Lost Idol Sous-châssis Acrylique sur toile Art abstrait Russie 2018
Lost Idol (composition №22)
He has so many names, aliases and monikers, but none of them are true. He is known so well that it is not accepted to talk about him. Everyone just senses his presence, literally feels the movement of the air around them with the hairs on their skin. One day everyone will discover his true face, and it will happen very soon, just about, all that remains is to find him. But where?
Acrylic, gesso on linen canvas. Mounted on a stretcher frame. Coated with an archival quality protective satine varnish.
Painted with plastic card.
Sides are painted.
Ready to hang.
He has so many names, aliases and monikers, but none of them are true. He is known so well that it is not accepted to talk about him. Everyone just senses his presence, literally feels the movement of the air around them with the hairs on their skin. One day everyone will discover his true face, and it will happen very soon, just about, all that remains is to find him. But where?
Acrylic, gesso on linen canvas. Mounted on a stretcher frame. Coated with an archival quality protective satine varnish.
Painted with plastic card.
Sides are painted.
Ready to hang.
ID: | 40113 |
---|---|
Artiste: | Galina Khabarova (né en 1986) |
Originalité: | Original |
Condition: | Nouveau |
Année de fabrication: | 2018 |
Technique appliquée: | Acrylique sur toile, Impasto |
Matériel: | Toile, Sous-châssis |
Taille: | 50 x 70 x 2 cm |
Encadrement: | Non encadré |
Style artistique: | Art abstrait, Expressionnisme abstrait, Minimalisme, Art conceptuel, Art contemporain |
Expédition à: | Partout dans le monde |
Méthode de paiement: | Virement bancaire, Paypal |
Méthode d'expédition: | Service postal, Service de messagerie |
Retour de marchandises: | 7 jours |
Lieu d'origine: | Russie |
Catégorie: | Peintures |
Mots clés: | Abstrait |
Informations sur l'artiste
My paintings are abstract in nature and are created anew each time in the process of intuitively following the imagination, in most cases without any preliminary sketches. They are multi-layered surfaces with a rich texture that exposes the underlying layers of paint, with rhythm, direction and a complex color pattern.
When I start my work, I mentally return to a moment of the past, real or imaginary, when I experienced certain emotions. When I relive it within myself, I work on transfering these emotions to the surface of the canvas. This process is akin to meditation, when emotional images splash out on the painting, as if without my conscious participation. A paint stroke is a reflection of a certain feeling. As emotions quickly replace each other, so do paint strokes overlap each other in the process of my work. Starting with some colors and shades, I can finish the work with completely different ones, covering and overlapping each layer many times. But, like the emotions experienced, each stroke leaves its mark on the surface, forming a unique texture.
When I start my work, I mentally return to a moment of the past, real or imaginary, when I experienced certain emotions. When I relive it within myself, I work on transfering these emotions to the surface of the canvas. This process is akin to meditation, when emotional images splash out on the painting, as if without my conscious participation. A paint stroke is a reflection of a certain feeling. As emotions quickly replace each other, so do paint strokes overlap each other in the process of my work. Starting with some colors and shades, I can finish the work with completely different ones, covering and overlapping each layer many times. But, like the emotions experienced, each stroke leaves its mark on the surface, forming a unique texture.
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