some of the finest works of mature Baroque music. His most widely known works today include the Brandenburg Concertos, the Well-Tempered Clavier, the Masses in B minor, and many other masterpieces of church and instrumental music. Bach's rich legacy includes sacred and secular compositions, especially cantatas, organ pieces and concertos (Bach composed more than 1,000 musical works in all significant genres of his time, except opera), which influenced many later composers. Johann Sebastian Bach was able to encompass and unite the major styles, forms and national traditions developed in previous generations. Today he is considered one of the greatest composers of all time.
Domenico Cimarosa was an Italian opera composer of the Neapolitan school of the late 18th century.
For 11 years Cimarosa studied at the Conservatory of Santa Maria di Loreto. His first successful work was the comic opera Stravaganze del Conte, staged at the Teatro Fiorentini in Naples in 1772. It was followed by The Italian Woman in Londre (1778), which is still performed in Italy, and others. Cimarosa composed both serious and comic operas (more than 80 in all), which were staged in Rome, Naples, Florence, Vicenza, Milan and Turin.
In 1787, at the invitation of Catherine II, he traveled to Russia, replacing Giovanni Paisiello as court musician. He staged two operas in St. Petersburg, and in 1791 he traveled to Vienna at the invitation of Leopold II. There in 1792 Cimarosa staged his masterpiece, the opera The Secret Marriage, which made him famous. In 1793 he returned to Italy and composed many more works.
Cimarosa was a prolific and popular composer. His numerous operas are characterized by vivid imagery and rich comic content. He also wrote many choral works, including the cantata Maestro di cappella, a popular satire on modern opera rehearsal methods. His instrumental works include many sonatas for harpsichord and a concerto for two flutes.
François Couperin was a French composer, organist and harpsichordist.
François Couperin is a member of a large dynasty of French musicians. At the age of 18, François succeeded his father, Charles Couperin (1638-1679), as organist at the Church of Saint-Gervais in Paris, and in 1693 he became one of the four organists of the Chapel Royal. He soon became a harpsichord teacher for the royal children, and in 1717 was appointed court harpsichordist.
François Couperin is known primarily for his harpsichord music; between 1713 and 1730 he published four books of more than 250 pieces for harpsichord. Some of them are characterized by complex accompaniment and dialogues between violin and bass, while others are light, graceful and expressive. Couperin's harpsichord pieces, even during the author's lifetime, gained great fame not only in France but also abroad. Couperin also wrote chamber music, including trio sonatas (for harpsichord and two violins) and "Royal Concertos", which he composed for Sunday evening royal entertainment. He also composed motets and other church music. Couperin's last and most significant liturgical work, Leçons de ténèbres (c. 1715), has no parallel in either French or Italian music of the period. Johann Sebastian Bach knew and appreciated this work by Couperin.
Couperin authored The Art of Touching the Clavier (1716), in which he explained in detail the technique of playing the harpsichord. And in his publications of the early 1720s, he suggested a wide variety of ways of combining French and Italian styles.
Jean-Benjamin de La Borde was a French composer, music historian, publisher and financier.
De La Borde played the violin and trained in composition. In 1748 he composed his first small opera, and in 1751 his opera Le Rossignol ou Le Mariage secret (The Nightingale or The Secret Marriage) was staged in Paris. The prolific composer went on to compose an average of 30 operas a year for 30 years, mostly of a comic nature.
De La Borde was also a prominent cultural figure of his time: he authored Essays on Music, a four-volume collection of songs for solo voice, and initiated the publication of the General and Private Description of France (1781-96).
For several years de La Borde was valet and favorite of Louis XV; he refused to leave France during the Revolution and was arrested and executed by guillotine on July 22, 1794.
Christoph Willibald Gluck was a German classical composer and reformer of the opera genre.
Christoph showed a talent for music early on, playing violin and cello, leaving home and studying music with various teachers in Prague, Vienna and Milan. In 1741, Gluck had his first significant success with his first opera, Artasers, at the Milan theater. In 1745 Gluck, by then already well known as an opera composer, was invited to England, but in 1750 he settled in Vienna, where he lived for the rest of his life. While in Paris in 1773-79, he won the favor of Louis XVI's wife Marie Antoinette.
Christoph Gluck played a historic role in the formation of a new operatic style, becoming the main reformer in the transition from baroque to classical opera.
During his career, Christoph Gluck composed about 40 operas. Of these, his first "reformist" opera was Orpheus and Eurydice, staged in Vienna in 1762. Next were "Alceste" (1767), "Parida et Helena" (1770), "Iphigenia in Aulida" (1774), a French version of "Orpheus" (1774), and "Iphigenia in Tauris" (1779). He also wrote five ballets, of which Don Giovanni (1761) was one of the first successful action ballets.
Gluck spent the last eight years of his life in Vienna, continuing to work tirelessly. During these years he met several times with Wolfgang Mozart, who by then had already become a bright star.
George Frideric Handel was a German-born English composer of the Baroque period.
After receiving a musical education, Handel worked briefly as an organist at the cathedral in Halle, then joined the violin section of the opera orchestra in Hamburg. After spending several years in Italy, he wrote many works there, including two operas. The style of Italian music permeated the composer's work throughout his life. Having become famous in Italy, in 1710 Handel was appointed Kapellmeister to the Elector of Hanover, the future King George I of England, and two years later he was already staging his operas in London.
In 1727 Handel became a British subject and was appointed composer to the Chapel Royal. In this capacity he wrote many musical works. From 1720 to 1728, operas at the Royal Theater in London were staged by the Royal Academy of Music, and Handel wrote the music for most of them.
In 1741, Handel wrote the most famous of his many oratorios, Messiah. Handel had a talent for musically portraying a human character in a single scene or aria - a gift he used with great dramatic power in his operas and oratorios. Although much of his music was vocal, Handel was also one of the recognized instrumental composers of the late Baroque era. Handel paid tribute to church music by composing many solemn hymns.
Handel's music has become an integral part of the national culture of England, and in Germany he is also honored as a major national composer.
Franz Joseph Haydn was an Austrian composer of the classical school, who created the string quartet and symphony forms.
Haydn discovered unusual musical abilities very early, but the poverty of his family did not favor the development of his talents. He was a singer, interrupted earnings and engaged in musical self-education. Fate led young Haydn to Prince Pal Antal Esterhazy, whose wealthy and influential family of the Austrian Empire maintained his own orchestra. In 1766, Haydn became music director at the Esterhazy court and remained in that service for the rest of his life. In addition to his operas for the court, Haydn composed symphonies, string quartets and other chamber music. On one of his visits to Vienna, Haydn met Wolfgang Mozart, and their interactions brought many benefits to both great composers and musicians.
In the 1760s, Haydn's fame began to spread throughout Europe. In 1792, he met the young Ludwig van Beethoven and foreshadowed his greatest fame as a composer.
Haydn was an extremely prolific composer. He created 108 symphonies, many quartets, oratorios, sonatas, concertos, etc. As a true representative of the Enlightenment, Haydn was the most famous composer in Europe in the 18th century.
Frederick William Herschel (German: Friedrich Wilhelm Herschel) was a German-born British astronomer and composer. He frequently collaborated with his younger sister and fellow astronomer Caroline Herschel (1750–1848). Born in the Electorate of Hanover, William Herschel followed his father into the military band of Hanover, before emigrating to Great Britain in 1757 at the age of nineteen.
Francis Hopkinson was an American politician, member of the Continental Congress, lawyer, writer and composer.
Hopkinson was educated at Philadelphia College and studied law and was admitted to the bar. In 1774 Hopkinson was appointed a member of the governor's council, and in 1776 he represented New Jersey in the Continental Congress and signed the Declaration of Independence. He was a judge of the Pennsylvania admiralty court from 1779 to 1789 and then served as U.S. District Judge for eastern Pennsylvania until his death.
Hopkinson is credited as one of the designers of the Flag of the United States as well as continental paper bills. As an artist, he designed the seal of the American Philosophical Society, the seal of the State of New Jersey, and the seals of various departments of the U.S. government.
In addition to politics, Hopkinson dabbled in the arts: he played the harpsichord and composed music, and wrote poetry and essays. During the Revolution, he mocked the British and their Loyalist supporters in witty political satires. After the Revolution, he maintained an active correspondence with Benjamin Franklin, George Washington, and Thomas Jefferson.
James Lyon was a clergyman and one of the first American composers.
James Lyon was one of the few composers in mid-eighteenth-century America. He earned a master's degree from the College of Philadelphia and became a Presbyterian minister. He is known to have begun writing music while still a student. While living in Philadelphia, Lyon published his Urania, or Select Collection of Psalms, Hymns, and Anthems, in 1761. It contained many English tunes as well as six original pieces by Lyon. Lyon is believed to be the author of the tune that eventually became the song "America (My Country 'Tis of Thee)."
He served the Congregational Church in Machias, Maine from 1771 until his death in 1794. James Lyon was an ardent and active patriot and even made George Washington a detailed proposal to conquer Nova Scotia.
Thomas Moore was a British poet, songwriter and composer, a representative of Irish Romanticism.
Thomas graduated from Dublin University, from the age of 14 he collaborated with various Dublin journals. In 1800 he published his "Odes of Anacreon", and a year later - a collection of Poems by the late Thomas Little ("Poems by the late Thomas Little") and became widely known. Visiting the United States, Moore published a collection of poems, where he spoke about this country very sharply.
In 1812, Thomas Moore met Byron, became his close friend and wrote one of the best biographies of him, published in 1835. Moore's most famous works are "The Last Rose of Summer" and the collection "Irish Melodies" (1807-1834), which brought him a stable income for many years. In Russia, however, he is known primarily for the poem Those evening bells from the collection published in 1818. The poem was translated by Ivan Kozlov, and it turned into the famous and beloved song "Evening Bells".
Wolfgang Amadeus Mozart, full name Johann Chrysostomus Wolfgang Amadeus Mozart, was an Austrian composer and virtuoso musician. Mozart is one of the greatest composers in music history on par with Beethoven and Haydn.
Wolfgang was born into the family of violinist and composer Leopold Mozart (1719-1787), at the age of five he had already begun composing and gave his first public performance. His older sister Maria Anna (1751-1829) was also a prodigy, and from 1763 Leopold and his children began traveling around Europe with performances.
Mozart had a phenomenal musical ear, memory and was a superb improviser. Unlike any other composer in music history, he was versatile and wrote in all musical genres of his time. During his short life, Mozart composed more than 800 works, many of which are recognized as the pinnacle of the symphonic, concert, chamber, opera and choral repertoire. The general public is familiar with the composer's three operas: The Marriage of Figaro, Don Giovanni and The Magic Flute.
Society did not immediately appreciate the scale of Mozart's genius. It was only many years later that the vivid image of a prodigy, a refined salon composer who could miraculously think through an entire work in his head, gave way to the image of a serious, meticulous and brilliant creator of music.
Giovanni Battista Pergolesi, born Giovanni Battista Draghi, was an Italian composer, violinist and organist, a leading representative of the Baroque and Neapolitan school.
Around 1720 he entered the Poveri Conservatory in Naples, where he earned a high reputation as a violinist. In 1732 Pergolesi was appointed maestro of the Prince of Stigliano's Chapel in Naples and soon composed his most successful work, the opera-buffa The Lady's Maid, which quickly gained popularity. His subsequent operas did not achieve the same success.
The Lady's Maid became much more popular when it was staged in Paris in 1752 after the composer's death. It also sparked fierce debate between conservatives, supporters of traditional French opera, and fans of the new Italian comic style. Pergolesi's opera-buffa became a forerunner of subsequent classical works: these are W. A. Mozart's The Marriage of Figaro, J. Rossini's The Barber of Seville, G. Verdi's Falstaff, I. Stravinsky's The Moor, and others.
Alongside secular music Pergolesi composed sacred music. His masses and hymns demonstrate the composer's ability to cope with large choral and instrumental forces, as well as with chamber music. Shortly before his death, he composed the cantata Stabat Mater, one of the composer's most inspired works, written for a small chamber ensemble (soprano, viola, string quartet and organ), filled with sublime, sincere and heartfelt lyrical feeling.
Fate, however, was not favorable to the young talent: Giovanni Battista Pergolesi died of tuberculosis in extreme poverty at the age of 26.
Jean-Philippe Rameau was a French late Baroque composer and music theorist.
Jean-Philippe's father worked as an organist all his life, so his son learned notes before he learned to read. He continued his musical education in Milan, playing the organ, violin and harpsichord. Rameau wrote works for the Paris theaters, composed sacred and secular music, and in 1745 became a court composer.
Rameau wrote many pieces for harpsichord, works for chorus and cantatas. Today he is recognized as the greatest French composer and the most prominent figure in the music of the 18th century.
Ludwig van Beethoven was a German composer, pianist, and conductor, one of the most famous and celebrated composers in world history.
Beethoven showed an aptitude for music at a very early age; from the age of four his father began to teach him. Beethoven's early works - piano sonatas and symphonies - were composed under the strong influence of the music of the great classical composers Joseph Haydn and Wolfgang Amadeus Mozart. As Beethoven matured, however, he began to experiment with new forms and harmonic sequences, and his music became more complex and emotionally charged.
Unfortunately, at the height of his talent, Beethoven began to gradually lose his hearing, to the point of complete deafness by the end of his life. Despite this, he continued to compose and conduct, using special devices to feel the vibrations of the music.
Beethoven's work is considered pivotal in classical music and is a bridge between the classical and Romantic eras. His works vividly express a wide range of emotions, from triumph and joy to sadness and despair. Beethoven was also one of the first composers to include soloists and chorus in his symphonies. Beethoven's best-known works include nine symphonies, 32 piano sonatas, 16 string quartets and the heroic opera Fidelio. These and many other works have cemented Beethoven's place in music history as one of the greatest composers of all time. His music continues to be played and studied by musicians and music lovers around the world.
Carl Maria von Weber, full name Carl Maria Friedrich Ernst von Weber, was a German opera composer and conductor during the transition from classical to romantic music, pianist and music critic.
Weber was born into a musical and theatrical family, and his father cherished dreams of making him a second Mozart. The young Weber received his first appointment when he became the musical director of Duke Eugene of Württemberg, for whose private orchestra he wrote two symphonies, then he was secretary at the court of King Frederick I of Württemberg. At the same time he composed musical works, gaining experience and knowledge.
In 1813 Weber was appointed conductor of the opera in Prague, and four years later he was appointed director of the German opera in Dresden. Here he deployed his talents, taking on the entire job of preparing an opera production: he selected the repertoire, staff and actors; he handled the scenery, lighting and staging, as well as the orchestra and singers, taking special care to ensure that each performer fully understood the words and plot of each opera. The composer also found time to compose his own works.
During this period he created the opera The Free Rifleman (1821), where he was able to free German opera from French and Italian influences. The opera was first successfully staged in Berlin and then traveled throughout Europe. "The Free Rifleman" is the most popular German opera written to date, and it marked the beginning of German Romantic opera. Weber also wrote the operas Euryanthe (1823), Oberon (1826), and others.
Carl Weber composed many fugues, sonatas, concertos, and sacred music, and was also one of the significant piano virtuosos and music critics. From 1809 to 1818, he wrote a considerable number of reviews and quite incisive music criticisms. All his activities, music and critical writings promoted the ideals of Romanticism as an art in which feeling prevails over form and heart over head.