Painters Italy 15th century 16th century
![Simone Barabino](/assets/image/ArtImage_33314/4c578/vilbarabino-simonejpg__fix_147_180.jpeg)
![Simone Barabino](/assets/image/ArtImage_33314/8bda0/vilbarabino-simonejpg__fix_86_98.jpeg)
Simone Barabino was an Italian painter of the late-Mannerist style. Born in Val de Polcevera, near Genoa, he was mainly active in his native city, where he trained with Bernardo Castello. Notable works include San Diego restoring sight to blind child for the Nunziata del Guastato in Genoa and Dead Christ with the Virgin and Saints Michael and Andrew for the church of San Girolamo at Milan.
![Donato di Niccolò di Betto Bardi](/assets/image/ArtImage_38791/39595/vil-donato-di-niccolo-di-betto-bardi-vilwikijpeg__fix_147_180.jpeg)
![Donato di Niccolò di Betto Bardi](/assets/image/ArtImage_38791/43958/vil-donato-di-niccolo-di-betto-bardi-vilwikijpeg__fix_86_98.jpeg)
Donato di Niccolò di Betto Bardi, better known as Donatello, sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's David was the first freestanding nude male sculpture since antiquity.
He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.
![Federico Barocci](/assets/image/ArtImage_1213/2eacc/baroccijpg__fix_147_180.jpeg)
![Federico Barocci](/assets/image/ArtImage_1213/65eb7/baroccijpg__fix_86_98.jpeg)
Federico Barocci, an Italian Renaissance painter and printmaker, was celebrated for his vibrant use of color and dynamic compositions. Born around 1533 in Urbino, Italy, a hub of Renaissance culture, Barocci's early life was steeped in the rich artistic heritage of the time. His training included an apprenticeship with his father, a sculptor, and later with notable artists such as Battista Franco Veneziano and Taddeo Zuccari.
Federico Barocci's work, known for its emotional intensity and use of light, positioned him as a critical link between the Mannerist style of the 16th century and the emerging Baroque period. His paintings often depicted religious scenes, imbued with a warmth and spirituality that resonated with viewers. His unique approach to color and composition had a significant influence on later artists, including the Baroque masters Peter Paul Rubens and Gian Lorenzo Bernini.
Despite suffering from chronic illness, possibly due to poisoning, Federico Barocci's output remained prolific and influential. His works can be found in several prestigious galleries, including the Uffizi in Florence, where his "Madonna del Popolo" and "Martyrdom of Saint Vitale" are displayed. These pieces, along with others like "The Deposition" in the Cathedral of Perugia and "Noli me Tangere" in Munich, showcase his mastery in portraying human emotion and divine radiance.
Collectors and experts in art and antiques will appreciate the depth and innovation of Federico Barocci's work. His legacy as a master colorist and draughtsman is undeniable, making his pieces a valuable addition to any collection.
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![Fra Bartolomeo](/assets/image/ArtImage_26112/34e69/vil-baccio-della-portajpg__fix_147_180.jpeg)
![Fra Bartolomeo](/assets/image/ArtImage_26112/8c826/vil-baccio-della-portajpg__fix_86_98.jpeg)
Fra Bartolomeo was an Italian painter, a notable figure of the High Renaissance. Known for his religious artworks, Fra Bartolommeo's style was deeply influenced by his spiritual journey and association with the Dominican Order.
After receiving his early artistic training from Cosimo Rosselli, Bartolommeo's style initially exhibited influences from artists like Piero di Cosimo, Domenico Ghirlandaio, and Filippino Lippi. However, his encounter with Savonarola, a Dominican friar and reformer, in the late 1490s led to a significant spiritual transformation. This encounter influenced him to enter the Dominican monastery at San Domenico in Prato as a novice in 1500, and he temporarily renounced painting. It wasn't until 1504, when he resumed painting as the head of the monastery workshop, that his style saw a significant transformation.
In his works, Fra Bartolomeo beautifully integrated the styles of Leonardo da Vinci and Raphael, especially in his altarpieces, which are imbued with a sense of pietism reminiscent of Fra Angelico. His work is notable for the skilled massing of light and shade, richness in coloring, and delicate handling of drapery. The introduction and use of the lay-figure with joints in his compositions were innovations he is credited with. His masterpiece, St. Mark Evangelist, and the undraped figure of Saint Sebastian, are particularly noted for their expressive power.
Some of his notable works include "Vision of St. Bernard" (1507), "The Holy Family with John the Baptist," and "Virgin and Child with Saints." His art can be found in prestigious galleries, including the Pinacoteca Vaticana, Palazzo Pitti in Florence, and the National Gallery in London.
For art collectors and enthusiasts, Fra Bartolomeo's works represent a blend of spiritual depth and artistic innovation during the pinnacle of the Renaissance period. His legacy in religious art continues to inspire and captivate audiences worldwide.
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![Jacopo Bassano](/assets/image/ArtImage_40442/73dec/jacopo-bassanojpg__fix_147_180.jpeg)
![Jacopo Bassano](/assets/image/ArtImage_40442/57eb8/jacopo-bassanojpg__fix_86_98.jpeg)
Jacopo Bassano or Jacopo da Ponte was an Italian painter of the Venetian school. He painted biblical scenes and portraits in the late Renaissance and Mannerist style, with a slight touch of Baroque. Bassano was quite realistic in his depictions of everyday objects, animals, homes and landscapes.
![Nicolas Beatrizet](/assets/image/ArtImage_45359/9bb17/vilbeatrize-nicolasjpg__fix_147_180.jpeg)
![Nicolas Beatrizet](/assets/image/ArtImage_45359/c78c3/vilbeatrize-nicolasjpg__fix_86_98.jpeg)
Nicolas Béatrizet (or Beatrizet, or Beatricetto) was a 16th century French engraver, working in Rome. Béatrizet was born at Luneville in or before 1520. From his style, it has been conjectured that he was a scholar of Ghisi and Agostino Veneziano de Musis. From 1540 to 1560, he engraved under the direction of Michelangelo. The importance of Béatrizet's works lay in the fact that his engravings were unique records of pictures by some of the greatest artists rather than their inherent quality. He usually signed his plates with the letters "N. B. L. F.". Their number is considerable, but most of them are included in the following list.
![Giovanni Bellini](/assets/image/ArtImage_34655/2d5e3/giovannibellinijpg__fix_147_180.jpeg)
![Giovanni Bellini](/assets/image/ArtImage_34655/29918/giovannibellinijpg__fix_86_98.jpeg)
Giovanni Bellini was a renowned Italian painter, celebrated for his pivotal role in the Venetian Renaissance. Born around 1430 in Venice, Italy, Bellini's work is distinguished by its innovative use of color, keen interest in light, and meticulous brushwork, which marked a significant departure from the styles of his predecessors and contemporaries. He is acknowledged as one of the most influential figures of the Bellini family, a lineage of esteemed Venetian painters that profoundly shaped the course of Venetian art.
Bellini's oeuvre spans religious altarpieces, portraits, and mythological scenes, demonstrating a gradual evolution from the narrative-driven compositions of the Early Renaissance to a more nuanced naturalism and emotional depth. Notable works include the "San Zaccaria Altarpiece," celebrated for its serene beauty and imposing presence, and "The Feast of the Gods," a secular piece illustrating Bellini's late career shift towards more naturalistic mythologies and exploration of erotic themes in accordance with the trends of early 16th-century Renaissance art.
His early works, characterized by the use of tempera, exhibit a unique blend of the Paduan school's severity and a profound religious sentimentality, setting the stage for his later mastery of oil painting. This mastery allowed Bellini to achieve unparalleled atmospheric effects and a harmonious blend of colors, contributing significantly to the development of Venetian painting. His contributions were not limited to his own works; Bellini also played a crucial role as a teacher, influencing future generations of artists including Giorgione and Titian, thus ensuring his lasting impact on the Renaissance art movement.
Giovanni Bellini's works are preserved in several prestigious museums and galleries worldwide, serving as a testament to his enduring legacy in the art world. His ability to infuse his paintings with a sense of divine tranquility, coupled with his innovative techniques, has cemented his status as a key figure in the history of Western art.
For collectors and experts in art and antiques, Giovanni Bellini's work represents not only a pinnacle of Renaissance artistry but also a bridge between the medieval and modern worlds. His nuanced approach to color, light, and composition continues to inspire and attract admiration from across the globe.
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![Gentile Bellini](/assets/image/ArtImage_34036/c0bc8/dzentile-bellini-avtoportretjpg__fix_147_180.jpeg)
![Gentile Bellini](/assets/image/ArtImage_34036/f7be0/dzentile-bellini-avtoportretjpg__fix_86_98.jpeg)
Gentile Bellini was a seminal Venetian painter, born circa 1429 into Venice’s preeminent family of artists. Known primarily for his portraiture and scenes depicting the Middle East, Bellini's style was marked by precise execution and keen attention to detail. His paintings, especially those from his time in Constantinople, showcased an enchanting blend of Western and Eastern artistic elements, contributing significantly to the Orientalist movement in Western art.
His works are renowned for their incorporation of architectural elements from the regions he visited, which played a pivotal role in educating Europeans about cultures beyond their borders. Bellini served as a cultural ambassador to the Ottoman Court, painting the portrait of Sultan Mehmed II, a work that remains notable for its vivid portrayal and historical significance.
Despite the destruction of many of his paintings, some of Bellini's masterpieces continue to be celebrated, such as "The Miracle of the True Cross at the Bridge of San Lorenzo" and "The Procession in Piazza San Marco," which reflect the grandeur and spirit of Venice during the Renaissance.
Bellini's legacy extends beyond his canvases, influencing the craft and direction of future artists, including his student Titian. While contemporary critics often regard his brother, Giovanni Bellini, as the more accomplished artist, Gentile's contributions to the Venetian school and his role in bridging Western and Eastern art remain undisputed.
For collectors and art experts, Gentile Bellini's work represents a confluence of cultural narratives and artistic excellence. To stay informed about exhibitions and sales featuring Gentile Bellini's work, signing up for updates can provide an exclusive edge in the art and antiques sphere.
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![Isidoro Bianchi](/assets/image/ArtImage_33472/461b7/vilbianchi-isidorojpg__fix_147_180.jpeg)
![Isidoro Bianchi](/assets/image/ArtImage_33472/b5bb0/vilbianchi-isidorojpg__fix_86_98.jpeg)
Isidoro Bianchi called da Campione was an Italian painter of the Baroque period. He studied under Pietro Francesco Mazzuchelli. He excelled in fresco painting for the Basilica of Sant'Ambrogio at Milan and in different churches at Como.
![Giulio Bonasone](/assets/image/ArtImage_8162/d8878/6-giulio-bonasone-minjpg__fix_147_180.jpeg)
![Giulio Bonasone](/assets/image/ArtImage_8162/33665/6-giulio-bonasone-minjpg__fix_86_98.jpeg)
Giulio Antonio Bonasone was an Italian painter and engraver born in Bologna. He possibly studied painting under Lorenzo Sabbatini, and painted a Purgatory for the church of San Stefano, but all his paintings have been lost. He is better known as an engraver and is believed to have trained with Marcantonio Raimondi. He worked mainly in Mantua, Rome and Venice and with great success, producing etchings and engravings after the old masters and his own designs.
He has been regarded an engraver with extraordinary skills in reproducing, as he could accurately convey the sources' compositions, colours, and essence. Moreover, he expressed his understanding about the controversies about religion and culture in his time through his prints. He is considered among the most important and productive engravers of the sixteenth century.
![Sandro Botticelli](/assets/image/ArtImage_32/9c539/sandro-botticelli-predpolagaemyj-avtoportret-v-kartine-poklonenie-volhvov-1475jpg__fix_147_180.jpeg)
![Sandro Botticelli](/assets/image/ArtImage_32/d25d3/sandro-botticelli-predpolagaemyj-avtoportret-v-kartine-poklonenie-volhvov-1475jpg__fix_86_98.jpeg)
Sandro Botticelli, an Italian painter of the Early Renaissance, was renowned for his exquisite works that beautifully merged classical mythology with religious themes. Born Alessandro di Mariano di Vanni Filipepi in Florence around 1445, Botticelli became a pivotal figure in the Florentine art scene under the patronage of the Medici family. His education under Filippo Lippi honed his skills in painting, leading to a unique style that emphasized linear grace and ethereal beauty. Botticelli's art is celebrated for its elegance and for capturing the spirit of the Renaissance, a period marked by a rebirth of interest in classical antiquity and humanistic values.
Botticelli's oeuvre includes iconic mythological paintings like "The Birth of Venus" and "Primavera," both housed in the Uffizi Gallery in Florence. These masterpieces are distinguished by their allegorical complexity and the delicate portrayal of figures that seem to transcend the earthly realm, reflecting Botticelli's interest in blending myth with a narrative style that appeals to the viewer's sense of wonder and contemplation. His religious works, characterized by expressive emotion and devotional intensity, also earned him acclaim, particularly his contributions to the Sistine Chapel in Rome.
Despite his success, Botticelli's later years were marked by a shift in style influenced by the somber preachings of Savonarola, leading to a preference for more devotional themes. His reputation waned posthumously until the late 19th century, when a resurgence of interest in his work restored Botticelli to his rightful place as a master of the Renaissance. Today, Botticelli is regarded as an artist whose works encapsulate the innovative spirit of his time, bridging the Gothic tradition with the emerging Renaissance aesthetic. His legacy endures, inspiring art lovers and collectors who are drawn to the ethereal beauty and rich symbolism of his paintings.
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![Paul Bril](/assets/image/ArtImage_24370/f11d0/vilbril-pauljpg__fix_147_180.jpeg)
![Paul Bril](/assets/image/ArtImage_24370/c4982/vilbril-pauljpg__fix_86_98.jpeg)
Paul Bril was a prominent Flemish painter, best known for his significant contributions to landscape painting. Born around 1554 in Antwerp, he later moved to Rome, where he became a central figure in the art scene, influencing the Italian and Northern European landscape painting traditions.
Paul Bril's early works were steeped in the Flemish manner, exhibiting a picturesque arrangement of landscape elements with dramatic contrasts of light and dark. His style evolved during his stay in Rome, influenced by the work of Annibale Carracci and Adam Elsheimer. By around 1605, Bril's compositions became more serene and classical, showcasing calmer transitions from foreground to background and embracing pastoral and mythological themes.
Paul Bril's contributions extended beyond his paintings. He was a respected figure in Rome's art community, becoming the first foreign director of the Accademia di San Luca in 1621. His patrons included some of the most influential families in Rome, and his work was sought after by collectors and fellow artists. Bril's influence was profound, impacting future generations of artists, including the Dutch Italianates and genre painters active in Rome.
His works can be found in prestigious galleries worldwide, illustrating his enduring legacy in the art world. For collectors and art and antiques experts, Paul Bril's work represents a significant period in the evolution of landscape painting, blending Flemish traditions with Italian classicism.
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![Agnolo Bronzino](/assets/image/ArtImage_36812/09bdc/agnolo-bronzinoportrait-vilwikijpg__fix_147_180.jpeg)
![Agnolo Bronzino](/assets/image/ArtImage_36812/749af/agnolo-bronzinoportrait-vilwikijpg__fix_86_98.jpeg)
Agnolo di Cosimo di Mariano, also Agnolo Tori, called Bronzino was an Italian painter, an important representative of Mannerism.
Bronzino was a painter of frescoes, altarpieces, devotional paintings and allegorical and mythological scenes. However, he excelled above all as an outstanding portrait painter. As in the case of Raphael, his works could be disseminated through the new possibilities of printmaking.
![Michelangelo Buonarroti](/assets/image/ArtImage_9452/e67f9/mikejpg__fix_147_180.jpeg)
![Michelangelo Buonarroti](/assets/image/ArtImage_9452/fcd1b/mikejpg__fix_86_98.jpeg)
Michelangelo di Lodovico Buonarroti Simoni, known simply as Michelangelo, was an Italian sculptor, painter, architect, and poet who played a significant role in the High Renaissance period. Born on March 6, 1475, in Caprese, Italy, Michelangelo's works are a testament to his mastery in various artistic realms, defining him as a quintessential Renaissance man.
Michelangelo's fame began early in his career, most notably with his sculptures "Pietà" (1499) and "David" (1501), both completed before he turned thirty. Despite his self-perception primarily as a sculptor, Michelangelo made an indelible mark in painting, particularly with the frescoes in the Sistine Chapel. These works include the scenes from Genesis on the chapel's ceiling and "The Last Judgment" on its altar wall, showcasing his innovative use of physical realism and psychological tension.
Among his most famous works, the "David" statue, now housed in the Accademia Gallery in Florence, and the "Pietà," located in St. Peter's Basilica, stand out for their intricate detail and emotional depth. Michelangelo's ability to imbue life into marble and his thoughtful consideration of light and shadow in painting were revolutionary. His techniques in fresco painting, such as the buon fresco method used in the Sistine Chapel, where he painted on wet plaster, were groundbreaking for their time.
Despite his temperamental nature, Michelangelo was deeply religious and dedicated to his art, often eschewing the use of assistants. His works were not only recognized and admired in Italy but also attracted attention from abroad, including the Ottoman Empire. Michelangelo's influence extended beyond his lifetime, significantly impacting the development of Mannerism and the Baroque style.
For art collectors and experts, Michelangelo's works remain a pinnacle of artistic achievement. His ability to blend realism with expressive physicality in both sculpture and painting set new standards in art. His works in major museums and galleries worldwide continue to inspire and awe viewers, reflecting the enduring legacy of his genius.
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