Painters Italy 15th century 16th century
![Francesco Albani](/assets/image/ArtImage_26307/106fa/vilfrancescoalbanijpeg__fix_147_180.jpeg)
![Francesco Albani](/assets/image/ArtImage_26307/a8623/vilfrancescoalbanijpeg__fix_86_98.jpeg)
Francesco Albani was a renowned Italian painter and fresco artist. He is celebrated for his contributions to the academic Bolognese school, which was profoundly influenced by the Carracci family, under whom Albani trained. Albani's artistic journey began at the young age of 12, marking the start of a career that would see him become one of the 17th-century's most esteemed Bolognese masters.
Francesco Albani's style is characterized by its lyricism and often features cherubic figures, a trait that became his signature. Despite not embracing the monumentality or tenebrism prevalent in the works of his contemporaries, his thematic appeal and mannerist elegance have earned him a place in art history. His works often comprise mythological and religious scenes, executed with a refined and lyrical view of nature. This approach helped disseminate the classical ideals prominent in Carracci's landscapes.
Among Francesco Albani's notable works are his frescoes in the Hall of Aeneas at Palazzo Fava in Bologna and Palazzo Doria Pamphilj in Rome, and his paintings "The Judgment of Paris" and "The Toilet of Venus". His works can be found in prestigious collections worldwide, including the Museo del Prado, Galleria Borghese in Rome, and the Hermitage in St. Petersburg.
Francesco Albani's influence extended beyond his lifetime, with his classicising and idealised scenes finding favor with 18th-century French painters and collectors. However, his popularity waned during the 19th century. Despite this, his work remains an integral part of the study of Baroque art, particularly in understanding the transition from Mannerism to Baroque styles.
For collectors and experts in art and antiques, the legacy of Francesco Albani presents an opportunity to explore a pivotal moment in the history of Italian painting. His works not only provide aesthetic pleasure but also serve as important cultural artifacts, offering insights into the artistic trends and societal values of the 17th century.
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![Cherubino Alberti](/assets/image/ArtImage_37008/e9e43/cherubino-albertijpg__fix_147_180.jpeg)
![Cherubino Alberti](/assets/image/ArtImage_37008/1009c/cherubino-albertijpg__fix_86_98.jpeg)
Cherubino Alberti, also called Borghegiano, was an Italian engraver and painter. He is most often remembered for the Roman frescoes completed with his brother Giovanni Alberti during the papacy of Clement VIII. He was most prolific as an engraver of copper plates.
![Mariotto Albertinelli](/assets/image/ArtImage_53106/36e6e/mariotto-albertinelli3jpg__fix_147_180.jpeg)
![Mariotto Albertinelli](/assets/image/ArtImage_53106/56578/mariotto-albertinelli3jpg__fix_86_98.jpeg)
Mariotto Albertinelli, an Italian painter born in 1474, was a prominent figure in the High Renaissance, celebrated for his contribution to the Florentine school of painting. Albertinelli's work is distinguished by its adherence to the principles of the Renaissance, characterized by a profound appreciation for classical beauty, balanced compositions, and a deep engagement with religious themes.
Known for his collaboration with Fra Bartolommeo, Albertinelli's artistry was marked by a harmonious blend of spirituality and naturalism. His paintings are revered for their delicate handling of religious subjects, brought to life with vivid realism and emotional depth. This unique approach made him a pivotal figure in the evolution of Renaissance art, bridging the gap between the divine and the human.
Among his renowned works, the "Visitation of the Virgin Mary" stands out as a masterpiece, showcasing his skillful use of color and perspective to enhance the narrative. Albertinelli's contributions can be found in several prestigious museums and collections around the world, offering a testament to his enduring legacy.
For collectors and connoisseurs of art and antiques, Mariotto Albertinelli represents the quintessence of Renaissance artistry. His works not only capture the aesthetic ideals of his time but also reflect the cultural and spiritual aspirations of the era.
To delve deeper into the life and art of Mariotto Albertinelli and stay informed about upcoming exhibitions, sales, and auctions featuring his work, signing up for updates is essential. This subscription ensures that enthusiasts and collectors alike remain connected to the vibrant legacy of this Renaissance master, offering exclusive insights and opportunities to enhance their appreciation and collection.
![Francesco Allegrini](/assets/image/ArtImage_37549/25a95/francescoallegrinijpg__fix_147_180.jpeg)
![Francesco Allegrini](/assets/image/ArtImage_37549/15650/francescoallegrinijpg__fix_86_98.jpeg)
Francesco Allegrini da Gubbio was an Italian painter of the Baroque period.
He was admired as a battle painter. He was active in Rome, Genoa, Savona, and Naples. In Rome, he painted in the Vatican Loggias. He also painted in the church of San Marco, Rome, and the chapel of San Antonio in the church of Santi Cosma e Damiano. He painted for the Casa Durazzo in Genoa. In Savona he painted for the Palazzo Gavotti and the Savona Cathedral.
![Cristofano Allori](/assets/image/ArtImage_33132/aa547/vilallori-cristofanojpg__fix_147_180.jpeg)
![Cristofano Allori](/assets/image/ArtImage_33132/5f05b/vilallori-cristofanojpg__fix_86_98.jpeg)
Cristofano Allori was an Italian painter of the late Florentine Mannerist school, painting mostly portraits and religious subjects. Allori received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani. When still young he became a court portraitist for the Medicis, though many of his commissions were replicas of portraits by his predecessor Bronzino, or had participation by others.[citation needed. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His most famous work, in his own day and now, is Judith with the Head of Holofernes.
![Alessandro Allori](/assets/image/ArtImage_44093/8e068/alessandro-allorijpg__fix_147_180.jpeg)
![Alessandro Allori](/assets/image/ArtImage_44093/1efaa/alessandro-allorijpg__fix_86_98.jpeg)
Alessandro Allori, full name Alessandro di Cristofano di Lorenzo del Bronzino Allori, was an Italian painter of the Florentine school of late Mannerism.
Allori was one of the major artists of Florence in the late 16th century. He painted prostrate images and portraits. His son Cristofano Allori (1577-1621) also became an artist.
![Fra Angelico](/assets/image/ArtImage_9470/56b19/frajpg__fix_147_180.jpeg)
![Fra Angelico](/assets/image/ArtImage_9470/95353/frajpg__fix_86_98.jpeg)
Fra Angelico, a name synonymous with the serenity and purity of Early Renaissance art, was a Dominican friar and Italian painter celebrated for his devout and luminous religious works. Born Guido di Pietro around 1395 in Vicchio, near Florence, he later became known as Fra Giovanni upon joining the Dominican order at Fiesole. His monastic life profoundly influenced his art, reflecting a deep spiritual commitment and a heavenly tranquility. Pope John Paul II recognized his sanctity by beatifying him in 1982, officially bestowing upon him the title "Blessed" and affirming his legacy as a bridge between heaven and earth through his art.
Fra Angelico's technical prowess and innovative approaches to composition and color set new standards in the art world. He was initially trained as an illuminator, which is evident in the delicate details and luminous quality of his works. His art was not confined by his religious duties; instead, his position allowed him to advance the Dominican order's mission through visually compelling narratives that spoke directly to the viewer's soul. His works, including altarpieces and frescoes, are revered for their serene religious attitude and classical influence, embodying the Early Renaissance spirit that sought to harmonize Christian themes with the natural world and human emotion.
Among his most notable contributions are the frescoes at the convent of San Marco in Florence, commissioned by Cosimo de' Medici. These works display Angelico's mastery over perspective and his ability to create a spiritual atmosphere that invites contemplation. The Annunciation, one of his most famous frescoes at San Marco, exemplifies his use of architectural space to frame the sacred narrative, integrating the divine with the everyday. His altarpieces, characterized by their detailed figures and harmonious compositions, were innovative in their unified presentation of sacred stories, moving away from the segmented Gothic style towards a more cohesive and immersive narrative experience.
Fra Angelico's influence extended beyond his lifetime, shaping the trajectory of Renaissance art through his integration of humanistic principles with devout Christian faith. His works are preserved in some of the world's most prestigious museums, including the Museo Diocesano in Cortona, the Uffizi Gallery, and the Museo del Convento di San Marco in Florence, continuing to inspire awe and reverence among viewers.
For collectors and experts in art and antiques, the legacy of Fra Angelico offers a window into the soul of the Renaissance, where beauty and spirituality converge. To stay informed about new product sales and auction events related to this pivotal artist, signing up for updates is a prudent step towards enriching one's collection with works that embody the zenith of religious and artistic expression in the Early Renaissance.
![Amico Aspertini](/assets/image/ArtImage_43209/41e88/amico-aspertini3jpg__fix_147_180.jpeg)
![Amico Aspertini](/assets/image/ArtImage_43209/55e2f/amico-aspertini3jpg__fix_86_98.jpeg)
Amico Aspertini was an Italian Renaissance painter, draughtsman, and sculptor, considered one of the leading representatives of the Bolognese school of painting.
He was trained in the family workshop and was influenced by the artists of the Ferrara school, Ercole de'Roberti, Lorenzo Costa, and Francesco Francia. He worked as a painter and sculptor, and was also an excellent draughtsman, as evidenced by his many surviving drawings and sketches. Contemporaries marveled at his complex and impulsive character and noted that he worked with both hands simultaneously.
Aspertini painted splendid portraits as well as numerous frescoes and altarpiece paintings in chapels and churches in Italy. Many of his works are eccentric and eclectic, even whimsically fantastical, his complex style anticipating Mannerism.