Painters Italy 15th century 16th century
![Angelo Falconetto](/assets/image/ArtImage_46780/44006/vilfalconetto-angelojpg__fix_147_180.jpeg)
![Angelo Falconetto](/assets/image/ArtImage_46780/b5ec7/vilfalconetto-angelojpg__fix_86_98.jpeg)
Angelo Falconetto was a Verona artist, draftsman and engraver who lived in the 16th century.
He has many engravings of landscapes and figures. Some are fully signed, others have a monogram that has been erroneously interpreted as being by the 17th century artist Angelo Falcone.
![Odoardo Fialetti](/assets/image/ArtImage_46786/84666/vilfialetti-odoardojpeg__fix_147_180.jpeg)
![Odoardo Fialetti](/assets/image/ArtImage_46786/b7d5b/vilfialetti-odoardojpeg__fix_86_98.jpeg)
Odoardo Fialetti was an Italian painter and printmaker who began his training during the late Renaissance, and showed distinct mannerist sensibilities in his mid-career, adopting a much looser and more dynamic style in his later life.
Born in Bologna, he initially apprenticed with Giovanni Battista Cremonini, and after traveling to Rome, he moved to Venice to work in the elderly Tintoretto's studio.
From 1604 to 1612, he is listed as member of the Venetian Fraglia dei Pittori. In Venice, he painted a St Agnes for the church of San Nicolò da Tolentino and scenes from the Life of St Dominic for the sacristy of the Santi Giovanni e Paolo.
![Sebastiano Folli](/assets/image/ArtImage_33205/1713c/vilfolli-sebastianowebp__fix_147_180.jpeg)
![Sebastiano Folli](/assets/image/ArtImage_33205/d5c83/vilfolli-sebastianowebp__fix_86_98.jpeg)
Sebastiano Folli was an Italian painter of the late Renaissance period. He was a scholar of Alessandro Casolano, and a native of Siena. He distinguished himself by several frescoes in the churches at Siena, particularly the cupola of Santa Marta, and some subjects from the Life of St. Sebastian, in the church of that saint, painted in competition with Rutilio Manetti.
![Lavinia Fontana](/assets/image/ArtImage_15714/cb894/6776jpg__fix_147_180.jpeg)
![Lavinia Fontana](/assets/image/ArtImage_15714/a2c36/6776jpg__fix_86_98.jpeg)
Lavinia Fontana was a Bolognese Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father Prospero Fontana who was a teacher at the School of Bologna. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first woman artist to paint female nudes, but this is a topic of controversy among art historians.
![Francesco Francia](/assets/image/ArtImage_43340/6eefd/francescofranciaportraitjpeg__fix_147_180.jpeg)
![Francesco Francia](/assets/image/ArtImage_43340/2e64b/francescofranciaportraitjpeg__fix_86_98.jpeg)
Francesco Francia, also known as Francesco Raibolini, was an Italian painter, goldsmith, and medallist from Bologna. He began his career in the late 15th century and collaborated with artists like Lorenzo Costa, drawing inspiration from the styles of Ercole de' Roberti, Perugino, and Raphael.
Francia ran a successful workshop and trained notable artists such as Marcantonio Raimondi and Ludovico Marmitta. While it was once rumored that Raphael's work caused him to die of depression, their friendship has since debunked this claim.
Francesco Francia passed away in Bologna, and his sons, Giacomo Francia and Giulio Francia, also became artists.
![Giuseppe Franco](/assets/image/ArtImage_53087/93aa2/giuseppe-franchijpg__fix_147_180.jpeg)
![Giuseppe Franco](/assets/image/ArtImage_53087/c3dcd/giuseppe-franchijpg__fix_86_98.jpeg)
Giuseppe Franco, an Italian painter active between 1565 and 1628, remains an enigmatic figure in the rich tapestry of art history. Known by various names, including Giuseppe Franchi, Giuseppe Monti, and Giuseppe dalle Lodole, his diverse monikers reflect the multifaceted nature of his work and the period's artistic fluidity.
Rooted in the transition from the Renaissance to the Baroque, Franco's artistry is characterized by its dynamic compositions and emotional intensity. While specific details of his oeuvre are less documented, his known works suggest a mastery of form and color, embodying the evolving styles of his time. Franco's paintings, presumably found in Italian churches and private collections, would offer a glimpse into the religious and cultural narratives prevalent during his lifetime.
Franco's contributions to art and culture are significant for their historical context and the light they shed on the period's aesthetic developments. His style, indicative of the early Baroque's emerging vibrancy, would have played a role in the transition from the classical harmony of the Renaissance to the expressive drama of the Baroque.
For collectors and experts in art and antiques, Giuseppe Franco's works represent a fascinating puzzle piece of history, bridging gaps between known artistic milestones. His paintings, if extant, would be prized not only for their beauty but also for their historical value, offering insights into the era's shifting paradigms.
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