A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 1
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 2
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 3
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 4
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 5
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 6
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - photo 7

A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman

Lot 170
28.09.2023 13:00UTC +00:00
Classic
Vendu
£ 4 410
AuctioneerCHRISTIE'S
Lieu de l'événementRoyaume-Uni, London
Commissionsee on Website%
Archive
La vente aux enchères est terminée. Vous ne pouvez plus enchérir.
Archive
ID 1016533
Lot 170 | A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman
Valeur estimée
£ 6 000 – 8 000
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman

Charles “Charlie,” Jr. Parker, Max Roach, Billie Holiday, Coleman Hawkins et al.

PARKER, Charles “Charlie,” Jr. (1920-1955), Max ROACH (1924-2007), Billie HOLIDAY (1915-1959), Coleman HAWKINS, (1904-1969) et al.



A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman.



Singerman was a professional photographer and co-owner of Character Arts Photo Studio in Cleveland, Ohio, in the 1940s and 50s. During this period, he met and befriended many of the jazz greats who made appearances at clubs in and around Cleveland and Chicago. In a 2013 interview with The New York Times, film archivist Joe Lauro, who had acquired Singerman’s photography archive, explained that ‘Nat would go to see [jazz musicians] whenever they came to town. He collected old 78s that some of these artists had made when they were much younger. For example, he had Louis Armstrong records from the ’20s, and he would bring these classics, and Louis would sign in white ink his name, sometimes “to Nat.” He had Billie Holiday sign, he had all kinds of other people sign these records.’ The 2013 profile featured a selection of remarkable colour photographs by Singerman, which show various musicians either posing with or signing Singerman’s 78s, stashed securely in a presentation album. The pot of white ink which Singerman often provided is clearly visible in some of the shots.



Seventeen 10-inch shellac 78 rpm records, variously signed on the labels or sleeves, comprising:



- Charlie Parker (You Came Along From) Out of Nowhere, signed in black ink on the original brown paper Mercury Records sleeve;

- Charlie Parker with Max Roach Buzzy, signed in white ink by Parker and Roach on the A-side label;

- Billie Holiday I'll Be Seeing You, signed in black ink on the brown paper sleeve, and Let’s Call the Whole Thing Off, signed slip pasted to A-side label;

- Coleman Hawkins Imagination, Night and Day, Salt Peanuts and Save It Pretty Mama, two signed in blue ink and two signed in white ink on the A-side labels;

- Coleman Hawkins and Oscar Pettiford Esquire Blues and My Ideal, both signed in white ink by Hawkins on the A-side label, with Pettiford’s signed slip pasted to the B-side labels;

- Earl ‘Fatha’ Hines At the El Grotto, Madhouse, and My Fate Is In Your Hands, two signed in white ink on the A-side and one signed in white ink on the B-side label;

- Fletcher Henderson My Papa Doesn’t Two Time No Time, signed in white ink on the A-side label, and Blue Rhythm, signed in white ink on the B-side label;

- Nat ‘King’ Cole Nature Boy, signed in white ink on the A-side label, and Body and Soul, signed in white ink on the B-side label;



the majority with later sleeves; housed in a carpet covered flight case. Provenance: Nat Singerman (photographer and jazz collector) – Bob Altshuler (former CBS Records Vice-President and record collector) – Norman R. Saks (Vail, plates 47c, 588-589, 590-594, 597-601, 608-610).

Adresse de l'enchère CHRISTIE'S
8 King Street, St. James's
SW1Y 6QT London
Royaume-Uni
Aperçu
28.09.2023 – 28.09.2023
Téléphone +44 (0)20 7839 9060
E-mail
4FQ.AYGKAGLUQ@FO3G@
Commission see on Website
Conditions d'utilisationConditions d'utilisation

Plus du Créateur

An archive of eleven rare 78 rpm Savoy Records test pressings, including Charlie Parker’s landmark first studio recordings as leader, from the collection of legendary Savoy producer Teddy Reig, 1944-46
An archive of eleven rare 78 rpm Savoy Records test pressings, including Charlie Parker’s landmark first studio recordings as leader, from the collection of legendary Savoy producer Teddy Reig, 1944-46
£6 000
Document signed
Document signed
£1 200
An instrument case, personally owned and used by Charlie “Bird” Parker, dating from his trip to Sweden in November 1950
An instrument case, personally owned and used by Charlie “Bird” Parker, dating from his trip to Sweden in November 1950
£3 000
Three autograph notes from Charlie Parker to his common-law wife Chan Parker, early 1950s
Three autograph notes from Charlie Parker to his common-law wife Chan Parker, early 1950s
£1 500
Lady Sings the Blues
Lady Sings the Blues
£1 200
Part-printed document signed in black ink 'Charlie Parker', 19 May 1954
Part-printed document signed in black ink 'Charlie Parker', 19 May 1954
£1 500
Three rare reel-to-reel master copy studio recordings of Billie Holiday from sessions produced by Norman Granz between April 1952 and August 1955
Three rare reel-to-reel master copy studio recordings of Billie Holiday from sessions produced by Norman Granz between April 1952 and August 1955
£2 000
Promotional mailer signed
Promotional mailer signed
£1 200

Termes connexes

Questions fréquemment posées

Pour participer aux ventes aux enchères, vous devez d’abord, vous inscrire. Après la confirmation de l’adresse e-mail, complétez votre profil d’utilisateur en fournissant des renseignements personnels tels que votre prénom, nom de famille et l’adresse postale. Choisissez un lot qui vous intéresse et indiquez le montant maximum que vous voulez offir pour ce lot. Dès que vous confirmez votre choix, nous transférerons votre demande par voie électronique à la maison de ventes aux enchères appropriée. Si votre demande est acceptée, votre offre va participer aux ventes aux enchères. Vous pouvez vérifier le statut actuel de votre offre en tout temps dans votre cabinet personnel VIL sous l’onglet «Vos offres».
Les enchères sont réalisées par les maisons de ventes et chacune des maisons de ventes décrit ses conditions de vente. Vous pouvez voir les textes dans la rubrique «Information sur les ventes».
Les résultats des ventes aux enchères sont publiés dans quelques jours après la clôture de l’enchère. En haut de la page du site web VIL, vous trouverez l’onglet «Enchères». Cliquez sur cet onglet et naviguez vers la page des catalogues de ventes aux enchères où vous trouverez facilement l’onglet « Résultats des ventes ». Sur cet onglet, sélectionnez l’enchère qui vous intéresse et consultez l’état de vente du lot de votre choix.
Les informations sur les gagnants des enchères sont confidentielles. Le gagnant de l'enchère recevra une notification directe de la maison d'enchères responsable avec des instructions pour les mesures à prendre: une facture de paiement et la manière dont les marchandises ont été reçues.
Chacune de maisons de ventes aux enchères adhère à sa propre politique concernant les modes de paiement des lots remportés. Toutes les maisons de ventes aux enchères acceptent les virements bancaires; la plupart d’elles acceptent les paiements par carte de crédit. Dans un avenir très proche, vous trouverez des renseignements détaillés sous la rubrique «Information sur les ventes», à la page du catalogue et du lot.
Le mode de livraison du lot dépend de sa taille et ses dimensions. Les petits articles peuvent être livrés par la poste. Les objets plus grands sont expédiés par courrier. Les préposés à la livraison des maisons de ventes aux enchères vous proposeront différentes options selon votre cas.
Non. Les archives servent de référence pour l'étude des prix des enchères, des photographies et des descriptions d'œuvres d'art.
?>