Painters Italy 15th century 16th century
![Giulio Raibolini](/assets/image/ArtImage_43342/8108a/giacomoandgiuliofrancia-vilwikijpeg__fix_147_180.jpeg)
![Giulio Raibolini](/assets/image/ArtImage_43342/f8c14/giacomoandgiuliofrancia-vilwikijpeg__fix_86_98.jpeg)
Giulio di Francesco Raibolini, known as Giulio Francia, was an Italian Renaissance painter and the son of the renowned Francesco Francia. He received his training in his father's workshop.
After Francesco's death in 1517, Giulio and his brother Giacomo took over the family business. Together, they created numerous altarpieces for churches in Bologna and the surrounding area. The artistic skills of both brothers were inferior to their father's, as they merely replicated his models with less proficiency. Over time, they were influenced by the art of Raphael and later by the prevailing Mannerist style, while still maintaining the foundation learned in their father's workshop, which eventually became outdated within the mid-16th-century Bolognese painting scene.
![Marcantonio Raimondi](/assets/image/ArtImage_34308/5721c/houghtontyp52568864-vasarilevite-marcantoniojpg__fix_147_180.jpeg)
![Marcantonio Raimondi](/assets/image/ArtImage_34308/e2052/houghtontyp52568864-vasarilevite-marcantoniojpg__fix_86_98.jpeg)
Marcantonio Raimondi, also Marcantonio Francia, was an Italian draftsman and copper engraver. He authored more than 300 engravings of Renaissance artworks, including paintings by Raphael and ancient monuments such as architecture, vases and ornaments.
Marcantonio spent his childhood years in Bologna, but little is known of his mother and father's family. The artist was called "Marco Antonio Bolognese". According to Giorgio Vasari, Marcantonio spent some time in France, as his monogram "MAF": Marcantonio Francia confirms. Later he travelled between Venice, Florence and Rome. Influences of the French style can be seen in his works.
His work on the works of Raphael led Marcantonio to collaborate with Giulio Romano, who first commissioned from him a series of images taken from The Histories of Venus, Apollo and Hyacinth and The Histories of Magdalene and the Four Evangelists. Sixteen engravings, based on drawings by Giulio Romano, of Pietro Aretino's love sonnets and containing an erotic subject, were called "Poses of Aretino".
![Guido Reni](/assets/image/ArtImage_9461/039b9/gvidojpg__fix_147_180.jpeg)
![Guido Reni](/assets/image/ArtImage_9461/86e49/gvidojpg__fix_86_98.jpeg)
Guido Reni was an Italian Baroque painter, celebrated for his refined and classical approach to art. Born in Bologna, Italy, Reni's career spanned the late Renaissance and early Baroque periods, where he became known for his religious and mythological scenes. His style, characterized by elegance and grace, set him apart from his contemporaries, making his works highly sought after by both religious and secular patrons.
Reni's training under Denys Calvaert, followed by his time in the Carracci workshop, laid the foundation for his distinctive blend of classical idealism and Baroque dynamism. This education, coupled with his interactions and reported rivalry with Caravaggio in Rome, influenced his development as an artist who could balance the dramatic intensity of the Baroque with a serene classicism.
One of Reni's most famous works, the fresco "Aurora" in the Casino dell'Aurora of Palazzo Pallavicini-Rospigliosi, showcases his mastery of classical forms and his ability to convey narrative through expressive composition and vibrant color. This masterpiece, depicting Apollo's chariot led by Dawn, is celebrated for its simplicity and restraint, contrasting the more elaborate compositions typical of his era.
Reni's contributions to religious art are also significant, with works such as "The Archangel Michael Defeating Satan" and "Saint Joseph and the Christ Child" reflecting his capacity to imbue traditional Christian subjects with a profound sense of divinity and humanity. His paintings are distinguished by their delicate treatment of light and shadow, a hallmark of his refined aesthetic.
Collectors and art experts continue to admire Reni's works for their technical brilliance and emotional depth. His paintings, such as "The Massacre of the Innocents" and "Saint Sebastian," are preserved in major museums worldwide, testament to his enduring influence on Western art. Reni's legacy as a bridge between the Renaissance's ideal beauty and the Baroque's emotive power remains unparalleled, securing his place among the pantheon of great artists.
For collectors and experts in the field of art and antiques, Guido Reni's oeuvre represents not just the pinnacle of Baroque painting but also a connection to the cultural and aesthetic shifts of his time. To stay updated on sales, auctions, and exhibitions related to Guido Reni's works, signing up for updates can provide exclusive insights and opportunities to engage with the legacy of this exceptional artist.
![Giulio Romano](/assets/image/ArtImage_8367/8cf50/self-portraitgiulioromanojpg__fix_147_180.jpeg)
![Giulio Romano](/assets/image/ArtImage_8367/c20dd/self-portraitgiulioromanojpg__fix_86_98.jpeg)
Giulio Romano, an Italian prodigy in painting and architecture, is celebrated for his dynamic contributions to the Renaissance and Mannerist styles. A pivotal figure in the late Renaissance, Giulio Romano was not only Raphael's principal pupil but also a trusted assistant, inheriting his master's workshop upon his death in 1520.
Giulio Romano's artistic journey began under Raphael's tutelage, where he honed his skills in both painting and architecture. His work vividly reflects the essence of the High Renaissance yet also signals the advent of Mannerism, a style characterized by elongated forms and exaggerated emotions. Notably, Romano's architectural prowess was largely self-taught, developed while assisting Raphael, who was the papal architect during that time.
The Palazzo del Te in Mantua stands as a testament to Giulio Romano's architectural genius. This pleasure palace, begun around 1524 and completed a decade later, showcases his inventive spirit and skill. It's a striking example of how Romano played with classical conventions to create something uniquely expressive. His ability to transform spaces was not just limited to grand structures but also extended to designing gardens and facades, enhancing their aesthetics and functionality.
In painting, Giulio Romano's works such as the Stoning of St. Stephen in Santo Stefano, Genoa, and the Adoration of the Magi in the Louvre, demonstrate his mastery and influence. His fresco "Fire in the Borgo" in the Raphael Rooms of the Vatican City is particularly noteworthy. Romano's drawings and designs, revered for their technical skill and creativity, significantly influenced subsequent artists, including Nicolas Poussin.
For art collectors and experts, the works of Giulio Romano present a fascinating blend of Renaissance classicism and the burgeoning Mannerist style. His contributions in both painting and architecture have left an indelible mark on the history of art and culture.
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![Cristoforo Roncalli (Il Pomarancio)](/assets/image/ArtImage_33195/fe4c7/vilroncalli-cristoforojpg__fix_147_180.jpeg)
![Cristoforo Roncalli (Il Pomarancio)](/assets/image/ArtImage_33195/7df8f/vilroncalli-cristoforojpg__fix_86_98.jpeg)
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio. Most of his fresco work was in Rome, though he worked for a decade in Loreto, where he decorated the New Sacristy.
![Matteo Rosselli](/assets/image/ArtImage_33222/a401d/vilrosselli-matteojpg__fix_147_180.jpeg)
![Matteo Rosselli](/assets/image/ArtImage_33222/201ad/vilrosselli-matteojpg__fix_86_98.jpeg)
Matteo Rosselli was an Italian painter of the late Florentine Counter-Mannerism and early Baroque. He is best known however for his highly populated grand-manner historical paintings. He first apprenticed with Gregorio Pagani. On 26 February 1599, he was inducted to the Accademia del Disegno, and in 1605 traveled to Rome to work with Domenico Passignano for six months. He completed some frescoes on The Legend of the Origin of the Servite Order in the Palazzo Pitti and in the Cloister of the Basilica della Santissima Annunziata; a Madonna and child with St Francis altarpiece for the Church of Santa Maria Maggiore in Florence.
![Peter Paul Rubens](/assets/image/ArtImage_48/fdc4a/rubens-avtoportret-1623jpg__fix_147_180.jpeg)
![Peter Paul Rubens](/assets/image/ArtImage_48/e38d7/rubens-avtoportret-1623jpg__fix_86_98.jpeg)
Peter Paul Rubens was a distinguished Flemish Baroque painter, renowned for his dynamic, vibrant, and sensuous paintings. Born on June 28, 1577, in Siegen, Westphalia, Germany, Rubens' family moved back to Antwerp in the Spanish Netherlands (now Belgium) after his father's death. He was raised in his mother’s Roman Catholic faith and received a classical education. He began his artistic training in 1591 and later traveled to Italy, where he was profoundly influenced by Renaissance masters like Titian, Tintoretto, and Veronese. This experience significantly shaped his artistic style.
Rubens' art is celebrated for its emphasis on movement, color, and sensuality. He was particularly skilled in depicting religious and mythological scenes, portraits, and landscapes. Some of his notable works include "The Descent from the Cross" and "The Raising of the Cross," which are prime examples of Baroque religious art, showcasing his unique style that blended influences from Italian Renaissance and his own innovations.
Rubens was not just a painter but also a diplomat, serving at various European courts. He was knighted by both Philip IV of Spain and Charles I of England. His diplomatic missions often intertwined with his artistic endeavors, as seen during his travels to Spain and Italy. In addition to painting, he was involved in designing tapestries, prints, and book title-pages. He ran a large workshop in Antwerp, producing works that were popular with nobility and art collectors across Europe. His studio was in his home, the Rubenshuis, now a museum.
His influence extended to his students, notably Anthony van Dyck, and his collaborative works with other artists like Jan Brueghel the Elder. Rubens' work continued to be celebrated for its vitality and influence on the Baroque style, making him one of the most influential artists of his time.
For those interested in the work and life of Peter Paul Rubens, many of his works can be found in museums and galleries worldwide, including the National Gallery in London, which houses several of his paintings like "A View of Het Steen in the Early Morning" and "Minerva protects Pax from Mars ('Peace and War')".
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![Vincenzo Rustici](/assets/image/ArtImage_33220/c1343/vilrustici-vincenzopng__fix_147_180.jpeg)
![Vincenzo Rustici](/assets/image/ArtImage_33220/fe9ef/vilrustici-vincenzopng__fix_86_98.jpeg)
Vincenzo Rustici was an Italian painter active in Siena. He was known for his religious compositions as well as his vedute showing public celebrations in Siena. Vincenzo Rustici was also a painter of history subjects. He is now mainly known for two canvases depicting respectively the Palio di Siena and the Procession of the Contrade in the Piazza del Campo held on 15 August 1546. These works provide an important record of these public festivities at the time. Rustici created a number of depictions of the Madonna and Child with saints.