Painters Italy 15th century 16th century
![Jan van der Straet](/assets/image/ArtImage_1217/3aa94/stratjpg__fix_147_180.jpeg)
![Jan van der Straet](/assets/image/ArtImage_1217/3a768/stratjpg__fix_86_98.jpeg)
Jan van der Straet (Italian: Giovanni Stradano, Latin: Stradanus) was a Flemish and Italian Mannerist painter.
Van der Straet is best known for his large-scale frescoes, which decorate several important buildings in Florence and Rome. He also created numerous prints and paintings on a variety of subjects, including mythology, biblical scenes, and historical events.
One of his most famous works is a series of prints called Nova Reperta (New Discoveries), which depict some of the major technological advancements of the 16th century, such as the printing press, the compass, and the telescope. The series was highly influential and helped to spread knowledge and awareness of these new technologies throughout Europe.
Van der Straet was a highly skilled artist and his works are known for their attention to detail and realism. He was also a skilled draftsman and many of his drawings and sketches have survived to this day. His influence can be seen in the works of many later artists, including Rubens and Rembrandt.
![Giorgio Vasari](/assets/image/ArtImage_39/e6d92/dzordzio-vazari-avtoportret-1568jpg__fix_147_180.jpeg)
![Giorgio Vasari](/assets/image/ArtImage_39/85caa/dzordzio-vazari-avtoportret-1568jpg__fix_86_98.jpeg)
Giorgio Vasari, polymath of the Italian Renaissance, left an indelible mark on painting, architecture, and art history. Born on July 30, 1511, in Arezzo, Italy, Vasari was deeply influenced by the patronage of the Medici family during his artistic education in Florence. Exposure to the works of Andrea del Sarto and the profound influence of Michelangelo's work shaped his development as an artist and architect. Vasari's artistic career was characterized by his contributions throughout Italy, including significant works in Florence and Rome, and his role in founding the Florentine Academy and the Society of the Fine Arts in 1563 underscores his commitment to art and education.
Vasari's architectural skill is evident in the design of the Uffizi Loggia in Florence, testifying to his ability to combine functionality with aesthetic grandeur, creating a space that harmonizes with the urban landscape while blending into the riverside environment. His contribution extends to the Vasari Corridor, an architectural marvel that connects the Uffizi to Palazzo Pitti across the Arno River, demonstrating his innovative approach to public and private space.
Perhaps Vasari's most enduring legacy stems from his seminal work, Lives of the Most Excellent Painters, Sculptors, and Architects, in which he outlined biographies of Renaissance artists, laying the foundation for the discipline of art history. This work not only elevated the status of artists in society, but also created a history of the development of art that emphasizes the Renaissance as a period of rebirth and innovation. Vasari's narratives, although their accuracy is sometimes criticized, remain a cornerstone in the study of Renaissance art, offering invaluable insights into the lives and works of the era's most prominent figures.
Vasari's work is represented in prominent museums and galleries, including the Minneapolis Institute of Arts and the National Gallery of Art, which houses important works such as the Six Tuscan Poets and works commissioned by the Pope. His architectural and artistic contributions, combined with his innovative historiographical approach, have cemented his reputation as a key figure of the Renaissance and the annals of art history.
Giorgio Vasari's multifaceted contributions to painting, architecture, and art history not only underscore his genius, but also play a key role in shaping our understanding of the Renaissance. His works and writings continue to inspire collectors, experts, and enthusiasts. For those seeking to delve deeper into the world of Renaissance art and Vasari's profound influence, subscribing to updates on new sales and auction events related to Vasari can offer a wealth of information and the opportunity to explore his enduring legacy.
![Vecchietta](/assets/image/ArtImage_43716/5b3ca/vekkettajpg__fix_147_180.jpeg)
![Vecchietta](/assets/image/ArtImage_43716/f8f09/vekkettajpg__fix_86_98.jpeg)
Vecchietta, real name Lorenzo di Pietro, was an Italian painter, sculptor, architect and jeweller of the Sienese school.
Giorgio Vasari reports about Vecchietta in his treatises, where he characterises him as a gloomy and unsociable man, always immersed in reflection, and therefore did not live long.
Sassetta, Jacopo della Quercia, and the Florentines Mazaccio, Masolino and Donatello played an important role in his training. Later in his life, Vecchietta was the teacher of Francesco di Giorgio and Neroccio de Landi.
![Tiziano Vecellio](/assets/image/ArtImage_9453/45bf1/ticjpg__fix_147_180.jpeg)
![Tiziano Vecellio](/assets/image/ArtImage_9453/9b016/ticjpg__fix_86_98.jpeg)
Tiziano Vecellio, an Italian Renaissance painter from Venice, stands out as a pivotal figure in the art world, renowned for his versatility across various genres like portraits, landscapes, and religious subjects. His influence on the development of Western art, particularly through his revolutionary use of color, is profound and long-lasting.
Born around 1488/90 in Pieve di Cadore, part of the then Republic of Venice, Titian's talent was evident early on. He began his artistic journey in the studio of the Bellini brothers in Venice, later joining forces with Giorgione, another influential painter of the time. This collaboration marked the beginning of a distinguished career that would see Titian become the most sought-after painter in Europe, working for nobility, the Habsburgs, and the papacy.
Titian's style evolved significantly throughout his career. He initially gained recognition for his vibrant, luminous colors and later became famous for his loose brushwork and subtle tonality. This shift was not just a matter of aesthetics but also represented a deeper understanding of color and light. Titian's approach to painting, particularly his use of colore, where he juxtaposed colors to define compositions, contrasted sharply with the line-focused disegno technique of the time. This method contributed significantly to the distinctiveness of Venetian art.
Among his many patrons, Emperor Charles V and his son, Philip II of Spain, were perhaps the most notable. As their official painter, Titian created numerous portraits and mythological works that were celebrated for their psychological depth and expressive use of color. His 'poesie' series for Philip II, including famous works like "Diana and Actaeon," showcased his skill in portraying mythological narratives with a sense of drama and sensuality.
Titian's later works, created in the 1560s and 1570s, are particularly revered for their experimental nature, pushing his art towards what has been termed 'magic impressionism'. These works, like "The Death of Actaeon" and the unfinished "Pietà", demonstrate a radical departure from his earlier style and reflect a continued evolution even in his later years.
For art collectors and experts, Titian's oeuvre represents a crucial link in the history of European art, illustrating the transition from the Renaissance to a more modern, expressive form of painting. His mastery of color and light, combined with his ability to convey deep emotional resonance, continues to influence artists and captivate viewers centuries later.
To stay updated on artworks and auction events related to Tiziano Vecelli, consider signing up for updates. This subscription will ensure you are informed about new product sales and auction events related to this remarkable artist.
![Domenico Veneziano](/assets/image/ArtImage_9471/a981b/matjpg__fix_147_180.jpeg)
![Domenico Veneziano](/assets/image/ArtImage_9471/50688/matjpg__fix_86_98.jpeg)
Domenico Veneziano was an Italian painter, a pivotal figure of the early Renaissance known for his contributions to the development of Florentine art. Born around 1410, possibly in Venice as his surname suggests, Veneziano moved to Florence, where he was influenced by and worked alongside renowned artists such as Gentile da Fabriano and Pisanello. His style, characterized by the innovative use of light and color, played a significant role in the evolution of Renaissance painting. Veneziano's work is noted for its naturalism and sensitivity, marking him as a key precursor to later Renaissance masters.
One of Veneziano's most celebrated works is the Santa Lucia de' Magnoli Altarpiece, created between 1445–1447, now housed in the Uffizi Gallery, Florence. This masterpiece, known for its unique palette and the use of tempera on panel, was originally crafted for the Church of Santa Lucia dei Magnoli. It showcases Veneziano's skillful handling of color and light, qualities that greatly influenced his pupils and contemporaries, including Piero della Francesca.
Despite the scarcity of surviving works, Veneziano's influence on the development of Florentine painting is undeniable. His ability to blend color and mastery in the use of perspective were ahead of his time. Veneziano's legacy also includes teaching and working with Piero della Francesca, further cementing his role in the progression of the Renaissance art movement. Unfortunately, many of Veneziano's frescoes in Perugia and Florence have been lost over time, yet his contributions to the art world continue to be revered by collectors and experts alike.
For art collectors and experts interested in the evolution of Renaissance painting, Veneziano's works represent a significant period of transition and innovation. His influence on subsequent generations of artists underscores the importance of his contributions to the cultural and artistic heritage of the era.
To stay updated on exhibitions, sales, and auction events related to Domenico Veneziano, signing up for updates is recommended. This will ensure enthusiasts are informed about opportunities to explore and acquire works associated with this pivotal artist of the early Renaissance.
![Francesco Ubertini Verdi](/assets/image/ArtImage_41836/efcc6/bacchiacca2jpg__fix_147_180.jpeg)
![Francesco Ubertini Verdi](/assets/image/ArtImage_41836/d9f86/bacchiacca2jpg__fix_86_98.jpeg)
Francesco Ubertini Verdi, nicknamed Bacchiacca, was an Italian late Renaissance painter of the Florentine school.
He was born into a creative family: his father was a goldsmith and his brothers were painters. Bacchiacca earned a reputation for his skill as a painter and became the court painter to the dukes, and carried out commissions to paint walls and ceilings for noble Italian families, painting portraits, allegories, altarpieces and images.
![Paolo Veronese](/assets/image/ArtImage_2669/8a7ff/paoloveroneseavtoportretjpg__fix_147_180.jpeg)
![Paolo Veronese](/assets/image/ArtImage_2669/2f0dc/paoloveroneseavtoportretjpg__fix_86_98.jpeg)
Paolo Veronese, born Paolo Caliari, was a distinguished painter of the 16th-century Venetian school. Renowned for his vibrant use of color and majestic compositions, Veronese's artworks often depicted allegorical, biblical, or historical subjects set within grandiose settings of Renaissance architecture. His mastery in color and illusionary compositions that expand beyond the canvas' confines made him a pivotal figure in the Venetian Renaissance.
His early years were marked by an apprenticeship with Antonio Badile, leading to a significant influence from Mannerist artists and a development of his unique style, characterized by radiant palettes and elegant figures. Paolo Veronese's works, including major altarpieces and large-scale feast scenes, were celebrated for their elaborate detail and classical harmony, reflecting influences from artists like Titian, Raphael, and Parmigianino.
One of Paolo Veronese's specialties was grand scenes of feasts, such as "The Wedding at Cana" and "The Feast in the House of Levi," which showcased his ability to blend narrative with ornate details, often sparking controversy and admiration alike. His significant contributions to the art world, from the full-scale decoration of the Venetian church of S. Sebastiano to the splendid ceiling and wall paintings for the library of S. Marco, left an indelible mark on the Renaissance art scene.
For collectors and experts in art and antiques, Paolo Veronese's works represent a blend of classical beauty, innovative use of color, and narrative depth, making his paintings a significant focus for art historical study and appreciation.
To stay informed about exhibitions and auction events featuring Paolo Veronese's works, art enthusiasts are encouraged to subscribe to updates from reputable art institutions.
![Bonifacio Veronese](/assets/image/ArtImage_15669/b3183/ekuuuujpg__fix_147_180.jpeg)
![Bonifacio Veronese](/assets/image/ArtImage_15669/a08bd/ekuuuujpg__fix_86_98.jpeg)
Bonifacio Veronese, a Venetian painter born in 1487 and active until his death in 1553, was a masterful exponent of the High Renaissance style. His work, deeply rooted in the rich art and culture of Venice, exemplified the era's fascination with color, light, and religious themes.
Bonifacio's paintings are celebrated for their vivid portrayal of religious narratives, often infused with a sense of grace and serenity. His use of vibrant colors and ability to create depth and emotion through his characters set him apart from his contemporaries. One of his notable works, the "Virgin and Child with Saints," showcases his skill in composition and his delicate treatment of figures and landscapes.
His contributions to Venetian painting were significant, helping to shape the course of art history during a period teeming with artistic innovation. Bonifacio's works, found in various museums and galleries, offer a glimpse into the artistic fervor that characterized Venice during the Renaissance.
For collectors and connoisseurs, Bonifacio Veronese's art represents a pivotal chapter in the history of painting. His mastery in depicting religious themes with a unique blend of realism and emotion makes his works a valuable addition to any collection.
To stay informed about upcoming sales and auction events featuring Bonifacio Veronese's works, sign up for our updates. This service ensures you receive timely information on new acquisitions and opportunities to add to your collection, focusing exclusively on Bonifacio Veronese's art.
![Hans von Aachen](/assets/image/ArtImage_439/73041/aahenjpg__fix_147_180.jpeg)
![Hans von Aachen](/assets/image/ArtImage_439/2e6ae/aahenjpg__fix_86_98.jpeg)
Hans von Aachen was a German painter, renowned for his role as a leading representative of Northern Mannerism. His journey into the art world took him from Rome, where he studied antique sculptures and the works of Italian masters, to Florence and then Venice, securing commissions that would define his early career. Notably, his work caught the attention of the Medici family, leading to significant commissions.
By 1592, von Aachen had become the official painter for Emperor Rudolf II in Prague. This position didn't require him to stay at court, allowing him to work from his residence. His relationship with Rudolf II was pivotal, marking a period where his art flourished under the emperor's patronage, celebrated for mythological paintings and complex allegories. The emperor's appreciation for painting and the arts transformed Prague into a significant art center, fostering a style full of elegance and sensuality known as Mannerism.
Hans von Aachen's style, influenced by Italian Mannerism and northern realism, showcased his versatility through portraits, historical, religious subjects, and allegories. His significant works include the "Allegory of Peace, Art and Abundance," depicting personifications of Peace, Science and the Liberal Arts, and Abundance, celebrated for illustrating the flourishing of these ideals under Rudolf II's reign. This piece, among others, found its home in prestigious collections like the Hermitage Museum in Saint Petersburg.
His contribution to the art world was acknowledged by the European courts, merchants, and the nobility. Even after Rudolf II's death, Hans von Aachen continued his work for Matthias, focusing on imperial portraits until his death in Prague in 1615. His legacy, momentarily overshadowed by the nationalistic perspectives of the 19th century, has been reevaluated, recognizing him as a key figure in European cultural exchange and Mannerism.
For art collectors and experts interested in Mannerism and Hans von Aachen's work, his journey from an admired artist at European courts to a celebrated figure in art history underscores the lasting impact of his work. His ability to navigate the cultural and artistic demands of his time, leaving behind a body of work that continues to be studied and appreciated, makes him a fascinating subject of study.
For updates on new product sales and auction events related to Hans von Aachen, sign up here. This subscription is your gateway to exploring the remarkable works of this distinguished Mannerist painter, ensuring you never miss an opportunity to own a piece of history.