Painters Italy 15th century 16th century
![Andrea Mantegna](/assets/image/ArtImage_53373/3ce64/andrea-mantegna-hjpg__fix_147_180.jpeg)
![Andrea Mantegna](/assets/image/ArtImage_53373/2090a/andrea-mantegna-hjpg__fix_86_98.jpeg)
Andrea Mantegna was an Italian painter and engraver, celebrated as the first fully Renaissance artist of northern Italy. Born in 1431 near Vicenza, Mantegna emerged from Francesco Squarcione's Paduan school, distinguishing himself early on with his mastery in painting and his innovative use of perspective. His departure from Squarcione's workshop at a young age to establish his own marked the beginning of a prolific career that would influence the course of Renaissance art.
Mantegna's work is renowned for its dramatic use of perspective and detail, which he applied with meticulous care to both religious subjects and classical themes. His groundbreaking fresco cycle in the Ovetari Chapel, though largely destroyed during WWII, showcased his early mastery of perspective, a technique that would become a hallmark of his style. This early work helped establish his reputation, leading to significant commissions such as the Camera degli Sposi in Mantua's Ducal Palace, completed in 1474, which delighted visitors with its illusionistic space and detailed portraits of the Gonzaga family.
One of his most famous works, the Triumph of Caesar, consists of a series of nine canvases that depict Julius Caesar's victorious return to Rome. These panels, celebrated for their detailed portrayal of the Roman triumph, are now housed in Hampton Court Palace in London. Mantegna's meticulous attention to classical detail and his ability to convey narrative through art have made these works stand out in the history of Renaissance painting.
His exploration of perspective reached a zenith in works such as the Lamentation of Christ, where the use of foreshortening to depict Christ's body laid out for the viewer demonstrated Mantegna's skill in manipulating visual perception for dramatic effect. This piece, along with other later works like the Madonna of Victory and the paintings for Isabella d'Este's private chambers, showcase Mantegna's continuous evolution as an artist and his influence on subsequent generations.
Mantegna's legacy extends beyond his paintings; his engravings were highly valued for their detail and technical execution, influencing artists such as Albrecht Dürer. His draughtsmanship and innovative compositions in both painting and engraving marked a significant contribution to the Italian Renaissance, blending classical themes with the emerging humanist philosophy of the time.
For collectors and experts in art and antiques, Mantegna's works offer a fascinating insight into the transition from medieval to Renaissance art, characterized by an increased emphasis on humanism, perspective, and a revival of classical antiquity. His paintings and engravings not only depict the cultural and intellectual zeitgeist of his era but also demonstrate his technical prowess and creative vision.
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![Masaccio](/assets/image/ArtImage_43717/bc2a0/mazaccojpg__fix_147_180.jpeg)
![Masaccio](/assets/image/ArtImage_43717/59e7b/mazaccojpg__fix_86_98.jpeg)
Masaccio, real name Tommaso di Ser Giovanni di Simone Cassai, stands as a pivotal figure in the Renaissance art movement, recognized primarily for his advancements in painting. As an Italian Painter, his work is celebrated for embodying the spirit of the early Renaissance, merging naturalistic elements with a depth of emotional expression and perspective that was revolutionary for his time. Masaccio's genius lies in his ability to convey complex human emotions and spatial depth, making his paintings come alive with realism and humanity.
His contributions to art are not only seen in his techniques but also in his famous works, such as the frescoes in the Brancacci Chapel in Florence. These pieces are esteemed for their dramatic realism and use of perspective, showcasing Masaccio's mastery over light and shadow to create an illusion of depth. His work in the Brancacci Chapel, particularly "The Tribute Money," is often cited as a textbook example of linear perspective, influencing countless artists who followed.
Masaccio's impact on the art world extends beyond his lifetime, setting a foundation that would guide the direction of Western art. His approach to painting, emphasizing realism, perspective, and human emotion, marked a departure from the more stylized figures of medieval art, leading towards a more lifelike representation. His works, preserved in museums and galleries across Italy, continue to be a source of inspiration for art lovers, collectors, and experts in the field of art and antiques.
For those intrigued by the innovation and depth of Renaissance art, Masaccio's legacy offers a window into the dawn of modern painting. We invite collectors and art experts to stay connected with updates on new discoveries, product sales, and auction events related to Masaccio's work. Signing up ensures you're at the forefront of the latest findings and opportunities to acquire pieces connected to this monumental artist.
![Girolamo Massei](/assets/image/ArtImage_41401/5c035/girolamo-masseijpg__fix_147_180.jpeg)
![Girolamo Massei](/assets/image/ArtImage_41401/febec/girolamo-masseijpg__fix_86_98.jpeg)
Girolamo Massei was an Italian painter who worked in the Mannerist style. His style was strongly influenced by the works of Michelangelo and Parmigianino, and he often incorporated elements of classical art into his works.
Girolamo Massei was known for his decorative frescoes and oil paintings, which were often characterised by rich colours, complex compositions, dynamic poses and dramatic lighting effects.
Throughout his career, Massei received numerous commissions and his works can be found in churches, palaces and museums throughout Italy.
![Master of the Fiesole Epiphany](/assets/image/ArtImage_37368/5aedb/masterofthefiesoleepiphanyjpeg__fix_147_180.jpeg)
![Master of the Fiesole Epiphany](/assets/image/ArtImage_37368/29fe6/masterofthefiesoleepiphanyjpeg__fix_86_98.jpeg)
Master of the Epiphany of Fiesole or Master of the Fiesole Epiphany (English: Master of the Fiesole Epiphany) was an Italian painter active in Florence in the mid-15th century. The artist, whose name is not known, was given his notational name after the large-scale depiction of the Epiphany he created for the church of San Francesco in Fiesole in the province of Florence.
![Andrea Meldolla](/assets/image/ArtImage_54785/e0685/andrea-meldolla-schiavonejpg__fix_147_180.jpeg)
![Andrea Meldolla](/assets/image/ArtImage_54785/f22c1/andrea-meldolla-schiavonejpg__fix_86_98.jpeg)
Andrea Meldolla (Schiavone) was an Italian Renaissance painter and etcher, born in present-day Croatia, active mainly in the city of Venice. His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian.
![Altobello Melone](/assets/image/ArtImage_44092/09eb0/altobello-melonejpg__fix_147_180.jpeg)
![Altobello Melone](/assets/image/ArtImage_44092/c8fa8/altobello-melonejpg__fix_86_98.jpeg)
Altobello Melone was an Italian painter of the late Renaissance.
He worked all his life in his hometown of Cremona, where he completed his most important commission, a cycle of frescoes for the city's cathedral. In addition to religious compositions, Melone painted portraits and genre scenes. The artist's style is characterized by eclecticism, from Lombard and Mannerist. His portraits are emotionally intense and the moods of the people depicted are easy to read, whether melancholy or anger.
![Michelangelo Merisi da Caravaggio](/assets/image/ArtImage_5258/76fec/bild-ottavioleonicaravaggiojpg__fix_147_180.jpeg)
![Michelangelo Merisi da Caravaggio](/assets/image/ArtImage_5258/d621b/bild-ottavioleonicaravaggiojpg__fix_86_98.jpeg)
Michelangelo Merisi da Caravaggio, an Italian painter, was a pivotal figure in the transition to Baroque art. Born in Milan or the town of Caravaggio in 1571, his work is renowned for its realistic depiction of human emotion, dramatic use of lighting, and less-than-idealized portrayal of subjects, which broke away from the Mannerist style prevalent at the time.
Caravaggio's life was as dramatic as his art. In 1592, he moved to Rome, where, despite initial hardships, his unique style caught the eye of Cardinal Francesco del Monte, leading to his first public commissions. His success, however, was marred by a tumultuous life filled with brawls and legal troubles. Notably, in 1606, he fled Rome after killing Ranuccio Tommasoni in a brawl, an act that led to a death sentence. He sought refuge in Naples, Malta, and Sicily, continuing to create influential works while attempting to secure a papal pardon.
His most significant contributions to art include introducing a style that combined naturalistic detail with dramatic lighting (chiaroscuro) and psychological realism. This approach had a profound impact on the evolution of Baroque painting. Some of his notable works include "Basket of Fruit," "The Calling of St. Matthew," "The Beheading of St. John the Baptist," and "Supper at Emmaus." These works are characterized by their innovative composition and the intense emotional state they convey.
Caravaggio's fame waned after his death in 1610 under mysterious circumstances while traveling from Naples to Rome. However, the 20th century saw a resurgence in interest in his work, acknowledging his significant influence on Western art.
For collectors and art experts, Caravaggio's works represent a pivotal moment in the history of art, where the transition from Renaissance ideals to Baroque realism is profoundly evident. His paintings can be seen in various museums and galleries, offering a glimpse into the dramatic and emotive potential of art.
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![Giovanni Battista Moroni](/assets/image/ArtImage_36318/7ae6f/dzovanni-battista-moronijpg__fix_147_180.jpeg)
![Giovanni Battista Moroni](/assets/image/ArtImage_36318/87d22/dzovanni-battista-moronijpg__fix_86_98.jpeg)
Giovanni Battista Moroni was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy.