Painters Italy 15th century 16th century
![Carletto Caliari](/assets/image/ArtImage_37544/8c3b7/carletto-caliarijpg__fix_147_180.jpeg)
![Carletto Caliari](/assets/image/ArtImage_37544/5ddd1/carletto-caliarijpg__fix_86_98.jpeg)
Carlo Cannovaro Caliari was an Italian artist of the Renaissance period. He is also known as Carletto. The youngest son of Paolo Veronese, Caliari was active mainly in Venice, where he worked and inherited the studio of his far more famous father, and later worked along with his brother Gabriele and his uncle, Benedetto.
![Vincenzo Campi](/assets/image/ArtImage_54165/8e20f/vincenco-kampijpg__fix_147_180.jpeg)
![Vincenzo Campi](/assets/image/ArtImage_54165/bcbf3/vincenco-kampijpg__fix_86_98.jpeg)
Vincenzo Campi was a notable painter of the 16th century, widely recognized for his unique style that combined traditional subjects with everyday life. Campi's journey in the world of art was influenced by his family background, as he trained under his brother Giulio and was part of a family of Italian painters known for their contributions to Mannerist painting.
Vincenzo Campi's paintings stood out for their vivid depictions of market scenes and kitchen tableaux, focusing on everyday objects and food with an extraordinary level of realism. This approach was quite innovative for his time. His works like "Pescivendoli" (The Fishmongers, 1579) and "The Ricotta Eaters" (1580) are emblematic of his style, combining elements of still life and genre painting. In "The Ricotta Eaters," for instance, Campi artistically weaves together themes of food and sensuality, presenting a scene that is both a hymn to life and pleasure and a subtle commentary on social classes and morality.
Vincenzo Campi's paintings were not just mere representations of daily life; they often carried deeper social and cultural meanings. For instance, in his depiction of the lower working classes in "Fishmongers," he illustrated contemporary beliefs regarding food's appropriateness based on social hierarchy. The paintings of commoners consuming foods like beans, dark bread, and cheese, as shown in "The Ricotta Eaters," reflected the societal norms of the time regarding class and diet.
Vincenzo Campi's work did not only portray the peasants in a crude or humorous light, but also carried a sophisticated blend of comedy and criticism, reflecting a deeper understanding of the human condition and social structures of his time.
Campi's style and themes influenced other artists in Cremona and contributed to the development of genre painting in northern Italy. His work, in some ways, served as a precursor to Caravaggio’s realism that emerged in the subsequent decade.
For collectors and connoisseurs of art and antiques, Vincenzo Campi's paintings offer a unique window into the societal and cultural aspects of 16th-century Italy, blending everyday life with deeper social commentaries. His work continues to be an important part of the conversation in the history of art.
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![Peter Candid](/assets/image/ArtImage_41412/8061f/peter-candidjpg__fix_147_180.jpeg)
![Peter Candid](/assets/image/ArtImage_41412/443c0/peter-candidjpg__fix_86_98.jpeg)
Peter Candid was a Flemish painter, tapestry designer, draughtsman and sculptor.
Pieter Candide worked mainly in Italy and Germany. He was an artist at the court of the Medici in Florence and at the Bavarian court of Duke Wilhelm V and his successor Maximilian I in Munich.
His paintings range from historical paintings, portraits, mythological scenes and allegories. He created large altarpiece images as well as complex decorative designs.
Candide's style was characterised by a combination of Italian and Flemish influences, with a particular emphasis on detailed, realistic depictions of the human form.
![Giovanni Battista Caracciolo](/assets/image/ArtImage_41756/ee3c6/battistello-caracciolojpg__fix_147_180.jpeg)
![Giovanni Battista Caracciolo](/assets/image/ArtImage_41756/ee49b/battistello-caracciolojpg__fix_86_98.jpeg)
Giovanni Battista Caracciolo, known as Battistello Caracciolo, was an early Baroque Italian painter.
Caracciolo was a follower of Caravaggio, a style that became the foundation for his work. He painted paintings and frescoes with scenes on religious themes.
![Angelo Caroselli](/assets/image/ArtImage_33264/e3e11/vilcaroselliangelojpg__fix_147_180.jpeg)
![Angelo Caroselli](/assets/image/ArtImage_33264/94031/vilcaroselliangelojpg__fix_86_98.jpeg)
Angelo Caroselli was an Italian painter, born and active during the Baroque period, primarily in Rome. Known for his eclectic style, Caroselli's work was significantly influenced by Caravaggio, evident in the naturalism and chiaroscuro that marked his compositions. His subject matter often included colorful characters from contemporary Rome, scenes of witchcraft, musicians, and genre scenes reflective of the Caravaggisti, a group of artists who followed Caravaggio's stylistic approach. Caroselli's ability to blend allegories, religious works, and portraits with genre scenes showcased his search for originality and a unique narrative voice within the Baroque movement.
Angelo Caroselli's career was marked by his versatility as not only a painter but also an art restorer, copyist, and possibly a forger. This breadth of skills contributed to the diverse body of work he left behind, which ranged from scenes of everyday life to complex allegorical compositions. His works often depicted the lower echelons of society, including musicians, card players, and prostitutes, infused with a potent naturalism that brought these figures to life against the backdrop of 17th-century Rome.
Despite his adherence to Caravaggesque forms and themes, Angelo Caroselli's work also displayed 'archaicising' elements, which some art historians view as a conscious departure from the dominant Baroque style of his time. This aspect of his work, along with his skill in copying the works of ancient masters, highlights a deliberate exploration of and departure from the prevailing artistic norms, contributing to the unique place he occupies in Baroque art history.
Notably, Caroselli's influence extended beyond Italy, affecting the work of other Caravaggisti, including the Lucchese painter Pietro Paolini and the Dutch painter Dirck van Baburen. This cross-cultural impact underscores the broader significance of Caroselli's work within the Baroque period and its enduring influence on subsequent generations of artists.
His legacy includes several known works that are housed in prestigious institutions and collections worldwide, exemplifying the enduring appeal and historical importance of his artistic contributions. Among these, "The Plague at Ashdod (after Poussin)" stands out as a significant piece, reflecting his capability to engage with and reinterpret the works of his contemporaries and predecessors.
For collectors and experts in art and antiques, Caroselli's oeuvre offers a fascinating glimpse into the Baroque period's complexity, characterized by a blend of innovation, tradition, and a deep engagement with the human condition. His work remains a testament to the vibrancy and dynamism of 17th-century Italian art, inviting ongoing exploration and appreciation.
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![Vittore Carpaccio](/assets/image/ArtImage_15442/b6da0/4eujpg__fix_147_180.jpeg)
![Vittore Carpaccio](/assets/image/ArtImage_15442/810d3/4eujpg__fix_86_98.jpeg)
Vittore Carpaccio, an illustrious Italian painter, was a master of narrative storytelling and vivid detail, flourishing in Venice between 1465 and 1526. His specialization in religious and historical scenes set him apart, with a particular knack for infusing life and emotion into every brushstroke. Carpaccio's work exemplifies the Venetian School's richness, noted for its deep colors and intricate details that capture the viewer's imagination.
Carpaccio is renowned for his ability to weave intricate narratives through his paintings, often depicting scenes from the lives of saints with both devotion and a keen eye for daily Venetian life. His works are celebrated for their meticulous attention to architectural and costume details, offering a window into the Renaissance period's social and cultural contexts.
Among his known masterpieces, the cycle of paintings dedicated to the legend of Saint Ursula in the Scuola di San Giorgio degli Schiavoni in Venice stands as a testament to his narrative prowess and technical skill. These works, alongside others housed in prestigious galleries worldwide, underscore Carpaccio's significant contribution to the art world, making him a subject of admiration among collectors and art historians alike.
For those fascinated by the splendor of the Renaissance and the beauty of Venetian artistry, Vittore Carpaccio's oeuvre offers a rich tapestry of historical and religious narratives brought to life through his exceptional talent. His legacy continues to inspire and captivate, embodying the essence of one of the most vibrant periods in art history.
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![Agostino Carracci](/assets/image/ArtImage_37540/8b41a/agostino-carraccijpg__fix_147_180.jpeg)
![Agostino Carracci](/assets/image/ArtImage_37540/c4fbd/agostino-carraccijpg__fix_86_98.jpeg)
Agostino Carracci, an Italian painter and printmaker born in 1557 in Bologna, is celebrated not just for his own art but also for his significant contributions alongside his brother Annibale and cousin Ludovico to the revitalization of Italian painting at the end of the sixteenth century. While Agostino's paintings are noteworthy, he is particularly distinguished as one of the premier printmakers of his era, producing high-quality reproductive engravings of works by renowned artists like Veronese and Tintoretto, as well as his original creations.
His collaborative work with Annibale on the frescoes for the gallery of the Palazzo Farnese in Rome is one of the notable highlights of his career, demonstrating the Carracci family's impact on the direction of Italian art towards a more realistic and classical style, countering the prevalent Mannerist tendencies of their time. His untimely death in 1602 in Parma curtailed a career that, through his engravings and teachings at the informal academy founded in Bologna with his relatives, influenced a broad swath of the art world, including future generations.
For art collectors and experts, Agostino Carracci's works offer a glimpse into a pivotal moment in art history, where a shift towards classical realism was being forged. His engravings and paintings remain a testament to his skill and a vital part of the narrative of Italian art's evolution.
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![Annibale Carracci](/assets/image/ArtImage_14562/10f9d/234u5kengsoljpg__fix_147_180.jpeg)
![Annibale Carracci](/assets/image/ArtImage_14562/94419/234u5kengsoljpg__fix_86_98.jpeg)
Annibale Carracci was an Italian painter and instructor, renowned for his influence in the transition from Mannerism to the Baroque style. Born into a humble family in Bologna, Annibale, alongside his brother Agostino and cousin Ludovico, founded the Accademia degli Incamminati, promoting a new artistic approach that combined a thorough study of nature with the study of previous art masters. This approach aimed to form a universal style, distinguishing their work from the mannered art of their contemporaries.
Annibale's work in Rome, especially his frescoes in the Palazzo Farnese, showcased his mastery of illusionistic elements, drawing inspiration from classical antiquity and the works of Michelangelo Buonarroti and Raphael. His work on the Galleria Farnese ceiling is particularly noted for its integration of classical ideals with dynamic Baroque energy, making it a seminal work in the evolution of Baroque art. His style influenced a myriad of artists, including Peter Paul Rubens, Nicolas Poussin, and Gian Lorenzo Bernini, and his approach to painting, emphasizing a blend of idealism with observational naturalism, set a new standard for European art.
Annibale Carracci's legacy extends beyond his frescoes; his genre paintings and landscapes were pivotal in elevating these forms to new prominence. His innovative techniques and thematic versatility have ensured his esteemed place in art history, influencing the trajectory of 17th-century European art.
For art collectors and experts, Annibale Carracci's works represent a pivotal moment in the evolution of European painting, showcasing a transition from the detailed naturalism of the Renaissance to the expressive dynamism of the Baroque. His influence is evident in the works of subsequent generations of artists, marking him as a figure of immense historical and artistic significance.
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![Lodovico Carracci](/assets/image/ArtImage_26306/b7adc/ludovicocarracciviljpeg__fix_147_180.jpeg)
![Lodovico Carracci](/assets/image/ArtImage_26306/dbeee/ludovicocarracciviljpeg__fix_86_98.jpeg)
Lodovico Carracci was a significant Italian painter and printmaker from Bologna, renowned for his contributions to Baroque art and the Bolognese school. He was a pivotal figure in reinvigorating Italian art, particularly fresco art, which had been overshadowed by the formalistic Mannerism of the late Renaissance period.
His works are distinguished by their emotional depth and spiritual intensity, often achieved through bold gestures and dramatic lighting. As an artist, he was instrumental in establishing the Carracci workshop and style, alongside his cousins Agostino and Annibale Carracci. Together, they founded an art academy in Bologna around 1585 that focused on a naturalistic approach to painting, emphasizing life drawing and a return to classical principles.
Lodovico Carracci was known for his skillful use of colour and his ability to create harmonious and balanced compositions. His works often depicted religious and mythological subjects and he was particularly famous for his frescoes, which adorned many churches and palaces in Bologna. He was also an influential teacher, with Guido Reni and Domenichino among his pupils.
Among Carracci's known works are notable religious compositions like "The Lamentation" and "Madonna and Child with Saints," which are now housed in prestigious museums such as The Metropolitan Museum of Art in New York. He also worked on significant fresco cycles in private palaces, such as the cycle depicting the story of Jason and the Argonauts in the Palazzo Fava, completed in 1584.
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![Alessandro Casolani](/assets/image/ArtImage_33192/2f82c/vilcasolani-alessandrojpg__fix_147_180.jpeg)
![Alessandro Casolani](/assets/image/ArtImage_33192/9dbea/vilcasolani-alessandrojpg__fix_86_98.jpeg)
Alessandro Casolani was an Italian painter of the late-Renaissance period, active mainly in Siena. He was also called Alessandro della Torre. His works are principally in the churches of Siena, but are also found in Naples and Genoa. He also etched one plate, a Madonna. His son, Ilario Casolani was also a painter. Among the pupils of Casolani are Bernardino Capitelli, Sebastiano Folli, and Giovanni Biliverti.
![Giovanni Battista Castello](/assets/image/ArtImage_33436/e4e8c/vilcastellogiovanni-battistajpg__fix_147_180.jpeg)
![Giovanni Battista Castello](/assets/image/ArtImage_33436/c72e1/vilcastellogiovanni-battistajpg__fix_86_98.jpeg)
Giovanni Battista Castello was an Italian historical painter. His best-known works are the paintings on the vault of the Basilica della Santissima Annunziata del Vastato. He was an architect and sculptor as well as painter. He painted of the Martyrdom of St. Sebastian in the monastery of San Sebastiano. He worked on various projects with his friend Cambiaso, including in a chapel for the Duomo di San Lorenzo.
![Bernardo Castello](/assets/image/ArtImage_33329/faafc/vilcastello-bernardojpg__fix_147_180.jpeg)
![Bernardo Castello](/assets/image/ArtImage_33329/d37d2/vilcastello-bernardojpg__fix_86_98.jpeg)
Bernardo Castello (or Castelli) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait and historical painter. He was apprenticed under Andrea Semino and Luca Cambiaso, then travelled throughout Italy, meeting other painters and creating his own particular style. During his career he painted many works and was appreciated by famous poets with whom he had friendships. Beside working in Genoa, Castello was employed in Rome and worked also for the Duke of Savoy, Charles Emmanuel I.
![Giacomo Cavedone](/assets/image/ArtImage_41484/2928f/giacomo-cavedonejpg__fix_147_180.jpeg)
![Giacomo Cavedone](/assets/image/ArtImage_41484/54738/giacomo-cavedonejpg__fix_86_98.jpeg)
Giacomo Cavedone was an Italian Baroque painter who worked in Bologna. He was a pupil of Lоdovico Carracci, one of the founders of the Accademia Carracci, which was the leading artistic institution in Bologna.
Giacomo Cavedone was known for his skilful use of chiaroscuro and his ability to create dramatic and emotional scenes. He painted both religious and secular subjects, including portraits, mythological scenes and historical events.
In addition to his career as a painter, Cavedone also worked as an engraver and was involved in the decoration of several palaces in Bologna.
![Giuseppe Cesari (Cavalier d'Arpino)](/assets/image/ArtImage_32692/74e6a/dzuzeppe-cezarijpg__fix_147_180.jpeg)
![Giuseppe Cesari (Cavalier d'Arpino)](/assets/image/ArtImage_32692/47ce0/dzuzeppe-cezarijpg__fix_86_98.jpeg)
Giuseppe Cesari was an Italian Mannerist painter, also named Il Giuseppino and called Cavaliere d'Arpino, because he was created Cavaliere di Cristo by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome.
![Bartolomeo Cesi](/assets/image/ArtImage_33415/2a302/vilcesi-bartolomeojpg__fix_147_180.jpeg)
![Bartolomeo Cesi](/assets/image/ArtImage_33415/fe168/vilcesi-bartolomeojpg__fix_86_98.jpeg)
Bartolomeo Cesi was an Italian painter and draftsman of the Bolognese School. He made easel paintings as well as frescoes. He is known mainly for his religious paintings but he also painted portraits and mythological scenes.
![Gherardo Cibo](/assets/image/ArtImage_37531/8a1c1/gherardo-cibojpg__fix_147_180.jpeg)
![Gherardo Cibo](/assets/image/ArtImage_37531/6c5b0/gherardo-cibojpg__fix_86_98.jpeg)
Gherardo Cibo also known by the alias of Ulisse Severini da Cingoli was an artist and a herbalist from Italy. The herbarium that he began in 1532 is the oldest surviving example of the method invented in Italy by his contemporaries and is preserved in Rome. His illustrations of plants show plants in the foreground with landscapes and details of people and places in the background.
![Lorenzo di Credi](/assets/image/ArtImage_34659/7e9f8/lorenco-di-kredijpg__fix_147_180.jpeg)
![Lorenzo di Credi](/assets/image/ArtImage_34659/659d3/lorenco-di-kredijpg__fix_86_98.jpeg)
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
![Domenico Cresti](/assets/image/ArtImage_33151/1d523/vilpassignano-domenicojpg__fix_147_180.jpeg)
![Domenico Cresti](/assets/image/ArtImage_33151/a5461/vilpassignano-domenicojpg__fix_86_98.jpeg)
Domenico Passignano, born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-Maniera (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century.
![Protasio Crivelli](/assets/image/ArtImage_43196/010ab/protasio-crivellijpg__fix_147_180.jpeg)
![Protasio Crivelli](/assets/image/ArtImage_43196/0283a/protasio-crivellijpg__fix_86_98.jpeg)
Protasio Crivelli was an Italian painter who worked in Milan during the late fifteenth and early sixteenth centuries.
He studied at the studio of Marco d'Ogiono, a representative of the Lombard Renaissance. Many of his works are in churches in the Neapolitan area.